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Marvels & Tales-Journal of Fairy-Tale Studies最新文献

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Clever Maids, Fearless Jacks, and a Cat: Fairy Tales from a Living Oral Tradition ed. by Anita Best, Martin Lovelace, and Pauline Greenhill (review) 聪明的女仆,无畏的杰克和一只猫:来自活的口头传统的童话,作者:安妮塔·贝斯特,马丁·洛夫莱斯,波琳·格林希尔(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2023-02-14 DOI: 10.1353/mat.2022.0010
Millie Tullis
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引用次数: 0
Unruly Audience: Folk Interventions in Popular Media by Greg Kelley (review) 不守规矩的观众:大众媒体中的民间干预格雷格·凯利(评论)
4区 文学 Q2 Arts and Humanities Pub Date : 2023-02-14 DOI: 10.1353/mat.2022.0023
Amanda Firestone
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引用次数: 0
Straightening Agentic Women: The "Willful" Princess in Contemporary Fairy-Tale Picturebooks 直线型女性:当代童话绘本中的“任性”公主
4区 文学 Q2 Arts and Humanities Pub Date : 2023-02-14 DOI: 10.1353/mat.2022.0004
Rosalyn Borst
Abstract:Feminist scholars have criticized the misogyny of folk/fairy tales that recount how "willful" princesses who refuse to marry are reformed or punished. As a result, contemporary authors of fairy-tale picturebooks tend to alter or not incorporate the forced marriage theme when engaging with these tales. Yet, the trope of the "willful" princess whose will is "straightened" is still operative in recent fairy tales. Through a multimodal analysis of La bella Griselda (Beautiful Griselda, 2010) and De gouden kooi (The Golden Cage,2014), I show how these fairy-tale picturebooks reiterate the harmful dynamic of reforming or penalizing a "willfully" agentic princess.
摘要:女权主义学者批评了民间/童话故事中的厌女主义,这些故事讲述了拒绝结婚的“任性”公主如何被改造或惩罚。因此,当代童话绘本作者在创作这些故事时往往会改变或不融入强迫婚姻的主题。然而,在最近的童话故事中,“任性”的公主的意志被“矫正”的比喻仍然有效。通过对La bella Griselda(美丽的Griselda, 2010)和De gouden kooi(金色的笼子,2014)的多模态分析,我展示了这些童话般的绘本是如何重申改革或惩罚一个“任性的”代理公主的有害动力的。
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引用次数: 0
Recasting the Disney Princess in an Era of New Media and Social Movements ed. by Shearon Roberts (review) 在新媒体和社会运动时代重塑迪士尼公主谢伦·罗伯茨主编(评论)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0034
M. Anjirbag
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引用次数: 0
Oz Behind the Iron Curtain: Alexsandr Volkov and His Magic Land Series by Erika Haber (review) 《铁幕背后的奥兹:亚历山大·沃尔科夫和他的神奇土地》系列作者:艾丽卡·哈伯(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0037
J. Rudy
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引用次数: 0
The Fairy-Tale Vanguard: Literary Self-Consciousness in a Marvelous Genre ed. by Stijn Praet and Anna Kérchy (review) 《童话先锋:一种奇妙体裁中的文学自我意识》,作者:Stijn Praet, Anna ksamrchy(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0032
Marie Emilie Walz
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引用次数: 0
Madame d’Aulnoy’s “The White Cat”: A Factographic Fairy Tale 德奥尔诺瓦夫人的《白猫:一个虚构的童话》
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0020
S. Barzilai
Abstract:In “The White Cat” (1698), Marie-Catherine d’Aulnoy controverts received notions of the fairy tale in length, complexity, and subject matter by presenting a covert critique of the symbolic paternal order she inhabited: the society revolving around the absolutist Louis XIV of France. When embedded in sociocultural, political, and personal contexts, this tale thus invites reading as a factographic text grounded in lived experience. Part 1 foregrounds several precursor texts interwoven into d’Aulnoy’s narrative. Retelling old tales dissociates her subversive story from direct correlation with the author. Part 2 examines the repetitive motif of emboîtement or enclosure throughout “The White Cat” and its generative causes.
摘要:在《白猫》(1698)中,玛丽-凯瑟琳·德奥尔诺瓦对她所处的以专制主义者路易十四为中心的社会象征性父权秩序进行了隐秘性的批判,从而在篇幅、复杂性和主题上对童话故事的固有观念提出了质疑。当嵌入到社会文化、政治和个人背景中时,这个故事就会被当作一个基于生活经验的因素文本来阅读。第一部分强调了在达尔诺瓦的叙述中交织的几个先驱文本。重述旧故事使她的颠覆性故事与作者的直接联系分离开来。第二部分考察了贯穿《白猫》的体现或包围的重复主题及其产生原因。
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引用次数: 0
A Garden of Marvels: Tales of Wonder from Early Medieval China by Robert Ford Campany (review) 《奇迹花园:中世纪早期中国的奇迹故事》作者:罗伯特·福特·康柏尼(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0028
Micheline M. Soong
The category of zhiguai (accounts of the strange) texts is diverse, encompassing a wide variety of anecdotes, historical records, memoirs, letters, temple inscriptions, and biographies, among others, that recount encounters with sacred, ordinary, and apotropaic objects, shapeshifting animals, ghosts, demons, local gods, and numinous beings such as Daoist transcendents or the Buddha, Buddhist practitioners, deities and supernatural creatures;visits to otherworldly places such as the court of judgment in the afterlife, hidden villages of immortals or enlightened beings à la James Hilton's Shangri-la or the Tibetan mythical kingdom of Shambhala, or even heaven or hell;and unaccountable phenomena such as bizarre dreams, premonitions, and miraculous occurrences, including surviving entombment and the return from death (xxviii). Mordicai Gerstein's children's book Carolinda Clatter (2005), with its description of a giant's sleeping body becoming a mountain with forests, caves, and waterfalls, mirrors the cosmogonic myth of Pangu, whose body parts become the world in item 85 (58 and 59). The eerie feel of the scene in C. S. Lewis's The Magician's Nephew (1955), where Digory Kirke enters the Garden to pluck an apple from the Tree of Knowledge to protect Narnia, is highly reminiscent of item 47 (35), where uninvited intruders eat their fill of otherworldly fruit from a remote orchard but are admonished by an unseen voice in midair to drop the fruit they intended to take with them.
志怪文本的种类繁多,包括各种各样的轶事、历史记录、回忆录、信件、寺庙铭文和传记,其中包括与神圣的、普通的和禅宗的物体、变形的动物、鬼魂、恶魔、当地的神和超自然的人,如道家的超越或佛陀、佛教修行者、神灵和超自然的生物;访问超自然的地方,如来世的审判法庭,神仙或开悟者的隐藏村庄,如詹姆斯·希尔顿的香格里拉或西藏神话中的香巴拉王国,甚至天堂或地狱;以及不可解释的现象,如奇异的梦,预感和奇迹般的事件,包括幸存的埋葬和死而复生(xxviii)。在第85(58和59)项中,一个巨人沉睡的身体变成了一座有森林、洞穴和瀑布的山,反映了盘古的宇宙起源神话,盘古的身体部分变成了世界。c·s·刘易斯的《魔术师的侄子》(1955)中,迪格雷·柯克进入花园,从知识树上摘了一个苹果,以保护纳尼亚,这一幕令人毛骨悚然,让人想起了第47(35)项,不速之客在遥远的果园里吃了很多来自另一个世界的水果,但在半空中,一个看不见的声音警告他们把本来要带走的水果扔掉。
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引用次数: 0
Marie-Catherine d’Aulnoy’s “White Cat” and Hannā Diyāb’s “Prince Ahmed and Pari Banou”: Influences and Legacies 玛丽-凯瑟琳·德奥尔诺伊的《白猫》和汉娜·Diyāb的《艾哈迈德王子和帕里·巴努》:影响和遗产
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0023
Ruth B. Bottigheimer
Abstract:Madame d’Aulnoy’s 1698 “White Cat,” an early modern conte de fées with components characteristic of her oeuvre (metamorphoses, a parallel world, quests, and tasks rooted in European narrative tradition, all narrated with richly descriptive prose within complex plot structure), shares striking similarities with Hannā Diyāb’s 1709 “Prince Ahmed and Pari Banou,” which was later incorporated into Antoine Galland’s final volume (1717) of Mille et une nuits. Close textual and structural analysis demonstrates that both stories participated in a rich narrative tradition launched by an exemplum in Jean Gobi Junior’s 1323–30 Scala coeli and suggests that d’Aulnoy’s “White Cat” may have been a source for Hannā Diyāb’s Arabian Nights tale.
摘要:德奥尔诺瓦夫人1698年的《白猫》是一部早期现代小说,具有其全部作品的特点(变形、平行世界、探索和任务,植根于欧洲叙事传统,所有这些都是在复杂的情节结构中以丰富的描写性文字叙述的),与汉娜Diyāb 1709年的《艾哈迈德王子和帕里·巴努》有着惊人的相似之处,后者后来被纳入安东尼·加朗的《Mille et une nuits》的最后一卷(1717)。仔细的文本和结构分析表明,这两个故事都参与了由小让·戈壁1323 - 1330年的《斯卡拉》中的一个范例所发起的丰富的叙事传统,并表明德奥尔诺瓦的《白猫》可能是汉娜·Diyāb的《一千零一夜》故事的来源。
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引用次数: 0
The Fairy Tale World ed. by Andrew Teverson (review) 《童话世界》安德鲁·特弗森主编(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0033
Mary Sellers
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引用次数: 0
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Marvels & Tales-Journal of Fairy-Tale Studies
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