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Marvels & Tales-Journal of Fairy-Tale Studies最新文献

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The Fairest of Them All: Snow White and 21 Tales of Mothers and Daughters ed. by Maria Tatar (review) 《最美丽的公主:白雪公主和21个母女故事》,作者:玛丽亚·塔塔尔
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0027
S. Barzilai
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引用次数: 0
A Cultural History of the Disney Fairy Tale: Once Upon an American Dream by Tracey L. Mollet (review) 《迪士尼童话的文化史:美国梦》特蕾西·l·莫莱著(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0035
C. Durham
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引用次数: 3
The Story of Myth by Sarah Iles Johnston (review) 萨拉·艾尔斯·约翰斯顿《神话的故事》(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0038
Victoria Jaye
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引用次数: 0
The Giant Ohl and Tiny Tim by Christian Bärmann, and: Johnny Breadless: A Pacifist Fairy Tale by Paul Vaillart-Couturier (review) 克里斯蒂安·Bärmann的《巨人奥尔和小蒂姆》,以及保罗·维拉特的《无面包约翰尼:一个和平主义童话》(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0029
Kathleen R. Ragan
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引用次数: 0
Shakespeare and the Folktale: An Anthology of Stories ed. by Charlotte Artese (review) 莎士比亚与民间故事:夏洛特·阿蒂斯编故事集(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0031
S. Cleto
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引用次数: 0
Navigating the Patriarchy in Variants of “The Bee and the Orange Tree” by German Women 在德国女性的《蜜蜂和橘子树》变体中导航父权制
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0021
Julie L. J. Koehler
Abstract:In the early decades of the nineteenth century, literary fairy tales inspired by French contes de fées dominated the scene in the German states. Three retellings of Marie-Catherine d’Aulnoy’s “The Bee and the Orange Tree” by German women were published: “The Giant’s Forest” (anonymous 1801); “The Okerlo” (1812), collected from Jeannette Hassenpflug by the Grimms; and “The Bitter Orange Tree and the Bee” by Karoline Stahl. Though romance is central to d’Aulnoy’s tale, the German variants reduce this element and focus instead on d’Aulnoy’s depiction of navigating the patriarchy and avoiding the monstrous desires of men with tools of feminine cleverness, magic, and help.
摘要:19世纪前几十年,受法国伯爵启发的文学童话在德国各州占据主导地位。德国女性对玛丽-凯瑟琳·德奥尔诺瓦的《蜜蜂和橘子树》进行了三次重述:《巨人的森林》(1801年匿名);《奥克罗》(The Okerlo, 1812),格林夫妇从珍妮特·哈森弗拉格(Jeannette Hassenpflug)那里收集;以及卡罗琳·斯塔尔的《苦橙树和蜜蜂》。虽然浪漫是达奥尔诺伊故事的核心,但德国版本减少了这一元素,转而关注于达奥尔诺伊对父权制的描述,并利用女性的聪明才智、魔法和帮助来避免男人的可怕欲望。
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引用次数: 0
Queer Transformations and Transgressive Bodies in the Fairy Tales of Marie-Catherine d’Aulnoy 玛丽-凯瑟琳·德奥尔诺瓦童话中的古怪变形与越界身体
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0024
Elizabeth Howard
Abstract:In Marie-Catherine d’Aulnoy’s animal tales such as “The White Cat,” “The Blue Bird,” and “The Bee and the Orange Tree,” magical transformations enable the principle characters to transgress the limits imposed upon them by their gender and species, challenging misogynistic and anthropocentric hierarchies that reinforce the superiority of men over women, mind over body, and humans over animals. The metamorphosing bodies of the characters function as narrative sites where multiple identities and sexualities intersect. Creating hybrid identities and queer relationships that expand a restrictive heteronormativity, these stories demonstrate the fluid and dynamic nature of sex, gender, and desire.
摘要:在玛丽-凯瑟琳·德奥尔诺伊的《白猫》、《蓝鸟》、《蜜蜂与橘子树》等动物故事中,神奇的变形使主要人物突破了性别和物种对他们的限制,挑战了厌女主义和人类中心主义的等级制度,这些等级制度强化了男性优于女性、精神优于身体、人类优于动物的观念。人物变形的身体充当了多重身份和性取向相交的叙事场所。这些故事创造了混合身份和酷儿关系,扩展了限制性的异性恋规范,展示了性、性别和欲望的流动和动态本质。
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引用次数: 0
La Fiaba. Morfologia, antropologia e storia by Glauco Sanga (review)
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0036
Augusto Ferraiuolo
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引用次数: 0
Introduction: Božena Němcová Adapts into Czech Marie-Catherine d’Aulnoy’s “Finette-Cendron” 简介:Božena n<e:1> mcov<e:1>改编自捷克玛丽-凯瑟琳·德奥尔诺伊的《Finette-Cendron》
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0026
A. Duggan, Rebecca Cravens
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引用次数: 0
Monkey Tails: D’Aulnoy and Unger Explore Descartes, Rousseau, and the Animal–Human Divide 猴尾:德奥尔诺伊和昂格尔探索笛卡儿、卢梭和人兽之分
4区 文学 Q2 Arts and Humanities Pub Date : 2022-04-27 DOI: 10.1353/mat.2021.0022
Shawn C. Jarvis
Abstract:“Monkey Tails” presents a side-by-side analysis of two fairy tales with metamorphosed monkey princesses, Marie-Catherine d’Aulnoy’s “Babiole” (1698) and Friederike Helene Unger’s “Prinzessin Gräcula” (1804). Each tale explores its heroine’s path to disenchantment and humanity through the lens of the animal–human divide as articulated by the philosophers René Descartes and Jean-Jacques Rousseau. Descartes’s parameters—intelligence, language, reason, feeling, and a soul—propel “Babiole”; “Prinzessin Gräcula” unfolds with Rousseau’s idea of “perfectibility” and its components of self-consciousness, rationality, and morality. Ultimately d’Aulnoy and Unger use these philosophies to comment on the nature of woman and her progression to equality.
摘要:《猴尾》将玛丽-凯瑟琳·德奥尔诺瓦的《Babiole》(1698)和弗里德里克·海琳·昂格尔的《princzessin Gräcula》(1804)这两个以变形的猴子公主为主题的童话故事放在一起进行分析。每个故事都通过哲学家笛卡尔(ren笛卡儿)和让-雅克卢梭(Jean-Jacques Rousseau)所阐述的动物与人类的鸿沟,探索女主角的觉醒之路和人性之路。笛卡尔的参数——智力、语言、理性、情感和灵魂——推动了“Babiole”;《王子Gräcula》以卢梭的“完美性”思想及其自我意识、理性和道德的组成部分展开。最终,德奥尔诺伊和昂格尔用这些哲学来评论女性的本质和她走向平等的过程。
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引用次数: 0
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Marvels & Tales-Journal of Fairy-Tale Studies
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