This article focuses primarily on the role of the camera in representing the famous, much visited Roman Catholic shrine of Lourdes, France, and what this role tells us about the relationship between gazing, knowledge, and the body. After outlining the historical development of the shrine, the discussion proceeds to consider the growth of popular media and the cinematic gaze, the expansion of tourism, debates concerning the morality of gazing at bodies as personal cameras and smartphones becoming increasingly available and used at the shrine, the representation of human and saintly bodies, and the part played by the camera in the attempt to ensure security.
{"title":"‘What is going on here?’ Gazing, Knowledge and the Body at a Pilgrimage Shrine","authors":"J. Eade","doi":"10.3167/jys.2020.210102","DOIUrl":"https://doi.org/10.3167/jys.2020.210102","url":null,"abstract":"This article focuses primarily on the role of the camera in representing the famous, much visited Roman Catholic shrine of Lourdes, France, and what this role tells us about the relationship between gazing, knowledge, and the body. After outlining the historical development of the shrine, the discussion proceeds to consider the growth of popular media and the cinematic gaze, the expansion of tourism, debates concerning the morality of gazing at bodies as personal cameras and smartphones becoming increasingly available and used at the shrine, the representation of human and saintly bodies, and the part played by the camera in the attempt to ensure security.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83737774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Richard Lynch Garner’s is a curious case in the history of the fragility of fame. Born in 1848, the explorer, zoologist, specimen hunter, and pioneer in linguistics, animal ethics, and primatology inspired at least one fictional character: the mysterious, offstage Dr. Johausen, the ape fancier who disappears from his jungle hide in Jules Verne’s missing-link fantasy Le Village aérien (Radick 2007: 124). If, as I presume for reasons that will become clear, Garner may also have contributed to the making of Hugh Lofting’s imperishable hero, Dr. Dolittle, it is perhaps surprising that no literary researcher, as far as I know, has ever undertaken to study him. For a brief spell in the early 1890s, around the time of a then-renowned (and soon to be notorious) expedition that he undertook to Fernan Vaz in French Gabon, Garner was one of the most celebrated men in the world—such that satirists had only to allude to him in the certainty that readers would know whom they meant (Radick 2007: 84–85, 123, 136–137). Yet he died in poverty in 1920 (at about the time of the publication of the first Dolittle book).
{"title":"Dr. Dolittle, I Presume","authors":"F. Fernandez-Armesto","doi":"10.3167/jys.2019.200206","DOIUrl":"https://doi.org/10.3167/jys.2019.200206","url":null,"abstract":"Richard Lynch Garner’s is a curious case in the history of the fragility of fame. Born in 1848, the explorer, zoologist, specimen hunter, and pioneer in linguistics, animal ethics, and primatology inspired at least one fictional character: the mysterious, offstage Dr. Johausen, the ape fancier who disappears from his jungle hide in Jules Verne’s missing-link fantasy Le Village aérien (Radick 2007: 124). If, as I presume for reasons that will become clear, Garner may also have contributed to the making of Hugh Lofting’s imperishable hero, Dr. Dolittle, it is perhaps surprising that no literary researcher, as far as I know, has ever undertaken to study him. For a brief spell in the early 1890s, around the time of a then-renowned (and soon to be notorious) expedition that he undertook to Fernan Vaz in French Gabon, Garner was one of the most celebrated men in the world—such that satirists had only to allude to him in the certainty that readers would know whom they meant (Radick 2007: 84–85, 123, 136–137). Yet he died in poverty in 1920 (at about the time of the publication of the first Dolittle book).","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80168484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article examines rabbinic and Christian, Syriac and Greek, narratives of miraculous rescue on a storm-tossed sea from a comparative perspective. Taking note of the narrators’ engagement in an ongoing intertextual dialogue with the biblical story of prophet Jonah, the authors highlight the new emphases introduced by late antique storytellers. The function of the adventures on the high seas as a means of establishing the protagonists’ religious identity and, consequently, strengthening the identity of the projected audience is shown to be shared by Jewish and Christian sources. Moreover, the article investigates the role assigned to the Other in Jewish and Christian travel fiction. The results may point to different attitudes toward the Other entrenched in the two cultures.
{"title":"Sea Voyage Tales in Conversation with the Jonah Story","authors":"Reuven Kiperwasser, S. Ruzer","doi":"10.3167/jys.2019.200203","DOIUrl":"https://doi.org/10.3167/jys.2019.200203","url":null,"abstract":"The article examines rabbinic and Christian, Syriac and Greek, narratives of miraculous rescue on a storm-tossed sea from a comparative perspective. Taking note of the narrators’ engagement in an ongoing intertextual dialogue with the biblical story of prophet Jonah, the authors highlight the new emphases introduced by late antique storytellers. The function of the adventures on the high seas as a means of establishing the protagonists’ religious identity and, consequently, strengthening the identity of the projected audience is shown to be shared by Jewish and Christian sources. Moreover, the article investigates the role assigned to the Other in Jewish and Christian travel fiction. The results may point to different attitudes toward the Other entrenched in the two cultures.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89605177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The history of travel writing positions the genre as a form that invents and circulates problematic image(s) of Africa. Emerging from this biased background, postcolonial African travel writing offer reimaginations regarding how to think about the continent differently. This article explores how Sihle Khumalo’s Dark Continent My Black Arse, performs this reimagination through counter-travel. I interrogate Khumalo’s appropriation of parody on three sites—naming, landscape, and the body—to counter the prevalent (mis)representation of the continent and propagate alternative ways of imagining Africa in travel writing. This article argues that although parody as counter-travel strategy is a poignant tool for critiquing the negative representation, authorial prejudices allow for slippages that propagate the same set of biases the form intends to critique.
{"title":"An Image of Africa in Sihle Khumalo's Dark Continent My Black Arse","authors":"Maureen Amimo","doi":"10.3167/jys.2019.200202","DOIUrl":"https://doi.org/10.3167/jys.2019.200202","url":null,"abstract":"The history of travel writing positions the genre as a form that invents and circulates problematic image(s) of Africa. Emerging from this biased background, postcolonial African travel writing offer reimaginations regarding how to think about the continent differently. This article explores how Sihle Khumalo’s Dark Continent My Black Arse, performs this reimagination through counter-travel. I interrogate Khumalo’s appropriation of parody on three sites—naming, landscape, and the body—to counter the prevalent (mis)representation of the continent and propagate alternative ways of imagining Africa in travel writing. This article argues that although parody as counter-travel strategy is a poignant tool for critiquing the negative representation, authorial prejudices allow for slippages that propagate the same set of biases the form intends to critique.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77020374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Between 1870 and 1915 Peru experienced a rubber-boom, extending into the Putumayo River region in 1893. This huge region of Amazonian forests was controlled by the Peruvian Amazon Company (P. A. Co.). Although Peruvian, they had British company directors and a British-Barbadian workforce. Their methods of extraction generated unimaginable degrees of human and ecological violence. Roger Casement, a British diplomat, was sent on a harrowing mission to investigate these allegations made by travelers. His Amazon Journal takes precedence; however, Peruvians also responded to the situation, reporting to the Geographical Society of Lima. Included are two forgotten yet influential Peruvian explorers: the geographer Manuel Antonio Mesones Muro and the engineer Cárlos Oyague y Calderón. By highlighting some of the early debates that circulated between Europe and Latin America on the natural resources and people of the Amazon forests, the focus is to draw out textual examples of perceptions on race, environment, and early consumer responsibility. Supported by coloniality/modernity theories, it also asks whether this form of travel writing was functioning as a resistance literature to imperialism for the time. Thus, this study investigates alternative readings that might also inform twenty-first-century scholars and activists as they articulate environmentalist and even social and ecological positions.
1870年至1915年间，秘鲁经历了橡胶业的繁荣，1893年延伸到普图马约河地区。这一大片亚马孙森林由秘鲁亚马逊公司(p.a. Co.)控制。虽然是秘鲁人，但他们有英国公司董事和英裔巴巴多斯劳动力。他们的开采方法造成了难以想象的人类和生态暴力。英国外交官罗杰·凯斯门特(Roger Casement)被派去调查这些旅客的指控，这是一项令人痛心的任务。他的《亚马逊日志》(Amazon Journal)占据了优先地位;然而，秘鲁人也对这种情况作出了反应，向利马地理学会报告。其中包括两位被遗忘但颇具影响力的秘鲁探险家:地理学家曼努埃尔·安东尼奥·梅索内斯·穆罗和工程师Cárlos Oyague y Calderón。通过突出一些早期在欧洲和拉丁美洲之间流传的关于亚马逊森林的自然资源和人民的辩论，重点是找出关于种族、环境和早期消费者责任的看法的文本例子。在殖民/现代性理论的支持下，它也质疑这种形式的旅行写作是否在当时作为一种抵抗帝国主义的文学。因此，本研究调查了另一种解读，这些解读也可能为21世纪的学者和活动家提供信息，因为他们阐明了环境主义者甚至社会和生态立场。
{"title":"Eyewitness Accounts during the Putumayo Rubber Boom","authors":"Rupert Medd, H. Guyot","doi":"10.3167/jys.2019.200204","DOIUrl":"https://doi.org/10.3167/jys.2019.200204","url":null,"abstract":"Between 1870 and 1915 Peru experienced a rubber-boom, extending into the Putumayo River region in 1893. This huge region of Amazonian forests was controlled by the Peruvian Amazon Company (P. A. Co.). Although Peruvian, they had British company directors and a British-Barbadian workforce. Their methods of extraction generated unimaginable degrees of human and ecological violence. Roger Casement, a British diplomat, was sent on a harrowing mission to investigate these allegations made by travelers. His Amazon Journal takes precedence; however, Peruvians also responded to the situation, reporting to the Geographical Society of Lima. Included are two forgotten yet influential Peruvian explorers: the geographer Manuel Antonio Mesones Muro and the engineer Cárlos Oyague y Calderón. By highlighting some of the early debates that circulated between Europe and Latin America on the natural resources and people of the Amazon forests, the focus is to draw out textual examples of perceptions on race, environment, and early consumer responsibility. Supported by coloniality/modernity theories, it also asks whether this form of travel writing was functioning as a resistance literature to imperialism for the time. Thus, this study investigates alternative readings that might also inform twenty-first-century scholars and activists as they articulate environmentalist and even social and ecological positions.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85517491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article considers the stated motivations for travel in the case of three examples of travel writing about Afghanistan. Jason Elliot’s An Unexpected Light documents his travel in 1984 during the war between the Afghan Mujaheddin and the Soviets; Jonny Bealby’s For a Pagan Song, first published in 1998, takes place during the civil war between Mujaheddin and the Taleban; Rory Stewart’s The Places In Between was written about travel between 2000 and 2002, during which time Operation Enduring Freedom was launched against the Taleban. The article deploys Genette’s concept of paratexts in order to show how the acknowledgments, blurbs, and other paratextual material, when read against the grain, undermine the relationship between the writer and their stated motivations and, thus, destabilize the self-representation of each writer in the course of the narrative. The outcome of these readings is a critique of the three texts, arguing that each one works to justify their travel through a combination of self-narration and paratextual material but that none of them address the implications of their travel for the Afghan people or that the purpose of the travel is to write the text.
本文考虑了三个关于阿富汗的旅行写作的例子，说明了旅行的动机。杰森·艾略特(Jason Elliot)的《意外之光》(An Unexpected Light)记录了他在1984年阿富汗圣战者与苏联战争期间的旅行;约翰尼·比尔比的《献给异教之歌》于1998年首次出版，故事发生在圣战者组织和塔利班的内战期间;罗里·斯图尔特(Rory Stewart)的《中间地带》(The Places In Between)写的是2000年至2002年间的旅行，在此期间，美国对塔利班发起了“持久自由行动”(Operation Enduring Freedom)。这篇文章运用了Genette的准文本概念，目的是为了展示，当读者读到这些致谢、导语和其他准文本材料时，它们是如何破坏作者和他们陈述的动机之间的关系的，因此，在叙述过程中，每个作者的自我表现都是不稳定的。这些阅读的结果是对三个文本的批评，认为每个文本都通过自我叙述和文本外材料的结合来证明他们的旅行是合理的，但他们都没有解决他们的旅行对阿富汗人民的影响，或者旅行的目的是写文本。
{"title":"\"Picnics with the Mujaheddin\"","authors":"Kerry Featherstone","doi":"10.3167/JYS.2019.200201","DOIUrl":"https://doi.org/10.3167/JYS.2019.200201","url":null,"abstract":"This article considers the stated motivations for travel in the case of three examples of travel writing about Afghanistan. Jason Elliot’s An Unexpected Light documents his travel in 1984 during the war between the Afghan Mujaheddin and the Soviets; Jonny Bealby’s For a Pagan Song, first published in 1998, takes place during the civil war between Mujaheddin and the Taleban; Rory Stewart’s The Places In Between was written about travel between 2000 and 2002, during which time Operation Enduring Freedom was launched against the Taleban. The article deploys Genette’s concept of paratexts in order to show how the acknowledgments, blurbs, and other paratextual material, when read against the grain, undermine the relationship between the writer and their stated motivations and, thus, destabilize the self-representation of each writer in the course of the narrative. The outcome of these readings is a critique of the three texts, arguing that each one works to justify their travel through a combination of self-narration and paratextual material but that none of them address the implications of their travel for the Afghan people or that the purpose of the travel is to write the text.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81133618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
I first encountered Ai Weiwei’s Law of the Journey as an amalgam of Instagram tiles (see photos on following page). The imposing sixty-meter-long rubber lifeboat—filled with faceless rubber bodies—was reduced to a scrollable algorithm. Posted across multiple time zones and geotagged in places like the Prague National Gallery to the most recent incarnation on Cockatoo Island (a decommissioned shipyard on Sydney harbor), Law of the Journey enjoyed much better travel rights and Visa entitlements than the actual refugees it depicted. While beyond the control of the artist or exhibiting venues, the mobility of images of Law of the Journey nonetheless made me think about the representations of refugees and border violence within the global art circuit.
{"title":"Ai Weiwei \"Law of the Journey\" in the Time of Instagram","authors":"James Nguyen","doi":"10.3167/jys.2019.200205","DOIUrl":"https://doi.org/10.3167/jys.2019.200205","url":null,"abstract":"I first encountered Ai Weiwei’s Law of the Journey as an amalgam of Instagram tiles (see photos on following page). The imposing sixty-meter-long rubber lifeboat—filled with faceless rubber bodies—was reduced to a scrollable algorithm. Posted across multiple time zones and geotagged in places like the Prague National Gallery to the most recent incarnation on Cockatoo Island (a decommissioned shipyard on Sydney harbor), Law of the Journey enjoyed much better travel rights and Visa entitlements than the actual refugees it depicted. While beyond the control of the artist or exhibiting venues, the mobility of images of Law of the Journey nonetheless made me think about the representations of refugees and border violence within the global art circuit.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79590846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article intends to analyze the emergence of new subjectivities and economic discourses, and the semiotic construction of sacred places in global Tokyo as inventively constituted within the popular urban pilgrimage routes of the Seven Lucky Gods (shichifukujin). While a specific neoliberal discourse in Japan linked to tourism and the media has promoted the reinvention of traditional pilgrimage sites as New Age “power spots” informed by novel forms of temporality and subjectivity, urban communities living in those places, with their specific concerns and problems related to the local neighborhoods, often generate pilgrimage spaces that are radically different from those of the “neoliberal pilgrims.” I will thus argue that the pilgrimage of the Seven Lucky Gods emerges as a double discourse through which religious institutions and urban collectives semiotically assemble themselves not only by rebranding older sites as neoliberal power spots through media and tourism practices, but also by creatively producing hybrid subjectivities, sacred places, and alternative ontologies that are set apart from neoliberal economies.
{"title":"Reassembling the Lucky Gods","authors":"Tatsuma Padoan","doi":"10.3167/JYS.2019.200105","DOIUrl":"https://doi.org/10.3167/JYS.2019.200105","url":null,"abstract":"This article intends to analyze the emergence of new subjectivities and economic discourses, and the semiotic construction of sacred places in global Tokyo as inventively constituted within the popular urban pilgrimage routes of the Seven Lucky Gods (shichifukujin). While a specific neoliberal discourse in Japan linked to tourism and the media has promoted the reinvention of traditional pilgrimage sites as New Age “power spots” informed by novel forms of temporality and subjectivity, urban communities living in those places, with their specific concerns and problems related to the local neighborhoods, often generate pilgrimage spaces that are radically different from those of the “neoliberal pilgrims.” I will thus argue that the pilgrimage of the Seven Lucky Gods emerges as a double discourse through which religious institutions and urban collectives semiotically assemble themselves not only by rebranding older sites as neoliberal power spots through media and tourism practices, but also by creatively producing hybrid subjectivities, sacred places, and alternative ontologies that are set apart from neoliberal economies.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79636307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pilgrimage has been performed by members of all religions, and all beliefs, from prehistoric times to the present. The visitation of religious and sacred sites represents a significant economic resource for many faith establishments and organizations. In this article, I will explore the Muslim Hajj to Mecca as a case study. The study is based on ethnographic research using interviews and observation. The economic impact of pilgrims is a multifaceted and complex subject. Pilgrims spend money on transport, accommodation, and other services; hence, they contribute to the economy of the host state. My research suggests that there is a particular type of relationship between the economic and the spiritual aspects of pilgrimage in Saudi Arabia.
{"title":"Sacred Journeys","authors":"S. Taha","doi":"10.3167/jys.2019.200102","DOIUrl":"https://doi.org/10.3167/jys.2019.200102","url":null,"abstract":"Pilgrimage has been performed by members of all religions, and all beliefs, from prehistoric times to the present. The visitation of religious and sacred sites represents a significant economic resource for many faith establishments and organizations. In this article, I will explore the Muslim Hajj to Mecca as a case study. The study is based on ethnographic research using interviews and observation. The economic impact of pilgrims is a multifaceted and complex subject. Pilgrims spend money on transport, accommodation, and other services; hence, they contribute to the economy of the host state. My research suggests that there is a particular type of relationship between the economic and the spiritual aspects of pilgrimage in Saudi Arabia.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77669965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Why do post-pilgrimage slideshows help Transylvanian Hungarian Catholics perform domestic devotional labor? There is growing interest in breaking open pilgrimage research, and scholars have recently begun studying rituals of return—including pilgrims’ practice of using photographs to narrate their journeys after returning home. I contribute to this effort by sketching out the general characteristics of Transylvanian Hungarian Catholics’ post-pilgrimage slideshows about the Medjugorje shrine. I then give a detailed description of an exemplary case: a married couple’s presentation for their children gathered around the family computer. Although we might expect pilgrims to routinize stories and images from a chaotic journey, many slideshows were quite disorganized and impressionistic. This disorganization helped travelers tailor their stories to the diverse spiritual interests of guests in a changing Transylvanian Hungarian Catholic religious landscape. Family members’ conversations also dramatized how neoliberalism in Romania has emerged alongside new global pilgrimage sites like Medjugorje. Medjugorje appeals to pilgrims because it is a privileged site for advertising national wares on the global market.
{"title":"The Labor of and Labor in Post-Medjugorje Slideshows","authors":"M. Loustau","doi":"10.3167/JYS.2019.200103","DOIUrl":"https://doi.org/10.3167/JYS.2019.200103","url":null,"abstract":"Why do post-pilgrimage slideshows help Transylvanian Hungarian Catholics perform domestic devotional labor? There is growing interest in breaking open pilgrimage research, and scholars have recently begun studying rituals of return—including pilgrims’ practice of using photographs to narrate their journeys after returning home. I contribute to this effort by sketching out the general characteristics of Transylvanian Hungarian Catholics’ post-pilgrimage slideshows about the Medjugorje shrine. I then give a detailed description of an exemplary case: a married couple’s presentation for their children gathered around the family computer. Although we might expect pilgrims to routinize stories and images from a chaotic journey, many slideshows were quite disorganized and impressionistic. This disorganization helped travelers tailor their stories to the diverse spiritual interests of guests in a changing Transylvanian Hungarian Catholic religious landscape. Family members’ conversations also dramatized how neoliberalism in Romania has emerged alongside new global pilgrimage sites like Medjugorje. Medjugorje appeals to pilgrims because it is a privileged site for advertising national wares on the global market.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73352919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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