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The Perception of Women in Trabzon Sharīʿa Court Records 特拉布宗沙伊法庭记录中对妇女的看法
IF 0.4 Q2 Social Sciences Pub Date : 2021-11-02 DOI: 10.1163/15692086-bja10031
Asli Özcan
Being a woman in Muslim or other religious societies does not include a process in which only religious rules are in effect. Instead, the experiences of women are determined by political, social, and economic conditions, and reflect the cultural precedents created by past societies, whether Muslim or not. Hence, the way women are described in a society they belong in emerges as a cultural reflection that bears each and every element in that particular society. Therefore, it is not possible to consider apart from this circumstance the descriptions of women in Ottoman Trabzon Sharīʿa court records. In this study, the definitions of women who lived in Ottoman Trabzon over their gender and, occasionally, their sexuality, reflected in the discourses of Sharīʿa courts are discussed, and the social and legal status of such women is examined. This investigation is placed within the framework of religious and cultural conditions which impacted such definitions and descriptions. This study has been based on evidence available in early seventeenth-century Ottoman Trabzon Sharīʿa court records.
在穆斯林或其他宗教社会中,作为一名女性并不包括一个只有宗教规则有效的过程。相反,妇女的经历是由政治、社会和经济条件决定的,并反映了过去社会创造的文化先例,无论是否穆斯林。因此,妇女在她们所属的社会中被描述的方式作为一种文化反映出现,反映了该特定社会的每一个因素。因此,不可能撇开这一情况来考虑奥斯曼特拉布宗shari - yi法庭记录中对妇女的描述。在本研究中,对居住在奥斯曼特拉布宗的妇女的定义进行了讨论,讨论了她们的性别,偶尔也讨论了她们的性取向,这些定义反映在shari - al法庭的话语中,并审查了这些妇女的社会和法律地位。这项调查是在影响这些定义和描述的宗教和文化条件的框架内进行的。这项研究是基于17世纪早期奥斯曼特拉布宗(Trabzon) shari - yi法庭记录中的证据。
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引用次数: 0
Are Women Liable for Blood-Money Payment? An Attempt to Modify a Ḥanafī Rule 女性对血债支付负有责任吗?尝试修改Ḥanafī规则
IF 0.4 Q2 Social Sciences Pub Date : 2021-11-02 DOI: 10.1163/15692086-bja10029
N. Tsafrir
Against the view that only men are liable for blood-money payment due for homicide, which goes back to pre-Islamic custom and was adopted by the Sharīʿa, by the fifth/eleventh century a new opinion appeared in Ḥanafī doctrine. According to this opinion, women who perpetrated a homicide were required to pay a share of the blood money due. Examining the context of this opinion in Ḥanafī literature, I suggest that it reflects the jurists’ tendency to put more weight on the Islamic principle of individual responsibility, regardless of gender. I propose that this opinion developed among Persian Ḥanafīs in eastern Iran, and follow the path through which it was incorporated into Ḥanafī standard law. Finally, I estimate the extent to which this opinion did influence Ḥanafī doctrine.
只有男性才有责任支付杀人罪的血债,这一观点可以追溯到前伊斯兰习俗,并被Sharīa所采用,到了五/十一世纪,一种新的观点出现在Ḥanafī学说。根据这一意见,实施谋杀的妇女必须支付到期血款的一部分。在Ḥ在anafī文献中,我认为这反映了法学家倾向于更加重视伊斯兰的个人责任原则,无论性别如何。我认为这种观点是在波斯人中间形成的Ḥanafīs,并遵循其被纳入的道路Ḥanafī标准法。最后,我估计了这种观点的影响程度Ḥanafī学说。
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引用次数: 0
Creating Cultural Capital: The Education of Jewish Females at the Alliance Israélite Universelle (AIU) School for Girls in the City of Tunis, 1882–1914 创造文化资本:1882-1914年,突尼斯市AIU女子学校犹太女性的教育
IF 0.4 Q2 Social Sciences Pub Date : 2021-06-17 DOI: 10.1163/15692086-bja10022
Joy A. Land
Based on rarely viewed images from the fin de siècle, this article will contribute to the burgeoning field of Jewish women in the world of Islam. At the Alliance Israélite Universelle (AIU) School for Girls in the city of Tunis, 1882–1914, after a seven-year course of study, Jewish and non-Jewish girls acquired certification of their academic or vocational skills through a certificate or diploma of couture. Such credentials, according to Bourdieu (1986), constitute “cultural capital.” Furthermore, “cultural capital … is convertible … into economic capital and may be institutionalized in the forms of educational qualifications.” A young woman could create cultural capital and transform it into economic capital through employment. Reading the sources, the influence of the Tunisian Muslim woman on the Jewess becomes apparent. Moreover, cultural capital could afford the Jewish female wage earner increased economic independence and social mobility, as she journeyed on the road to modernity.
这篇文章基于《最后关头》中很少看到的图片,将为伊斯兰世界中新兴的犹太妇女领域做出贡献。1882年至1914年,在突尼斯市的AIU女子学校,经过七年的学习,犹太和非犹太女孩通过高级时装证书或文凭获得了学术或职业技能的证明。根据布迪厄(Bourdieu, 1986)的说法,这些凭证构成了“文化资本”。此外,“文化资本……可以转换成……经济资本,并可能以教育资格的形式制度化。”年轻女性可以创造文化资本,并通过就业将其转化为经济资本。阅读资料,突尼斯穆斯林妇女对犹太妇女的影响是显而易见的。此外,文化资本可以让犹太女性工薪阶层在走向现代化的道路上获得更大的经济独立性和社会流动性。
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引用次数: 0
Islamic Heritage and Morisco Identity 伊斯兰遗产与莫里斯科身份
IF 0.4 Q2 Social Sciences Pub Date : 2021-04-19 DOI: 10.1163/15692086-BJA10021
Ana María Carballeira Debasa
Through an assessment of the data recorded in two books of habices (Span., libros de habices – inventories of goods from Islamic pious endowments) dated 1527 and 1530, this study examines the situation of Morisco women in the Alpujarra, a rural area of Granada, just three decades after the forced conversion of the Muslim population to Christianity. Various aspects of the economic and social position of these women are explored, paying particular attention to their participation in the legal framework related to property ownership and the transfer of their possessions in the form of bequests. Although the study focuses primarily on the Morisco period, its most immediate precedent, Islamic and Mudéjar Granada, is not forgotten.
通过对1527年和1530年的两本习惯书(Span.,libros de habices——伊斯兰虔诚捐赠物品清单)中记录的数据进行评估,本研究调查了格拉纳达农村地区Alpujarra的莫里斯科妇女的情况,就在穆斯林人口被迫皈依基督教三十年后。对这些妇女的经济和社会地位的各个方面进行了探讨,特别注意她们参与与财产所有权有关的法律框架以及以遗赠形式转让财产。尽管这项研究主要集中在莫里斯科时期,但其最直接的先例——伊斯兰和格拉纳达穆德贾尔——并没有被遗忘。
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引用次数: 0
Dawud al-Fatani’s Thoughts on Marriage in Īḍāḥu l-Bāb li-Murīdi l-Nikāḥ bi-l-Ṣawāb 达乌德·法塔尼的婚姻思想
IF 0.4 Q2 Social Sciences Pub Date : 2021-04-13 DOI: 10.1163/15692086-BJA10019
Zanariah Noor, Nazirah Lee
This paper examines Sheikh Dawud al-Fatani’s Īḍāḥu l-bāb li-murīdi l-nikāḥ bi-l-ṣawāb (“Explanation of the chapter for the one who desires a good marriage”), which outlines his understanding and mastery of the jurisprudence of Islamic family law. Al-Fatani is a renowned nineteenth-century Malay Muslim scholar, and his work is widely referred to in Islamic education institutions in the region. A close scrutiny of Īḍāḥu l-bāb offers a profound understanding of nineteenth-century Malay Muslims’ view of the institution of marriage. The foci of this paper include the general concept of marriage in Islam; guidelines on spouse selection; the obligations of both husband and wife; and the law on inter-religious marriage. In summary, al-Fatani shows that marriage requires a meticulous consideration of all parties involved; after all, family is a paramount social unit that needs to be preserved to ensure stability in the development of a society.
本文考察了谢赫·达乌德·法塔尼的ḍāḥu l-bāb li murīdi l-nikāḥ bi-l-ṣawāb(“为渴望美好婚姻的人解释本章”),概述了他对伊斯兰家庭法判例的理解和掌握。Al-Fatani是19世纪著名的马来穆斯林学者,他的作品在该地区的伊斯兰教育机构中被广泛引用。Īḍāḥu l-bāb深刻理解了19世纪马来穆斯林对婚姻制度的看法。本文的重点包括伊斯兰教婚姻的一般概念;配偶选择准则;夫妻双方的义务;以及宗教间婚姻法。总之,al-Fatani表明,婚姻需要所有相关方的仔细考虑;毕竟,家庭是最重要的社会单位,需要加以维护,以确保社会发展的稳定。
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引用次数: 0
Beyond “Man” vs. Nature: Pearling and the Construction of Gender, Generation, and Heritage in Bahrain 超越“人”与自然:珍珠与巴林的性别、世代和遗产建构
IF 0.4 Q2 Social Sciences Pub Date : 2021-03-31 DOI: 10.1163/15692086-BJA10020
J. T. Willis
Heritage sites and studies of the pearling industry in Arab Gulf nations focus predominantly on men who labored as merchants, boat captains, and pearl divers. They represent merchants as having reaped the greatest returns and divers as having endured the greatest hardships over the history of the industry. Recently published memoirs and interviews feature elder men’s recollections of their experiences as divers during their youth; these men focus on the hardships that they endured and attribute their success – even their survival – to chance or divine intervention. British records from the 1930s not only document the tribulations that divers reported; they also, as this article argues, depict human agency – instead of nature, chance, or divine intervention – as the main source of misfortune for divers. These findings trouble “official” representations of pearl diving, particularly the treatment of the divers, at such heritage sites.
阿拉伯海湾国家的遗产和珍珠业研究主要集中在商人、船长和珍珠潜水员身上。他们代表着商人获得了最大的回报,代表着潜水员经历了行业历史上最大的苦难。最近出版的回忆录和访谈以老年人回忆他们年轻时作为潜水员的经历为特色;这些人专注于他们所经历的苦难,并将他们的成功——甚至他们的生存——归因于偶然或神圣的干预。20世纪30年代的英国记录不仅记录了潜水员所报告的苦难;正如本文所说,他们还将人类的能动性——而不是自然、偶然或神圣的干预——描述为潜水员不幸的主要来源。这些发现困扰了“官方”对珍珠潜水的描述,尤其是对这些遗产地潜水员的待遇。
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引用次数: 0
Introduction: Gender, Cultural Constructions and Representations in the Gulf 导言:海湾地区的性别、文化结构和代表性
IF 0.4 Q2 Social Sciences Pub Date : 2021-03-31 DOI: 10.1163/15692086-BJA10014
Sarina Wakefield, Sabrina Deturk
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引用次数: 0
Exploring the Nation: Gender, Identity and Cuisine in the UAE 探索国家:阿联酋的性别、身份和美食
IF 0.4 Q2 Social Sciences Pub Date : 2021-03-31 DOI: 10.1163/15692086-BJA10018
Ayisha Khansaheb
This article examines various heritage displays and festivals that have occurred in the United Arab Emirates and analyzes, in particular, the representation of women and cuisine. Over a two-year period (August 2015 to August 2017), I interviewed senior Emirati women and collected their oral histories, focusing mainly on cooking practices in the past and how those practices evolved with time. The article compares those oral histories with the representations shown in heritage festivals and spaces and concludes that the women I interviewed are inadequately represented and that the presentation of women, along with the culinary traditions in the region, has been marginalized or oversimplified.
本文考察了阿拉伯联合酋长国发生的各种遗产展示和节日,并特别分析了妇女和美食的代表性。在两年的时间里(2015年8月至2017年8月),我采访了阿联酋资深女性,收集了她们的口述历史,主要关注过去的烹饪实践以及这些实践是如何随着时间的推移而演变的。这篇文章将这些口述历史与遗产节日和空间中的表现进行了比较,得出的结论是,我采访的女性代表性不足,对女性的介绍以及该地区的烹饪传统被边缘化或过于简单化。
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引用次数: 0
The Apocalyptic Hijab: Emirati Mediations of Pious Fashion and Conflict Talk 启示录Hijab:阿联酋对虔诚时尚和冲突言论的调解
IF 0.4 Q2 Social Sciences Pub Date : 2021-03-31 DOI: 10.1163/15692086-BJA10015
Ahmed Almaazmi
This article examines Emirati public discourse on, and imagination of, gendered pious fashion and conflict talk as animated in the sitcom Shaabiat Al-Cartoon (SAC) and other connected cultural expressions. Through a multimodal analysis, it contributes to discussions of the politics of piety by analyzing the strategic illustration of the UAE’s female fashion sense and use of the linguistic features that move verbal dueling to verbal attack. In this prefabricated orality, the article outlines linguistic forms in mediating gendered conflict talk and animating pious fashion. The paper further argues that a multimodal social semiotic performance that is based on language and apparel can produce powerful effects on the co-production of gendered identities. Additionally, it demonstrates through this analysis how the producers of an episode of SAC, through the use of semiotic cues, attempt to reflect and shape Emirati sociocultural values and idioms on pious gendered clothing and perceptions of religiosity and modernity.
本文考察了阿联酋公众对情景喜剧《Shaabiat Al Cartoon》(SAC)中动画化的性别虔诚时尚和冲突言论的讨论和想象,以及其他相关的文化表达。通过多模态分析,它通过分析阿联酋女性时尚感的战略阐释和语言特征的使用,将言语决斗转变为言语攻击,为虔诚政治的讨论做出了贡献。在这种预制的口语中,文章概述了调解性别冲突言论和活跃虔诚时尚的语言形式。本文进一步认为,基于语言和服装的多模式社会符号学表现可以对性别身份的共同产生产生强大的影响。此外,通过这一分析,它展示了《SAC》一集的制片人如何通过使用符号线索,试图反映和塑造阿联酋社会文化价值观和关于虔诚性别服装的习语,以及对宗教和现代性的看法。
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引用次数: 1
Engendering Change: Charting a History of the Emirates through Women Artists 产生变化:通过女性艺术家描绘阿联酋的历史
IF 0.4 Q2 Social Sciences Pub Date : 2021-02-22 DOI: 10.1163/15692086-BJA10016
Elizabeth Derderian
Contrary to narratives of universally positive modernization in the United Arab Emirates, this article draws on the lives and work of women artists to offer a more detailed view of the UAE’s rapid urbanization and development. First, the article shows how changing educational structures and systems led to the privileging of the English language, which has resulted in differential generational access to a contemporary art world that operates predominantly in English. Second, the article looks at the losses of urbanization illustrated by artists reflecting on the changing experience of community, gendered norms of public behavior, the role of buildings and monuments in navigation and identity, and resource exploitation.
与阿拉伯联合酋长国普遍积极的现代化叙事相反,本文借鉴了女性艺术家的生活和工作,对阿联酋的快速城市化和发展提供了更详细的视角。首先,文章展示了不断变化的教育结构和制度是如何导致英语的特权化的,这导致了不同世代进入以英语为主的当代艺术世界的机会。其次,文章着眼于城市化的损失,艺术家们反思了社区经历的变化、公共行为的性别规范、建筑和纪念碑在导航和身份认同中的作用以及资源开发。
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引用次数: 0
期刊
Hawwa
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