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Storyworlds: A Journal of Narrative Studies最新文献

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Narrative Empowerment through Comics Storytelling: Facilitating the Life Stories of the Intellectually Disabled 通过漫画叙事赋予叙事权力:促进智障人士的生活故事
Pub Date : 2012-06-16 DOI: 10.5250/STORYWORLDS.4.2012.0123
H. Sklar
In this essay I elaborate an approach to helping the intellectually disabled construct their own life narratives. The study brings together insights from several areas of research: autobiographical works that have been produced by intellectually disabled individuals, including life histories that have been generated through ethnographic approaches developed by anthropologists and sociologists; research on life stories, with particular attention to the ethical implications of collaborative “autobiography”; disability studies, with special emphasis on its applications to the intellectually disabled; and narrative theory, particularly recent work that has attempted to bring narratological concepts into dialogue with graphic narratives—that is, narratives that, assuming the form of comics or more extended graphic novels, are told via sequences of word-image combinations.
在这篇文章中,我详细阐述了一种帮助智障人士构建自己生活叙事的方法。这项研究汇集了来自几个研究领域的见解:由智障人士撰写的自传作品,包括通过人类学家和社会学家开发的民族志方法生成的生活史;对生活故事的研究,特别关注合作“自传”的伦理含义;残疾研究,特别强调其对智障人士的应用;叙事学理论,尤其是最近的作品,试图将叙事学概念与图形叙事对话,也就是说,叙事,假设漫画或更扩展的图形小说的形式,通过文字-图像组合的序列来讲述。
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引用次数: 3
Nabokov’s Experiments and the Nature of Fictionality 纳博科夫的实验与虚构的本质
Pub Date : 2011-05-26 DOI: 10.5250/STORYWORLDS.3.2011.0073
B. Richardson
The case of a character in a novel bearing the name or likeness of its nonfi ctional creator dramatizes the fault line that separates fi ction from nonfi ction, a distinction more durable than many care to acknowledge yet not as unbridgeable as others would aver. We can get a sense of what is at stake in this distinction by glancing at the way Nabokov begins his afterword, “On a Book Entitled Lolita”: “After doing my impersonation of the suave John Ray, the character in Lolita who pens the Foreword, any comments coming straight from me may strike one—may strike me, in fact—as an impersonation of Vladimir Nabokov talking about his own book” (1970: 313). One of the great intellectual achievements of modern narrative theory was to establish a fundamental differentiation between the narrator and the author and to ensure that the positions advocated by the one are not simplistically and erroneously pred-
小说中的一个人物以非小说作者的名字或肖像命名,这一案例戏剧化了小说与非小说之间的断层线,这一区别比许多人愿意承认的更持久,但也不是像其他人认为的那样不可逾越。我们可以通过纳博科夫在他的后记《论一本名为洛丽塔的书》中开头的方式来了解这种区别的利害关系:“在模仿了《洛丽塔》中写前言的温文尔雅的约翰·雷之后,任何直接来自我的评论可能会让人觉得——事实上,可能会让我觉得——就像模仿弗拉基米尔·纳博科夫谈论自己的书一样”(1970:313)。现代叙事理论最伟大的智力成就之一就是确立了叙述者和作者之间的根本区别,并确保叙述者所主张的立场不会被简单化和错误地传播
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引用次数: 8
Editor’s Column: Principles and Practices of Narrative Worldmaking 编者专栏:叙事世界建构的原则与实践
Pub Date : 2011-05-26 DOI: 10.1353/stw.2011.a432688
David Herman
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引用次数: 1
What Is Fanfiction and Why Are People Saying Such Nice Things about It? 什么是同人小说,为什么人们对它赞不绝口?
Pub Date : 2011-05-26 DOI: 10.5250/STORYWORLDS.3.2011.0001
Bronwen Thomas
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引用次数: 84
Location, Location, Translation: Mapping Voice in Translated Storyworlds 地点,地点,翻译:在翻译后的故事世界中映射声音
Pub Date : 2011-05-26 DOI: 10.5250/STORYWORLDS.3.2011.0093
C. Slater
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引用次数: 1
Writing in Style: Pattern Languages and Writing Short Fiction 文体写作:模式语言与短篇小说写作
Pub Date : 2011-05-26 DOI: 10.5250/STORYWORLDS.3.2011.0139
Alex Mitchell, K. McGee
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引用次数: 0
Children’s Storytelling: Toward an Interpretive and Sociocultural Approach 儿童讲故事:从解释和社会文化的角度出发
Pub Date : 2011-05-26 DOI: 10.5250/STORYWORLDS.3.2011.0025
A. Nicolopoulou
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引用次数: 13
The Reader’s Virtual Body: Narrative Space and Its Reconstruction 读者的虚拟身体:叙事空间及其重构
Pub Date : 2011-05-26 DOI: 10.5250/STORYWORLDS.3.2011.0117
Marco Caracciolo
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引用次数: 33
The Common Basis of Narrative and Music: Somatic, Social, and Affective Foundations 叙事和音乐的共同基础:躯体、社会和情感基础
Pub Date : 2011-05-26 DOI: 10.5250/STORYWORLDS.3.2011.0049
Richard G. Walsh
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eprints@whiterose.ac.uk https://eprints.whiterose.ac.uk/在白玫瑰研究在线中存放的重用项目受版权保护,除非另有说明,否则保留所有权利。它们可以下载和/或打印用于私人学习,或国家版权法允许的其他行为。出版商或其他权利持有人可能允许进一步复制和重新使用全文版本。这是白玫瑰研究在线项目记录上的许可信息所表明的。
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引用次数: 18
Narrative, Rhetoric, and the Origins of Logic 叙事、修辞和逻辑的起源
Pub Date : 2010-07-31 DOI: 10.1353/STW.0.0015
Apostolos Doxiadis
In Vom Mythos zum Logos (1940), a book that became emblematic of a now rather passe, idealized view of ancient Greek culture, Wilhelm Nestle proposed that the greatest achievement of the Greeks was the abandonment of the mythological interpretation of the world in favor of a rationalist model, developed with the tools of analytic thinking. Nestle’s account has since been supplanted by newer approaches, which found a lot more than myth in mythos and a lot less than pure reason in logos. However, if we restrict the meaning of his two terms and read mythos simply as “story” and logos as “logic,” Nestle’s catchphrase takes us back to a seminal event in cultural history, an event that has not been examined with the attention it deserves. More specifi cally, this essay argues that what we call, for short, “the birth of logic” can best be understood not as the abandonment of the narrative mode
威廉·奈斯特(Wilhelm Nestle)在1940年出版的《理性的神话》(Vom Mythos zum Logos)一书中提出,希腊人最伟大的成就是放弃了对世界的神话解释,转而采用理性主义模式,并利用分析思维的工具发展起来。这本书如今已成为古希腊文化一种相当过时的理想化观点的象征。雀巢的说法后来被更新的方法所取代,这些方法在神话中发现了更多的神话,在商标中发现了更少的纯粹理性。然而,如果我们限制他的两个术语的含义,把神话简单地理解为“故事”,把标志理解为“逻辑”,雀巢的口号就把我们带回到文化史上的一个重大事件,一个没有得到应有关注的事件。更具体地说,本文认为,我们所谓的“逻辑的诞生”最好不要理解为对叙事模式的放弃
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引用次数: 4
期刊
Storyworlds: A Journal of Narrative Studies
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