JAROSŁAW ŁAWSKI University of Białystok HOUSE ENEMY AND ALLY ADAM MICKIEWICZ’S TURKEY The author of the study points at an immense significance of Turkey not only in a literary picture of the world of the most eminent polish romantic poet, Adam Mickiewicz (1798–1855). He grew up in Navahrudak, on the territory of present Belarus, where the Tatars, connected to Turkish and Polish culture, made a strong group, and died during the Crimean War in Istanbul, where he went as a political emissary. Mickiewicz’s picture of Turkey was abundant in ambivalence. It received its full development in his lectures at Collège de France in Paris. He depicted Turkey as a historical enemy with which the Polish Republic waged wars, but also as the only country that, as the historical myth upholds, did not recognise the partitions of Poland. In the poet’s works, especially in their lexis, the influence of Turkish culture is quite marked and, e.g. in clothes and in militaria, significantly affects the Polish nobility. 70 M i c k i e w i c z, Księgi narodu polskiego, s. 43. 71 A. A. J a k u b o w s k i, Alopeus. W: Poezje. Z rękopisu wydał i wstępem opatrzył J. M a ś l a n k a. Kraków 1973, s. 9. Pod wierszem widnieje data: „Lwów, 3 maja 1833”.
JAROSŁAW ŁAWSKI Białystok大学的敌人和盟友亚当·米奇维茨的土耳其这项研究的作者指出，土耳其不仅在最杰出的波兰浪漫主义诗人亚当·米奇维茨(1798-1855)的文学图景中具有巨大的意义。他在现在的白俄罗斯境内的纳瓦鲁达克长大，那里的鞑靼人与土耳其和波兰文化有联系，形成了一个强大的群体。他在克里米亚战争期间死在伊斯坦布尔，作为政治使者前往那里。米基凯维奇对土耳其的描绘充满矛盾。在他在巴黎法兰西学院的演讲中，这一理论得到了充分的发展。他将土耳其描述为波兰共和国的历史敌人，同时也是唯一一个不承认波兰分割的国家，正如历史神话所坚持的那样。在诗人的作品中，特别是在他们的词汇中，土耳其文化的影响是相当明显的，例如在服装和军队中，土耳其文化对波兰贵族的影响很大。70 M . c . c . c . c . z, Księgi narodu polskiego, s. 43。71 A。答:阿罗珀斯，我想知道他是怎么做到的。W: Poezje。Z rękopisu wydaovi wstępem opatrzyovi J. M . a. l . a. k . Kraków 1973, s. 9。Pod wierszem widnieje数据:“Lwów, 1833年3月3日”。
{"title":"Domowy wróg i sojusznik. Turcja Mickiewicza","authors":"J. Ławski","doi":"10.18318/pl.2018.2.2","DOIUrl":"https://doi.org/10.18318/pl.2018.2.2","url":null,"abstract":"JAROSŁAW ŁAWSKI University of Białystok HOUSE ENEMY AND ALLY ADAM MICKIEWICZ’S TURKEY The author of the study points at an immense significance of Turkey not only in a literary picture of the world of the most eminent polish romantic poet, Adam Mickiewicz (1798–1855). He grew up in Navahrudak, on the territory of present Belarus, where the Tatars, connected to Turkish and Polish culture, made a strong group, and died during the Crimean War in Istanbul, where he went as a political emissary. Mickiewicz’s picture of Turkey was abundant in ambivalence. It received its full development in his lectures at Collège de France in Paris. He depicted Turkey as a historical enemy with which the Polish Republic waged wars, but also as the only country that, as the historical myth upholds, did not recognise the partitions of Poland. In the poet’s works, especially in their lexis, the influence of Turkish culture is quite marked and, e.g. in clothes and in militaria, significantly affects the Polish nobility. 70 M i c k i e w i c z, Księgi narodu polskiego, s. 43. 71 A. A. J a k u b o w s k i, Alopeus. W: Poezje. Z rękopisu wydał i wstępem opatrzył J. M a ś l a n k a. Kraków 1973, s. 9. Pod wierszem widnieje data: „Lwów, 3 maja 1833”.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"197 1","pages":"29-48"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86316884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MARCIN CAŁBECKI University of Gdańsk SKAMANDER AND AVANT-GARDE ON THE FIRM GROUND ON KAROL WIKTOR ZAWODZIŃSKI AND JÓZEF CZECHOWICZ’S ARGUMENT The article is an account of a vigorous polemic between two important representatives of the Inter-war literary life, namely Karol Wiktor Zawodziński and Józef Czechowicz. It took place in the papers in the year 1935. On the surface, it referred to the issues connected with poetic criticism, but in consequence it led to personal accusations and almost ended with a duel. What remains in the background is the revealing of Czechowicz’s homosexuality which in the 1930s meant infamy and became the source of his grave personal problems. The article also allows to reconsider the picture of Polish Inter-War literary life. As it transpires, the representatives of the epoch’s elites were familiar with prejudice, disrelish and simple meanness.
{"title":"Skamander i awangarda na ubitej ziemi. O sporze Karola Wiktora Zawodzińskiego i Józefa Czechowicza","authors":"Marcin Całbecki","doi":"10.18318/PL.2018.3.6","DOIUrl":"https://doi.org/10.18318/PL.2018.3.6","url":null,"abstract":"MARCIN CAŁBECKI University of Gdańsk SKAMANDER AND AVANT-GARDE ON THE FIRM GROUND ON KAROL WIKTOR ZAWODZIŃSKI AND JÓZEF CZECHOWICZ’S ARGUMENT The article is an account of a vigorous polemic between two important representatives of the Inter-war literary life, namely Karol Wiktor Zawodziński and Józef Czechowicz. It took place in the papers in the year 1935. On the surface, it referred to the issues connected with poetic criticism, but in consequence it led to personal accusations and almost ended with a duel. What remains in the background is the revealing of Czechowicz’s homosexuality which in the 1930s meant infamy and became the source of his grave personal problems. The article also allows to reconsider the picture of Polish Inter-War literary life. As it transpires, the representatives of the epoch’s elites were familiar with prejudice, disrelish and simple meanness.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"26 1","pages":"83-91"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83044748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MONIKA ŚWIERKOSZ Jagiellonian University, Cracow IN SEARCH OF A NEW VIEW STANISŁAWA PRZYBYSZEWSKA’S PROSE BETWEEN AVANT-GARDE AND VERNACULAR MODERNISM The text formulates a question about Stanisława Przybyszewska’s prose interpretive potential in the perspective of vernacular modernism (Miriam Bratu Hansen) and an avant-garde project of “film novel” (Jan Brzękowski). Considering Przybyszewska’s inspirations from both popular cinema (early Hollywood) and avant-garde one (German expressionism and Soviet revolutionary movie) as well as the strategy of “plagiarism” of which she took advantage, the author of the paper underlines the problematic for modernity connection of high and low forms of culture. She also comprehends Przybyszewska’s unfinished prose pieces as avant-garde laboratory of new modes of simultaneous seeing. Ultimately, she questions for a gender aspect of Stanisława Przybyszewska’s narrative quests. 43 A. A r a s z k i e w i c z, Zapomniana rewolucja. Rozkwit kobiecego pisania w Dwudziestoleciu międzywojennym. Warszawa 2014.
{"title":"W poszukiwaniu nowego spojrzenia : proza Stanisławy Przybyszewskiej między awangardą a modernizmem wernakularnym","authors":"M. Świerkosz","doi":"10.18318/PL.2018.3.3","DOIUrl":"https://doi.org/10.18318/PL.2018.3.3","url":null,"abstract":"MONIKA ŚWIERKOSZ Jagiellonian University, Cracow IN SEARCH OF A NEW VIEW STANISŁAWA PRZYBYSZEWSKA’S PROSE BETWEEN AVANT-GARDE AND VERNACULAR MODERNISM The text formulates a question about Stanisława Przybyszewska’s prose interpretive potential in the perspective of vernacular modernism (Miriam Bratu Hansen) and an avant-garde project of “film novel” (Jan Brzękowski). Considering Przybyszewska’s inspirations from both popular cinema (early Hollywood) and avant-garde one (German expressionism and Soviet revolutionary movie) as well as the strategy of “plagiarism” of which she took advantage, the author of the paper underlines the problematic for modernity connection of high and low forms of culture. She also comprehends Przybyszewska’s unfinished prose pieces as avant-garde laboratory of new modes of simultaneous seeing. Ultimately, she questions for a gender aspect of Stanisława Przybyszewska’s narrative quests. 43 A. A r a s z k i e w i c z, Zapomniana rewolucja. Rozkwit kobiecego pisania w Dwudziestoleciu międzywojennym. Warszawa 2014.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87720802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ROMAnTiciSM Georomanticism is a collection of studies on the connections between Romantic literature and broadly understood space. The new approach to the issues that have been raised many times unfolds in rec ognising the cultural perspective as overriding, since this perspective opens the field of research in identity problems (connected e.g. with political and civilizational changes), in confrontation of various spatial orders (consideration on common/arguable/separate places) or spatial imagery, as well as in the “avant-garde” role of Romanticism for such fields of new humanities as politics of place, ecocriti -cism, and open or comparative regionalism. A separate value of the collection is its polyphony display ing in a variety of approaches and diversity of applied methods and discourses to which the volume refers.
{"title":"Groteska – antropologicznie. Rec.: Kajetan Mojsak, Groteska w polskiej prozie narracyjnej 1945–1968. Warszawa 2014","authors":"M. Wołk","doi":"10.18318/pl.2018.2.13","DOIUrl":"https://doi.org/10.18318/pl.2018.2.13","url":null,"abstract":"ROMAnTiciSM Georomanticism is a collection of studies on the connections between Romantic literature and broadly understood space. The new approach to the issues that have been raised many times unfolds in rec ognising the cultural perspective as overriding, since this perspective opens the field of research in identity problems (connected e.g. with political and civilizational changes), in confrontation of various spatial orders (consideration on common/arguable/separate places) or spatial imagery, as well as in the “avant-garde” role of Romanticism for such fields of new humanities as politics of place, ecocriti -cism, and open or comparative regionalism. A separate value of the collection is its polyphony display ing in a variety of approaches and diversity of applied methods and discourses to which the volume refers.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"11 1","pages":"255-262"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73245022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
JAROSŁAW NOWASZCZUK University of Szczecin WORKS DISSEMINATED UNDER THE NAME OF DURETIUS IN CRACOW EDITION A collection of poems entitled „Litaniae Lauretanae” anagrammatice contextae. Corona quoque V. Beatissimae, ex S. Scripturae elogiis versu composita gives an insight into the artistic work reality and into many aspects of the baroque poetic workshop. Quintinus Duretius (Quentin DuRetz), to whom the collection is attributed, is indeed not its author. The poems are the effects of exercises in writing done by his apprentices, and were published in Antwerp in the year 1651. The false information about the collection’s authorship became also fixed due to the Poles. A Benedictine monk Stanisław Szczygielski claims in his writings that it was Duretius who authored the texts which were reedited in Cracow. From a rich collection of poetry contained in Rhetorum Collegii S. Adriani oppidi Gerardimontani in Flandria „Poesis anagrammatica” the Polish editor selected only such pieces which relate to Virgin Mary. Out of four separate parts of the first edition issued by the widow and Franciszek Cezary’s inheritors’ publishing house three were printed. They evidence a peculiar kind of creativity of young poets from Benedictine college which mingled a prayer structure with artistic texts. In the analysed pieces one discerns elements typical of baroque, so in a literary layer a strong affinity to anagrams and artistic expositions, while in the sphere of religion–cultivation of Marian laudatory piety, especially panegirycal antonomasia.
JAROSŁAW NOWASZCZUK什切青大学作品以杜雷修斯的名义在克拉科夫版传播题为“Litaniae Lauretanae”的诗歌集。Corona quoque V. Beatissimae, ex S. Scripturae logiis vs . composita对艺术作品的现实和巴洛克诗歌工作室的许多方面进行了深入了解。昆汀·杜雷提乌斯(昆汀·杜雷兹)，这部文集的作者，确实不是作者。这些诗是他的学徒练习写作的结果，并于1651年在安特卫普出版。由于波兰人的原因，关于这本书作者身份的虚假信息也被修复了。一位本笃会修士Stanisław Szczygielski在他的著作中声称，是杜雷修撰写了在克拉科夫重新编辑的文本。从佛兰德里亚的《阿德里亚尼·奥皮迪·杰拉迪蒙塔尼的修辞学》中收录的丰富诗集中，波兰编辑只选择了与圣母玛利亚有关的作品。在寡妇和Franciszek Cezary的继承人的出版社发行的第一版的四个独立部分中，有三个被印刷出来。它们证明了本笃会学院年轻诗人的一种独特的创造力，他们将祈祷结构与艺术文本混合在一起。在分析的作品中，我们可以看出巴洛克风格的典型元素，所以在文学层面上，对字谜和艺术展示有很强的亲和力，而在宗教培养领域，对玛丽安的赞美虔诚，尤其是泛化的对象法。
{"title":"Dzieła upowszechnione pod nazwiskiem Duretiusa w krakowskiej edycji","authors":"Jarosław Nowaszczuk","doi":"10.18318/PL.2018.4.10","DOIUrl":"https://doi.org/10.18318/PL.2018.4.10","url":null,"abstract":"JAROSŁAW NOWASZCZUK University of Szczecin WORKS DISSEMINATED UNDER THE NAME OF DURETIUS IN CRACOW EDITION A collection of poems entitled „Litaniae Lauretanae” anagrammatice contextae. Corona quoque V. Beatissimae, ex S. Scripturae elogiis versu composita gives an insight into the artistic work reality and into many aspects of the baroque poetic workshop. Quintinus Duretius (Quentin DuRetz), to whom the collection is attributed, is indeed not its author. The poems are the effects of exercises in writing done by his apprentices, and were published in Antwerp in the year 1651. The false information about the collection’s authorship became also fixed due to the Poles. A Benedictine monk Stanisław Szczygielski claims in his writings that it was Duretius who authored the texts which were reedited in Cracow. From a rich collection of poetry contained in Rhetorum Collegii S. Adriani oppidi Gerardimontani in Flandria „Poesis anagrammatica” the Polish editor selected only such pieces which relate to Virgin Mary. Out of four separate parts of the first edition issued by the widow and Franciszek Cezary’s inheritors’ publishing house three were printed. They evidence a peculiar kind of creativity of young poets from Benedictine college which mingled a prayer structure with artistic texts. In the analysed pieces one discerns elements typical of baroque, so in a literary layer a strong affinity to anagrams and artistic expositions, while in the sphere of religion–cultivation of Marian laudatory piety, especially panegirycal antonomasia.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"16 1","pages":"165-184"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75709055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
JACEK SOKOLSKI University of Wrocław “HARDZI MIEDZY PROSTAKI, ŻE NIC NIE UMIEMY [WE, IN OUR ARROGANCE, PRETEND TO HIGHER FACULTIES]” KOCHANOWSKI IN THE TRAP OF SCEPTICISM The subject of the article is a detailed analysis of the second part of Jan Kochanowski’s Tren XI (Lament XI). Contrary to the so far acceptable opinions expressed by former researchers, the poet in the piece by no means mocks the pride of men who persistently attempt to climb to heaven and spy on the Creator’s secrets, but conversely, he claims the stance of the ancient sceptics referring to the saying “I know that I know nothing” attributed to Socrates to be manifestation of pride and testimony of wisdom of those who credit that a man is unable to pronounce any judgement on the surrounding reality.
{"title":"„Hardzi miedzy prostaki, że nic nie umiemy”. Kochanowski w pułapce sceptycyzmu","authors":"J. Sokolski","doi":"10.18318/pl.2018.4.5","DOIUrl":"https://doi.org/10.18318/pl.2018.4.5","url":null,"abstract":"JACEK SOKOLSKI University of Wrocław “HARDZI MIEDZY PROSTAKI, ŻE NIC NIE UMIEMY [WE, IN OUR ARROGANCE, PRETEND TO HIGHER FACULTIES]” KOCHANOWSKI IN THE TRAP OF SCEPTICISM The subject of the article is a detailed analysis of the second part of Jan Kochanowski’s Tren XI (Lament XI). Contrary to the so far acceptable opinions expressed by former researchers, the poet in the piece by no means mocks the pride of men who persistently attempt to climb to heaven and spy on the Creator’s secrets, but conversely, he claims the stance of the ancient sceptics referring to the saying “I know that I know nothing” attributed to Socrates to be manifestation of pride and testimony of wisdom of those who credit that a man is unable to pronounce any judgement on the surrounding reality.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"87 8 1","pages":"87-95"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84030564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Biała pani przeszła znów przez salon!...” Duchy, czarownice i demony w twórczości poetyckiej Marii Pawlikowskiej-Jasnorzewskiej","authors":"Jadwiga Jęcz","doi":"10.18318/pl.2018.1.5","DOIUrl":"https://doi.org/10.18318/pl.2018.1.5","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"2 1","pages":"95-103"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81472006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nieznane fakty z biografii Jana Parandowskiego","authors":"G. Pawlak","doi":"10.18318/PL.2018.3.10","DOIUrl":"https://doi.org/10.18318/PL.2018.3.10","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"80 1","pages":"145-164"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77440395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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