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‘Who’ is turning? “谁”在转身?
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0284
Vicki Kirby
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引用次数: 0
Samuel Weber, Singularity: Politics and Poetics 塞缪尔·韦伯:《奇点:政治与诗学》
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0279
Kir Kuiken
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引用次数: 0
Earthbound in the Anthropocene 人类世的地球
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0282
Chris Danta
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引用次数: 0
Erin Graff Zivin, Anarchaeologies: Reading as Misreading 艾琳·格拉夫·齐文,《考古学:阅读是误读》
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0278
S. Marsh
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引用次数: 0
Introduction 介绍
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0272
Francesco Vitale
Sophisticated deterrence theories have been proposed to justify the acquisition of nuclear weapons by countries; but they are demonstrably flawed and likely to lead to a catastrophic outcome; which has been avoided so far only thanks to the insubordination of individuals who did not follow the instructions mandated by such theories. The relevant military and political decision makers should try to escape from this dangerous situation. This is not easy; but the alternative is doom. Escape before doom might become possible after the danger of the current situation of humankind due to the presence of nuclearweapons ismorewidely understood. But it is more likely that a sufficiently potent motive for drastic changes shall emerge only after a major nuclear-weapon catastrophe caused by a diligent implementation of the sequence of the actions carefully programmed to make nuclear deterrence work. All of us—and primarily all those of us having some specific competence or professional involvement in the development and operational management of nuclear weapons (their technologies, their operational rules, and the related domestic and international politics)—especially all those who do believe their activities related to nuclear weaponry help to promote the survival of their fellow citizens and of humankind—all ought to ponder these facts and cooperate in order to move humankind away from the brink. Si vis pacem, para bellum. “If you want peace, prepare for war”. This advice was probably rather sensible in many of the occasions in which it was uttered and followed throughout human history; but these were circumstances in which the primary goal was to avoid war if at all possible, but otherwise to win the war. Now every reasonable person understands that “a nuclear war cannot be won and must never be fought” (President Ronald Reagan, 1984 State of the Union Address). Hence, any “reasonable” version of nuclear deterrence must have as its primary goal the prevention of nuclear war: indeed, of any deliberate use of nuclear weapons.
有人提出了复杂的威慑理论来证明各国获得核武器的正当性;但它们显然存在缺陷,并可能导致灾难性的结果;到目前为止,这种情况之所以得以避免,是因为那些没有遵守这些理论所规定的指示的人不服从命令。有关的军事和政治决策者应该设法摆脱这种危险的局面。这并不容易;但另一种选择是厄运。由于核武器的存在,人类当前处境的危险性得到了更广泛的理解,因此,在厄运之前逃跑可能成为可能。但更有可能的是,只有在认真执行为使核威慑发挥作用而精心制定的一系列行动造成重大核武器灾难之后,才会出现足够有力的剧烈变革动机。我们所有人——主要是我们所有在核武器的开发和作战管理(其技术、作战规则以及相关的国内和国际政治)方面具有特定能力或专业参与的人——尤其是那些相信自己与核武器有关的活动有助于促进同胞生存的人公民和人类——所有人都应该思考这些事实并进行合作,以使人类远离边缘。相对于心脏,bellum附近。“如果你想要和平,就要为战争做好准备”。在整个人类历史上,这一建议在许多场合都是相当明智的;但在这种情况下,首要目标是尽可能避免战争,而不是赢得战争。现在,每一个理智的人都明白,“核战争不可能赢,也永远不能打”(罗纳德·里根总统,1984年国情咨文)。因此,任何“合理”版本的核威慑都必须以防止核战争为首要目标:事实上,防止任何蓄意使用核武器的行为。
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引用次数: 0
Posthumanisms 操作性
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0285
C. Peterson
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引用次数: 1
Back matter 背景材料
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0281
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引用次数: 0
‘Rideaux rouges’: The Scene of Ideology and the Closure of Representation (Matter and Theatre in Althusser and Derrida) 《胭脂红》:意识形态的场景和表现的终结(阿尔都塞和德里达的物质与戏剧)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0273
Thomas Clément Mercier
As they make their way through Louis Althusser’s and Jacques Derrida’s texts, readers will cross innumerable curtains – ‘the words and things’, as Derrida says, as many fabrics of traces. These curtains open onto a multiplicity of scenes and mises en scène, performances, roles, rituals, actors, plays – thus unfolding the space of a certain theatricality. This essay traces Althusser’s and Derrida’s respective deployments of the theatrical motif. In his theoretical writings, Althusser’s theatrical dispositive aims to designate the practical and material dimension of the scenes of ideology, materially enacted through roleplays, performances, acts, or discourses. At the horizon: a scientific discourse on ideology or, later, a strategic intervention in the class struggle. This scientific and/or strategic orientation echoes Althusser’s definition of materialism: ‘no more storytelling’. But Derrida’s ‘closure of representation’ reminds us that there’s no presence – even the most ‘material’ – no ‘truth’ or ‘correctness’ – in theoretical or strategic terms – without effects of re-presentation, differential repetition, narrative reconstruction: theatricality and materiality suppose a force of resistance, a secret heterogeneity, curtain foldings. Hence the irreducible necessity of reading, storytelling, transformative interpretation. What are the implications for thinking inheritance and debt – for example, the one binding Althusser and Derrida, and us to them?
在阅读路易·阿尔都塞和雅克·德里达的文本时,读者将穿越无数的帘子——正如德里达所说,“文字和事物”是许多痕迹的织物。这些幕布展现了众多的场景,包括场景、表演、角色、仪式、演员、戏剧——从而展现了某种戏剧性的空间。本文追溯了阿尔都塞和德里达各自对戏剧主题的运用。在他的理论著作中,阿尔都塞的戏剧决定旨在指定意识形态场景的实践和物质维度,通过角色扮演,表演,行为或话语在物质上制定。在地平线上:对意识形态的科学论述,或者后来对阶级斗争的战略干预。这种科学和/或战略取向与阿尔都塞对唯物主义的定义相呼应:“不再讲故事”。但是德里达的“表征的终结”提醒我们没有存在——即使是最“物质性的”——没有“真理”或“正确性”——在理论或策略上——没有再现的效果,差异重复,叙事重建:戏剧性和物质性假设了一种抵抗的力量,一种秘密的异质性,窗帘折叠。因此,阅读、讲故事和变革性的解释是不可减少的必要性。继承和债务——例如,把阿尔都塞和德里达以及我们与他们联系在一起的那个——的思考意味着什么?
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引用次数: 0
Coviderrida: The Pandemic in Deconstructive Philosophy Coviderida:解构哲学中的流行病
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0276
A. Al-Khafaji
Because the pandemic has kept the world busy in the last two years, a revival of Derrida's writings on biology is an urgent prerequisite today. The tsunamic invasion of the Coronavirus or Covid-19 pandemic took more than two million lives and thousands are still being tested positive as I write. The speed of the virus and the seeming human inability to stop its spread necessitates a study on the relationship between Covid-19 and Derrida's deconstructive philosophy. Hence the portmanteau Coviderrida – inspired by Hélène Cixous’ ‘ derridevilishly’ ( Cixous 2004 , 16) – attempts to demonstrate how the pathogen operates as an event or (im) possibility to which Derrida's neologisms ‘différance’, ‘supplement’, ‘trace’, ‘archi-writing’, and ‘text’ testify. The main concern of this paper is to restore the deconstructive logic that Derrida advocates to restructure the relationship between life and death in his 1975-6 seminar La vie la mort, and reshape our notion of human survival in his 2001 interview with Giovanna Borradori, ‘Autoimmunity’. These two texts redefine the political and religious questions, which are ‘left hanging, uncertain, still in movement and therefore, yet “to come”’.
由于疫情在过去两年里让世界变得繁忙,德里达关于生物学的著作的复兴是今天的一个紧迫先决条件。冠状病毒或新冠肺炎大流行的海啸入侵夺走了200多万人的生命,数千人的检测结果仍呈阳性。病毒的速度和人类似乎无法阻止其传播,这就需要研究新冠肺炎与德里达解构哲学之间的关系。因此,Coviderida组合词 – 灵感来自Hélène Cixous的“derridevilishly”(Cixous 2004,16) – 试图证明病原体是如何作为一个事件或(im)可能性运作的,德里达的新词“différance”、“complementary”、“trace”、“archi-write”和“text”证明了这一点。本文的主要关注点是恢复德里达在1975-6年的研讨会《生命与死亡》中倡导的重构生与死关系的解构逻辑,并在2001年对乔万娜·博拉多里的采访《自体免疫》中重塑我们对人类生存的概念。这两个文本重新定义了政治和宗教问题,这些问题“悬而未决,不确定,仍在运动中,因此,尚未到来”。
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引用次数: 0
On the Genesis of Monkey Trouble: The Scandal of Posthumanism 论猴患的成因:后人文主义的丑闻
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.3366/drt.2022.0277
Christopher Peterson
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引用次数: 0
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