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Notes on Contributors 投稿人说明
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0307
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引用次数: 0
The Unconditional Condition of Peace 和平的无条件条件
IF 0.2 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0301
Marc Crépon
This article, inspired by the Derridean thinking of hospitality, attempts to reflect upon the conditions of peace and hospitality, taking a reading of Kant's ‘Toward Perpetual Peace’ as its guiding thread. It endeavours to show that the peace that inhospitable nations maintain between themselves is necessarily illusory, as they continue to amass the restrictive conditions of their hospitality. The hypothesis is proposed that the guiding thread that links the elements of the hyperbolic ethics that Derrida deploys in his ‘questions of responsibility’ seminars indeed concerns this unconditional condition of peace, of which hospitality is the first law.
本文受德里安待客思想的启发,以康德的《走向永久和平》为指导线索,试图反思和平与待客的条件。它努力表明,不好客的国家之间维持的和平必然是虚幻的,因为它们继续为好客积累限制性条件。假设提出,德里达在他的“责任问题”研讨会中部署的双曲伦理学元素的指导线索确实涉及这种无条件的和平条件,其中好客是第一法则。
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引用次数: 0
Robert Briggs, The Animal-to-Come: Zoopolitics in Deconstruction 罗伯特·布里格斯,《未来的动物:解构中的动物政治》
IF 0.2 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0306
Joëlle Dubé
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引用次数: 1
Solicitude 关心
IF 0.2 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.1007/978-94-007-0753-5_103968
G. Anidjar
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引用次数: 0
Special Issue Introduction 特刊简介
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0299
Nicole Anderson
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引用次数: 0
Derrida's Zusage – Response and Appeal 德里达祖萨 – 回应和上诉
IF 0.2 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0304
Samuel Weber
Although Derrida himself rejected the Saussurian notion of ‘signifier’ and replaced it with ‘trace’ or ‘mark’ this essay argues for the continued relevance of ‘signifier’ for and to the Derridean project of ‘deconstructing’. A radical reading of ‘signifier’ as undertook by Derrida himself in Of Grammatology can help demonstrate the power of certain Derridean readings such as that, in Of Spirit, which seeks to problematise the Heideggerian approach to questioning as ‘the piety of thought’. By exposing certain connotations of the German word, Zusage – ‘speaking to’ – the essay seeks to bring out the affective dimension in Derrida's deconstructive reading of Heidegger and more generally in the deconstructive project.
尽管德里达本人拒绝了索绪尔式的“能指”概念,并用“痕迹”或“标记”取代了它,但本文认为,能指对德里达“解构”项目的持续相关性。德里达本人在《语法学》中对“能指”的激进解读可以帮助证明某些德里达解读的力量,比如《精神》中的解读,该解读试图将海德格尔的质疑方法问题化为“思想的虔诚”。通过揭示德语单词Zusage的某些含义 – ‘与“ – 本文试图在德里达对海德格尔的解构性阅读中,以及在更广泛的解构性项目中,揭示情感维度。
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引用次数: 0
Conjuring Green: Jacques Derrida’s Plants 变绿:雅克·德里达的《植物》
IF 0.2 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0303
Elisabeth Weber
Taking its point of departure in a childhood memory of Derrida around raising silkworms, this essay explores the urgency invoked in the same memory of ‘conjuring green’. Following the polysemy of the French verb ( conjurer means to ‘ward off’, ‘cause (a spirit or ghost) to appear’, ‘implore’, and literally, ‘swear together’), the conjured green binds the child and later the writer surreptitiously to both the community and language of Islam, in which the colour green evokes the gardens of paradise, and the infinitely differentiated proliferation of plants whose anthology encroaches upon and undermines any ontology. Along the meandering lines of Derrida’s meditation on the conjured, warded-off, mourned and celebrated green, the Qur’anic Muslim’s joy and radiance whose roots are the same as those for ‘vividness’ and ‘flourishing’, are grafted onto Hildegard von Bingen’s viriditas, the greening power or force which the German mystic Hildegard von Bingen understood as the living soul of creation; and Darwin’s discovery of the movement of plans as ‘circumnutation’, a Derridian term avant la lettre, that captures the dynamic of plants in Derrida’s Glas.
这篇文章以德里达关于养蚕的童年记忆为出发点,探讨了在同样的记忆中唤起的“变绿”的紧迫性。随着法语动词的一词多义(“魔术师”的意思是“避开”,“使(幽灵或鬼魂)出现”,“恳求”,字面上是“一起发誓”),被召唤出来的绿色将孩子和后来的作家秘密地与伊斯兰教的社区和语言联系在一起,在伊斯兰教中,绿色唤起了天堂的花园,以及无限分化的植物增殖,这些植物的集合蚕食和破坏了任何本体论。沿着德里达对被召唤的、被拒绝的、被哀悼的和被赞美的绿色的沉思的蜿蜒的线条,古兰经穆斯林的喜悦和光辉,其根源与“生动”和“繁荣”是一样的,被嫁接到希尔德加德·冯·宾根的“绿”上,绿色的力量或力量被德国神秘主义者希尔德加德·冯·宾根理解为创造的生命灵魂;达尔文发现了“圆周运动”,这是德里德里语中的一个术语“avant la letter”,它捕捉到了德里达玻璃中的植物动态。
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引用次数: 0
General Editor's Note 总编注
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0298
Nicole Anderson
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引用次数: 0
Solicitude 关怀
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0300
Gil Anidjar
Was Derrida a mama’s boy? Was he not hiding or indeed manifesting, ostensibly displaying even, mommy issues? Let us posit that Derrida had a substantial, perhaps an inordinate amount of things to say about mothers in general, about surrogate mothers too, and about his own mother in particular. Derrida did confess having taken the side of his mother. Yet, what I really want to ask is whether, from Plato to Nancy and, more obviously, from Rousseau to Freud and beyond, mothers can, in fact, be confined to bounded registers of life, of Derrida’s life and, more formally, to the biographical and autobiographical (as ‘Circumfession’ and before it Spurs and The Ear of the Other might suggest). Or even to the psychoanalytical (as The Post Card and, in it, the famous fort/da scene would certainly indicate). A concern — shall I already call it a solicitude — for mothers, on Derrida’s part, might raise a distinct set of questions.
德里达是妈妈的宝贝吗?他不是在隐藏,还是在表现,甚至是表面上表现出,对妈妈的问题?让我们假设德里达有大量的,也许是过多的关于母亲的事情要说,关于代孕母亲,也关于他自己的母亲。德里达确实承认站在他母亲一边。然而,我真正想问的是,从柏拉图到南希,更明显的是,从卢梭到弗洛伊德,甚至更远的地方,母亲们是否可以,实际上,被限制在有限的生活范围内,德里达的生活,更正式地说,传记和自传体(正如《轮回》及其之前的《热刺》和《他者之耳》可能暗示的那样)。或者甚至是精神分析(正如《明信片》和其中著名的堡垒/da场景所表明的那样)。对母亲的关心——我是否应该称其为关心——在德里达的立场上,可能会提出一系列不同的问题。
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引用次数: 0
Front matter 前页
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.3366/drt.2023.0297
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引用次数: 0
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