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Common Worlding Pedagogies: Opening Up to Learning with Worlds 共同的世界教育学:用世界开放学习
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-12-21 DOI: 10.18357/jcs464202120425
Affrica Taylor, T. Zakharova, M. Cullen
Common worlding is a collective pedagogical approach. It is also a deliberate move to open up education to worlds beyond narrow human preoccupations and concerns and beyond its standard framing as an exclusively social practice. In this article, we identify some of the guiding principles that underpin this approach and explain how they work out in practice. We do so by offering a selection of illustrative vignettes drawn from the Walking with Wildlife in Wild Weather Times early childhood research project in Canberra, Australia, and from the Witnessing the Ruins of Progress early childhood research collaboratory in Ontario, Canada.
共同世界是一种集体的教学方法。这也是一个深思熟虑的举措,旨在向超越人类狭隘关注和关注的世界开放教育,并超越其作为一种纯粹社会实践的标准框架。在这篇文章中,我们确定了支撑这种方法的一些指导原则,并解释了它们在实践中是如何发挥作用的。为此,我们提供了一些插图,这些插图来自澳大利亚堪培拉的《在狂野天气下与野生动物同行》时代幼儿研究项目,以及加拿大安大略省的《见证进步的废墟》幼儿研究合作组织。
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引用次数: 4
Temporalizing Childhood: A Conversation with Erica Burman, Stephanie Olsen, Spyros Spyrou, and Hanne Warming 《暂时化童年:与Erica Burman, Stephanie Olsen, Spyros Spyrou和Hanne Warming的对话》
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-12-21 DOI: 10.18357/jcs464202120211
Z. Millei
This paper is a summary of the keynote panel conversation that took place as part of the “Childhood in Time”conference, May 10–12, 2021. The speakers respond to the question of how they place childhood in time relations,giving examples from their own research and outlining an agenda for considering time in childhood studies.
本文是2021年5月10日至12日“童年时光”会议主题小组对话的总结。演讲者回答了他们如何将童年置于时间关系中的问题,从他们自己的研究中给出了例子,并概述了在儿童研究中考虑时间的议程。
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引用次数: 5
Toward a Process-Centered Account of Literate Activity in the Classroom 以过程为中心的课堂文化活动描述
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-12-21 DOI: 10.18357/jcs464202120226
G. Braswell
This paper presents an approach to conceptualizing classroom activities that views teachers, students, and classroom objects as participating in continuous, cyclical processes of “reengaging” and “disengaging.” As an illustration, six episodes in a U.S. preschool classroom of a teacher, nine 4- to 5-year-olds, and a box (which held objects related to a featured letter of the week) were analyzed through a relational-process lens. The box, classroom members, and objects that children brought from home moved through cycles of coming together and moving apart physically and attentionally. Furthermore, these processes metaphorically pulled in other activities across time and space.
本文提出了一种概念化课堂活动的方法,将教师、学生和课堂对象视为参与“重新参与”和“脱离”的连续、循环过程。作为一个例子,我们通过关系过程的视角分析了美国幼儿园中一位老师、9个4到5岁的孩子和一个盒子(盒子里放着与一周的特色字母有关的物品)的6个情节。孩子们从家里带来的盒子、教室成员和物品在身体和注意力上经历了聚在一起和分开的循环。此外,这些过程隐喻地跨越时间和空间拉入其他活动。
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引用次数: 0
Differences in Child Care Participation Between Immigrant and Nonimmigrant Families 移民家庭与非移民家庭儿童保育参与的差异
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-12-21 DOI: 10.18357/jcs464202120123
M. Kingsbury, L. Findlay, Rubab G. Arim, Lan Wei
This study used data from the Survey on Early Learning and Child Care Arrangements (SELCCA) and the Longitudinal Immigration Database (IMDB) to examine patterns of child care use among Canadian immigrant and nonimmigrant families. Overall, children from immigrant backgrounds were less likely to be in child care. When considering only those in child care, children from immigrant families were more likely to be in licensed care than those from nonimmigrant families. Parents of children with immigrant backgrounds indicated various reasons for not enrolling their child in child care. Ensuring access to child care may have a positive impact on immigrant families.
这项研究使用了早期学习和儿童保育安排调查(SELCCA)和纵向移民数据库(IMDB)的数据,以调查加拿大移民和非移民家庭的儿童保育使用模式。总的来说,来自移民背景的儿童不太可能接受儿童保育。当只考虑那些接受儿童保育的儿童时,移民家庭的儿童比非移民家庭的孩子更有可能接受有执照的保育。移民背景儿童的父母指出了不让他们的孩子参加儿童保育的各种原因。确保获得儿童保育可能会对移民家庭产生积极影响。
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引用次数: 3
Compensating for Stigma: Representations of Hard to Adopt Children in the "Today’s Child" 弥补耻辱:“今日儿童”中难以领养儿童的表现
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-12-21 DOI: 10.18357/jcs464202120105
Daniella Bendo, T. Hepburn, D. Spencer
We examine 4,300 advertisements of children who were featured in Today’s Child, a daily newspaper column written by Helen Allen in the Toronto Telegram and Toronto Star (1964–1982) and syndicated across North America. We highlight how stigma and values were attributed to adoptive children featured in these advertisements. Our findings reveal how the advertisements perpetuated and attached stigma to these children and how this stigma had to be compensated for the children to appeal to prospective parents. Compensatory strategies were ultimately required to manage stigma and increase the value of the featured children.
我们研究了4300个刊登在《今日儿童》(Today 's Child)上的儿童广告。《今日儿童》是由海伦·艾伦在《多伦多电报》和《多伦多星报》(1964-1982)上撰写的每日报纸专栏,在北美各地联合发行。我们强调了这些广告中收养儿童的耻辱和价值观。我们的研究结果揭示了广告是如何使这些孩子背负耻辱的,以及为了吸引未来的父母,这种耻辱是如何得到补偿的。补偿策略最终需要管理耻辱和增加特色儿童的价值。
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引用次数: 0
The Aura of the Trace in One Child’s Projects in the World: Collecting as Rescue, Repetition, Rupture and Refrain 世界上一个孩子项目中的痕迹光环:收集作为拯救、重复、断裂和折射
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-12-21 DOI: 10.18357/jcs464202120124
Elliott Kuecker, M. Freeman
Using one child’s archival collection, found in the Prospect Archive of Children’s Work at the University of Vermont, we consider the methodological complications involved in attempting to analyze material traces of childhood, created by the child. The experimental school where these artworks were originally completed practiced methods of deep observation and descriptive review of materials collected, rather than sending children’s work home. We ponder these pedagogic methods alongside concepts delivered by the German cultural critic Walter Benjamin in order to suggest how the purpose of collecting and presenting traces of childhood can be an act of rescue.
使用佛蒙特大学儿童工作展望档案馆中的一个儿童档案集,我们考虑了试图分析儿童创造的童年物质痕迹所涉及的方法复杂性。最初完成这些艺术品的实验学校实践了对收集到的材料进行深入观察和描述性审查的方法,而不是把孩子们的作品送回家。我们将这些教学方法与德国文化评论家沃尔特·本雅明提出的概念结合起来思考,以表明收集和呈现童年痕迹的目的是如何成为一种拯救行为。
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引用次数: 2
Walter Benjamin 本雅明
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-23 DOI: 10.5860/choice.33-6221
W. Benjamin, S. Unseld, I. Scheurmann, Konrad Scheurmann, T. Nevill
Cultural theorist and political philosopher Walter Benjamin (b. 1892–d. 1940) reflected on the thought processes and imaginative life of the child both in dedicated writings and, tangentially, in his major works. As a young man Benjamin wrote essays critical of high school education, and he was a supporter of the German Youth Movement until he became disillusioned with its nationalist tone. Subsequently Benjamin’s engagement shifted toward early childhood and took many forms: he collected antique children’s books; recorded the sayings and opinions of his infant son; made radio broadcasts for children; composed a memoir of his own childhood years in Berlin; and devoted a number of prose fragments to aspects of drama for young people, play, toys, and the numinous qualities of childhood reading. Influenced by the German Romantic view of the purity of a child’s vision that removes the subject-object barrier, Benjamin suggests in these works that in the course of developing an intense relationship with its immediate locality the child simultaneously absorbs and animates the innate qualities of the natural or manufactured object. Benjamin also regarded language play, witnessed in the utterances of his young son and the magical resonance of his own childhood misunderstandings, as essential to the formation of memory images and the imagination. He does not, however, present an idealized vision of childhood, since children are engaged in a cycle of destruction as well as renewal, and play with the detritus of daily life is essential to the growth of the child’s autonomy—as indeed are acts of mimesis and an immersion in the imaginative world of the book and its illustration. Alongside these observations on the child’s intellectual and imaginative development, Benjamin assumes the role of mentor in broadcasts for children that seek to encourage a historical and political consciousness in the young. He returns to his student interest in education in essays on the nature of colonial and proletarian pedagogy, and in a manifesto on proletarian children’s theater. Initially, little critical attention was paid to Benjamin’s writings on childhood in the English-speaking world, partly because of their gradual appearance in English translation. It is only in recent decades that the significance of Benjamin’s illuminating reflections on childhood, play, and education has become apparent, and that the autobiographical Berlin Childhood around 1900) has gained recognition as an expression in serial “thought-images” of the speculation on memory and materialist historiography that is essential to his philosophy.
文化理论家和政治哲学家瓦尔特·本雅明(1892-d)1940年)反映了儿童的思维过程和想象生活,无论是在专门的著作中,还是在他的主要作品中。本杰明年轻时曾写过批评高中教育的文章,他是德国青年运动(German Youth Movement)的支持者,直到他对该党的民族主义论调感到失望。后来,本杰明的工作转向了儿童早期,并采取了多种形式:他收集古玩儿童书籍;记录他幼子的言论和意见;为儿童做无线电广播;写了一本自己在柏林的童年回忆录;他还专门写了一些散文片段,讲述年轻人的戏剧,游戏,玩具,以及童年阅读的神圣品质。受德国浪漫主义观点的影响,儿童视觉的纯粹性消除了主客体障碍,本杰明在这些作品中提出,在与直接地点发展强烈关系的过程中,儿童同时吸收并激活了自然或人造物体的内在品质。本雅明还认为,从他年幼儿子的话语和他童年误解的神奇共鸣中可以看出,语言游戏对记忆图像和想象力的形成至关重要。然而,他并没有呈现出一种理想化的童年图景,因为孩子们既处于毁灭的循环中,也处于更新的循环中,与日常生活的碎片玩耍对孩子自主性的成长至关重要——就像模仿行为和沉浸在书中及其插图的想象世界中一样。除了这些对儿童智力和想象力发展的观察,本杰明还在儿童广播中担任导师的角色,寻求鼓励年轻人的历史和政治意识。他回到了他的学生对教育的兴趣,在殖民地和无产阶级教育学的性质的论文,并在无产阶级儿童戏剧的宣言。最初,本雅明关于童年的著作在英语世界很少受到批评,部分原因是它们逐渐出现在英语翻译中。直到最近几十年,本雅明关于童年、游戏和教育的启发性反思的意义才变得明显,而自传体《柏林童年》(1900年左右)被认为是对记忆和唯物史学的思考的一系列“思想形象”的表达,这对他的哲学至关重要。
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引用次数: 71
Theater for Children and Young People 儿童和青少年戏剧
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-23 DOI: 10.1093/obo/9780199791231-0243
The relationship between theater and children has a long and evolving history, mirroring the evolving conceptualization of childhood itself. Children have featured as performers, or had a presence within audiences, far earlier than the emergence of anything specifically labeled as theater for children. For much of the 19th and early 20th centuries, whether a performance was for children was rarely clearly delineated. For example, while J. M. Barrie’s Peter Pan is now considered the most famous single piece of “theater for children” it is contested as to whether it was specifically intended for children when first performed in 1904. In the modern guise of theater for children (often also titled theater for young audiences, or TYA), a central tension exists, echoing that in literature for children, in the work being made for children, but created, performed, and written by adults. Among other elements, this often results in theater for children having a close educational ethos or moralistic focus, reflecting and reinforcing adult conceptualization of childhood and adult/child social relationships. Over the last several decades, however, theater for children and young people has entered a period of increased vitality in which some of these relationships have started to change. This vitality is manifested in professionalization, the growth of festivals, dedicated venues, and the increased commitment of innovative artists who have sought to develop the practice in new directions, including through participatory and applied theater practices that seek to give voice to and explore the lived experiences of young people. Accompanying these developments, the field has also received far greater critical and scholarly attention in the last several decades. Historically the study of theater for children has struggled to assert a strong independent identity, often subsumed into literary studies. What is emerging today, however, is something much broader and more vibrant, often interdisciplinary and embracing performance and literature studies, education and child development, psychology and politics. It engages with the core issues of our times, including a growing focus on inclusivity, whether in relation to race, sexuality, or disability. Nonetheless, theater for children has much work to do to decolonize and decenter itself from white and Western dominances. There is also a strong thread of research interest in audiences, which seeks to understand children’s lived experiences of theater and in creative and participatory research methodologies. Finally, and interconnecting all these elements, theater for children is often political and frequently deeply ambitious, driven by a strong sense of idealism that is perhaps childlike in the very best of senses.
戏剧与儿童之间的关系有着悠久而不断发展的历史,反映了儿童本身概念的不断发展。儿童作为演员出现,或者在观众中出现,远远早于任何专门标记为儿童戏剧的出现。在19世纪和20世纪早期的大部分时间里,一场表演是否为儿童表演很少有明确的界定。例如,虽然j·m·巴里的《彼得潘》现在被认为是最著名的“儿童戏剧”,但人们对它在1904年首次演出时是否专门为儿童而设存在争议。在儿童戏剧的现代伪装下(通常也被称为年轻观众戏剧,或TYA),存在着一种中心张力,与儿童文学相呼应,在为儿童制作的作品中,但由成年人创作、表演和写作。除其他因素外,这往往导致儿童戏剧具有密切的教育精神或道德重点,反映和加强成人对童年和成人/儿童社会关系的概念化。然而,在过去的几十年里,儿童和年轻人的戏剧进入了一个日益活跃的时期,其中一些关系开始发生变化。这种活力体现在专业化、节日的增长、专用场地以及寻求向新方向发展的创新艺术家的越来越多的承诺上,包括通过参与性和应用戏剧实践来寻求表达和探索年轻人的生活经验。伴随着这些发展,在过去的几十年里,这个领域也受到了更多的批评和学术关注。从历史上看,儿童戏剧的研究一直在努力维护一个强大的独立身份,经常被纳入文学研究。然而,今天出现的是更广泛、更有活力的东西,通常是跨学科的,包括表演和文学研究、教育和儿童发展、心理学和政治学。它涉及我们这个时代的核心问题,包括越来越关注包容性,无论是与种族、性别还是残疾有关。尽管如此,儿童戏剧在去殖民化和摆脱白人和西方统治方面还有很多工作要做。在观众方面也有很强的研究兴趣,旨在了解儿童对戏剧的生活体验以及创造性和参与性研究方法。最后,把所有这些因素联系在一起的是,儿童戏剧往往是政治性的,往往是雄心勃勃的,被一种强烈的理想主义所驱动,这种理想主义在最好的感觉中可能是孩子般的。
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引用次数: 0
Pierre Bourdieu
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-10-27 DOI: 10.1093/obo/9780199791231-0241
Anne-Laure Anizan
Pierre Bourdieu (b. 1930–d. 2002) is widely regarded as one of the most influential sociologists and social theorists of the 20th century. He was an exceptionally productive researcher with a broad range of interests and a prolific writer: during his lifetime he published more than forty books and five hundred articles, essays, lectures, reviews, interviews, commentaries, films, and photography. His influence extends beyond sociology to philosophy, anthropology, education, geography, history, cultural studies, economics, political studies, feminist studies, science studies, and postcolonial studies. Bourdieu was born in a small village in the rural area of Béarn, in southwestern France, in a peasant sharecropper, later postman’s, family. He left his home region to pursue an academic education in Paris where he studied philosophy at the prestigious École normale supérieure (ENS). After graduation he was sent to Algeria to undertake his military service. Returning to France, he first had some teaching posts until he was nominated as director of studies at the (then) École pratique des haute études, in 1964; he also took over as director of the Centre de Sociologie Européenne. From this base, Bourdieu, with his collaborators, instigated a program of investigations into several aspects of cultural, social, and economic life, predominantly from the viewpoint of how they served in the reproduction of power and inequalities in French social life. Through his studies in the 1960s and 1970s, Bourdieu became first known as a sociologist of education. Childhood, as a topic or even an index word, hardly appears in Bourdieu’s published work. He did, however, register the phenomenon of childhood in some of his early, more methodological work when he referred to the (originally Durkheimian) notion of socialization, whereas “childhood” would have been for him “just a word,” similar to his response to the topic of “youth.” In his sociology of education, especially in his renown book Reproduction in Education, Society, and Culture (orig. 1970), written with his colleague Jean-Claude Passeron, children exist in the context of “pedagogic activity” within the family and the educational system. After Reproduction, Bourdieu’s focus widened to other fields of French social life. Unsurprisingly, the first uses of Bourdieu’s ideas in child(hood)-related studies were in the sociology of education, especially after the translation of Reproduction into English in 1977. Since the new field of childhood studies started to evolve in the mid-1980s, more Bourdieu-inspired studies have also emerged, with a broadening focus on children and childhood in social life.
皮埃尔·布迪厄(生于1930-d)被广泛认为是20世纪最有影响力的社会学家和社会理论家之一。他是一位非常多产的研究人员,兴趣广泛,也是一位多产的作家:在他的一生中,他出版了四十多本书和五百多篇文章,散文,演讲,评论,采访,评论,电影和摄影。他的影响从社会学延伸到哲学、人类学、教育、地理、历史、文化研究、经济学、政治研究、女权主义研究、科学研究和后殖民研究。布迪厄出生在法国西南部bassaarn农村的一个小村庄里,出身于一个佃农家庭,后来成为了邮递员。他离开家乡前往巴黎接受学术教育,并在著名的École normale supsamrieure (ENS)学习哲学。毕业后,他被派往阿尔及利亚服兵役。回到法国后,他先是担任了一些教学职位,直到1964年被(当时的)École高级文控学院(pratique des haute)提名为研究主任;他还担任了欧洲社会研究中心主任。在此基础上,布迪厄和他的合作者发起了一项对文化、社会和经济生活的几个方面的调查计划,主要是从他们如何在法国社会生活中为权力再生产和不平等服务的观点出发。通过20世纪60年代和70年代的研究,布迪厄首先以教育社会学家的身份为人所知。童年,作为一个主题,甚至一个索引词,很少出现在布迪厄的出版作品中。然而,当他提到社会化(最初是涂尔干式的)概念时,他确实在他早期的一些更方法论的工作中记录了童年现象,而“童年”对他来说“只是一个词”,类似于他对“青年”主题的回应。在他的教育社会学中,特别是在他著名的《教育、社会和文化中的再生产》一书中。1970年),他与同事Jean-Claude Passeron共同撰写,儿童存在于家庭和教育系统中的“教育活动”背景中。在《再生产》之后,布迪厄的关注点扩展到了法国社会生活的其他领域。不出所料,布迪厄的思想在儿童(童年)相关研究中的首次应用是在教育社会学中,尤其是在1977年将《再生产》翻译成英语之后。自20世纪80年代中期儿童研究的新领域开始发展以来,更多受布迪厄启发的研究也出现了,对儿童和儿童在社会生活中的关注范围越来越广。
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引用次数: 0
Troubled Pedagogies and COVID-19: Fermenting New Relationships and Practices in Early Childhood Care and Education 麻烦的教育学与新冠肺炎:发酵幼儿保育和教育的新关系和实践
IF 0.9 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-10-25 DOI: 10.18357/jcs463202120047
Nancy Van Groll, Kathleen Kummen
The COVID-19 pandemic has exposed vulnerabilities, tensions, and possibilities in the Canadian early childhood education and care system. This paper experiments with the metaphor of fermentation to critically reflect on the ways we, as ECEC postsecondary instructors, were challenged in upholding our pedagogical commitments. Through retrospective analysis of emails, meeting notes, and other personal communications, we examine and describe how our work and pedagogical thinking with students has been contaminated by COVID-19. We highlight the need to refigure relationships to the troubling events and reconceptualize contamination as a potent opportunity to pedagogically ferment practices in the postsecondary classroom through which living and learning well can flourish.
2019冠状病毒病大流行暴露了加拿大幼儿教育和护理系统的脆弱性、紧张局势和可能性。本文实验发酵的隐喻,批判性地反思我们的方式,作为ECEC高等教育教师,在坚持我们的教学承诺的挑战。通过对电子邮件、会议记录和其他个人通信的回顾性分析,我们检查并描述了我们与学生的工作和教学思维如何受到COVID-19的污染。我们强调需要重新定义与这些令人不安的事件的关系,并将污染重新定义为在高等教育课堂上进行教学实践的有力机会,通过这种机会,生活和学习可以蓬勃发展。
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引用次数: 2
期刊
Journal of Childhood Studies
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