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‘Retaining the Tradition – but with an Open Mind’ – Change and Choice in Jewish Musical Practices “保留传统,但以开放的心态”——犹太音乐实践的变化与选择
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-12-29 DOI: 10.33356/TEMENOS.60982
R. Illman
This article focuses on religion and change in relation to music. Its starting point is the argument that music plays a central role as a driving force for religious change, as has recently been suggested by several researchers of religion. Music is seen to comprise elements that are central to contemporary religiosity in general: participation , embodiment, experience, emotions, and creativity. This article approaches the discussion from a Jewish point of view, connecting the theoretical perspective to an ethnographic case study conducted among progressive Jews in London with special focus on music, religious practice, and change. The article outlines the ongoing discussion on religion and change by focusing on features of individualism, personal choice, and processes of bricolage, critically assessing them from an inclusive point of view, focusing on individuals as simultaneously both personal and socially as well as culturally embedded agents. The analysis highlights a visible trend among the interviewees of wanting to combine a radically liberal theology with an increasingly traditional practice. In these accounts musical practices play a pivotal yet ambiguous role as instigators and insignia of religious change. As a conclusion, insights into more 'sonically aware religious studies' are suggested. We need a kind of … something that retains the tradition; that holds on to these precious traditions and rituals, the music and all the rest – but with an open mind and a much more questioning and open approach to Jewish law. In these words Rebecca 1 expresses what she strives to achieve in her work as an innovative yet historically perceptive and liturgically informed can-1 The names of the persons interviewed have been anonymised, and common Jewish names are used as aliases. See the reference list for or more detailed information about the ethnographic research material and research method.
这篇文章的重点是宗教和音乐的变化。它的出发点是这样一种观点,即音乐在推动宗教变革方面发挥着核心作用,正如最近几位宗教研究人员所提出的那样。音乐被认为包含了当代宗教信仰的核心要素:参与、体现、体验、情感和创造力。本文从犹太人的角度进行讨论,将理论视角与在伦敦的进步犹太人中进行的民族志案例研究联系起来,特别关注音乐,宗教实践和变化。本文通过关注个人主义、个人选择和拼凑过程的特征,概述了正在进行的关于宗教和变革的讨论,从包容性的角度对它们进行批判性评估,同时关注个人、社会和文化嵌入的代理人。分析强调了受访者中一个明显的趋势,即希望将激进的自由主义神学与日益传统的实践结合起来。在这些叙述中,音乐实践作为宗教变革的煽动者和标志发挥着关键而模糊的作用。作为结论,建议进行更多的“声音意识宗教研究”。我们需要一种保留传统的东西;保留了这些珍贵的传统和仪式,音乐和其他所有的东西,但要以开放的心态,对犹太律法的质疑和开放的态度。在这些话中,丽贝卡表达了她努力在她的作品中实现的目标,作为一个创新的,具有历史洞察力和礼拜仪式知识的人。被采访的人的名字都是匿名的,常见的犹太人名字被用作别名。有关人种学研究材料和研究方法的更多详细信息,请参阅参考书目。
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引用次数: 4
Elizabeth Shakman Hurd: Beyond Religious Freedom: The New Global Politics of Religion 伊丽莎白·沙克曼·赫德:《超越宗教自由:新的全球宗教政治》
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-12-29 DOI: 10.33356/temenos.68895
T. Taira
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引用次数: 2
Dress in Choral Evensongs in the Dutch Context: Appropriation and Transformation of Religiosity in the Netherlands 荷兰语境下合唱晚祷中的服饰:荷兰宗教信仰的挪用与转化
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-12-29 DOI: 10.33356/temenos.54198
H. Rijken, M. Hoondert, M. Barnard
In this article the appropriation of the Anglican choral evensong in the Netherlands, outside the context of the Anglican church, and more specifically the dress in the choral evensong will be investigated in order to gain more insight into religiosity in the Netherlands. The authors will explore which kind of dress is worn in choral evensongs in the Netherlands and which meanings participants attribute to the dress. As an analytic tool the concepts of denotational and connotational meanings are used. Main conclusion of the research is that dress in choral evensong points to a transformation of religiosity. By wearing Anglican dress, choirs indicate to belong to the high-quality sound group of English cathedral choirs; through this position choir members criticize the traditional reformed emphasis on spoken words. At the same time, by changing the Anglican 'dress code', choirs emphasize their unicity and individuality, independent of church traditions. Lastly, choir members refer to unarticulated transcendental experiences by wearing ritual liturgical dress.
在这篇文章中,荷兰圣公会合唱晚祷的拨款,在圣公会教堂的背景之外,更具体地说,合唱晚祷中的服装将被调查,以获得更多的洞察荷兰的宗教信仰。作者将探讨荷兰的合唱晚歌中穿的是哪种服装,以及参与者赋予这种服装的含义。作为一种分析工具,我们使用了外指意义和内指意义的概念。本研究的主要结论是,合唱晚祷中的服饰标志着一种宗教性的转变。唱诗班通过穿着圣公会服装,表明自己属于英国教堂唱诗班的优质声音群体;通过这一立场,唱诗班成员批评传统的改革强调口语。与此同时,通过改变圣公会的“着装规范”,唱诗班强调了他们的独特性和个性,独立于教会传统。最后,唱诗班成员通过穿着仪式性的礼拜服装来表达未被表达的超验体验。
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引用次数: 0
Marion Bowman and Ülo Valk (eds): Vernacular Religion in Everyday Life: Expressions of Belief Marion Bowman和Ülo Valk(编):日常生活中的乡土宗教:信仰的表达
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-12-29 DOI: 10.33356/TEMENOS.68896
Terhi Utriainen
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引用次数: 1
Hurting the Qur’an : Suggestions Concerning the Psychological Infrastructure of Desecration 伤害《古兰经》:关于亵渎心理基础的建议
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-12-29 DOI: 10.33356/TEMENOS.60297
Jonas Svensson
Recent years have witnessed several examples of desecrations of copies of the Qur’an as a display of non-Muslim hostility against Muslims. The present article attempts to answer a fundamental quest ...
近年来发生了几起亵渎《古兰经》的例子,以显示非穆斯林对穆斯林的敌意。本文试图回答一个基本问题。
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引用次数: 4
Peace Agreements Through Rituals in Areas of Confrontation in the Viking Age 维京时代对抗地区通过仪式达成的和平协议
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-12-29 DOI: 10.33356/TEMENOS.60686
S. Olsson
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引用次数: 1
New Religiosity in Contemporary Sweden : The Dalarna Study in National and International Context 当代瑞典的新宗教:国家和国际背景下的达拉纳研究
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-07-06 DOI: 10.33356/TEMENOS.65158
Ann af Burén
New Religiosity in Contemporary Sweden : The Dalarna Study in National and International Context
当代瑞典的新宗教:国家和国际背景下的达拉纳研究
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引用次数: 0
On an Anomalous Piece of Scientology Ephemera: The Booklet Scientology and the Bible 论山达基不寻常的昙花一现:山达基与圣经小册子
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-07-06 DOI: 10.33356/TEMENOS.53388
S. Bigliardi
The article scrutinises the booklet Scientology and the Bible (1967), reconstructing the historical circumstances of its publication as well as analysing its potential for interreligious dialogue.
本文仔细研究了《山达基与圣经》(1967)这本小册子,重建了它出版的历史环境,并分析了它在宗教间对话的潜力。
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引用次数: 0
James R. Lewis: Sects & Stats: Overturning the Conventional Wisdom about Cult Members 詹姆斯·r·刘易斯:《教派与统计:推翻关于邪教成员的传统观念》
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-07-06 DOI: 10.33356/TEMENOS.65159
Ringo Ringvee
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引用次数: 0
How and Why to Talk about Witchcraft? Discourses on Witchcraft and Uses of Bewitchment Narratives in 21st Century Rural Eastern Slovenia 如何以及为什么谈论巫术?关于21世纪斯洛文尼亚东部乡村巫术和巫术叙事的话语
IF 0.9 4区 哲学 Q1 Arts and Humanities Pub Date : 2017-07-06 DOI: 10.33356/TEMENOS.65139
M. Mencej
The article, based on fieldwork conducted in rural Eastern Slovenian region, discusses specifics of various discourses – Christian, rational, New Age, and, in particular, witchcraft discourse – that the inhabitants of the region use in discussing witchcraft. It shows the occasions in everyday life in which the witchcraft discourse may be mobilised and strategically used by people for their own benefit. Later, it compares the discourse used by traditional magic specialists in the unwitching procedure, performed when misfortune is ascribed to bewitchment, with the discourse used by a contemporary New Age therapist in therapy performed for the same reason. The author argues that in basic elements they resemble each other, the main difference being that the key underlying premise of the traditional unwitcher, i.e. that the source of misfortune threatens from the outside, loses its importance in the New Age therapy. In this, the main arena of counteraction against the perpetrator is transferred from the outside to the inside, to one’s own body and mind.
这篇文章基于在斯洛文尼亚东部农村地区进行的田野调查,讨论了该地区居民在讨论巫术时使用的各种话语的细节-基督教,理性,新时代,特别是巫术话语。它展示了在日常生活中巫术话语可能被人们为了自己的利益而被调动和策略性地使用的场合。后来,它比较了传统的魔法专家在不知情的过程中使用的话语,当不幸被归因于巫术时,与当代新时代治疗师在治疗中使用的话语进行相同的原因。作者认为,在基本要素上两者是相似的,主要区别在于传统的不知情者的关键前提,即不幸的来源来自外部的威胁,在新时代的治疗中失去了其重要性。在这种情况下,对抗犯罪者的主要舞台从外部转移到内部,转移到自己的身体和心灵。
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引用次数: 3
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