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Texts of Terror: The Bible and Bathroom Bill in Texas 恐怖文本:《圣经》和德克萨斯州的浴室法案
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-09-22 DOI: 10.1163/15685152-20211633
David A. Schones
This paper discusses how faith-based advocacy organizations, such as the Texas Pastors Council, have used Genesis 1:27 to argue against the existence of a transgender identity and to defend the proposed (sb6) Texas Bathroom Bill. Highlighting the contemporary reception of this biblical text, the paper explores how Genesis 1–2 operates as a queer “text of terror.” This analysis proceeds in three parts. The first part examines how queer biblical scholars have interpreted this Genesis creation story. The second part builds on Deryn Guest’s argument, that Judges 3 is a “text of terror,” arguing that Genesis 1–2 may also lead to violence against the transgender community. The third section proposes a reading of Gen. 1:27 that contests the heteronormative gender identity endorsed in the narrative. This way of “reading forward” combats the normalizing discourse around human sexuality and reproduction often articulated in political and social arguments that use this text.
本文讨论了基于信仰的倡导组织,如德克萨斯州牧师委员会,如何利用创世纪1:27来反对跨性别身份的存在,并为拟议的(sb6)德克萨斯州浴室法案辩护。本文强调了对这本圣经文本的当代接受,探讨了《创世纪1-2》是如何作为一本奇怪的“恐怖文本”运作的。第一部分考察了酷儿圣经学者如何解读这个创世纪的创造故事。第二部分基于Deryn Guest的论点,即《法官3》是一部“恐怖文本”,认为《创世纪1-2》也可能导致针对跨性别群体的暴力。第三节提出了对《将军》1:27的解读,对叙事中认可的非规范性性别认同提出了质疑。这种“向前阅读”的方式与围绕人类性行为和生殖的正常化话语作斗争,这些话语经常在使用本文的政治和社会争论中表达出来。
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引用次数: 0
Michal the Giver and Michal the Taker: The Systematic Misogyny of the Davidic Court 传授者米迦勒与接受者米迦勒:大卫宫廷的系统性误读
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-09-22 DOI: 10.1163/15685152-20211638
M. Case
This article examines the misogyny of the Davidic court through the lens of philosopher Kate Manne’s recent study Down Girl: The Logic of Misogyny, which illustrates how the individual deeds or words perceived as misogynistic fit into a well-ordered system. In particular, it analyzes how Michal is treated differently by Saul and David in 1 Samuel 19 and 2 Samuel 6 compared to other male characters, such as Jonathan. Within a patriarchal society, misogyny is the policing arm which differentiates between good women and bad women, or those who conform to the gendered norms and expectations of the patriarchy and those who do not. When a woman, like Michal, fails to uphold her role supporting the elite men in her life, the men must swiftly respond not only to ameliorate her threatening position, but also to warn other women, both inside and outside the text, against similar behavior.
本文通过哲学家Kate Manne最近的研究《Down Girl:the Logic of misogyny》来审视大卫王朝宫廷的厌女症,该研究阐述了被视为厌女症的个人行为或言语如何融入一个有序的体系。特别是,它分析了扫罗和大卫在《撒母耳记》第1章第19节和第2章第6节中对米甲的不同对待,与其他男性角色(如约拿单)相比。在父权制社会中,厌女症是区分好女人和坏女人的警察部门,或者区分那些符合父权制性别规范和期望的人和那些不符合父权制的人。当像迈克尔这样的女性未能在生活中维护自己支持精英男性的角色时,男性必须迅速做出回应,不仅要改善她的威胁地位,还要警告文本内外的其他女性不要有类似的行为。
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引用次数: 1
From Wild Beast to Huntress: Animal Imagery, Beauty, and Seduction in the Song of Songs and Proverbs 从野兽到女猎手:歌赋中的动物意象、美与诱惑
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-09-22 DOI: 10.1163/15685152-20211613
Ann M. Letourneau
This article investigates the bestiary used to represent the dynamics of attraction and seduction in the Song of Songs and the book of Proverbs. It examines mainly the predatory imagery, focusing on the lions and leopards the female lover associates with, in Song 4:8, as well as the “hunting ground” terminology used to characterize some of the strange women’s behaviors in Prov. 6:26; 7:22–23. Following Arbel (2015) and Imray (2013), the article contends that the female lover of Song of Songs and the strange women are not so different. Through a close philological examination of the passages staging these women, it sets out to decompartmentalize our understanding of what is an appropriate—or threatening—display of feminine charms and seductive strategies in the Hebrew Bible. This exegetical inquiry also brings the super/non-human persona of these women into focus.
这篇文章研究了在《雅歌》和《箴言》中用来表现吸引力和诱惑的动物寓言。它主要考察了掠夺性的意象,集中在歌4:8中与女情人有关的狮子和豹子,以及箴言6:26中用来描述一些奇怪女人行为的“猎场”术语;7:22-23。本文继Arbel(2015)和Imray(2013)之后,认为《歌之歌》中的女情人和《怪女》并没有太大的区别。通过对描绘这些女人的段落进行细致的语言学研究,它开始分解我们对希伯来圣经中女性魅力和诱惑策略的适当或威胁性展示的理解。这种训诂探究也将这些女性的超级/非人类人格带入焦点。
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引用次数: 0
The נזם and Navigating Power Structures 与导航权力结构
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-09-22 DOI: 10.1163/15685152-20211649
Susannah Rees
Important facets of identity can be communicated through dress. Descriptions of dress and body adornment within the text of the Hebrew Bible can therefore be used as a narrative device to convey subtextual information about the wearer. By utilising archaeological research on the role that jewellery plays in age and gender differentiation alongside textual evidence, this article argues that נזם rings are worn by women and children of both genders to convey messages about their valuation, commodification and ownership in relation to a male patriarch. This has important implications for understanding the nuances within the biblical texts themselves and offers new perspectives and interpretative possibilities.
身份的重要方面可以通过着装来传达。因此,希伯来圣经文本中对服装和身体装饰的描述可以作为一种叙事手段来传达关于穿着者的潜台词信息。通过对珠宝在年龄和性别差异中所扮演的角色的考古研究以及文本证据,本文认为,男女妇女和儿童都戴着戒指,以传达与男性族长有关的价值、商品化和所有权的信息。这对于理解圣经文本本身的细微差别具有重要意义,并提供了新的视角和解释的可能性。
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引用次数: 1
Mija Wi, The Path to Salvation in Luke’s Gospel: What Must We Do? Mija Wi,卢克福音中的救赎之路:我们必须做什么?
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-04-13 DOI: 10.1163/15685152-29020002
M. Froelich
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引用次数: 0
Janice Pearl Ewurama De-Whyte, Wom(b)an: A Cultural-Narrative Reading of the Hebrew Bible Barrenness Narratives Janice Pearl Ewurama De Whyte,Wom(b)an:希伯来文圣经枯燥叙事的文化叙事解读
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-04-13 DOI: 10.1163/15685152-29020001
Ying Zhang
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引用次数: 0
The Ecology of Death in the Book of Job 《约伯记》中的死亡生态学
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-04-07 DOI: 10.1163/15685152-20211629
Suzanna R. Millar
Ruminations on death recur throughout Job. Equally, language of the non-human world is prevalent. This article examines the coalescence of these tropes in the implicit “necro-ecology” of the book. As though observing the decomposition of a corpse, it focusses on four Joban images, each expressing human death in non-human terms: maggots colonise the cadaver; scavengers consume it. The body disintegrates into dust; plants grow and wither there. At each stage, the article shows how death and life are entangled together, the one requiring and enabling the other. Equally, beings are entangled with each other, challenging the human pretence to self-contained individuality. The article thus fits into a broader trend in the (post)humanities to cultivate scholarship conducive to multi-species flourishing, showing how Job provides fertile compost for symbiotic inter-species alliances of living and dying together.
关于死亡的思考贯穿了约伯的一生。同样,非人类世界的语言也很普遍。本文考察了书中隐含的“死亡生态学”中这些比喻的结合。就像在观察尸体的分解一样,它集中在四幅约翰的图像上,每幅图像都以非人类的方式表达了人类的死亡:蛆虫在尸体上寄居;食腐动物会吃掉它。身体分解成灰尘;植物在那里生长和枯萎。在每个阶段,文章都展示了死亡和生命是如何纠缠在一起的,一个需要另一个,使另一个成为可能。同样,人类也相互纠缠在一起,挑战着人类自成一体的个性。因此,这篇文章符合(后)人文学科更广泛的趋势,即培养有利于多物种繁荣的学术,展示了约伯如何为共生的物种间联盟提供肥沃的肥料,共同生存和死亡。
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引用次数: 1
Plowshares: The Career of a Biblical Allusion in The New York Times, 1940–1990 犁头兔:1940年至1990年《纽约时报》圣经典故的职业生涯
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-04-07 DOI: 10.1163/15685152-20211566
Daniel L. Smith-Christopher
Growing efforts to digitalize newspapers present biblical scholars, especially those interested in “Reception History” or “Popular Interpretation”, with a potentially rich resource. This experiment analyzes a clear “biblical” term, namely “Plowshare” (including a few variant spellings), with regard to its’ use in the New York Times between 1940 and 1990. The sheer number of uses (over 1200) and the variety of contexts for its’ use, is revealing. What emerges from the heavily politicized use of the term is that (a) it is virtually always understood to be a biblical reference to peace and peacemaking, but (b) there is a wide variety of perspectives as to whether it is an ethical maxim or an unrealistic “fantasy” in the face of hard political “realities”. Finally, using the two terms “swords” and “plowshares” together began to clearly emerge in the 20th century as a pious alternative to “guns and butter”, taking on the same “either/or” interpretation. Thus, studying Biblical interpretation in the popular press may offer an important tool in assessing “popular ideas” in specific contexts of world events or cultural contexts.
越来越多的报纸数字化努力为圣经学者,特别是那些对“接受史”或“大众解读”感兴趣的人提供了潜在的丰富资源。这个实验分析了一个明显的“圣经”术语,即Plowshare(包括一些不同的拼写),以及它在1940年至1990年期间在《纽约时报》上的使用情况。其用法的绝对数量(超过1200种)和用法的各种背景都很能说明问题。从这个词的高度政治化的使用中出现的是:(a)它实际上总是被理解为是对和平和建立和平的圣经提及,但是(b)面对艰难的政治“现实”,它是伦理格言还是不切实际的“幻想”,有各种各样的观点。最后,在20世纪,“剑”和“犁头”这两个词一起使用开始明显地成为“枪和黄油”的虔诚替代品,具有同样的“非此此彼”的解释。因此,研究《圣经》在大众媒体上的解释,可以为评估世界事件或文化背景下的特定背景下的“流行思想”提供一个重要工具。
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引用次数: 0
“Can You Hear Me Now?…Good!”: A Deaf Adder and the Inversion of Disability Imagery in Psalm 58:5–6 “你现在能听到我说话吗?”:《诗篇》58:5-6中聋子加法器和残疾意象的倒置
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-04-07 DOI: 10.1163/15685152-20211594
Kevin Scott
This article explores the use of deaf imagery in Psalm 58 through a cultural model of disability and a historicist approach to highlight the unique rhetorical function of disability imagery within the psalm. In the Hebrew Bible, deafness is typically an affliction to be avoided, and deaf groups typically need Yahweh’s protection along with other disabled groups. In Psalm 58, however, an adder which represents wicked people who oppose the psalmist’s community voluntarily disables itself to better withstand the efforts of those who would try to neutralize its threat. For the adder, disability is a source of strength, not weakness. For the psalmist’s community, however, disability is still a problem which necessitates crying out to Yahweh for relief. The use of deaf imagery within this text highlights the contrast between Yahweh, who is righteous and fully-abled, and the wicked/their foreign deities, who judge unfairly and who are depicted as disabled.
本文从残疾文化模型和历史主义的角度探讨了《诗篇》第58篇中聋人意象的运用,以凸显《诗篇》中残疾意象的独特修辞功能。在希伯来圣经中,耳聋是一种典型的要避免的痛苦,聋人群体和其他残疾群体一样需要耶和华的保护。然而,在《诗篇》第58篇中,一条蝰蛇代表了反对诗人团体的邪恶之人,它自愿使自己失去能力,以更好地抵御那些试图消除其威胁的人的努力。对加法器来说,残疾是力量的源泉,而不是弱点。然而,对于诗人的群体来说,残疾仍然是一个需要向耶和华呼求帮助的问题。在这篇文章中使用聋人的形象突出了耶和华,他是正义的,有能力的,和邪恶的/他们的外邦神,谁审判不公,谁被描述为残疾之间的对比。
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引用次数: 0
In Defense of the Disabled Man at the Bethesda Fountain (John 5:1–15) 在贝塞斯达喷泉为残疾人辩护(约翰福音5:1-15)
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2021-04-07 DOI: 10.1163/15685152-20211625
Helena L. Martin
A man has been lying at the Bethesda fountain for thirty-eight years when he has a miraculous encounter with Jesus. Throughout history, this man has been seen as lazy, unfaithful. Such unfavorable interpretations of this man rely not on the text but on physiognomy, wherein the man’s impaired body tells interpreters all they need to know about his moral character. Such interpretations originate in ableist biases, rather than unprejudiced readings of the text. I propose a disability-informed interpretation of John 5:1–15, aiming both to reread and rewrite the text. I first critique the reception of this text in history, then offer constructive suggestions using philological inquiry and reading the passage in the context of ancient humoral medicine. Finally, taking a cue from Wilda Gafney’s womanist midrash, I employ “sacred imagination” to re-tell the story. I hope to offer a new perspective on this passage that has been understood so harmfully.
一个人躺在贝塞斯达喷泉旁三十八年,他奇迹般地遇到了耶稣。纵观历史,这个人一直被视为懒惰、不忠。这种对这个人不利的解释不是基于文本,而是基于相学,其中这个人受损的身体告诉口译员他们需要知道的关于他的道德品质的一切。这种解释源于能力主义的偏见,而不是对文本的无偏见解读。我建议对约翰福音5:1-15进行残疾知情解读,目的是重读和重写文本。我首先批评了历史上对这篇文章的接受,然后利用文献学探究和在古代体液医学的背景下阅读这篇文章,提出了建设性的建议。最后,我借用威尔达·加夫尼的女性主义胸脯,运用“神圣的想象力”来重新讲述这个故事。我希望对这段理解如此有害的文章提供一个新的视角。
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引用次数: 0
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Biblical Interpretation-A Journal of Contemporary Approaches
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