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The “Space Between”: Pasolini’s Il Vangelo Secondo Matteo and the Mediation of Scripture “之间的空间”:帕索里尼的《万angelo Secondo Matteo》与《圣经》的调解
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p16
P. Clogher
Rooted in Italian neorealism, Marxist theory, and centuries of Christian art and music, Pier Paolo Pasolini’s Il Vangelo secondo Matteo reactivates the Gospel against the backdrop of Italian Marxism and social life in the mid-twentieth century. Through a hermeneutical reflection, this paper argues for the film as a central moment in the mediation and reception of the Christian story. Pasolini’s transgressive and poetic cinema partakes in and expands a hermeneutical dynamic at the core of the Christian story. The film’s documentary style, political subtexts, and eclectic setting highlight how the Christian story is a lived historical experience and thus does not transcend the social or historical circumstances of its telling and retelling. In a reciprocal encounter, both film and Gospel reveal the Christian story’s multiple textuality. Taking this as its cue, this article explores how Pasolini’s Matthew reveals the role of cinema as a site of hermeneutical and Christological reflection.
Pier Paolo Pasolini的《Il Vangelo secondo Matteo》植根于意大利新现实主义、马克思主义理论以及数百年的基督教艺术和音乐,在20世纪中期意大利马克思主义和社会生活的背景下重新激活了福音。通过解释学的反思,本文认为这部电影是调解和接受基督教故事的中心时刻。帕索里尼的越轨和诗意电影参与并扩展了基督教故事核心的解释学动态。这部电影的纪录片风格、政治潜台词和兼收并蓄的背景突出了基督教故事是一种活生生的历史体验,因此没有超越其讲述和复述的社会或历史环境。在一次相互的相遇中,电影和福音书都揭示了基督教故事的多重文本性。以此为线索,本文探讨了帕索里尼的《马太福音》如何揭示电影作为解释学和基督反思场所的作用。
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引用次数: 0
When Words become too Violent: Silence as a Form of Nonviolent Resistance in the Book of Jeremiah 当言语变得过于暴力:《耶利米书》中作为非暴力抵抗形式的沉默
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p22
S. Hildebrandt
Throughout the Book of Jeremiah, the prophet is depicted as a victim of verbal and physical violence to which he often responds with fierce imprecations. My study articulates a basic framework in which these troubling passages can be understood and used responsibly by contemporary readers (“Speech as a Response to Violence”) but then argues that Jeremiah’s prayer in Jer 18 violates the balance and boundaries of this framework (“Speech as a Response too Violent”). Inasmuch as this discussion reveals the problems and potential dangers of speech, I offer a reading of Jer 15–16, 26, and 28 that highlights the prophet’s silence as an alternative response to violence. This silence, I argue, is not a form of submissive suffering but an act of public critique and strategic disengagement. Jeremiah’s silence speaks powerfully and peacefully in his own violent context and, by extension, may speak so also in ours.
在《耶利米书》中,先知被描绘成言语和身体暴力的受害者,他经常用激烈的诅咒来回应。我的研究阐明了一个基本框架,在这个框架中,当代读者可以负责任地理解和使用这些令人不安的段落(“作为对暴力的回应的言论”),但随后认为耶利米在Jer 18中的祈祷违反了这个框架的平衡和界限(“作为过于暴力的回应”)。由于这场讨论揭示了言论的问题和潜在危险,我提供了一本Jer 15-16、26和28的读物,强调先知的沉默是对暴力的另一种回应。我认为,这种沉默不是一种顺从的痛苦,而是一种公众批评和战略脱离的行为。杰里迈亚的沉默在他自己的暴力背景下有力而和平地表达了自己的观点,从广义上讲,在我们的暴力背景中也可能如此。
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引用次数: 0
“Like a Garment Eaten by Moths” (Job 13:28): Clothing, Nudity and Illness in the Book of Job “像被蛾吃的衣服”(Job 13:28):《作业书》中的衣服、裸体和疾病
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p10
L. Quick
The book of Job provides the most complex and detailed descriptions of illness in biblical literature. Less explored are the frequent references made in the text to dressing and undressing. These references demonstrate the various dimensions, contexts and functional roles of clothing in the world of the Hebrew Bible. But as well as references to actual textile items, the book of Job also refers to clothing in a much more symbolic sense. Drawing on sociological and anthropological approaches to dress and the body, I argue that dress and nudity are connected to and in fact a key part of Job’s experience of illness. By unpacking these ideas, we can better comprehend ancient Israelite conceptions of medical anthropology, as well as embodiment more generally.
《约伯记》提供了圣经文献中对疾病最复杂和详细的描述。较少探讨的是文本中频繁提到的穿衣服和脱衣服。这些参考文献展示了希伯来圣经世界中服装的不同维度,背景和功能角色。除了提到实际的纺织品,《约伯记》还以一种更具象征意义的方式提到了服装。利用社会学和人类学的方法来研究服装和身体,我认为服装和裸体与约伯的疾病经历有关,实际上是其关键部分。通过拆解这些思想,我们可以更好地理解古代以色列人的医学人类学观念,以及更普遍的体现。
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引用次数: 1
Cut & Splice: Reading Judges 19 Cinematically 剪切与拼接:Reading Judges 19 Cinematic
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p20
B. Hurlbert
What is the purpose of the violence in Judges 19 and what does this narrative aim to accomplish in its readers? Phyllis Trible (1984), Cheryl Exum (1993), and more recently, Margaret Atwood (2019), suggest that this violence is viewed positively by the narrator and serves to reinforce patriarchal ideology. I propose that a different conclusion may be reached by adopting a ‘grammatical-cinematic’ approach. The goal of this approach is to read the biblical narrative through film, i.e., to tell the biblical story in the language of the cinema by focusing on the ‘cinematic sensibilities’ of the text. Using examples from Quentin Tarantino’s Django Unchained, I argue that this approach can recover the agency and dignity of the woman and better visualize the brutality of violence. Finally, I argue that one can understand the object of the author’s critique to be the events and characters of the narrative.
士师记第19章中暴力的目的是什么?这种叙述的目的是为了在读者中实现什么?菲利斯·特里布尔(1984年)、谢丽尔·埃克萨姆(1993年)以及最近的玛格丽特·阿特伍德(2019年)认为,叙述者积极地看待这种暴力,并有助于加强父权意识形态。我认为,采用“语法电影”的方法可能会得出不同的结论。这种方法的目标是通过电影来阅读圣经叙事,也就是说,通过关注文本的“电影情感”,用电影的语言讲述圣经故事。以昆汀·塔伦蒂诺(Quentin Tarantino)的《被解放的姜戈》(Django Unchained)为例,我认为这种方法可以恢复女性的能力性和尊严,并更好地将暴力的残暴形象化。最后,我认为人们可以将作者的批判对象理解为叙事中的事件和人物。
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引用次数: 1
Grace Aguilar, the Jealous Man, and Imperialism’s ‘Pleasure’ 格蕾丝·阿吉拉:嫉妒的人与帝国主义的“快乐”
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p23
Bernon P. Lee
Reading Grace Aguilar on the law of the jealous man (Num. 5:11–31) against Edward Said’s putative anatomy of psychological satisfaction respecting nineteenth-century (Western) depictions of non-European faces and spaces (in Culture and Imperialism) is the interest of this article. Aguilar’s interpretation fits, largely, Said’s paradigm of sclerosed racial differences, cultural interpenetration within contested spaces, and a recovery of a Western perspective in the last. But her conformity to the pattern in the work is troubled by her commitment to a marginal Anglo-Jewish apologetic grounded in the religious ruminations of an ancient Eastern people and literature. Charting a course for her brand of Jewish piety to the center of Victorian religious culture with its moorings in Euro-supremacy, Aguilar remains tethered to her Near Eastern patrimony. She is, in the end, a reluctant imperialist.
阅读格蕾丝·阿吉拉尔(Grace Aguilar)关于嫉妒者的定律(Num.5:11-31),反对爱德华·赛义德(Edward Said)关于心理满足的假定解剖,尊重十九世纪(西方)对非欧洲人面孔和空间的描绘(在《文化与帝国主义》中),这是本文的兴趣所在。阿吉拉尔的解释在很大程度上符合赛义德的范式,即硬化的种族差异、有争议空间内的文化渗透,以及最后对西方视角的恢复。但她对作品模式的一致性受到了困扰,因为她致力于一种基于古代东方人和文学的宗教沉思的边缘盎格鲁-犹太道歉。阿吉拉尔为自己的犹太虔诚品牌制定了一条通往维多利亚宗教文化中心的路线,该文化植根于欧洲至上主义,她仍然与自己的近东遗产息息相关。说到底,她是一个不情愿的帝国主义者。
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引用次数: 0
Galileo Reading Qohelet: Seeing the World with “Curiosity’s Eye” 伽利略阅读Qohelet:用“好奇之眼”看世界
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p24
Samuel E. Balentine
This essay examines Galileo’s reading of Ecclesiastes 3:11, which he cited in his letter to the Grand Duchess Christina in 1615 at the beginning of his trial for heresy. Why would Galileo have used this text in support of his intellectual inquiry? Three critical components of his intellectual environment are explored: 1) the development of scientific inquiry within the 17th c system of patronage; 2) the culture of curiosity that sustains his intellectual inquiry; and 3) the telescope and the transformation of human imagination.
这篇文章考察了伽利略对《传道书》3:11的解读,他在1615年给克里斯蒂娜大公夫人的信中引用了这封信,当时他正开始审判异端。为什么伽利略会用这篇文章来支持他的智力探索?探讨了他的知识环境的三个关键组成部分:1)17世纪赞助制度下科学探究的发展;2) 维持他智力探索的好奇心文化;以及3)望远镜和人类想象力的转变。
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引用次数: 0
The Prophet of Second Chances: Jonah, Israel and Assyria and their Missed Opportunities for Redemption 第二次机会的先知:约拿,以色列和亚述和他们错过的救赎机会
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p25
B. Scolnic
The author of the Book of Jonah carefully selected the prophet Jonah ben Amittai, mentioned briefly in 2 Kings 14:23–29, to be the anti-hero of his tale. We may integrate knowledge from the historical context of this prophet’s lifetime in the eighth century bce to see structural parallels between the sinful actions, Yhwh’s merciful responses to the actions, and the continued sinful actions, of Jonah, Israel and Assyria. Jonah becomes the prophet of second chances: for Israel, for himself, for the Assyrians, and then for the Judean audience, either in the Babylonian exile or thereafter, in a work written in agreement with the theological paradigm of the Deuteronomistic histories that attempt to demonstrate Yhwh’s mercy.
《约拿书》的作者精心挑选了先知约拿·本·阿米泰,在《列王记下》14:23-29中简要提到,作为他故事中的反英雄。我们可以将这位先知在公元前八世纪一生的历史背景中的知识整合起来,看看约拿、以色列和亚述的罪恶行为、伊对这些行为的仁慈回应以及持续的罪恶行为之间的结构性相似之处。约拿成为了第二次机会的先知:为以色列,为他自己,为亚述人,然后为犹太听众,无论是在巴比伦流亡期间还是之后,在一部与申命记历史的神学范式一致的作品中,试图展示伊的仁慈。
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引用次数: 1
A Sign For You: A Child Savior Revealed to Child Shepherds 给你的记号:向牧童启示的儿童救世主
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p05
A. Allen
Drawing on parallels from Jewish, Greco-Roman, and Early Christian sources alongside of sociological models of agriculture in subsistence economies, this essay makes the case for the presence (if not preponderance) of child shepherds among those who receive the angelic message in Luke 2:1–20. By engaging a childist reading that both considers the position of the shepherds with regards to their economic and social standing in Bethlehem and re-reads the angelic message and proclamation of an infant as sign in light of such a youthful audience, this essay reframes the perceived identity of the Bethlehem shepherds to foreground the children in their midst.
这篇文章借鉴了犹太、希腊罗马和早期基督教的相似之处,以及自给经济中农业的社会学模型,证明了在路加福音2:1-20中接受天使信息的人中,儿童牧羊人的存在(如果不是占主导地位的话)。通过儿童主义阅读,既考虑了牧羊人在伯利恒的经济和社会地位,又重新阅读了天使般的信息和婴儿的宣言,以此作为年轻观众的标志,本文重新定义了伯利恒牧羊人的感知身份,以展望他们中间的孩子。
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引用次数: 0
Gandhi and the Parable of the Prodigal Son 甘地和浪子的寓言
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-12 DOI: 10.1163/15685152-00284p04
A. Damm
This essay seeks to emphasize the important bearing which multiple and quotidian, personal contexts have on the biblical exegesis of Mohandas K. Gandhi. The essay focuses on Gandhi’s interpretation of the parable of the Prodigal Son (Luke 15:11–32), asking in particular why Gandhi’s reading departs from the parable’s literal sense. While the most evident reason for Gandhi’s distinctive interpretation is his philosophy of satyagraha or non-violent resistance, there emerge behind this appeal, several more precise contexts that plausibly contributed to Gandhi conceiving of satyagraha as the parable’s interpretive key. These contexts included political exigencies that Gandhi faced in mid-1920; his relationship with his son Harilal; and the profile of one of his interlocutors, Sir Narayan Chandavarkar. This essay emphasizes the importance of such varied and personal contexts that merge to help shape Gandhi’s interpretation, and closes with implications for further study of biblical exegesis by Gandhi and more generally in the global south.
这篇文章试图强调多重的、日常的、个人的背景对莫汉达斯·k·甘地的圣经注释的重要影响。这篇文章的重点是甘地对浪子寓言的解释(路加福音15:11-32),特别询问为什么甘地的解读偏离了寓言的字面意义。虽然甘地独特的解释最明显的原因是他的非暴力抵抗哲学,但在这一呼吁背后,有几个更精确的背景似乎有助于甘地将非暴力抵抗作为解释寓言的关键。这些背景包括甘地在1920年中期面临的政治紧急情况;他与儿子哈里拉尔的关系;以及他的一位对话者纳拉扬·钱德拉瓦卡爵士的简介。这篇文章强调了这些不同的个人背景的重要性,这些背景融合在一起,帮助塑造了甘地的解释,并以甘地的圣经训诂学的进一步研究以及更广泛地在全球南方的启示结束。
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引用次数: 0
Diseased Bodies and the Invaded Social Body in Biblical Depictions of the Census 《圣经》人口普查描述中的病态身体和被侵犯的社会身体
IF 0.2 3区 哲学 Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.1163/15685152-00284p12
J. R. Price
The question of why biblical literature links census-taking with plague has long puzzled scholars. I propose looking at the problem through the lens of body theory, where one understanding of the body is to see it as a place upon which society and culture are mapped. Several studies anchored in this approach have found that diseased bodies are sometimes understood as symptoms of the “sick” or malfunctioning society. I propose that this representation of the sick body as a consequence of the sick society lends credibility to the interpretation that the biblical census-plague link stemmed from perceived dangers about political centralization under the monarchy. Some factions in ancient Israel viewed the census as an affront to tribal society with an emerging monarchy invading traditional village life. I argue that the diseased bodies of Israelites in these texts articulated concern for the invaded and deteriorating social body of the tribes.
为什么圣经文献把人口普查和瘟疫联系在一起,这个问题一直困扰着学者们。我建议从身体理论的角度来看待这个问题,对身体的一种理解是把它看作是社会和文化的映射。以这种方法为基础的几项研究发现,患病的身体有时被理解为“生病”或功能失调的社会的症状。我认为,病态社会对病态身体的描绘,为以下解释提供了可信度:即《圣经》中的人口普查与瘟疫之间的联系,源于人们对君主制下政治集中化的危险的感知。古代以色列的一些派系认为人口普查是对部落社会的侮辱,因为新兴的君主制入侵了传统的乡村生活。我认为在这些文本中,以色列人患病的身体表达了对部落被入侵和恶化的社会身体的关注。
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Biblical Interpretation-A Journal of Contemporary Approaches
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