The purpose of this study is to analyze the characteristics of Altai tales and the symbolic meanings of words in Altai tales. Altai refers to the Altai Republic in the Russian Federation, located in South Siberia. Altaians - the common name of a kind of historically formed union of six autochthonous Turkic-speaking ethnic groups. Altai folklore is the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth Altai people. Altai folk tales are life stories that reflect the traditions, belief systems, religions, and cosmic views of the peoples who have lived around the Altai Mountains since ancient times. Altai folk tales have similar themes or modified contents found in other regions and peoples, but reflect the uniqueness of the Altai peoples and culture. In Altai folktale texts, color words that symbolically express the main character and surrounding objects, as well as names of people and numbers using color words, are found. These vocabularies are linearly combined with other vocabularies and function as text components unique to narrative texts.
{"title":"A Study on the Symbolism of Vocabulary in the Altai Folklore","authors":"Kyung hee Lee","doi":"10.24958/rh.2023.26.243","DOIUrl":"https://doi.org/10.24958/rh.2023.26.243","url":null,"abstract":"The purpose of this study is to analyze the characteristics of Altai tales and the symbolic meanings of words in Altai tales. Altai refers to the Altai Republic in the Russian Federation, located in South Siberia. Altaians - the common name of a kind of historically formed union of six autochthonous Turkic-speaking ethnic groups. Altai folklore is the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth Altai people. Altai folk tales are life stories that reflect the traditions, belief systems, religions, and cosmic views of the peoples who have lived around the Altai Mountains since ancient times. Altai folk tales have similar themes or modified contents found in other regions and peoples, but reflect the uniqueness of the Altai peoples and culture. In Altai folktale texts, color words that symbolically express the main character and surrounding objects, as well as names of people and numbers using color words, are found. These vocabularies are linearly combined with other vocabularies and function as text components unique to narrative texts.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116680610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this work is to shed light on the ideal of “another freedom” expressed by Pushkin in the poem “From Pindemonte” in the context of modern concepts of freedom. It specifically intends to argue against the view of A. Etkind, who understands “another freedom” as equivalent to Isaiah Berlin's “negative freedom.” Whether Etkind's view is valid is examined in the context of the debate over Berlin's theory of freedom in modern political philosophy. Pushkin, who belongs to liberals, shares with Berlin the position of anti-rationalism and anti-utopianism. Modern republican critique of Berlin's liberal view of freedom can also be applied to Pushkin's political ideal of “enlightened despotism” in his later years. As such, there are several valid reasons to regard Pushkin's “another freedom” as the same paradigm as Berlin's “negative freedom.” However, Pushkin's position is different from Berlin's value pluralism. Pushkin's “another freedom” is not limited to “negative freedom.” In Pushkin's poem, both ‘autonomy’ and ‘authenticity’ of “positive freedom” are embodied. In a strict sense, Pushkin's “another freedom” differs from Western liberals' understanding of freedom. “Another freedom” that Pushkin wants is ‘anarchist individualism’ in its essence. The fundamentally different attributes of Pushkin's “another freedom” and Berlin's “negative freedom” in pursuit of the universal ideal of freedom of private life raise the issue of cultural differences in understanding the concept of freedom, which will be discussed in another study.
{"title":"What Freedom?: Pushkin’s “From Pindemonte”","authors":"Jong Sul Choi","doi":"10.24958/rh.2023.26.141","DOIUrl":"https://doi.org/10.24958/rh.2023.26.141","url":null,"abstract":"The aim of this work is to shed light on the ideal of “another freedom” expressed by Pushkin in the poem “From Pindemonte” in the context of modern concepts of freedom. It specifically intends to argue against the view of A. Etkind, who understands “another freedom” as equivalent to Isaiah Berlin's “negative freedom.” Whether Etkind's view is valid is examined in the context of the debate over Berlin's theory of freedom in modern political philosophy. Pushkin, who belongs to liberals, shares with Berlin the position of anti-rationalism and anti-utopianism. Modern republican critique of Berlin's liberal view of freedom can also be applied to Pushkin's political ideal of “enlightened despotism” in his later years. As such, there are several valid reasons to regard Pushkin's “another freedom” as the same paradigm as Berlin's “negative freedom.” However, Pushkin's position is different from Berlin's value pluralism. Pushkin's “another freedom” is not limited to “negative freedom.” In Pushkin's poem, both ‘autonomy’ and ‘authenticity’ of “positive freedom” are embodied. In a strict sense, Pushkin's “another freedom” differs from Western liberals' understanding of freedom. “Another freedom” that Pushkin wants is ‘anarchist individualism’ in its essence. The fundamentally different attributes of Pushkin's “another freedom” and Berlin's “negative freedom” in pursuit of the universal ideal of freedom of private life raise the issue of cultural differences in understanding the concept of freedom, which will be discussed in another study.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"415 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115982938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Among the characteristics of literary language summarized as multifunctionality, super-dialecticity, normativity, refinement, and differentiation of the functional style, the last is formed in the final stage of literary language development. The functional stylistic system consists of ordinary-colloquial style, academic style, official-business style, artistic-literary style, and journalistic style, and among them, this paper focuses on the journalistic style. First, the first printed newspaper in Russia, Peter's Vedomosti (PV) in the early 18th century and Moscow Vedomosti(MV) in the mid-19th century are compared and analyzed and the differences in newspaper language before and after the formation of a journalistic style, i.e., linguistic distinguishing characteristics between PV and MV, are clearly presented in the aspect of journalistic style. This study on journalistic style as one of the functional styles of literary language will lead to further research on media language beyond the framework of modern Russian literary language and on the correlation between media language, journalism style, and literary language.
{"title":"A Diachronic Study on the Formation and Development of Journalistic Style in Russian","authors":"Y. Kim","doi":"10.24958/rh.2023.26.29","DOIUrl":"https://doi.org/10.24958/rh.2023.26.29","url":null,"abstract":"Among the characteristics of literary language summarized as multifunctionality, super-dialecticity, normativity, refinement, and differentiation of the functional style, the last is formed in the final stage of literary language development. The functional stylistic system consists of ordinary-colloquial style, academic style, official-business style, artistic-literary style, and journalistic style, and among them, this paper focuses on the journalistic style. First, the first printed newspaper in Russia, Peter's Vedomosti (PV) in the early 18th century and Moscow Vedomosti(MV) in the mid-19th century are compared and analyzed and the differences in newspaper language before and after the formation of a journalistic style, i.e., linguistic distinguishing characteristics between PV and MV, are clearly presented in the aspect of journalistic style. This study on journalistic style as one of the functional styles of literary language will lead to further research on media language beyond the framework of modern Russian literary language and on the correlation between media language, journalism style, and literary language.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115773737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In November 2015, Kazakhstan introduced the “Compulsory Social Health Insurance System (the System) in the social insurance format,” first among the Central Asian countries, including Russia. By introducing the system, the country shifted from the previous government-led medical insurance system that had originated from the era of the former Soviet Union to that in the “social insurance format.” Under the new system, every citizen pays health insurance premiums and bears the collective responsibility for public health. The process of introducing the System was quite abrupt, which was possible because Kazakhstan is an authoritative nation where the president of the country exerts enormous power. In this regard, this study alters and modifies Kingdon's multiple streams framework model, which is useful for analyzing such an abrupt process of policy change by period, and applies the revised version as the analysis framework. The analysis period was classified into three periods based on the national mood, the presence and direction of policies, etc. In addition, the intensity of the three streams(problems, politics and policies), and the extent of the policy entrepreneur’s role were set as the specific components of the analytical framework. As a result of the analysis, the policy change succeeds in the third period(Jan. 2014-Jan.2020). The results confirmed that when the aforementioned model is applied, policy entrepreneurs played the most important role in the policy change process in Kazakhstan for the introduction of the compulsory social health insurance system. Nazarbayev, a policy entrepreneur, first recognized the necessity of improving the public health budget indicators, which had been deteriorating since 2010, from the perspective of the flow of policy problems. Based on his realization, Nazarbayev tried to strengthen the country's financial soundness by resolving the identified policy problems and further, he intended to achieve the advancement and modernization of the country. Aggressive and enthusiastic efforts and firm and decisive willingness of the policy entrepreneur finally led to the successful policy change. Consequently, the System was established and implemented nationwide in Kazakhstan from January 2020, starting with partial implementation in July 2017.
{"title":"The Introduction of Compulsory Medical Insurance in Kazakhstan: Applying Kingdon’s Multiple Streams Framework","authors":"Tae Kyung Kim","doi":"10.24958/rh.2023.26.167","DOIUrl":"https://doi.org/10.24958/rh.2023.26.167","url":null,"abstract":"In November 2015, Kazakhstan introduced the “Compulsory Social Health Insurance System (the System) in the social insurance format,” first among the Central Asian countries, including Russia. By introducing the system, the country shifted from the previous government-led medical insurance system that had originated from the era of the former Soviet Union to that in the “social insurance format.” Under the new system, every citizen pays health insurance premiums and bears the collective responsibility for public health. The process of introducing the System was quite abrupt, which was possible because Kazakhstan is an authoritative nation where the president of the country exerts enormous power. In this regard, this study alters and modifies Kingdon's multiple streams framework model, which is useful for analyzing such an abrupt process of policy change by period, and applies the revised version as the analysis framework. The analysis period was classified into three periods based on the national mood, the presence and direction of policies, etc. In addition, the intensity of the three streams(problems, politics and policies), and the extent of the policy entrepreneur’s role were set as the specific components of the analytical framework. As a result of the analysis, the policy change succeeds in the third period(Jan. 2014-Jan.2020). The results confirmed that when the aforementioned model is applied, policy entrepreneurs played the most important role in the policy change process in Kazakhstan for the introduction of the compulsory social health insurance system. Nazarbayev, a policy entrepreneur, first recognized the necessity of improving the public health budget indicators, which had been deteriorating since 2010, from the perspective of the flow of policy problems. Based on his realization, Nazarbayev tried to strengthen the country's financial soundness by resolving the identified policy problems and further, he intended to achieve the advancement and modernization of the country. Aggressive and enthusiastic efforts and firm and decisive willingness of the policy entrepreneur finally led to the successful policy change. Consequently, the System was established and implemented nationwide in Kazakhstan from January 2020, starting with partial implementation in July 2017.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114066478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The main character of the novel, Ivan Denisovich Shukhov, an ordinary farmer in the Soviet Union, was conscripted during the World WarⅡ and sentenced to 10 years in Gulag for treason while serving in the army. He has spent 8 years in a Soviet concentration camp(Gulag) and is currently in his 9th year. Shukhov is having a hard time fulfilling the given amount of work every day in the harsh cold weather and harsh environment. Most of the prisoners in the camp were classified as political prisoners, but in fact they were innocent people. Shukhov was also accused of treason and classified as a political criminal, but he too was only a victim of Stalin's violent policies. What is the strength that keeps Shukhov enduring life in the camp despite the harsh environment? In this article, we analyzed the theme of ‘Gulag and survival’. First, we looked at the Gulag in the Soviet Union. And we analyzed the prisoner characters including Shukhov held there. The Soviet Gulag originated from the Siberian exile in the 16th centry, and most of the prisoners in the 19th centry were ordinary criminals. Even in Soviet concentration camps(Gulag), political prisoners accounted for only 20% of all prisoners. However, most of the prisoners in the novel “One Day in the life of Ivan Denisovich” were set as political prisoners. This seems to be Solzhenitsyn's intentional character setting. It was a way to emphasize the misguided policy of the Soviet Union. Shukhov and Baptist Alyoshka have a conversation about the Russian church and faith at the end of the novel, and here we learn that Shukhov's will to survive in the Gulag was very strong. That is, he has a clear purpose for survival. Also, although his faith was weak, it was confirmed that he had faith as a Russian Orthodox Christian.
{"title":"“One Day in the Life of Ivan Denisovich” : Gulag and Survival","authors":"Won Han Kim","doi":"10.24958/rh.2023.26.85","DOIUrl":"https://doi.org/10.24958/rh.2023.26.85","url":null,"abstract":"The main character of the novel, Ivan Denisovich Shukhov, an ordinary farmer in the Soviet Union, was conscripted during the World WarⅡ and sentenced to 10 years in Gulag for treason while serving in the army. He has spent 8 years in a Soviet concentration camp(Gulag) and is currently in his 9th year. Shukhov is having a hard time fulfilling the given amount of work every day in the harsh cold weather and harsh environment. Most of the prisoners in the camp were classified as political prisoners, but in fact they were innocent people. Shukhov was also accused of treason and classified as a political criminal, but he too was only a victim of Stalin's violent policies. What is the strength that keeps Shukhov enduring life in the camp despite the harsh environment? In this article, we analyzed the theme of ‘Gulag and survival’. First, we looked at the Gulag in the Soviet Union. And we analyzed the prisoner characters including Shukhov held there. The Soviet Gulag originated from the Siberian exile in the 16th centry, and most of the prisoners in the 19th centry were ordinary criminals. Even in Soviet concentration camps(Gulag), political prisoners accounted for only 20% of all prisoners. However, most of the prisoners in the novel “One Day in the life of Ivan Denisovich” were set as political prisoners. This seems to be Solzhenitsyn's intentional character setting. It was a way to emphasize the misguided policy of the Soviet Union. Shukhov and Baptist Alyoshka have a conversation about the Russian church and faith at the end of the novel, and here we learn that Shukhov's will to survive in the Gulag was very strong. That is, he has a clear purpose for survival. Also, although his faith was weak, it was confirmed that he had faith as a Russian Orthodox Christian.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116321206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyzes the journey of the three Jewish heroes in the film directed by Liev Schreiber. It should be borne in mind that this film, which depicts the Holocaust and the life of Jewish exiles by a Jewish director, represents an inevitable connection and politics that cannot be separated from the director's life and worldview in any form of production process, story, and theme. In the beginning, the main protagonist of this film seems to be Jonathan, an American who visited Ukraine, but as the story develops, the person portrayed as important as, or even more important than, Jonathan is Alexander's grandfather. The memories and traditions of the two families, which transcend borders and last three generations, combined with the film's cyclical structure, show that it is impossible to disappear and be forgotten, and that they repeat forever, penetrating the past, present, and future. The film shows the life of an independent Ukraine and Ukrainian citizens like a landscape, and indirectly presents the oppression and massacre of Jews by Ukrainian nationalists and the Soviet government hidden behind the Nazi Holocaust. Although this film about the massacre of Jews in Ukraine in the 1940s was made in the 2000s, it is being recalled these days during the Russo-Ukrainian War. This can be said to show the historical common idea that the historical events of that time are still ongoing.
{"title":"Finding the Path of the Jewish heroes in the Film","authors":"Tae Ok Kim","doi":"10.24958/rh.2023.26.197","DOIUrl":"https://doi.org/10.24958/rh.2023.26.197","url":null,"abstract":"This article analyzes the journey of the three Jewish heroes in the film directed by Liev Schreiber. It should be borne in mind that this film, which depicts the Holocaust and the life of Jewish exiles by a Jewish director, represents an inevitable connection and politics that cannot be separated from the director's life and worldview in any form of production process, story, and theme. In the beginning, the main protagonist of this film seems to be Jonathan, an American who visited Ukraine, but as the story develops, the person portrayed as important as, or even more important than, Jonathan is Alexander's grandfather. The memories and traditions of the two families, which transcend borders and last three generations, combined with the film's cyclical structure, show that it is impossible to disappear and be forgotten, and that they repeat forever, penetrating the past, present, and future. The film shows the life of an independent Ukraine and Ukrainian citizens like a landscape, and indirectly presents the oppression and massacre of Jews by Ukrainian nationalists and the Soviet government hidden behind the Nazi Holocaust. Although this film about the massacre of Jews in Ukraine in the 1940s was made in the 2000s, it is being recalled these days during the Russo-Ukrainian War. This can be said to show the historical common idea that the historical events of that time are still ongoing.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125881226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper, the cultural identity of the Nivh people is investigated through the analysis of the view of the cosmos and the soul. The Nivh are an indigenous people group in the lower Amur River and on the island of Sakhalin. For the Nivh people, the idea that the universe is a three-tiered world of upper world tli, middle mif, and lower mlibo, and each world is divided into multiple layers, is most widely spread. In particular, the relay is divided into three worlds: the world of the mountain-taiga, the world of the sea, and the world where the Nivh people live. In general, the concept of a middle ground developed among the Nivh people, but the idea of the upper and lower worlds was not very developed. However, in the Nivh concept, these worlds are independent but interpenetrating relationships, and each world influences the other world according to its rules and rules of conduct. At the root of the traditional beliefs of the Nivh people lies the animism that all things in the universe, including humans, have souls. According to the concept of the Nivh people, the human soul is in the form of a bird. During life, the bird's nature is hidden by the body, but after cremation, it is separated from the body and freed, regaining its original animal nature. The Nivh concept of the number of human souls is very unclear and fluid. The notion that the human soul has one tan or one tehn is universal, and tan and tehn originate from t'ad- (breathe, breathe/ nivh). The core of the Nivh view of the soul is immortality through reincarnation, and the birth of a child is due to the reincarnation of an ancestor spirit.
{"title":"The View of the Cosmic and Soul of the Paleoasiatic People Nivh in the Far East","authors":"Soon-cheon Eom","doi":"10.24958/rh.2022.25.161","DOIUrl":"https://doi.org/10.24958/rh.2022.25.161","url":null,"abstract":"In this paper, the cultural identity of the Nivh people is investigated through the analysis of the view of the cosmos and the soul. The Nivh are an indigenous people group in the lower Amur River and on the island of Sakhalin. For the Nivh people, the idea that the universe is a three-tiered world of upper world tli, middle mif, and lower mlibo, and each world is divided into multiple layers, is most widely spread. In particular, the relay is divided into three worlds: the world of the mountain-taiga, the world of the sea, and the world where the Nivh people live. In general, the concept of a middle ground developed among the Nivh people, but the idea of the upper and lower worlds was not very developed. However, in the Nivh concept, these worlds are independent but interpenetrating relationships, and each world influences the other world according to its rules and rules of conduct. \u0000At the root of the traditional beliefs of the Nivh people lies the animism that all things in the universe, including humans, have souls. According to the concept of the Nivh people, the human soul is in the form of a bird. During life, the bird's nature is hidden by the body, but after cremation, it is separated from the body and freed, regaining its original animal nature. The Nivh concept of the number of human souls is very unclear and fluid. The notion that the human soul has one tan or one tehn is universal, and tan and tehn originate from t'ad- (breathe, breathe/ nivh). The core of the Nivh view of the soul is immortality through reincarnation, and the birth of a child is due to the reincarnation of an ancestor spirit.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127149589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper is devoted to study the text without plot: M. Saltykov-Shchedrin’s one-act play “Morning at Khreptyugin” and I. Turgenev's one-act play “Conversation on the High Road” are analyzed. Saltykov-Schedrin described the genre of “Morning at Khreptyugin” as dramatic sketch. It suggests that he made the depiction of social conditions as his intention. There is no motif in “Morning at Khreptyugin”; the relationship between the episodes is very loose, and each scene is independent of each other. There is no coherent subject in the dialogue, what leads to the absence of conflicts and events: “Morning at Khreptyugin” belongs to the text without plot. The characters gather in one space and talk, and in this respect, Saltykov-Schedrin’s one-act play belongs to the discussion model. In Turgenev's one-act play “Conversation on the High Road”, the dialogues of the characters are oriented neither towards motive and plan, nor towards a purpose or goal. There are no intrigue, conflict or event to achieve personal interests between the master, the servant and the coachman: This one-act play is the text without plot. The content of the play consists entirely of dialogues between the characters on the carriage; “Dialogue on the Main Road” belongs to a discussion model.
{"title":"A Study on the Text Without Plot: M. Saltykov-Shchedrin’s “Morning at Khreptyugin” and I.Turgenev's “Conversation on the High Road”","authors":"Yong-sik Paik","doi":"10.24958/rh.2022.25.53","DOIUrl":"https://doi.org/10.24958/rh.2022.25.53","url":null,"abstract":"This paper is devoted to study the text without plot: M. Saltykov-Shchedrin’s one-act play “Morning at Khreptyugin” and I. Turgenev's one-act play “Conversation on the High Road” are analyzed. \u0000Saltykov-Schedrin described the genre of “Morning at Khreptyugin” as dramatic sketch. It suggests that he made the depiction of social conditions as his intention. There is no motif in “Morning at Khreptyugin”; the relationship between the episodes is very loose, and each scene is independent of each other. There is no coherent subject in the dialogue, what leads to the absence of conflicts and events: “Morning at Khreptyugin” belongs to the text without plot. The characters gather in one space and talk, and in this respect, Saltykov-Schedrin’s one-act play belongs to the discussion model. \u0000In Turgenev's one-act play “Conversation on the High Road”, the dialogues of the characters are oriented neither towards motive and plan, nor towards a purpose or goal. There are no intrigue, conflict or event to achieve personal interests between the master, the servant and the coachman: This one-act play is the text without plot. The content of the play consists entirely of dialogues between the characters on the carriage; “Dialogue on the Main Road” belongs to a discussion model.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"24 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113985996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article is devoted to the problem of “Kiev text”. The author analyses two works of M.A. Bulgakov, created and completed after visiting to his hometown of Kyiv in 1923, the sketch “Kiev-gorod” and the novel “The White Guard”. To this end, at first, we examined the research history and research trends of “Kiev text” in Russian literature , and revealed the characteristics of “Kiev text”. We also saw that in “Kiev-gorod” and “The White Guard” the figure of Kyiv is depicted in ‘history’ as the image of falling Babylon, in the memory of the lyrical self and in Alexei’s dream as the image of the heavenly Jerusalem. As such, the myth of the confrontation between these two cities is the basis of Bulgakov's “Kiev text”. Meanwhile, Bulgakov's ‘city’, which contains an eternal ‘culture’ that is not destroyed by any ‘history’, is unique in that it has myth and eternity. In this way, this paper ultimately tried to find the literary meaning of the Bulgakov ‘s “Kiev text”, and to read the most famous “Kiev text” of the 20th century, “The White Guard” and its documentary version, “Kiev-gorod”, from a new perspective.
{"title":"M.A. Bulgakov and the “Kiev text”: Based on the “Kiev-gorod” and “The White Guard”","authors":"S. Kang","doi":"10.24958/rh.2022.25.29","DOIUrl":"https://doi.org/10.24958/rh.2022.25.29","url":null,"abstract":"The article is devoted to the problem of “Kiev text”. The author analyses two works of M.A. Bulgakov, created and completed after visiting to his hometown of Kyiv in 1923, the sketch “Kiev-gorod” and the novel “The White Guard”. To this end, at first, we examined the research history and research trends of “Kiev text” in Russian literature , and revealed the characteristics of “Kiev text”. \u0000We also saw that in “Kiev-gorod” and “The White Guard” the figure of Kyiv is depicted in ‘history’ as the image of falling Babylon, in the memory of the lyrical self and in Alexei’s dream as the image of the heavenly Jerusalem. \u0000As such, the myth of the confrontation between these two cities is the basis of Bulgakov's “Kiev text”. Meanwhile, Bulgakov's ‘city’, which contains an eternal ‘culture’ that is not destroyed by any ‘history’, is unique in that it has myth and eternity. \u0000In this way, this paper ultimately tried to find the literary meaning of the Bulgakov ‘s “Kiev text”, and to read the most famous “Kiev text” of the 20th century, “The White Guard” and its documentary version, “Kiev-gorod”, from a new perspective.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127869570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper, derived implications for Korea-Russia cooperation by analyzing the trends in the participation of Western and Japanese companies in sanctions against Russia in the Russian Far East after Russia’s invasion of Ukraine, their impact on Russia, Russia’s countermeasures, and Russia-China cooperation cases. and proposed policy tasks for cooperation with Russia to the new government of Korea. Four policy implications were emphasized as follows. First, it is necessary to review the participation of Korean companies in the businesses that Western and Japanese companies have withdrawn and target niche markets. Second, in the case of sanctions items, since direct trade with Russia is difficult, bypass exports through China and Central Asian countries should also be considered. Third, cooperation with Russia should be resumed as soon as possible, even in areas not related to sanctions. Fourth, communication and exchange for cooperation at the level of private companies and local governments should be continued while continuously managing human networks with local related organizations and high-level officials, including the Russian Far East.
{"title":"Analysis of the Activity Trends of Foreign Companies in the Far East of Russia after the Ukrainian War and Policy Implications","authors":"Hyun Sub Byun, Myong-su Jeon","doi":"10.24958/rh.2022.25.129","DOIUrl":"https://doi.org/10.24958/rh.2022.25.129","url":null,"abstract":"In this paper, derived implications for Korea-Russia cooperation by analyzing the trends in the participation of Western and Japanese companies in sanctions against Russia in the Russian Far East after Russia’s invasion of Ukraine, their impact on Russia, Russia’s countermeasures, and Russia-China cooperation cases. and proposed policy tasks for cooperation with Russia to the new government of Korea. Four policy implications were emphasized as follows. First, it is necessary to review the participation of Korean companies in the businesses that Western and Japanese companies have withdrawn and target niche markets. Second, in the case of sanctions items, since direct trade with Russia is difficult, bypass exports through China and Central Asian countries should also be considered. Third, cooperation with Russia should be resumed as soon as possible, even in areas not related to sanctions. Fourth, communication and exchange for cooperation at the level of private companies and local governments should be continued while continuously managing human networks with local related organizations and high-level officials, including the Russian Far East.","PeriodicalId":431674,"journal":{"name":"Institute for Russian and Altaic Studies Chungbuk University","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114891430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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