This article discusses elite continuity and settlement pattern change in Zagori (NW Greece) from the late fourteenth to the nineteenth century. The peaceful assimilation of the regional and local elites into the Ottoman Empire (1430) led to adaptations in the montane landscape. Imperial and local archival research, ethnography, and landscape archaeology reveal that the Ottoman administration divided large decentralized settlements into smaller villages to accommodate local elites and new timariots. This topography of division (fifteenth to sixteenth centuries) gave way to a topography of adaptation (seventeenth to nineteenth centuries) when local elites influenced settlement patterns in forming the administrative unit the Zagorisian League.
{"title":"Fragments from Ottoman Zagori: continuity and change in a montane landscape through a local perspective","authors":"Faidon Moudopoulos-Athanasiou, Elias Kolovos","doi":"10.1017/byz.2023.24","DOIUrl":"https://doi.org/10.1017/byz.2023.24","url":null,"abstract":"This article discusses elite continuity and settlement pattern change in Zagori (NW Greece) from the late fourteenth to the nineteenth century. The peaceful assimilation of the regional and local elites into the Ottoman Empire (1430) led to adaptations in the montane landscape. Imperial and local archival research, ethnography, and landscape archaeology reveal that the Ottoman administration divided large decentralized settlements into smaller villages to accommodate local elites and new timariots. This topography of division (fifteenth to sixteenth centuries) gave way to a topography of adaptation (seventeenth to nineteenth centuries) when local elites influenced settlement patterns in forming the administrative unit the Zagorisian League.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135778453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Byzantine lead seals of the Barber Institute of Fine Arts number in total 146 pieces, mostly collected in the region of Trebizond. They offer valuable insights into the middle Byzantine society of the Pontos region, which despite its location on the easternmost borders was connected with other, even more remote, regions of the empire. The majority of these seals come from local officials and reflect their local preoccupations, perhaps as a backlash to the dominant culture of the capital. Fifteen selected pieces from the collection are published here and provided with commentary.
{"title":"Remarks on the collection of Byzantine lead seals of the Barber Institute of Fine Arts (University of Birmingham): mobility, networks, and identity in eastern Pontos","authors":"Christos Malatras","doi":"10.1017/byz.2023.17","DOIUrl":"https://doi.org/10.1017/byz.2023.17","url":null,"abstract":"The Byzantine lead seals of the Barber Institute of Fine Arts number in total 146 pieces, mostly collected in the region of Trebizond. They offer valuable insights into the middle Byzantine society of the Pontos region, which despite its location on the easternmost borders was connected with other, even more remote, regions of the empire. The majority of these seals come from local officials and reflect their local preoccupations, perhaps as a backlash to the dominant culture of the capital. Fifteen selected pieces from the collection are published here and provided with commentary.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135778634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BYZ volume 47 issue 2 Cover and Front matter","authors":"","doi":"10.1017/byz.2023.20","DOIUrl":"https://doi.org/10.1017/byz.2023.20","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135878618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rico Franses, Donor Portraits in Byzantine Art: the vicissitudes of contact between human and divine. Cambridge: Cambridge University Press, 2018. Pp. xiii, 247, 64 figs.","authors":"Henry Maguire","doi":"10.1017/byz.2023.8","DOIUrl":"https://doi.org/10.1017/byz.2023.8","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135878404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BYZ volume 47 issue 2 Cover and Back matter","authors":"","doi":"10.1017/byz.2023.21","DOIUrl":"https://doi.org/10.1017/byz.2023.21","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135878187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Konstantinos Dapontes, Selected Writings: Translated with an Introduction and Notes by Elina Tsalicoglou. Cambridge, MA 2019, Pp. lxvii, 128","authors":"M. Stassinopoulou","doi":"10.1017/byz.2023.15","DOIUrl":"https://doi.org/10.1017/byz.2023.15","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49483116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article focuses on the most elaborate of Paula Meehan's ‘Greek’ poems, ‘Flight JIK Olympic Airlines 016 to Ikaria, Greece’ (Painting Rain, 2009), inspired by her journey to Ikaria, in the framework of travel writing and ecocriticism. By transforming the matrix of W. H. Auden's ‘Musée des Beaux Arts’, and by representing a specific case of ecopoetry, Meehan's text challenges the precepts of footsteps and vertical travel genres. The comparison between the two poems has been contextualized by the Irish poet's environmental, political and artistic concerns, as well as her other poems, essays and travels in Greece.
本文聚焦于Paula Meehan最精致的“希腊”诗歌，“飞往希腊伊卡利亚岛的JIK奥林匹克航空016航班”(2009年，绘画雨)，灵感来自于她在伊卡利亚岛的旅行，在旅行写作和生态批评的框架内。通过改变w·h·奥登的“mus des Beaux Arts”的矩阵，并通过代表生态诗歌的具体案例，Meehan的文本挑战了脚步和垂直旅行类型的戒律。这两首诗的比较是由这位爱尔兰诗人对环境、政治和艺术的关注以及她在希腊的其他诗歌、散文和旅行所构成的。
{"title":"Paula Meehan's Greek journey: environmental footsteps","authors":"Joanna Kruczkowska","doi":"10.1017/byz.2023.18","DOIUrl":"https://doi.org/10.1017/byz.2023.18","url":null,"abstract":"The article focuses on the most elaborate of Paula Meehan's ‘Greek’ poems, ‘Flight JIK Olympic Airlines 016 to Ikaria, Greece’ (Painting Rain, 2009), inspired by her journey to Ikaria, in the framework of travel writing and ecocriticism. By transforming the matrix of W. H. Auden's ‘Musée des Beaux Arts’, and by representing a specific case of ecopoetry, Meehan's text challenges the precepts of footsteps and vertical travel genres. The comparison between the two poems has been contextualized by the Irish poet's environmental, political and artistic concerns, as well as her other poems, essays and travels in Greece.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48344562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Andrew Mellas, Liturgy and the Emotions in Byzantium: compunction and hymnody. Cambridge: Cambridge University Press, 2020. Pp. xii, 206.","authors":"U. Eriksen","doi":"10.1017/byz.2023.11","DOIUrl":"https://doi.org/10.1017/byz.2023.11","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45546518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
2023 marks the centenary of the Treaty of Lausanne, which ended the state of war between Turkey and the western allies, in particular Greece, and reordered the Near East, settling frontiers and providing for the protection of minorities. This essay reviews the historiography of the period 1915-23 through Greek and British sources in printed books and papers, covering the Greek irredentist claim to western Asia Minor, the Paris peace conference, the occupation of Smyrna, the Greek war against Mustapha Kemal's Turkish nationalists, the collapse of the Greek army, the Lausanne treaty, and the convention on the exchange of Greek and Turkish populations agreed at Lausanne in 1923.
{"title":"The historiography of the Greek-Turkish War in Asia Minor: Britain, Greece, and others, 1915 - 1923","authors":"M. Llewellyn-Smith","doi":"10.1017/byz.2023.16","DOIUrl":"https://doi.org/10.1017/byz.2023.16","url":null,"abstract":"2023 marks the centenary of the Treaty of Lausanne, which ended the state of war between Turkey and the western allies, in particular Greece, and reordered the Near East, settling frontiers and providing for the protection of minorities. This essay reviews the historiography of the period 1915-23 through Greek and British sources in printed books and papers, covering the Greek irredentist claim to western Asia Minor, the Paris peace conference, the occupation of Smyrna, the Greek war against Mustapha Kemal's Turkish nationalists, the collapse of the Greek army, the Lausanne treaty, and the convention on the exchange of Greek and Turkish populations agreed at Lausanne in 1923.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43981777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.
本文从认知框架的角度考察了妮克塔斯·尤金尼诺斯的十二世纪小说《Drosilla and Charikles》。基于对两个关键段落（1.230-57和3.341-50）的分析，我认为主人公认识到自己是小说情节的一部分。虽然科姆尼小说的这种元叙事特征以前已经得到了认可，但本文提供的认知方法有助于更好地理解尤金尼奥斯小说以及古代和拜占庭小说类型中的叙事复杂性。
{"title":"Generic self-awareness in a Komnenian novel: the hero in Drosilla and Charikles","authors":"Paloma Cortez","doi":"10.1017/byz.2023.14","DOIUrl":"https://doi.org/10.1017/byz.2023.14","url":null,"abstract":"This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44279816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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