{"title":"BYZ volume 47 issue 2 Cover and Front matter","authors":"","doi":"10.1017/byz.2023.20","DOIUrl":"https://doi.org/10.1017/byz.2023.20","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135878618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rico Franses, Donor Portraits in Byzantine Art: the vicissitudes of contact between human and divine. Cambridge: Cambridge University Press, 2018. Pp. xiii, 247, 64 figs.","authors":"Henry Maguire","doi":"10.1017/byz.2023.8","DOIUrl":"https://doi.org/10.1017/byz.2023.8","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"538 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135878404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BYZ volume 47 issue 2 Cover and Back matter","authors":"","doi":"10.1017/byz.2023.21","DOIUrl":"https://doi.org/10.1017/byz.2023.21","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135878187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Konstantinos Dapontes, Selected Writings: Translated with an Introduction and Notes by Elina Tsalicoglou. Cambridge, MA 2019, Pp. lxvii, 128","authors":"M. Stassinopoulou","doi":"10.1017/byz.2023.15","DOIUrl":"https://doi.org/10.1017/byz.2023.15","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"47 1","pages":"303 - 305"},"PeriodicalIF":0.1,"publicationDate":"2023-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49483116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article focuses on the most elaborate of Paula Meehan's ‘Greek’ poems, ‘Flight JIK Olympic Airlines 016 to Ikaria, Greece’ (Painting Rain, 2009), inspired by her journey to Ikaria, in the framework of travel writing and ecocriticism. By transforming the matrix of W. H. Auden's ‘Musée des Beaux Arts’, and by representing a specific case of ecopoetry, Meehan's text challenges the precepts of footsteps and vertical travel genres. The comparison between the two poems has been contextualized by the Irish poet's environmental, political and artistic concerns, as well as her other poems, essays and travels in Greece.
本文聚焦于Paula Meehan最精致的“希腊”诗歌，“飞往希腊伊卡利亚岛的JIK奥林匹克航空016航班”(2009年，绘画雨)，灵感来自于她在伊卡利亚岛的旅行，在旅行写作和生态批评的框架内。通过改变w·h·奥登的“mus des Beaux Arts”的矩阵，并通过代表生态诗歌的具体案例，Meehan的文本挑战了脚步和垂直旅行类型的戒律。这两首诗的比较是由这位爱尔兰诗人对环境、政治和艺术的关注以及她在希腊的其他诗歌、散文和旅行所构成的。
{"title":"Paula Meehan's Greek journey: environmental footsteps","authors":"Joanna Kruczkowska","doi":"10.1017/byz.2023.18","DOIUrl":"https://doi.org/10.1017/byz.2023.18","url":null,"abstract":"The article focuses on the most elaborate of Paula Meehan's ‘Greek’ poems, ‘Flight JIK Olympic Airlines 016 to Ikaria, Greece’ (Painting Rain, 2009), inspired by her journey to Ikaria, in the framework of travel writing and ecocriticism. By transforming the matrix of W. H. Auden's ‘Musée des Beaux Arts’, and by representing a specific case of ecopoetry, Meehan's text challenges the precepts of footsteps and vertical travel genres. The comparison between the two poems has been contextualized by the Irish poet's environmental, political and artistic concerns, as well as her other poems, essays and travels in Greece.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48344562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Andrew Mellas, Liturgy and the Emotions in Byzantium: compunction and hymnody. Cambridge: Cambridge University Press, 2020. Pp. xii, 206.","authors":"U. Eriksen","doi":"10.1017/byz.2023.11","DOIUrl":"https://doi.org/10.1017/byz.2023.11","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"47 1","pages":"296 - 298"},"PeriodicalIF":0.1,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45546518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
2023 marks the centenary of the Treaty of Lausanne, which ended the state of war between Turkey and the western allies, in particular Greece, and reordered the Near East, settling frontiers and providing for the protection of minorities. This essay reviews the historiography of the period 1915-23 through Greek and British sources in printed books and papers, covering the Greek irredentist claim to western Asia Minor, the Paris peace conference, the occupation of Smyrna, the Greek war against Mustapha Kemal's Turkish nationalists, the collapse of the Greek army, the Lausanne treaty, and the convention on the exchange of Greek and Turkish populations agreed at Lausanne in 1923.
{"title":"The historiography of the Greek-Turkish War in Asia Minor: Britain, Greece, and others, 1915 - 1923","authors":"M. Llewellyn-Smith","doi":"10.1017/byz.2023.16","DOIUrl":"https://doi.org/10.1017/byz.2023.16","url":null,"abstract":"2023 marks the centenary of the Treaty of Lausanne, which ended the state of war between Turkey and the western allies, in particular Greece, and reordered the Near East, settling frontiers and providing for the protection of minorities. This essay reviews the historiography of the period 1915-23 through Greek and British sources in printed books and papers, covering the Greek irredentist claim to western Asia Minor, the Paris peace conference, the occupation of Smyrna, the Greek war against Mustapha Kemal's Turkish nationalists, the collapse of the Greek army, the Lausanne treaty, and the convention on the exchange of Greek and Turkish populations agreed at Lausanne in 1923.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"47 1","pages":"271 - 289"},"PeriodicalIF":0.1,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43981777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.
本文从认知框架的角度考察了妮克塔斯·尤金尼诺斯的十二世纪小说《Drosilla and Charikles》。基于对两个关键段落（1.230-57和3.341-50）的分析，我认为主人公认识到自己是小说情节的一部分。虽然科姆尼小说的这种元叙事特征以前已经得到了认可，但本文提供的认知方法有助于更好地理解尤金尼奥斯小说以及古代和拜占庭小说类型中的叙事复杂性。
{"title":"Generic self-awareness in a Komnenian novel: the hero in Drosilla and Charikles","authors":"Paloma Cortez","doi":"10.1017/byz.2023.14","DOIUrl":"https://doi.org/10.1017/byz.2023.14","url":null,"abstract":"This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"47 1","pages":"168 - 181"},"PeriodicalIF":0.1,"publicationDate":"2023-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44279816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Chapters in Political Verse is a collection of one hundred paraenetic chapters focusing on vices and virtues, transmitted in the Par.gr. 2750A and the Vat.gr. 1898 (fourteenth century) and containing fragments of the lost novel Aristandros and Kallithea by Constantine Manasses (twelfth century). This article offers a discussion on the authorship and audience of the Chapters (better known under the title Moral Poem and attributed to Manasses), arguing that it belongs firmly in the Palaiologan period and was not composed by Manasses. It pays particular attention to the way in which the anonymous author worked with the Manassean hypotext.
{"title":"Recycling and adapting Constantine Manasses’ <i>Aristandros and Kallithea</i> in the Palaiologan <i>Chapters in Political Verse</i>","authors":"Giulia Maria Paoletti","doi":"10.1017/byz.2023.6","DOIUrl":"https://doi.org/10.1017/byz.2023.6","url":null,"abstract":"The Chapters in Political Verse is a collection of one hundred paraenetic chapters focusing on vices and virtues, transmitted in the Par.gr. 2750A and the Vat.gr. 1898 (fourteenth century) and containing fragments of the lost novel Aristandros and Kallithea by Constantine Manasses (twelfth century). This article offers a discussion on the authorship and audience of the Chapters (better known under the title Moral Poem and attributed to Manasses), arguing that it belongs firmly in the Palaiologan period and was not composed by Manasses. It pays particular attention to the way in which the anonymous author worked with the Manassean hypotext.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135643165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dimitris Papanikolaou, Greek Weird Wave: a cinema of biopolitics. Edinburgh: Edinburgh University Press, 2021. Pp. xiv, 268 - Marios Psarras, The Queer Greek Weird Wave: ethics, politics and the crisis of meaning. Cham: Palgrave Macmillan, 2016. Pp. 232.","authors":"P. Zestanakis","doi":"10.1017/byz.2023.7","DOIUrl":"https://doi.org/10.1017/byz.2023.7","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"47 1","pages":"305 - 307"},"PeriodicalIF":0.1,"publicationDate":"2023-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43317751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：