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Gonda van Steen, Adoption, Memory and the Cold War: Kid pro quo? Ann Arbor: The University of Michigan Press, 2019. Pp. 330, xx. 冈达·范·斯蒂恩:《收养、记忆与冷战:孩子的交换条件?》安娜堡:密歇根大学出版社,2019年。第330页,xx页。
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-07-02 DOI: 10.1017/byz.2021.15
M. Kenna
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引用次数: 0
The Rebellious 1960s via the Prosperous 1990s: Youth, Modernity and Consumption in Antonis Kokkinos’ Τέλος εποχής (End of an Era) (1994) 从叛逆的20世纪60年代到繁荣的20世纪90年代:Antonis Kokkinos的《一个时代的终结》(1994)中的青年、现代性和消费
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-07-02 DOI: 10.1017/byz.2021.8
P. Zestanakis
This article explores the movie Τέλος εποχής (End of an Era) by Antonis Kokkinos (1994), a key film in the regeneration of Greek cinema in the mid-late 1990s. The film constitutes a form of public history construing and problematizing relations between the images and the historical past, exploring the dictatorship (1967–74) through the consumer-oriented values of the 1990s. By scrutinizing historical (dis)continuities (similarities, differences, and transformations in consumer politics and sexuality in particular) between the dictatorship and the 1990s, the article argues that, focusing on 1960s youth, End of an Era underplayed the dictatorship's authoritarianism and (re)defined politics through the availability (or not) of consumer choices, expressing the relaxed ideological climate of the 1990s.
本文探讨了Antonis Kokkinos(1994)的电影《时代的终结》,这是20世纪90年代中后期希腊电影复兴的关键电影。这部电影构成了一种公共历史的形式,对图像和历史过去之间的关系进行了解释和问题化,通过20世纪90年代以消费者为导向的价值观探索独裁统治(1967–74)。通过仔细研究独裁统治和20世纪90年代之间的历史(差异)连续性(消费者政治,尤其是性方面的相似性、差异性和转变),文章认为,以20世纪60年代的年轻人为中心,《时代的终结》低估了独裁统治的威权主义,并通过消费者选择的可用性(或不可用性)重新定义了政治,表达了20世纪90年代宽松的意识形态氛围。
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引用次数: 0
Reading social change on a potter's wheel: Chalcis (Euboea) from the Byzantine to the Modern Greek era 解读陶工车轮上的社会变革:从拜占庭到现代希腊时代的Chalcis(Euboea)
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-06-28 DOI: 10.1017/byz.2021.12
N. Kontogiannis, S. S. Skartsis
In this article, the socio-economic and cultural identity of Chalcis is traced through, and combined with, the story of its material culture and, in particular, of its impressive pottery production and consumption. Through this lens, the historical conditions and daily life over more than ten centuries (from the ninth to the early twentieth century) of this relatively unknown provincial town are closely examined. This makes it possible to detect one field in which local communities reacted to, adjusted to, took advantage of, survived or sometimes succumbed to the wider turmoil of the Byzantine, Ottoman and Modern Greek eras.
在这篇文章中,Chalcis的社会经济和文化特征通过其物质文化的故事,特别是其令人印象深刻的陶器生产和消费的故事来追溯并结合。通过这个镜头,我们仔细观察了这个相对不为人知的省城十多个世纪(从九世纪到二十世纪初)的历史条件和日常生活。这使得我们有可能发现当地社区对拜占庭、奥斯曼和现代希腊时代更广泛的动荡做出反应、适应、利用、生存或有时屈服于其中的一个领域。
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引用次数: 1
The controversy over Ancient Greek as a school subject: education, ideology, and politics in times of crisis 古希腊语作为学校科目的争论:危机时期的教育、意识形态和政治
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-06-25 DOI: 10.1017/byz.2021.4
Efstathios Kessareas
This article examines the controversy over Ancient Greek [AG] as a school subject, a controversy that re-emerged in 2016, when SYRIZA was in power. The issue is ideologically charged: classical antiquity has played a fundamental role in shaping modern Greek ethnic identity. The arguments for and against teaching AG as a school subject are analysed and explained in relation to the ideological preferences, strategies and interests of the involved agents. The polarization of the arguments is interpreted within the broader context of the financial crisis, as an attempt by the agents involved to reinforce the left/right divide, which was significantly blurred after the adoption of austerity policies by both the self-proclaimed leftist SYRIZA and the conservative New Democracy parties.
本文探讨了关于古希腊语[AG]作为学校科目的争议,这一争议在2016年左翼联盟执政时再次出现。这是一个充满意识形态色彩的问题:古典古代在塑造现代希腊民族认同方面发挥了重要作用。支持和反对将AG作为一门学校学科进行教学的论点,与相关代理人的意识形态偏好、策略和利益有关,并进行了分析和解释。争论的两极分化是在金融危机的大背景下解释的,被认为是参与者试图加强左右分歧的一种尝试,在自称为左派的激进左翼联盟和保守的新民主党采取紧缩政策后,这种分歧明显模糊了。
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引用次数: 0
Lambros Kamperidis and Denise Harvey (eds.), Alexandros Papadiamandis, The Boundless Garden. Selected Short Stories, Volume II. Limni, Evia: Denise Harvey (Publisher), 2019. Pp. xx, 363. Lambros Kamperidis和Denise Harvey(编辑),Alexandros Papadimandis,《无界花园》。短篇小说选集,第二卷。林妮,埃维亚:丹尼斯·哈维(出版社),2019。第xx页,第363页。
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-06-17 DOI: 10.1017/byz.2021.9
R. Fowler
geographical source of examples, nor does it figure in the list of locations under ‘regional variation’ in the Index, though it does appear in the title of one subsection on p. 1949. One might have welcomed an explanation for the almost complete absence of the Βασιλεύουσα from the Grammar: does it imply that there is little regionally specific linguistic evidence to be found in texts from Constantinople, or that texts from Constantinople were composed in a non-regional variety – or neither? Although some eighteenth-century examples are included in the Grammar, from a linguistic point of view that century largely remains a terra incognita in the history of Greek. Should we think of it as being the final stage of ‘Early Modern Greek’, as Tasos Kaplanis has suggested, or (as the authors seem to imply) as the first stage of ‘Modern Greek’? On this score, it is interesting that the authors of the Grammar appear to have discovered no instance of the epistemic use of θέλει + personal verb. By contrast, eighteenth-century writers from Constantinople, who frequently use personal θέλω + infinitive for the future (θέλουν έρθει ‘they will come’), besides θενα and θα + personal verb, reserve impersonal θέλει + personal verb for epistemic use (θέλει ήρθαν ‘they must have come’). The term ‘epistemic’ is absent from the index of the Grammar, as are ‘probability’ and ‘possibility’. It would be good to know what constructions were available for the expression of probability during the period covered by the Grammar. In a brief review it is impossible to do justice to such a monumental intellectual undertaking as the CGMEMG. Suffice it to say that technical language is always elucidated, and the volumes are impeccably edited; the number of typographical errors is infinitesimal given the length and complexity of the text.
例子的地理来源,也没有出现在索引中“区域差异”下的地点列表中,尽管它确实出现在1949年的一个小节的标题中。有人可能会欢迎对语法中几乎完全没有¦Βασιλείσυσα的解释:这是否意味着在君士坦丁堡的文本中几乎找不到特定于地区的语言证据,或者君士坦丁堡的文字是以非地区的变体组成的——或者两者都没有?尽管《语法》中包含了一些18世纪的例子,但从语言学的角度来看,该世纪在希腊历史上基本上仍然是一个未知的领域。我们应该像Tasos Kaplanis所建议的那样,将其视为“早期现代希腊语”的最后阶段,还是(正如作者似乎暗示的那样)视为“现代希腊语的第一阶段?在这一点上,有趣的是,《语法》的作者似乎没有发现θίλει+个人动词的认知用法。相比之下,来自君士坦丁堡的18世纪作家,他们经常使用个人θί。语法索引中没有“认知的”一词,“概率”和“可能性”也是如此。如果能知道在语法所涵盖的时期内,有什么结构可用于表达概率,那就太好了。在简短的回顾中,不可能公正地对待像CGMEMG这样具有里程碑意义的智力事业。只需说,技术语言总是被阐明的,而且这些卷都经过了无可挑剔的编辑;考虑到文本的长度和复杂性,印刷错误的数量是无穷小的。
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引用次数: 0
David Holton, Geoffrey Horrocks, Marjolijne Janssen, Tina Lendari, Io Manolessou and Notis Toufexis, The Cambridge Grammar of Medieval and Early Modern Greek. Cambridge University Press: Cambridge, 2019, 4 vols. Pp. clxx + 2093 (numbered in a single series). David Holton,Geoffrey Horrocks,Marjolijne Janssen,Tina Lendari,Io Manolessou和Notis Toufexis,中世纪和早期现代希腊语的剑桥语法。剑桥大学出版社:剑桥,2019,4卷。第clxx+2093页(编号为单个系列)。
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-05-17 DOI: 10.1017/byz.2021.10
Peter A. Mackridge
frequently gauged the value of Cretan literature by the extent to which it remained close, intentionally, to Byzantine literature—the closer, the better. Kaklamanis, correctly, disagrees: Cretan literature is not merely a link with Byzantium; it has its own intrinsic value and expresses cogently and powerfully a different experience of the world generated under different circumstances. Very true, and yet one should recall that, albeit not always Byzantine, this new experience quintessentially medieval. The book is replete with a treasure chest of wonderful tales. Like that of the little-known Λεόντιος Πιλάτος, Petrarch’s Greek teacher from Crete. Or that of Janus Lascaris buying forty-four manuscripts from Cretan scribes for Lorenzo il Magnifico de’Medici. Or, perhaps uncanniest of all, that of the Swiss theologian Felix Faber, who complained that the sound of the sea made it impossible for him to read when he stayed at the Dominican priory in Herakleion. Vol. 1 can be read independently, but by so doing readers will squander the opportunity to enjoy the poems. In vols 2 and 3, K. marshals Crete’s poetic output to excellent effect. He includes generous excerpts from all fifty-seven poets known today, along with perceptive short commentaries and biographical notes. A glossary guarantees that even readers unfamiliar with the language of the period will not be left flailing. Illustrations, some in colour, are rich. Over the last two hundred years, Early Modern Greek scholarship has taken some tremendous steps. We have learnt how to edit the vernacular texts, how to glean complicated information from manuscripts, how to write the history of the literature and of the language of the period. K. pushes all these achievements a little further. His book will be an indispensable source for experts and the lay reader alike. It would be hard to imagine a better overall guide to Cretan literature.
经常以克里特文学与拜占庭文学的接近程度来衡量它的价值——越接近越好。Kaklamanis,正确地,不同意:克里特文学不仅仅是与拜占庭的联系;它有自己的内在价值,有力地表达了在不同环境下产生的不同的世界体验。非常正确,但我们应该记住,尽管不总是拜占庭式的,但这种新的体验是典型的中世纪。这本书充满了奇妙故事的宝库。比如鲜为人知的Λεόντιος Πιλάτος,彼特拉克来自克里特岛的希腊老师。或者是雅努斯·拉斯卡里斯从克里特抄写员那里为洛伦佐·马尼格尼索·德·美第奇买了44份手稿。或者,也许最不可思议的是,瑞士神学家菲利克斯·费伯(Felix Faber)抱怨说,当他住在赫拉克利翁的多米尼加修道院时,大海的声音使他无法阅读。卷一可以独立阅读,但如果这样做,读者就会浪费欣赏诗歌的机会。在第2卷和第3卷中,k将克里特岛的诗歌输出整理得极好。他收录了今天已知的五十七位诗人的大量节选,以及敏锐的简短评论和传记笔记。一个词汇表保证即使是不熟悉那个时代语言的读者也不会感到困惑。插图,有些是彩色的,内容丰富。在过去的200年里,早期现代希腊学术取得了巨大的进步。我们学会了如何编辑白话文本,如何从手稿中收集复杂的信息,如何撰写文学历史和那段时期的语言。k进一步推动了所有这些成就。他的书将是专家和外行读者不可缺少的资料。很难想象还有比这更好的克里特文学全面指南了。
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引用次数: 0
Marjorie Chambers, Yannis Ritsos Among his Contemporaries. Twentieth-Century Greek Poetry Translated by Marjorie Chambers. London: Colenso Books, 2018. Pp. xvii, 233. 马乔丽·钱伯斯,扬尼斯·里索斯在他的当代作品中。马乔丽·钱伯斯翻译的二十世纪希腊诗歌。伦敦:Colenso Books,2018。第xvii页,233。
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-04-01 DOI: 10.1017/BYZ.2020.35
S. Ekdawi
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引用次数: 0
BYZ volume 45 issue 1 Cover and Front matter BYZ第45卷第1期封面和封面
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-04-01 DOI: 10.1017/byz.2021.1
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引用次数: 0
Early Byzantine sigillographic evidence from western Anatolia: sixth- and seventh-century lead seals from Bergama (ancient Pergamon) 来自安纳托利亚西部的早期拜占庭符号证据:来自Bergama(古代佩加蒙)的六世纪和七世纪铅印
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-04-01 DOI: 10.1017/byz.2020.27
E. Laflı, W. Seibt, Doğukan Çağlayan
This article presents twelve lead seals from the Museum of Bergama (ancient Pergamon), dating from the late sixth to the early eighth century. We offer a descriptive catalogue of these early Byzantine seals preserved in a western Turkish museum. In the introduction, seals excavated in Pergamon as well as seals referring to Pergamon are briefly discussed. The owners of the twelve seals in the museum were primarily ecclesiastical or legal dignitaries who were probably active in Pergamon, in southwestern Mysia, in Aeolis or in Lydia.
这篇文章展示了来自Bergama(古佩加马)博物馆的12个铅封,可以追溯到6世纪末到8世纪初。我们提供这些早期拜占庭印章的描述性目录保存在西部土耳其博物馆。引言部分简要介绍了别加摩出土的印章以及与别加摩有关的印章。博物馆中十二枚印章的主人主要是神职人员或法律要人,他们可能活跃在佩加马、米西亚西南部、伊奥利亚或吕底亚。
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引用次数: 0
Paschalis M. Kitromilides, Religion and Politics in the Orthodox World: The Ecumenical Patriarchate and the Challenges of Modernity, Abingdon/New York: Routledge, 2019. Pp. xiv, 130 + 10 b/w illustrations. Paschalis M.Kitromilides,《东正教世界的宗教与政治:普世父权制与现代性的挑战》,阿宾顿/纽约:劳特利奇,2019年。第xiv页,130+10 b/w插图。
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-04-01 DOI: 10.1017/byz.2020.33
Vasilios N. Makrides
καὶ ζωή μου could very easily be remedied by inverting the order of ll. 558 and 557. This surely is a typesetting error that slipped into the tradition early and was not corrected in subsequent reprints; compare the same passage in the unrhymed version of Imperios: Ἐσέναν ἔχω ἀπὸ τοῦ νῦν πατέραν καὶ μητέραν || καὶ ἀδελφοὺς καὶ ἀδελφὰς καὶ φῶς μου καὶ ζωή μου (ll. 502-03). Very occasionally Y. seems to misinterpret the text. In his Commentary (at l. 189) he explains the second line of the following: τὰ τῆς γραφῆς φιλόσοφοι καὶ γνῆσοι συγγενεῖς μου, || οὐκ ἔχετε τὸ μάθημα, ἀλλά ̓ναι φυσικό σας, || εὐχαριστῶ σας ἅπαντας, ... as: ‘You do not know [what happened between me and the king], but this is natural [you being outside the immediate family]’. But this is simply a clumsy rendering of what is perfectly clear in the unrhymed version (ll. 171 στὰ τῆς Γραφῆς φιλόσοφοι, ἄριστοι ἐν τοῖς βίβλοις, || καὶ οὐκ ἔχετέ το μάθημα, ἀλλά ̓ναι φυσικόν σας || εὐχαριστῶ σας ἅπαντας, ...). ‘You, philosophers in scripture, experts in learning – [and] it is not something you have acquired, but it comes naturally to you –, I thank all of you’. At l. 427 (εἶχεν τοῦ παγωνιοῦ πτερόν ...||) βαμμένον κιτρινόχρυσον· τοῦτό ̓χε τὸ σημάδι (|| Ἱμπέριος ει̕ς τ ̓ ἄρματα ...) Y. proposes as an alternative reading τοῦ τό ̓χε τὸ σημάδι, without explaining what that might mean. A better reading would be τοῦτό ̓χε το σημάδι (‘this he had as a distinguishing mark’). But these are minor quibbles, which do not in any way diminish the value of this new edition.
我的生活可以很容易地通过颠倒ll的顺序来弥补。558和557。这当然是一个排版错误,很早就融入了传统,在随后的重印中没有得到纠正;比较一下不押韵版本的Imperios中的同一段话:从现在起,我有父亲和母亲,兄弟姐妹,我的光和我的生活(第502-03页)。Y似乎偶尔会误解文本。在他的评注(第189页)中,他解释了以下第二行:圣经哲学家和知识亲属,||你没有教训,但̓比如:“你不知道(我和国王之间发生了什么),但这是很自然的(你不在直系亲属之外)”。但这只是对不押韵版本中完全清晰的内容的笨拙渲染。学习专家——这不是你所获得的,但它对你来说是自然而然的——我感谢你们所有人”。在公元427年(他有一个冰冷的鳍…||)涂成了黄金;这个鳍上有标记(詹姆斯是皮肤…||)Y提出了另一种解读,他有标记,但没有解释这可能意味着什么。更好的阅读方式是这样。但这些都是小问题,丝毫不会降低新版的价值。
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引用次数: 0
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BYZANTINE AND MODERN GREEK STUDIES
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