{"title":"BYZ volume 47 issue 1 Cover and Front matter","authors":"","doi":"10.1017/byz.2023.1","DOIUrl":"https://doi.org/10.1017/byz.2023.1","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45837852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BYZ volume 47 issue 1 Cover and Back matter","authors":"","doi":"10.1017/byz.2023.2","DOIUrl":"https://doi.org/10.1017/byz.2023.2","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41359066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
2021 marked the bicentenary of the beginning of the Greek struggle for independence. Beyond the timeliness of its publication, this book offers readers far more than a celebratory history. This volume of essays brings together studies on aspects of language, identity, and cultural transfer in the context of encounters between different European literary traditions, exploring modalities of reception, the mediation process, and the roles and motives of the actors involved, whether individuals, groups, institutions, or the print media. It thus offers new perspectives in the field of cultural history. Cultural circulation has long been regarded as a fruitful area of investigation, not least in assessing how cultural transfers have contributed to the construction of national identity and its depiction in the public sphere. In the Greek case, philhellenism, defined historically as either a political or a transcultural movement, together with its resilience over time, has been much discussed in conferences, workshops and research projects. These have typically addressed definitions and dynamics of philhellenism, from different perspectives, such as European perceptions of the modern Greeks, Greece’s relationship with Europe and with European cultural production, and the impact of all this on the formation of Greece’s national image. This volume approaches the subject from a different viewpoint: ‘the image(s) of Greece emerging through the pages of [the European] press’ (p.15). Whilst print media, and in particular periodicals with their potential to reach wider readerships, have emerged as effective cultural mediators and facilitators for the transmission of ideas to various social and national entities, the question of how the European press stood in relation to Greece has not been sufficiently addressed to date, and, as the editors point out, this collection of essays seeks to address this very issue.
{"title":"Georgia Gotsi and Despina Provata (eds.), Languages, Identities and Cultural Transfers. Modern Greeks in the Press (1850–1900). Amsterdam: Amsterdam University Press, 2021, Pp. 270.","authors":"Gioula Koutsopanagou","doi":"10.1017/byz.2022.33","DOIUrl":"https://doi.org/10.1017/byz.2022.33","url":null,"abstract":"2021 marked the bicentenary of the beginning of the Greek struggle for independence. Beyond the timeliness of its publication, this book offers readers far more than a celebratory history. This volume of essays brings together studies on aspects of language, identity, and cultural transfer in the context of encounters between different European literary traditions, exploring modalities of reception, the mediation process, and the roles and motives of the actors involved, whether individuals, groups, institutions, or the print media. It thus offers new perspectives in the field of cultural history. Cultural circulation has long been regarded as a fruitful area of investigation, not least in assessing how cultural transfers have contributed to the construction of national identity and its depiction in the public sphere. In the Greek case, philhellenism, defined historically as either a political or a transcultural movement, together with its resilience over time, has been much discussed in conferences, workshops and research projects. These have typically addressed definitions and dynamics of philhellenism, from different perspectives, such as European perceptions of the modern Greeks, Greece’s relationship with Europe and with European cultural production, and the impact of all this on the formation of Greece’s national image. This volume approaches the subject from a different viewpoint: ‘the image(s) of Greece emerging through the pages of [the European] press’ (p.15). Whilst print media, and in particular periodicals with their potential to reach wider readerships, have emerged as effective cultural mediators and facilitators for the transmission of ideas to various social and national entities, the question of how the European press stood in relation to Greece has not been sufficiently addressed to date, and, as the editors point out, this collection of essays seeks to address this very issue.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47842107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Joseph A. Munitiz, S.J. (1931-2022)","authors":"","doi":"10.1017/byz.2022.35","DOIUrl":"https://doi.org/10.1017/byz.2022.35","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48167580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Buket Kitapçı Bayrı, Warriors, Martyrs, and Dervishes – moving frontiers, shifting identities in the land of Rome (13th-15th centuries). Leiden and Boston: Brill, 2020. Pp. xii, 259.","authors":"Myrto Veikou","doi":"10.1017/byz.2022.32","DOIUrl":"https://doi.org/10.1017/byz.2022.32","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42602880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Alexander Riehle (ed.), A Companion to Byzantine Epistolography (Brill's Companions to the Byzantine World 7). Leiden–Boston: Brill, 2020. Pp. xii, 531.","authors":"M. Lauxtermann","doi":"10.1017/byz.2022.36","DOIUrl":"https://doi.org/10.1017/byz.2022.36","url":null,"abstract":"","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43247314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Ottoman conquest of Constantinople not only destroyed the Byzantine Empire as a political entity but caused the collapse of patronage networks vital to all aspects of Byzantine cultural life, including literary production. After 1453 authors had to seek sources of support under new lords and divergent cultural imperatives: Ottoman Constantinople, Crete, and humanist Italy became major centres of Greek poetic production and intellectual life. Through the analysis of poems by George Amiroutzes, Michael Apostoles, Bessarion, Andronikos Kallistos, and others, this article examines how these authors adapted their compositions to new communities, substantially transforming their (literary) identity.
{"title":"Tuning the pen: poetry writing and patronage networks around the end of the Byzantine empire","authors":"Krystina Kubina","doi":"10.1017/byz.2022.28","DOIUrl":"https://doi.org/10.1017/byz.2022.28","url":null,"abstract":"The Ottoman conquest of Constantinople not only destroyed the Byzantine Empire as a political entity but caused the collapse of patronage networks vital to all aspects of Byzantine cultural life, including literary production. After 1453 authors had to seek sources of support under new lords and divergent cultural imperatives: Ottoman Constantinople, Crete, and humanist Italy became major centres of Greek poetic production and intellectual life. Through the analysis of poems by George Amiroutzes, Michael Apostoles, Bessarion, Andronikos Kallistos, and others, this article examines how these authors adapted their compositions to new communities, substantially transforming their (literary) identity.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42581410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper explores the extent to which the recent turbulent history of Cyprus is reflected in an emblematic building, the Ledra Palace Hotel. The hotel is situated on Nicosia's buffer zone, the Green Line that, since 1964, has divided the island into Greek Cypriot and Turkish sectors. Since its establishment in 1949 the Ledra Palace has been the background of the country's key historical events. In this paper, the Ledra Palace is analysed as an integral part of Cyprus’ cultural heritage which contributes to the understanding and negotiation of the island's difficult past.
{"title":"The Ledra Palace Hotel and the ‘difficult history’ of modern Cyprus","authors":"Antigone Heraclidou, Theopisti Stylianou-Lambert","doi":"10.1017/byz.2022.22","DOIUrl":"https://doi.org/10.1017/byz.2022.22","url":null,"abstract":"This paper explores the extent to which the recent turbulent history of Cyprus is reflected in an emblematic building, the Ledra Palace Hotel. The hotel is situated on Nicosia's buffer zone, the Green Line that, since 1964, has divided the island into Greek Cypriot and Turkish sectors. Since its establishment in 1949 the Ledra Palace has been the background of the country's key historical events. In this paper, the Ledra Palace is analysed as an integral part of Cyprus’ cultural heritage which contributes to the understanding and negotiation of the island's difficult past.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47086639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article traces Kazantzakis’ attitudes towards America in works from the pre- and post-war periods. In doing so, it reveals his growing interest in visiting the country or even settling there for an extended period. The pretexts for such a journey were diverse and variously described by the writer as a means to ‘renew his vision’, to find a secure place to work, and to launch endeavours intended to ‘save’ Greece from afar. Though Kazantzakis’ antipathy to ‘Americanization’ remained, he was more prepared over time to tolerate these defects, while becoming increasingly sensible to the pull of other demands and attractions.
{"title":"Kazantzakis and America","authors":"Dean Kostantaras","doi":"10.1017/byz.2022.27","DOIUrl":"https://doi.org/10.1017/byz.2022.27","url":null,"abstract":"This article traces Kazantzakis’ attitudes towards America in works from the pre- and post-war periods. In doing so, it reveals his growing interest in visiting the country or even settling there for an extended period. The pretexts for such a journey were diverse and variously described by the writer as a means to ‘renew his vision’, to find a secure place to work, and to launch endeavours intended to ‘save’ Greece from afar. Though Kazantzakis’ antipathy to ‘Americanization’ remained, he was more prepared over time to tolerate these defects, while becoming increasingly sensible to the pull of other demands and attractions.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41676020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this article is to present the sources available to the ordinary Turkish citizen for forming an opinion about Byzantium. These sources range from the written (school curricula to newspapers) to the visual (cinema to television), and I categorize them on the basis of a set of criteria such as accessibility, control over the audience, and intellectual depth. I aim to show how non-state actors have been laying the groundwork for a more informed perception of Byzantium. Movies, theatrical productions, and cartoons in humorous magazines satirizing the essentializing view of the Byzantine past through parody, are shown to play a deconstructive role in this process.
{"title":"The popular perception of Byzantium in contemporary Turkish culture","authors":"K. Durak","doi":"10.1017/byz.2022.31","DOIUrl":"https://doi.org/10.1017/byz.2022.31","url":null,"abstract":"The aim of this article is to present the sources available to the ordinary Turkish citizen for forming an opinion about Byzantium. These sources range from the written (school curricula to newspapers) to the visual (cinema to television), and I categorize them on the basis of a set of criteria such as accessibility, control over the audience, and intellectual depth. I aim to show how non-state actors have been laying the groundwork for a more informed perception of Byzantium. Movies, theatrical productions, and cartoons in humorous magazines satirizing the essentializing view of the Byzantine past through parody, are shown to play a deconstructive role in this process.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41389580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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