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Rock-cut façades: conveyors of ‘false’ monumentality in Byzantine Cappadocia 岩石切割的外墙:拜占庭卡帕多西亚“虚假”纪念碑的传送带
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-07-04 DOI: 10.1017/byz.2022.8
Fatma Gül Öztürk Büke
The monumental rock-cut façades of the tenth to eleventh century-mansions – so-called courtyard complexes – in Cappadocia, central Turkey, are rare examples of secular Byzantine architecture. While these symmetrically designed façades adorned with superimposed arches differ from the simpler ones (both carved and built) in the region, they bear striking similarities to others from the broader Mediterranean basin. This article offers new insights into the discussion on the uniqueness of the rock-cut façades of courtyard complexes and reconsiders the raison d’être of this ‘false’ monumentality in the rural setting of Byzantine Cappadocia.
土耳其中部卡帕多西亚10至11世纪豪宅(即所谓的庭院建筑群)的巨大岩石切割外墙是拜占庭世俗建筑的罕见例子。虽然这些对称设计的立面装饰着叠加的拱门,与该地区更简单的立面(雕刻和建造)不同,但它们与更广阔的地中海盆地的其他立面有着惊人的相似之处。本文为讨论庭院建筑群岩石切割外墙的独特性提供了新的见解,并重新思考了拜占庭卡帕多西亚乡村环境中这种“虚假”纪念碑的存在理由。
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引用次数: 0
Editorial Comment 社论评论
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-06-13 DOI: 10.1017/s0307013100001178
Michael E Rezaee, Vernon M Pais
The debate around the post-modernist movement in contemporary art and literature has provided material for a great deal of critical discussion and cultural self-examination and, with some exceptions, the debate has been confined to predominantly 'western' cultures. In this issue, Greg Jusdanis looks at some of the taken-for-granteds of this debate, more particularly the implication of the concept the 'West', for Greek literary selfawareness. The discussion is relevant to medievalists, too, of course, for it touches indirectly upon another debate of a more historiographical nature, namely, the problems of ethnocentrism in history-writing which have been evident throughout the evolution of modern Byzantine Studies. Notions of what counts as 'Greek', as 'western', or what counts as evidence of 'Slav' influence, and so on, have played a significant role; and while the assumptions upon which much of the debate was originally founded are now for the most part regarded as either outmoded or irrelevant, it is important to observe how these valences work themselves out through a different set of contemporary discourses.
围绕当代艺术和文学中的后现代主义运动的辩论为大量批判性讨论和文化自省提供了材料,除了一些例外,辩论一直局限于主要的“西方”文化。在本期中,Greg Jusdanis着眼于这场争论中一些理所当然的东西,尤其是“西方”这个概念对希腊文学自我意识的含义。当然,这一讨论也与中世纪主义者有关,因为它间接触及了另一场更具史学性质的辩论,即历史写作中的种族中心主义问题,这一问题在现代拜占庭研究的发展过程中一直很明显。什么是“希腊”,什么是“西方”,什么是“斯拉夫”影响的证据,等等,这些概念都发挥了重要作用;虽然许多争论最初所依据的假设现在大多被认为是过时或无关紧要的,但重要的是要观察这些价值是如何通过一组不同的当代话语来发挥作用的。
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引用次数: 0
Editorial Comment 社论评论
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1017/s0307013100002007
Damara Kaplan
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引用次数: 0
Editorial Comment 编辑评论
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1017/s0307013100007667
Hadley Wood
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引用次数: 0
BYZ volume 46 issue 1 Cover and Back matter BYZ第46卷第1期封面和封底
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1017/byz.2022.6
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引用次数: 0
BYZ volume 46 issue 1 Cover and Front matter BYZ第46卷第1期封面和封面问题
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1017/byz.2022.5
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引用次数: 0
Scotland's ‘Vagabonding Greekes’, 1453–1688 苏格兰的“流浪贪婪”,1453-1688
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-03-31 DOI: 10.1017/byz.2022.1
A. Grant
This article assembles the evidence for the presence of Greek refugees in early modern Scotland. These refugees came in two distinct waves: one in the aftermath of the fall of Constantinople in 1453, and another in the seventeenth century. In both periods, inter-regional religious networks brought Greeks to Scotland: in the first phase, these were structured around the church institutions of the Latin West; in the second, they followed ecumenical interest in Protestant Northern Europe. The wanderers were mostly clergymen. This movement of refugees, alongside the capture of Scots by North African corsairs, linked Scotland with the distant Ottoman world.
这篇文章汇集了希腊难民在近代早期苏格兰存在的证据。这些难民分两波涌入:一波是1453年君士坦丁堡沦陷之后,另一波是在17世纪。在这两个时期,区域间的宗教网络将希腊人带到了苏格兰:第一阶段,希腊人以拉丁西部的教会机构为中心;第二次,他们追随北欧新教的普世利益。这些流浪者大多是神职人员。难民的迁徙,加上北非海盗对苏格兰人的掠夺,将苏格兰与遥远的奥斯曼世界联系了起来。
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引用次数: 0
Essence and accident: Byzantine portraiture and Aristotelian philosophy 本质与偶然:拜占庭肖像画与亚里士多德哲学
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-03-30 DOI: 10.1017/byz.2021.28
H. Maguire
The presentation of portraits of emperors and saints in Byzantine art can be compared to theories of physiognomy and logic put forward by Aristotle and his Byzantine followers. Similar observations have been made about the portal sculptures of High Gothic cathedrals, but although the ordering of images in the two cases reflected similar patterns of thought, the particular forms of the portraits differed in each milieu, responding to a different relationship between images and the faithful in each society.
拜占庭艺术中皇帝和圣人肖像的呈现可以与亚里士多德及其拜占庭追随者提出的面相学和逻辑学理论相比较。关于高哥特式大教堂的入口雕塑也有类似的观察,但是尽管这两个案例中的图像顺序反映了相似的思维模式,但每个环境中肖像的特定形式不同,回应了每个社会中图像与信徒之间的不同关系。
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引用次数: 1
Middle and Late Byzantine sigillographic evidence from western Anatolia: eighth- to early twelfth-century lead seals from Bergama (ancient Pergamon) 来自安纳托利亚西部的拜占庭中晚期象形文字证据:八世纪至十二世纪初贝加马(古代佩加蒙)的铅印
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-12-17 DOI: 10.1017/byz.2021.29
E. Laflı, W. Seibt, Doğukan Çağlayan
This article presents 19 lead seals from the Museum of Bergama (ancient Pergamon), dating from the early eighth to the early twelfth century. We offer a descriptive catalogue of these Middle and Late Byzantine seals preserved in a western Turkish museum. The owners of these seals were primarily ecclesiastical, legal or military dignitaries who were probably active in Pergamon, in southwestern Mysia, Aeolis or Lydia. The catalogue is followed by an appendix on a Byzantine magical amulet.
本文展示了贝加玛博物馆(古代佩加蒙)的19枚铅印,可追溯到八世纪初至十二世纪初。我们提供了保存在土耳其西部博物馆的这些拜占庭中晚期印章的描述性目录。这些印章的所有者主要是教会、法律或军事要员,他们可能活跃在迈西亚西南部的佩加蒙、埃奥利斯或利迪亚。目录后面是拜占庭魔法护身符的附录。
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引用次数: 0
The voices of the tale: the storyteller in early Byzantine collective biographies, miracle collections, and collections of edifying tales 故事的声音:早期拜占庭集体传记中的故事讲述者,奇迹集,和启发性故事集
IF 0.1 4区 社会学 Q1 Arts and Humanities Pub Date : 2021-12-16 DOI: 10.1017/byz.2021.31
Stavroula Constantinou, Andria Andreou
This article is a first attempt to approach the figure of the storyteller in three types of early Byzantine tale collections (fourth–seventh centuries): collective biography, miracle collection, and collection of edifying tales. Our approach draws significantly on Walter Benjamin's discussion of the storyteller and Monica Fludernik's work on conversational storytelling. Our analysis has a twofold purpose: first, to revise the impression that the storyteller is a canonical force that possesses the same characteristics in every single tale; second, to suggest that the storyteller is an inherent feature of short hagiographical narratives.
本文首次尝试探讨拜占庭早期三类故事集(四七世纪)中的故事讲述者形象:集体传记、奇迹集和启发性故事集。我们的方法主要借鉴了Walter Benjamin对讲故事者的讨论和Monica Fludernik关于对话式讲故事的工作。我们的分析有两个目的:首先,修正故事讲述者是一股典型力量的印象,这种力量在每个故事中都具有相同的特征;第二,提出说书者是短篇圣徒叙事的内在特征。
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引用次数: 0
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BYZANTINE AND MODERN GREEK STUDIES
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