In memory studies, the importance of textualization and visualization (cultural mediation) of the socially shared memories of the past is particularly emphasized. However, while the accent is on the issues of the reasons for some representations to become dominant in relation to others, why the preferred images of the past change over time, as well as of the circumstances and actors that facilitate these changes in the choice and representation of the “desirable” past, less attention is paid to the change in the dominant media through which these images are transferred. This paper examines the reasons behind certain socio-political circumstances and historical periods that render particularly relevant some artistic forms in collective representations of the shared past. Can the artistic forms themselves, as the media of transfer of the messages from the past, testify of the socio-historical function of collective memory, as well as of the society that “addresses” its past in this manner? Aiming for the affirmative answer to this question, the text discusses the favoured artistic expressions of the memory of the World War II in three chronological segments in the socialist Yugoslavia and after its collapse, when the memory is 1) marked and institutionalized as the narrative of the partisans’ struggle and victory; 2) disputed and reshaped as the “dissident” narrative; and 3) taken over from the former official memory and transformed into a form of social-cultural critique.
{"title":"Memorialization of the Past through Artistic Forms: Rememberance of the Partisan Movement during and after Yugoslavia","authors":"J. Vasiljević","doi":"10.21301/eap.v16i3.11","DOIUrl":"https://doi.org/10.21301/eap.v16i3.11","url":null,"abstract":"In memory studies, the importance of textualization and visualization (cultural mediation) of the socially shared memories of the past is particularly emphasized. However, while the accent is on the issues of the reasons for some representations to become dominant in relation to others, why the preferred images of the past change over time, as well as of the circumstances and actors that facilitate these changes in the choice and representation of the “desirable” past, less attention is paid to the change in the dominant media through which these images are transferred. This paper examines the reasons behind certain socio-political circumstances and historical periods that render particularly relevant some artistic forms in collective representations of the shared past. Can the artistic forms themselves, as the media of transfer of the messages from the past, testify of the socio-historical function of collective memory, as well as of the society that “addresses” its past in this manner? Aiming for the affirmative answer to this question, the text discusses the favoured artistic expressions of the memory of the World War II in three chronological segments in the socialist Yugoslavia and after its collapse, when the memory is 1) marked and institutionalized as the narrative of the partisans’ struggle and victory; 2) disputed and reshaped as the “dissident” narrative; and 3) taken over from the former official memory and transformed into a form of social-cultural critique.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77634266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Anthropocene emerges as an aftermath of the long-held, pervasive belief in human exceptionalism, and a wake-up call to reconsider our being in the world as entangled with a plethora of other living selves. Along with ecological and social challenges facing all life on Earth, the very boundaries between Nature and Culture, biological and social, human and nonhuman are being destabilized. From an archaeological perspective, particularly relevant is the understanding of diachronic change through shifting webs of interspecies relations (sensu Tsing). By engaging with various strands of thought within archaeology, anthropology, ecology and ethology, this paper aims to offer a more inclusive, multispecies view of the past. Ultimately, a consideration of human and nonhuman histories as entangled, bears important implications for multispecies futures.
{"title":"Multispecies Pasts and the Possibilities of Multispecies Futures in the Age of the Anthropocene","authors":"Ivana Živaljević","doi":"10.21301/eap.v16i3.2","DOIUrl":"https://doi.org/10.21301/eap.v16i3.2","url":null,"abstract":"The Anthropocene emerges as an aftermath of the long-held, pervasive belief in human exceptionalism, and a wake-up call to reconsider our being in the world as entangled with a plethora of other living selves. Along with ecological and social challenges facing all life on Earth, the very boundaries between Nature and Culture, biological and social, human and nonhuman are being destabilized. From an archaeological perspective, particularly relevant is the understanding of diachronic change through shifting webs of interspecies relations (sensu Tsing). By engaging with various strands of thought within archaeology, anthropology, ecology and ethology, this paper aims to offer a more inclusive, multispecies view of the past. Ultimately, a consideration of human and nonhuman histories as entangled, bears important implications for multispecies futures.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77400546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
An anthropoid wooden coffin with human mummy was purchased in Luxor in February 1888 by the Serbian mécène and world traveler Pavle Riđički (1805‒1893). Due to historical, political and cultural circumstances the first studies of the mummy did not start until May 1993. The ancient ‘patient’ ‒ Nesmin, stolist-priest of Akhmim, son of Djedhor (son of Wennefer, son of Djedhor) born to Chay-Hathor-Imw/Tjay-Hathor-imw ‒ who became known as the Belgrade mummy ‒ underwent a CT scan at the University of Belgrade, Faculty of Dental Medicine, Diagnostic Radiology Center. The present paper provides the first complete analysis of the CT scan. At the time of death (350‒325 B.C.) Belgrade Nesmin was between 35 and 40 years old. A proper bioanthropological study is presented. The mummification features are discussed. The distribution of funerary amulets on the mummy has been established. The mummy’s cultural biography is specified. A museum superstition phenomenon is noted.
{"title":"CT Scan of Nesmin from Akhmim: New Data on the Belgrade Mummy","authors":"B. Anđelković, J. Elias","doi":"10.21301/eap.v16i3.7","DOIUrl":"https://doi.org/10.21301/eap.v16i3.7","url":null,"abstract":"An anthropoid wooden coffin with human mummy was purchased in Luxor in February 1888 by the Serbian mécène and world traveler Pavle Riđički (1805‒1893). Due to historical, political and cultural circumstances the first studies of the mummy did not start until May 1993. The ancient ‘patient’ ‒ Nesmin, stolist-priest of Akhmim, son of Djedhor (son of Wennefer, son of Djedhor) born to Chay-Hathor-Imw/Tjay-Hathor-imw ‒ who became known as the Belgrade mummy ‒ underwent a CT scan at the University of Belgrade, Faculty of Dental Medicine, Diagnostic Radiology Center. The present paper provides the first complete analysis of the CT scan. At the time of death (350‒325 B.C.) Belgrade Nesmin was between 35 and 40 years old. A proper bioanthropological study is presented. The mummification features are discussed. The distribution of funerary amulets on the mummy has been established. The mummy’s cultural biography is specified. A museum superstition phenomenon is noted.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83015197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper reviews long-standing interpretation of the late Iron Age site of Židovar as “Celtic”, “Dacian” and “Celto-Dacian”. Arguing that this standpoint is derived from biased culture-historical ethno-determinism, the evidence is reconsidered from excavation journals of Branko Gavela and published research on Židovar. Evidential basis is discussed, such as sratigraphic difficulties and chronology, as well as some common misconceptions of the site’s characteristics. Deadlocks are emphasized regarding the conclusions on its ethnic belonging. The paper calls for a new approach that goes beyond ethno-cultural determinism and urges the employment of “relational locality”. This perspective considers the site and its immediate surroundings as the first order community, i.e. the spatio-social focal point entangled in diverse, multidirectional and supra-regional relational networks. This would mean that the community of Židovar actively mediated different templates coming from the “globalized” koines of La Tène Pannonian, Danubian-Carpathian and Roman worlds, and bricolaged them in distinctive local ways.
本文回顾了长期以来对晚期铁器时代遗址Židovar的“凯尔特”、“达契亚”和“Celto-Dacian”的解释。认为这一观点是来自有偏见的文化历史种族决定论，证据是重新考虑Branko Gavela的挖掘期刊和Židovar上发表的研究。讨论了证据基础，如地理上的困难和年代学，以及对遗址特征的一些常见误解。关于其民族归属的结论强调了僵局。本文呼吁一种超越民族文化决定论的新方法，并敦促使用“关系局部性”。这一视角将场地及其周边环境视为一级社区，即空间社会焦点，纠缠在多样的、多向的、超区域的关系网络中。这将意味着Židovar社区积极地调解来自La t - Pannonian，多瑙河-喀尔巴阡河和罗马世界的“全球化”共同的不同模板，并以独特的当地方式将它们拼凑在一起。
{"title":"Neither “Celtic” nor “Dacian”: The Site of Židovar at the Edges of La Tène, Carpathian and Roman Worlds","authors":"Vladimir D. Mihajlović, Marko A. Janković","doi":"10.21301/eap.v16i3.8","DOIUrl":"https://doi.org/10.21301/eap.v16i3.8","url":null,"abstract":"The paper reviews long-standing interpretation of the late Iron Age site of Židovar as “Celtic”, “Dacian” and “Celto-Dacian”. Arguing that this standpoint is derived from biased culture-historical ethno-determinism, the evidence is reconsidered from excavation journals of Branko Gavela and published research on Židovar. Evidential basis is discussed, such as sratigraphic difficulties and chronology, as well as some common misconceptions of the site’s characteristics. Deadlocks are emphasized regarding the conclusions on its ethnic belonging. The paper calls for a new approach that goes beyond ethno-cultural determinism and urges the employment of “relational locality”. This perspective considers the site and its immediate surroundings as the first order community, i.e. the spatio-social focal point entangled in diverse, multidirectional and supra-regional relational networks. This would mean that the community of Židovar actively mediated different templates coming from the “globalized” koines of La Tène Pannonian, Danubian-Carpathian and Roman worlds, and bricolaged them in distinctive local ways.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91363173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the wider professional community gathered around the notion of archaeological heritage, there is an undisputed consensus that the material traces have to be preserved for research, education and presentation, for the present and future generations. However, the climate change, pollution, intensive urbanization and other perils present a significant source of risk for archaeological remains in their original settings. Additionally, archaeological evidence may be present in the form of skeletal remains, cave drawings, landscapes or negatives of missing objects or materials. Underwater finds, stone monuments, archaeobotanical traces, fortifications, or wooden sanctuaries may all also constitute archaeological remains. In order to be preserved today, each of these examples requires various conditions, processing of material traces and preservation after excavation. Finally, all these artefacts and ecofacts gain different places in the contemporary context. Bearing in mind the variety of situations and forms in which archaeological finds and material remains may occur, it is necessary to reconsider the scope of the content embraced by the term of archaeological heritage and material traces of the past, under the conditions of rapid and intensive changes. Here the theoretical standpoint is applied derived from Bruno Latour, about the role of various actants, live and non-live participants in social processes. In this sense, objects – artefacts and ecofacts, are parts of diverse processes of negotiation and reshaping of their environment. They can equally influence, entice, stop or change processes. In order to contribute to solving this dilemma, the text discusses the notion of archaeological materialities at the intersection of conservation and archaeological perspectives. It is argued that, when facing the current problems, especially in regard to in situ preservation, the answers and inspiration should be sought for in the wider conceptualization of materiality, as the guide and source of specific knowledges, leading to new theoretical insights.
{"title":"Perspective of Materiality in Archaeological Heritage","authors":"Natalija Ćosić","doi":"10.21301/eap.v16i3.1","DOIUrl":"https://doi.org/10.21301/eap.v16i3.1","url":null,"abstract":"In the wider professional community gathered around the notion of archaeological heritage, there is an undisputed consensus that the material traces have to be preserved for research, education and presentation, for the present and future generations. However, the climate change, pollution, intensive urbanization and other perils present a significant source of risk for archaeological remains in their original settings. Additionally, archaeological evidence may be present in the form of skeletal remains, cave drawings, landscapes or negatives of missing objects or materials. Underwater finds, stone monuments, archaeobotanical traces, fortifications, or wooden sanctuaries may all also constitute archaeological remains. In order to be preserved today, each of these examples requires various conditions, processing of material traces and preservation after excavation. Finally, all these artefacts and ecofacts gain different places in the contemporary context. \u0000Bearing in mind the variety of situations and forms in which archaeological finds and material remains may occur, it is necessary to reconsider the scope of the content embraced by the term of archaeological heritage and material traces of the past, under the conditions of rapid and intensive changes. Here the theoretical standpoint is applied derived from Bruno Latour, about the role of various actants, live and non-live participants in social processes. In this sense, objects – artefacts and ecofacts, are parts of diverse processes of negotiation and reshaping of their environment. They can equally influence, entice, stop or change processes. \u0000In order to contribute to solving this dilemma, the text discusses the notion of archaeological materialities at the intersection of conservation and archaeological perspectives. It is argued that, when facing the current problems, especially in regard to in situ preservation, the answers and inspiration should be sought for in the wider conceptualization of materiality, as the guide and source of specific knowledges, leading to new theoretical insights.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86119113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Numerous researchers into the history and prehistory of the Balkans – Niko Županić, Vladimir Dvorniković, Veselin Čajkanović, Miloje Vasić, Milan Budimir, Miloš Đurić, Vojin Matić, Milutin Garašanin, Dragoslav Srejović – have considered this region as the area in which cultural, linguistic, or material forms never really die out, although they constantly change. In the writings of these authors, an invisible (sometimes historical) thread is established between the past and the present of the Balkans, along which the previously forgotten forms can always come back, and the long suppressed cultural forms can resurface. A distinctive trope is thus constructed, according to which the past of the Balkans is seen as a dark repository of cultural, religious, or psychological contents, emerging again at the times of social crisis – the trope of the return of the supressed. The author here argues that this trope is in its essence psychoanalytical: it belongs to a thought system, a hermeneutics originating in the 1930s, parallel to the (palaeo)balcanological research, among the abovementioned authors. Some authors speak in explicitly psychoanalytical terms, and the text focuses on the three of them: Vojin Matić, Vladimir Dvorniković and Dragoslav Srejović. Vojin Matić was active over a long period from the 1930s to 1990s, and his work establishes a chronological structure of the psychoanalytical influences in the Serbian humanities. His palaeopsychology gave an explicitly psychoanalytical turn to the (palaeo)balkanological thought, in the search for the continuity of the psychological mechanisms towards which a subject can always regress. Karakterologija Jugoslovena by Vladimir Dvorniković marked the (palaeo)balkanological research before the WWII. Conceiving it as an explicitly psychoanalytical study, Dvorniković developed a classical “psychoanalytical vertical” – bottom/down/dark/subconscious, opposed to surface/up/light/conscious, along which the supressed “autochthonous” cultural layers surface. The interest of Dragoslav Srejović for human “behind” the archaeological material naturally led him towards psychoanalysis (or was induced by it). The explicitly psychoanalytical phase of his work is notable (late 1950s and early 1960s), to become a constant tendency of his later theoretical approach. Srejović added to the vertical constructed by Dvorniković the opposition of archaeological/historical time. It is argued here that with all the authors mentioned the psychoanalytical trope of the return of the suppressed is indubitable: the past of the Balkans is described as its dark subconscious, not recognizing time, and therefore able to emerge again into the conscious, the light, the surface.
许多研究巴尔干半岛历史和史前史的研究者——Niko Županić， Vladimir dvornikoviki, Veselin Čajkanović， Miloje vasicic, Milan Budimir, milosi Đurić， Vojin matiki, Milutin Garašanin, Dragoslav srejoviki——认为这个地区的文化、语言或物质形式从未真正消亡，尽管它们在不断变化。在这些作者的作品中，在巴尔干半岛的过去和现在之间建立了一条看不见的(有时是历史的)线索，沿着这条线索，以前被遗忘的形式总是可以回来，长期被压抑的文化形式可以重新出现。因此，一个独特的比喻被构建起来，根据这个比喻，巴尔干半岛的过去被视为文化、宗教或心理内容的黑暗储存库，在社会危机时期再次出现——被压迫者回归的比喻。作者在这里认为，这种比喻本质上是精神分析的:它属于一种思想体系，一种起源于20世纪30年代的解释学，与上述作者的(古)balcanological研究平行。一些作者用明确的精神分析术语说话，本文主要关注他们三人:Vojin matiki, Vladimir dvornikoviki和Dragoslav srejoviki。Vojin matiki在20世纪30年代到90年代的很长一段时间里都很活跃，他的作品建立了塞尔维亚人文学科中精神分析影响的时间结构。他的古心理学给了一个明确的精神分析转向(古)巴尔干思想，在寻找心理机制的连续性，一个主体总是可以回归。Vladimir dvornikovic的Karakterologija Jugoslovena标志着二战前的(古)巴尔干学研究。dvornikoviki将其视为一种明确的精神分析研究，他发展了一种经典的“精神分析纵向”——底部/向下/黑暗/潜意识，与表面/向上/光明/意识相对，被压抑的“本土”文化层面由此浮出水面。Dragoslav srevivic对考古材料“背后”人类的兴趣自然地将他引向了精神分析(或受其诱导)。他的工作中明确的精神分析阶段是值得注意的(20世纪50年代末和60年代初)，成为他后来的理论方法的持续趋势。斯雷维茨在德沃尼科维奇建造的垂直建筑上加入了考古/历史时间的对立。这里的论点是，所有作者提到的被压抑者回归的精神分析比喻是毋庸置疑的:巴尔干半岛的过去被描述为黑暗的潜意识，不认识时间，因此能够再次出现在意识、光和表面上。
{"title":"The Return of the Suppressed and (Palaeo)Balkanology: Vojin Matić, Vladimir Dvorniković i Dragoslav Srejović","authors":"Marko Teodorski","doi":"10.21301/eap.v16i3.10","DOIUrl":"https://doi.org/10.21301/eap.v16i3.10","url":null,"abstract":"Numerous researchers into the history and prehistory of the Balkans – Niko Županić, Vladimir Dvorniković, Veselin Čajkanović, Miloje Vasić, Milan Budimir, Miloš Đurić, Vojin Matić, Milutin Garašanin, Dragoslav Srejović – have considered this region as the area in which cultural, linguistic, or material forms never really die out, although they constantly change. In the writings of these authors, an invisible (sometimes historical) thread is established between the past and the present of the Balkans, along which the previously forgotten forms can always come back, and the long suppressed cultural forms can resurface. A distinctive trope is thus constructed, according to which the past of the Balkans is seen as a dark repository of cultural, religious, or psychological contents, emerging again at the times of social crisis – the trope of the return of the supressed. The author here argues that this trope is in its essence psychoanalytical: it belongs to a thought system, a hermeneutics originating in the 1930s, parallel to the (palaeo)balcanological research, among the abovementioned authors. Some authors speak in explicitly psychoanalytical terms, and the text focuses on the three of them: Vojin Matić, Vladimir Dvorniković and Dragoslav Srejović. Vojin Matić was active over a long period from the 1930s to 1990s, and his work establishes a chronological structure of the psychoanalytical influences in the Serbian humanities. His palaeopsychology gave an explicitly psychoanalytical turn to the (palaeo)balkanological thought, in the search for the continuity of the psychological mechanisms towards which a subject can always regress. Karakterologija Jugoslovena by Vladimir Dvorniković marked the (palaeo)balkanological research before the WWII. Conceiving it as an explicitly psychoanalytical study, Dvorniković developed a classical “psychoanalytical vertical” – bottom/down/dark/subconscious, opposed to surface/up/light/conscious, along which the supressed “autochthonous” cultural layers surface. The interest of Dragoslav Srejović for human “behind” the archaeological material naturally led him towards psychoanalysis (or was induced by it). The explicitly psychoanalytical phase of his work is notable (late 1950s and early 1960s), to become a constant tendency of his later theoretical approach. Srejović added to the vertical constructed by Dvorniković the opposition of archaeological/historical time. It is argued here that with all the authors mentioned the psychoanalytical trope of the return of the suppressed is indubitable: the past of the Balkans is described as its dark subconscious, not recognizing time, and therefore able to emerge again into the conscious, the light, the surface.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82979226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
As part of the author's cumulative research on the types of explanation, the structure of explanation and the explanatory capacity of key concepts in sociocultural anthropology, this paper looks at the concept of embodiment. The relevance of reappraising the explanatory power of this concept is manifold, above all on the interpretive, conceptual and paradigmatic level. Research suggests that the concept of embodiment – although very popular, commonly used in very influential scholarly monographs and academic papers, and even proposed as the cornerstone of a "new paradigm for anthropology" – has a very limited explanatory capacity. It seems that its use in no way contributes to anthropological argumentation on the level of explanation – neither cumulatively nor in terms of recontextualisation. Namely, it turns out that by deleting the word "embodiment" from the analyzed arguments nothing would be lost, and that the anthropological explanatory apparatus developed within the anthropology of the body, the anthropology of gender and the anthropology of kinship – whose use precedes contemporary popular uses of the concept of embodiment – does not have a smaller scope in terms of explanatory power.
{"title":"The Explanatory Power of the Concept of Embodiment in Anthropology","authors":"Nina Kulenović","doi":"10.21301/eap.v16i2.1","DOIUrl":"https://doi.org/10.21301/eap.v16i2.1","url":null,"abstract":"As part of the author's cumulative research on the types of explanation, the structure of explanation and the explanatory capacity of key concepts in sociocultural anthropology, this paper looks at the concept of embodiment. The relevance of reappraising the explanatory power of this concept is manifold, above all on the interpretive, conceptual and paradigmatic level. Research suggests that the concept of embodiment – although very popular, commonly used in very influential scholarly monographs and academic papers, and even proposed as the cornerstone of a \"new paradigm for anthropology\" – has a very limited explanatory capacity. It seems that its use in no way contributes to anthropological argumentation on the level of explanation – neither cumulatively nor in terms of recontextualisation. Namely, it turns out that by deleting the word \"embodiment\" from the analyzed arguments nothing would be lost, and that the anthropological explanatory apparatus developed within the anthropology of the body, the anthropology of gender and the anthropology of kinship – whose use precedes contemporary popular uses of the concept of embodiment – does not have a smaller scope in terms of explanatory power.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86302208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 1980 Tito's health deteriorated. The citizens of Yugoslavia followed the news about the course of his illness with apprehension and anticipation. From January to May 1980, citizens sent more than four hundred thousand messages wishing Tito a speedy recovery. Among the most numerous were children. Starting from the assumption of the closeness between political socialization, folklore and political culture in Yugoslav society, in this paper I analyze some of the basic motives present in the messages that children sent to Tito. Insight into the messages that the editors of the publication "Tito. Messages, wishes - the children of Yugoslavia" call a "vow", and in the sense of the promise that children will preserve the achievements of Yugoslav socialism, it enables the reconstruction of Yugoslav political myths and Tito's representation within children's political culture. The reconstruction of the narrative enables the recognition of the following motives: Tito as a hero and a fighter against all evil; 2. Tito as a solar deity; 3. Tito as an (imaginary) friend and protector of all the children of the world. For the purposes of this paper, wishes for a speedy recovery are understood as a folklore genre, and some of the specifics of Yugoslav children's political folklore.
{"title":"Tito and Children in Political Folklore 1980: Wishes for Tito's Speedy Recovery","authors":"Sanja Lazarević Radak","doi":"10.21301/eap.v16i2.8","DOIUrl":"https://doi.org/10.21301/eap.v16i2.8","url":null,"abstract":"In 1980 Tito's health deteriorated. The citizens of Yugoslavia followed the news about the course of his illness with apprehension and anticipation. From January to May 1980, citizens sent more than four hundred thousand messages wishing Tito a speedy recovery. Among the most numerous were children. Starting from the assumption of the closeness between political socialization, folklore and political culture in Yugoslav society, in this paper I analyze some of the basic motives present in the messages that children sent to Tito. Insight into the messages that the editors of the publication \"Tito. Messages, wishes - the children of Yugoslavia\" call a \"vow\", and in the sense of the promise that children will preserve the achievements of Yugoslav socialism, it enables the reconstruction of Yugoslav political myths and Tito's representation within children's political culture. The reconstruction of the narrative enables the recognition of the following motives: Tito as a hero and a fighter against all evil; 2. Tito as a solar deity; 3. Tito as an (imaginary) friend and protector of all the children of the world. For the purposes of this paper, wishes for a speedy recovery are understood as a folklore genre, and some of the specifics of Yugoslav children's political folklore.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72478727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper deals with the ways in which it is possible to conceptualize and map forms of soundscape in the epoch of the Anthropocene. After humans became a geological force, which is a role that used to be reserved for the planet itself, one can pose the question of how to understand this new condition through sound, as well as of the ways in which (re)production of the Anthropocene is heard and performed through sound. With the usage of the terms world, globe, Earth and the planet, a certain understanding of the human environment, current state of affairs, but also of the past and the future is projected. To these terms I connect different ways of production and reception of sound (bio-melo-technology, bio-aural-technology, zoe-aural-technology), and describe their mutual relations through the concepts of biosound, zoesound, necrosound, geosound, and petrosound. I produce this typology on the basis of ontosonographic methodology, and apply it to particular case studies such as popular music (k.d. lang, Lesbian on Ecstasy, My Bloody Valentine, black metal, noise), sounds insects make, and the noise produced by urban traffic. With the help of ontosonographic methodology I map forms of being and becoming through sound and as sound, which makes ontosonography a key concept for understanding the soundscape forms of the Anthropocene. Of decisive importance for understanding the Anthrpocene soundscape is the relation between biosound and geosound, which is produced through petrocultures understood as a multiplicity of practices of extraction and exploitation of fossil fuels. The dominant form of soundscape in the epoch of the Anthropocene is the petrosound. Also, a new way for understanding fossil fuels appears as a possibility, a way that is grounded in a non-binary way of thinking beyond the difference between Life and Non-Life. It remains as a task for further research whether to approach this petrocultural non-binarity through radical or absolute immanence or, perhaps, some other set of concepts more appropriate for the Anthropocene.
本文讨论了在人类世时期对声景观形式进行概念化和绘制的方法。在人类成为一种地质力量之后，这是一个曾经为地球本身保留的角色，人们可以提出如何通过声音来理解这种新情况的问题，以及通过声音来听到和执行人类世(再)生产的方式。随着世界、全球、地球和行星等术语的使用，对人类环境、现状、过去和未来都有一定的了解。对于这些术语，我将不同的声音生产和接收方式(生物-melo-technology，生物-aural-technology，动物-aural-technology)联系起来，并通过生物声、动物声、尸声、地声和岩石声的概念描述它们之间的相互关系。我在本体声学方法的基础上产生了这种类型，并将其应用于特定的案例研究，如流行音乐(k.d. lang, Lesbian on Ecstasy, My Bloody Valentine，黑色金属，噪音)，昆虫发出的声音，以及城市交通产生的噪音。借助本体超声方法，我通过声音和作为声音绘制了存在和生成的形式，这使得本体超声成为理解人类世声景形式的关键概念。生物声和地声之间的关系对于理解人类世的声景具有决定性的重要性，它们是通过岩石文化产生的，被理解为多种提取和开采化石燃料的实践。人类世时期声景的主要形式是岩石声。此外，一种理解化石燃料的新方法似乎成为了一种可能性，这种方法基于一种超越生命与非生命之间差异的非二元思维方式。是否通过激进的或绝对的内在性来接近这种岩石文化的非二元性，或者，也许，其他一些更适合人类世的概念，这仍然是一个进一步研究的任务。
{"title":"Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch","authors":"A. Filipović","doi":"10.21301/eap.v16i2.12","DOIUrl":"https://doi.org/10.21301/eap.v16i2.12","url":null,"abstract":"This paper deals with the ways in which it is possible to conceptualize and map forms of soundscape in the epoch of the Anthropocene. After humans became a geological force, which is a role that used to be reserved for the planet itself, one can pose the question of how to understand this new condition through sound, as well as of the ways in which (re)production of the Anthropocene is heard and performed through sound. With the usage of the terms world, globe, Earth and the planet, a certain understanding of the human environment, current state of affairs, but also of the past and the future is projected. To these terms I connect different ways of production and reception of sound (bio-melo-technology, bio-aural-technology, zoe-aural-technology), and describe their mutual relations through the concepts of biosound, zoesound, necrosound, geosound, and petrosound. I produce this typology on the basis of ontosonographic methodology, and apply it to particular case studies such as popular music (k.d. lang, Lesbian on Ecstasy, My Bloody Valentine, black metal, noise), sounds insects make, and the noise produced by urban traffic. With the help of ontosonographic methodology I map forms of being and becoming through sound and as sound, which makes ontosonography a key concept for understanding the soundscape forms of the Anthropocene. Of decisive importance for understanding the Anthrpocene soundscape is the relation between biosound and geosound, which is produced through petrocultures understood as a multiplicity of practices of extraction and exploitation of fossil fuels. The dominant form of soundscape in the epoch of the Anthropocene is the petrosound. Also, a new way for understanding fossil fuels appears as a possibility, a way that is grounded in a non-binary way of thinking beyond the difference between Life and Non-Life. It remains as a task for further research whether to approach this petrocultural non-binarity through radical or absolute immanence or, perhaps, some other set of concepts more appropriate for the Anthropocene.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88039850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The fear of death and the myth of immortality are themes long present in various narratives, whether literary or visual. Science fiction as a genre offers us many venues for new explorations of this idea. Mind uploading is one of them. This fictional technique, related to cloning, is performed when the mind and consciousness of a person are transferred to another biological body or machine with the help of technology. In this way, a person continues their social life through their brain functions. This paper looks at four separate recent screen narratives – the movies Self/less, Transcendence, and Replicas, and the episode “Be Right Back” of the TV show Black Mirror. With the help of Tzvetan Todorov’s structural analysis, we find clauses that are present in all of the plots and see what ideas and topics they share. The paper also uses the idea of anthropological reading of science fiction and therefore uses scientific research to analyze these themes. By looking at anthropological findings of immortality, mortality, death in modern society, and digital techniques, we see how the analyzed narratives portray a unique mixture of fear of and longing for all the mentioned processes and ideas. Finally, this paper shows how science fiction could possibly reflect reality – both through presenting thoughts of society and inspiring future technological advances and ideas (in this case, the quest for immortality). While humans are still far from achieving eternal life, the mentioned screen narratives portray the growing stream of ideas that deal with mind uploading in the age of the internet and social media.
{"title":"Until Death Do Us Part and They Upload Us Into Clones: An Analysis of Film Narratives About Mind Uploading and the Myth of Immortality","authors":"Anja Zlatović","doi":"10.21301/eap.v16i2.9","DOIUrl":"https://doi.org/10.21301/eap.v16i2.9","url":null,"abstract":"The fear of death and the myth of immortality are themes long present in various narratives, whether literary or visual. Science fiction as a genre offers us many venues for new explorations of this idea. Mind uploading is one of them. This fictional technique, related to cloning, is performed when the mind and consciousness of a person are transferred to another biological body or machine with the help of technology. In this way, a person continues their social life through their brain functions. This paper looks at four separate recent screen narratives – the movies Self/less, Transcendence, and Replicas, and the episode “Be Right Back” of the TV show Black Mirror. With the help of Tzvetan Todorov’s structural analysis, we find clauses that are present in all of the plots and see what ideas and topics they share. The paper also uses the idea of anthropological reading of science fiction and therefore uses scientific research to analyze these themes. By looking at anthropological findings of immortality, mortality, death in modern society, and digital techniques, we see how the analyzed narratives portray a unique mixture of fear of and longing for all the mentioned processes and ideas. Finally, this paper shows how science fiction could possibly reflect reality – both through presenting thoughts of society and inspiring future technological advances and ideas (in this case, the quest for immortality). While humans are still far from achieving eternal life, the mentioned screen narratives portray the growing stream of ideas that deal with mind uploading in the age of the internet and social media.","PeriodicalId":43531,"journal":{"name":"Etnoantropoloski Problemi-Issues in Ethnology and Anthropology","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89797114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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