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Introduction 介绍
Q2 Arts and Humanities Pub Date : 2019-12-14 DOI: 10.1353/ach.2019.0016
Satoshi Mizutani
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引用次数: 0
Buddhist Archeology in Mongolia: Zanabazar and the Géluk Diaspora beyond Tibet 蒙古的佛教考古:札那巴扎尔和流亡到西藏以外的格萨鲁克
Q2 Arts and Humanities Pub Date : 2019-12-14 DOI: 10.1353/ACH.2019.0011
Uranchimeg Tsultemin
ABSTRACT:This article discusses a Khalkha reincarnate ruler, the First Jebtsundampa Zanabazar, who is commonly believed to be a Géluk protagonist whose alliance with the Dalai and Panchen Lamas was crucial to the dissemination of Buddhism in Khalkha Mongolia. Zanabazar's Géluk affiliation, however, is a later Qing-Géluk construct to divert the initial Khalkha vision of him as a reincarnation of the Jonang historian Tāranātha (1575–1634). Whereas several scholars have discussed the political significance of Zanabazar's reincarnation based only on textual sources, this article takes an interdisciplinary approach to discuss, in addition to textual sources, visual records that include Zanabazar's portraits and current findings from an ongoing excavation of Zanabazar's Saridag Monastery. Clay sculptures and Zanabazar's own writings, heretofore little studied, suggest that Zanabazar's open approach to sectarian affiliations and his vision, akin to Tsongkhapa's, were inclusive of several traditions rather than being limited to a single one.
摘要:本文讨论了喀尔喀王朝的转世统治者杰布尊丹巴扎那巴扎一世,他被普遍认为是喀尔喀蒙古佛教传播的主要人物,他与达赖和班禅喇嘛的结盟对喀尔喀蒙古佛教的传播至关重要。然而,扎那巴扎尔的格萨梅鲁克关系是后来的清-格萨梅鲁克构造的,目的是转移喀尔喀人最初将他视为Jonang历史学家Tāranātha(1575-1634)转世的看法。鉴于一些学者仅基于文本来源讨论了扎那巴扎尔转世的政治意义,本文采用跨学科的方法,除了文本来源之外,还讨论了包括扎那巴扎尔肖像在内的视觉记录,以及目前正在对扎那巴扎尔萨里达格修道院进行挖掘的发现。黏土雕塑和扎那巴扎尔自己的作品,迄今为止很少被研究,表明扎那巴扎尔对宗派关系的开放态度和他的愿景,类似宗喀巴的,是包括几个传统,而不是局限于一个。
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引用次数: 0
Introduction 介绍
Q2 Arts and Humanities Pub Date : 2019-12-14 DOI: 10.1353/ach.2019.0010
Uranchimeg Tsultemin
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引用次数: 0
Comparisons and Deflections: Indian Nationalists in the Political Economy of Japanese Imperialism, 1931–1938 比较与偏离:日本帝国主义政治经济学中的印度民族主义者,1931-1938
Q2 Arts and Humanities Pub Date : 2019-09-01 DOI: 10.1353/ach.2019.0020
A. Peters
ABSTRACT:With the onset of the Great Depression in 1929 and the 1931 Manchurian Incident, Japanese intellectuals and business leaders appealed to the language of self-determination and Pan-Asianism to advocate for domestic reform and imperial expansion. At the same time, Indian nationalists in Japan, such as Rash Behari Bose, Anand Mohan Sahay, Aiyappan-Pillai Madhavan Nair, and others, viewed the creation of Manchukuo in 1932 as evidence of Japanese sincerity toward Asian nationalism, as well as a model of development that India and Asia should follow. These invocations were used to legitimize their own nation-building projects and critique trends within the mainstream Indian nationalist movement. This article analyzes the encounters between Japan, India, and the Indian merchant diaspora in East Asia from 1931 to 1938. The author argues that Japanese Pan-Asianists as well as some Indian nationalists sought to legitimize their own national and transnational projects during this period by appealing to a common Asian civilization that was mediated through a politics of comparison and deflection. The article also demonstrates that comparisons often occluded the issue of imperial violence and revealed the limitations of accepting nationalism and the nation-state as the foundation of civilizational discourse and transnational community.
摘要:随着1929年大萧条和1931年满洲事变的爆发,日本的知识分子和商界领袖们开始用民族自决和泛亚主义的语言来倡导国内改革和帝国扩张。与此同时,在日本的印度民族主义者,如拉什·比哈里·博斯(Rash Behari Bose)、阿南德·莫汉·萨哈伊(Anand Mohan Sahay)、Aiyappan-Pillai Madhavan Nair等人,认为1932年满洲国的成立证明了日本对亚洲民族主义的诚意,以及印度和亚洲应该遵循的发展模式。这些呼吁被用来使他们自己的国家建设项目合法化,并批评主流印度民族主义运动中的趋势。本文分析了1931年至1938年间日本、印度与东亚印度商人的相遇。作者认为,在这一时期,日本的泛亚主义者和一些印度民族主义者试图通过比较和偏转的政治来呼吁一种共同的亚洲文明,从而使他们自己的国家和跨国计划合法化。本文还表明,比较往往掩盖了帝国暴力的问题,并揭示了将民族主义和民族国家作为文明话语和跨国社区基础的局限性。
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引用次数: 0
The Diasporic Intimacy and Transindividuality of Artists Himan Sŏk (1914–2003) and Jun Ch'ae (1926–) 艺术家海曼Sŏk(1914-2003)与全采(1926 -)的离散性亲密与超个性
Q2 Arts and Humanities Pub Date : 2019-06-18 DOI: 10.1353/ACH.2019.0003
Hijoo Son
abstract:This article examines diaspora in the context of intimacy in order to focus on individual conditions of art-making, taking into account global conceptions of diaspora that have appealed to celebratory, emancipatory, pessimistic, or desirous formulations about diaspora and art. Through a discussion of paintings by Himan Sŏk, a Chinese Korean (Chosŏnjok), and Jun Ch'ae, a Japanese Korean (Zainichi), the author proposes that diasporic art can be analyzed in terms of the transpersonal relations that surround the intimate vicinity of the artwork in three ways. First, these works of art are neither structured from above nor resistant from below. Second, they express an idea of doubleness bound at once to a larger organizing collective and to the individual experience. These artists imbue their paintings with ethnos and nation and the personal and intimate, and a comparison of their works reveals social relations that form around the objects and evolve as art is produced, exhibited, written about, and discussed. Third, transpersonal relations surrounding the artists and artwork underscore a two-tiered idea of who transindividuals are to others and to themselves, a concept of identity that is especially pertinent to diasporic artists who are postcolonial subjects, as it allows for differing "selves" according to context-specific settings. The transindividual is, thus, shown to be a critical concept of integration in understanding identity.
本文在亲密关系的背景下考察散居,以便关注艺术创作的个人条件,同时考虑到散居的全球概念,这些概念吸引了关于散居和艺术的庆祝,解放,悲观或渴望的表述。通过对中国朝鲜族人Himan Sŏk (Chosŏnjok)和日本朝鲜族人Jun chae (Zainichi)的绘画的讨论,作者提出,流散艺术可以从三个方面来分析围绕着艺术品亲密关系的超个人关系。首先,这些艺术作品既没有自上而下的结构,也没有自下而上的抵抗。其次,它们表达了一种双重观念,既与更大的组织集体联系在一起,又与个人经验联系在一起。这些艺术家的绘画充满了民族、国家、个人和亲密的情感,对他们的作品进行比较,揭示了围绕对象形成的社会关系,并随着艺术的产生、展出、写作和讨论而发展。第三,围绕艺术家和艺术品的超个人关系强调了跨个人对他人和对自己的双重概念,这一身份概念与后殖民主题的散居艺术家特别相关,因为它允许根据特定背景设置不同的“自我”。因此,跨个体被证明是理解身份整合的关键概念。
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引用次数: 0
Cholera and the Environment in Nineteenth-Century Japan 霍乱与19世纪日本的环境
Q2 Arts and Humanities Pub Date : 2019-06-18 DOI: 10.1353/ACH.2019.0005
W. Johnston
abstract:Among acute infectious diseases, cholera gained more attention in Japanese popular culture and among policymakers than any other. Although many facts about cholera's historical existence seem settled, when one looks closely at the medical, biological, and environmental science, several of these facts—especially about the definitions of pandemics, epidemics, and endemicity—become fuzzy. In an attempt to reach a modicum of clarity, this article asks: What biological and environmental conditions allowed cholera to become endemic in nineteenth-century Japan? In answering this question, it makes the case that understanding this disease in history and, more specifically, why it took the course that it did in nineteenth-century Japan requires knowledge of the scientific literature. This claim is part of a broader argument about how understanding the physical world in its concrete manifestations through biological and environmental science is important to understanding human history. It is applicable not only to the history of disease, epidemics, and pandemics but to other fields, including environmental history, the history of technology, and the history of war, as well. This article also questions a number of boundaries: between disciplines, across time and space, and between evidence and assumption in what we consider facts.
摘要:在急性传染病中,霍乱在日本流行文化和决策者中比其他任何疾病都更受关注。尽管霍乱历史存在的许多事实似乎已经确定,但当人们仔细观察医学、生物学和环境科学时,其中一些事实——尤其是关于流行病、流行病和地方性的定义——变得模糊了。为了达到一点明确性,这篇文章问道:是什么生物和环境条件导致霍乱在19世纪的日本流行?在回答这个问题时,它表明,了解这种疾病的历史,更具体地说,它为什么会像在19世纪的日本那样学习,需要了解科学文献。这一说法是一个更广泛争论的一部分,即通过生物和环境科学了解具体表现的物理世界对理解人类历史至关重要。它不仅适用于疾病史、流行病和流行病,还适用于其他领域,包括环境史、技术史和战争史。这篇文章还质疑了许多界限:学科之间,跨越时间和空间,以及我们所认为的事实中的证据和假设之间。
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引用次数: 1
Introduction 介绍
Q2 Arts and Humanities Pub Date : 2019-06-18 DOI: 10.1353/ach.2019.0004
Ruth Rogaski
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引用次数: 0
Sacred Trash and Personhood: Living in Daily Waste-Management Infrastructures in the Eastern Himalayas 神圣的垃圾和人格:生活在喜马拉雅山脉东部的日常垃圾管理基础设施中
Q2 Arts and Humanities Pub Date : 2019-06-18 DOI: 10.1353/ACH.2019.0009
Bo Wang
abstract:Different interpretations of what constitutes "trash" can reveal complex interactions between Tibetans and Han Chinese in the Eastern Himalayas. This article adopts the term "trash talk" to illuminate how the Tibetan practice of depositing garments as offerings to sacred mountains has become a center of Tibetan-Han debates about ethnic identity, morality, and personhood. Establishing the contours of waste-management infrastructure in a Tibetan area of Yunnan, China, that has been developed for tourism, this article examines the Tibetan term dreg pa དྲེག་པ(pollution), a morally laden notion of impurity. The author highlights how Tibetans seek to avoid dreg pa and achieve a reciprocal balance with "mountain-persons" (mountains as sacred beings) by making offerings of personal garments. The Han Chinese waste-management sector's perception of these garment offerings as litter creates a dispute between Tibetans and Han as to what is sacred and what is trash. Drawing on field research, the author argues that the offered garments should be seen not as trash but as people—active entities that mediate the reciprocal relationship between humans and the environment. Further analysis of the experience of two Tibetan informants reveals how the issue of used garments and dreg pa can even form a basis for personal transformation and the reinvention of personhood. These linkages among the local notion of dreg pa, uncertainties surrounding used garments, and personhood suggest that waste-management policies must take local notions of waste into consideration in order to be both efficient and culturally sensitive, especially in the current troubled trash politics of mass tourism and global environmentalism.
摘要:对“垃圾”的不同解读可以揭示喜马拉雅山脉东部藏族和汉族之间复杂的互动关系。本文采用“垃圾话”一词来说明藏族将衣服作为圣山祭品的做法如何成为藏汉关于民族身份、道德和人格的争论的中心。在为旅游业开发的中国云南藏区,建立了废物管理基础设施的轮廓,本文考察了藏语术语dreg paདྲེག་པ(污染),一种道德沦丧的不洁概念。作者强调了藏人如何通过提供个人服装来避免dreg pa,并与“山人”(山是神圣的存在)实现互惠平衡。汉族废物管理部门将这些衣物视为垃圾,这在藏人和汉族之间引发了关于什么是神圣的,什么是垃圾的争论。根据实地研究,作者认为,提供的服装不应被视为垃圾,而应被视作为人——调解人类与环境之间互惠关系的活跃实体。对两名西藏线人的经历的进一步分析揭示了旧衣服和dreg pa的问题甚至可以成为个人转变和人格重塑的基础。当地的垃圾观念、二手服装的不确定性和个人身份之间的这些联系表明,废物管理政策必须考虑到当地的废物观念,才能既高效又对文化敏感,尤其是在当前大众旅游和全球环保主义的垃圾政治中。
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引用次数: 4
Air/Qi Connections and China's Smog Crisis: Notes from the History of Science 气/气联系与中国雾霾危机:来自科学史的注释
Q2 Arts and Humanities Pub Date : 2019-06-18 DOI: 10.1353/ACH.2019.0007
Ruth Rogaski
abstract:This article explores the relationship between qi and air in Chinese medical and scientific history in order to illuminate current approaches to air pollution and wumai (smog) in contemporary China. The modern concept of air is expressed in Chinese using terms related to the word qi. However, qi is a complex, multivalent term with a long history in Chinese cosmology and Chinese medicine and does not hold a clear one-to-one correspondence with air. Qi provided a resonating transcendent link between humans and their environment, yet pathogenic forms of qi arising from the environment could invade the body, causing illness and death. During the late nineteenth century, laboratory definitions of air as gas were introduced to China through the term qi, enabling some turn-of-the-century Chinese physicians such as Tang Zonghai to establish creative correspondences between air and qi that encompassed gas, vital energies, and even God. Such correspondences with their transcendent, potentially sacred valences appear to be unavailable today, even as contemporary Chinese embrace traditional medicines to ward off the effects of wumai. By probing the significant spaces between air and qi, this article suggests that the history of science in China has implications for how we might cope with and confront our current atmospheric crisis.
本文探讨了中国医学史和科学史上气与气的关系,以阐明当代中国空气污染和雾霾的现状。空气的现代概念在汉语中是用与“气”有关的术语来表达的。然而,在中国的宇宙学和中医中,气是一个复杂的、多价值的术语,有着悠久的历史,与空气没有明确的一对一的对应关系。气在人类和他们的环境之间提供了一种共鸣的超验联系,然而从环境中产生的气的致病形式可能侵入身体,导致疾病和死亡。在19世纪后期,空气作为气体的实验室定义通过“气”一词传入中国,使一些世纪之交的中国医生,如唐宗海,创造性地建立了气和气之间的对应关系,包括气、生命能量,甚至上帝。尽管当代中国人用传统药物来抵御乌麦的影响,但这种与它们超然的、潜在的神圣价值的对应关系在今天似乎是不存在的。通过探索气与气之间的重要空间,本文认为中国科学史对我们如何应对和面对当前的大气危机具有启示意义。
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引用次数: 6
Introduction 介绍
Q2 Arts and Humanities Pub Date : 2019-06-18 DOI: 10.1353/ach.2019.0000
Hijoo Son, Jooyeon Rhee
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引用次数: 0
期刊
Cross-Currents-East Asian History and Culture Review
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