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More than maps: Larissa Fassler’s cartographic drawings capture the complexities of a city 不仅仅是地图:拉里萨·法斯勒(Larissa Fassler)的地图绘制捕捉到了城市的复杂性
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-09-02 DOI: 10.1080/18626033.2021.2046766
Sam Cataldo, Larissa Fassler
Larissa Fassler elevates our expectations of what a map can reveal. Venturing beyond depictions of the physical landscape, Fassler visualizes complicated socioeconomic and cultural issues in her cartographic drawings. Fassler leverages the map’s reputation as a factual diagram in her work. She also embraces the subjectivity of the mapmaker, who shapes a map through a series of strategic aesthetic decisions. In this way, she creates art that presents complex ideas of space and place by manifesting both the observable and intangible characteristics of a city.
拉丽莎·法斯勒提升了我们对地图所能揭示的东西的期望。法斯勒冒险超越了对自然景观的描绘,在她的制图中可视化了复杂的社会经济和文化问题。法斯勒在她的作品中充分利用了地图作为事实图表的声誉。她还接受了地图绘制者的主观性,他们通过一系列战略性的审美决策来塑造地图。通过这种方式,她创作的艺术通过表现城市的可见和无形特征来呈现空间和地点的复杂概念。
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引用次数: 0
Accumulation, juxtaposition, and no ideas but in things 积累,并列,没有思想,只有事物
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-09-02 DOI: 10.1080/18626033.2021.2046763
K. John-Alder
Abstract This essay explores the Passaic River Valley in New Jersey and it utilizes the concept of re-voicing discussed by literary critic James Woods to call attention to the ways certain experiences of the land legitimize the stories we tell, and, conversely, to call attention to the ways certain stories of the land legitimize the experiences we remember. Data on topography, land use, demographics, floods and chemical toxins provide factual support. Experienced-based observations on time and place by poet William Carlos Williams and artist Robert Smithson establish tone and meaning. To depict the layers of this topography and their points of intersection, the essay presents the landscape synchronically as concurrent moments in time, and diachronically as change over time. The Passaic River, in its dual role of entity, or thing, and metaphor, or meaningful idea, unites the exploration and serves as the point of focus.
这篇文章探讨了新泽西州的帕塞伊克河谷,它利用文学评论家詹姆斯·伍兹讨论的重新发声的概念来唤起人们对土地上的某些经历使我们讲述的故事合法化的方式的关注,反过来,唤起人们对土地上的某些故事使我们记住的经历合法化的方式的关注。地形、土地利用、人口统计、洪水和化学毒素方面的数据提供了事实依据。诗人威廉·卡洛斯·威廉姆斯和艺术家罗伯特·史密森对时间和地点的经验观察奠定了基调和意义。为了描绘地形的层次性和交点,本文将景观呈现为时间上的同步时刻,并将其呈现为时间上的变化。帕塞伊克河以其实体或事物和隐喻或有意义的观念的双重角色,将探索统一起来,成为焦点。
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引用次数: 0
Roberto Burle Marx Lectures: Landscape as Art and Urbanism 罗伯托·伯勒·马克思讲座:景观艺术与城市主义
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-09-02 DOI: 10.1080/18626033.2021.2046813
A. Tate
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引用次数: 1
The ‘garden approach’ to landscape management: Reflexive feedback from the parcLAB experience conducted on the right bank of the Bordeaux metropolis 景观管理的“花园方法”:来自波尔多大都市右岸parcLAB经验的反思性反馈
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-05-04 DOI: 10.1080/18626033.2021.2015204
Benjamin Chambelland
Abstract This article revisits a doctoral research project (2015–2018) carried out via an Industrial Agreement for Training through Research (CIFRE) for a public interest group located on the right bank of the Bordeaux metropolis (Grand Projet des Villes Rive Droite, GPV), in France. It draws theoretical and practical lessons from the conduct of a landscape project aimed at ‘greening’ the gardening practices of a group of public/private parks, Parc des Coteaux. The parcLAB (Laboratoire du Parc des Coteaux), an experimental action mechanism set up by the landscape researcher, constituted the main field of research. Based on a reflexive approach to the conditions of this experience, the author puts forward a hypothesis about the concept of a ‘garden approach’ to landscape management and discusses its principles and orientations. Such a garden approach to landscapes is based on double cooperation, involving human actors cooperating among themselves and the cooperation of these actors with non-human actors.
本文回顾了一项博士研究项目(2015-2018),该项目是由位于法国波尔多大都市右岸的一个公共利益集团(Grand project des Villes Rive Droite, GPV)通过“通过研究培训的工业协议”(CIFRE)开展的。它从一个景观项目的实施中吸取了理论和实践经验,该项目旨在“绿化”一组公共/私人公园的园艺实践,Parc des Coteaux。parcLAB (Laboratoire du Parc des Coteaux)是由景观研究者建立的实验作用机制,构成了主要的研究领域。基于对这一经验条件的反思,作者提出了一个关于景观管理“花园方法”概念的假设,并讨论了其原则和方向。这样一种园林景观的方法是基于双重合作的,包括人类行动者之间的合作以及这些行动者与非人类行动者的合作。
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引用次数: 0
Site Matters: Strategies for Uncertainty through Planning and Design 场地问题:通过规划和设计应对不确定性的策略
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-05-04 DOI: 10.1080/18626033.2021.2015209
M. Reimer
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引用次数: 2
What time is this coast? Temporal encounters in the Arctic 现在是几点?在北极的短暂相遇
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-05-04 DOI: 10.1080/18626033.2021.2015202
Eimear Tynan
Abstract While the discipline of landscape architecture is regarded as engaging closely with time, the temporal span that it works within is, more often than not, very narrow. In this article, I draw on three concepts of time that allow experiential engagement with the material and immaterial agencies of an Arctic coastal site to emerge. Conceptually, I refer to descriptive insights from literary figures on time and coastal landscapes along with landscape theorists. As an initial site reading, I apply, explore and review these concepts via a time-centred analysis of a frozen shore. In-situ techniques using photography and fieldnote taking are used to identify different temporalities. I proceed to modelmaking in a studio setting to further explore the processes, states and conditions that were observed on site. I propose that the application of these time concepts provides a framework for landscape architects to articulate observations and understanding of temporal encounters within and beyond this Arctic coast.
虽然景观建筑学科被认为与时间密切相关,但它所工作的时间跨度往往非常狭窄。在这篇文章中,我借鉴了三个时间概念,这些概念允许与北极沿海地区的物质和非物质机构进行体验性接触。从概念上讲,我指的是文学人物对时间和海岸景观以及景观理论家的描述性见解。作为最初的现场阅读,我通过对冰冻海岸的时间中心分析来应用、探索和回顾这些概念。使用摄影和现场记录的现场技术来识别不同的时间性。我在工作室中进行模型制作,进一步探索现场观察到的过程、状态和条件。我认为,这些时间概念的应用为景观设计师提供了一个框架,以阐明对北极海岸内外时间相遇的观察和理解。
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引用次数: 1
L’architecture de la voie, Histoire et théories 道路的建筑、历史和理论
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-05-04 DOI: 10.1080/18626033.2021.2015208
Florence André
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引用次数: 0
Location, materiality, participation: Memorial design for victims of violence in Latin America 地点、物质、参与:拉丁美洲暴力受害者纪念设计
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-05-04 DOI: 10.1080/18626033.2021.2015203
Yeimy Walker, Jacky Bowring, S. Davis
Abstract Places of traumatic memories provide particular design challenges. Conflict landscapes are complex terrains that challenge ideas about identity, sense of place and commemoration and feelings of belonging. How can memorials provide opportunities for the development of social practices, meaningful materiality, individual experience and collective memory? Developing memorial languages and symbolic framings can support the construction of narratives and spaces in which individuals and groups can grapple with traumatic pasts. Each tragedy leaves its own unique set of wounds and scars, and memoryscapes can bring meaning and form to them. This article explores how memorial languages shape responses to traumas caused by conflict and violence in Latin America. In order to address this question, we examine two cases_the Center for Memory, Peace and Reconciliation in Bogotá, Colombia, and the Memorial to Victims of Violence, in Mexico City, Mexico.
创伤记忆的场所提供了特殊的设计挑战。冲突景观是复杂的地形,挑战关于身份、地方感、纪念和归属感的想法。纪念馆如何为社会实践、有意义的物质性、个人经验和集体记忆的发展提供机会?发展纪念语言和符号框架可以支持叙事和空间的构建,个人和群体可以在其中与创伤的过去作斗争。每一场悲剧都留下了自己独特的创伤和伤疤,而记忆可以给它们带来意义和形式。本文探讨了拉丁美洲的纪念语言如何塑造对冲突和暴力造成的创伤的反应。为了解决这个问题,我们研究了两个案例:哥伦比亚波哥大的记忆、和平与和解中心和墨西哥墨西哥城的暴力受害者纪念馆。
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引用次数: 0
Landscape critique as a necessity 景观批评是必要的
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-05-04 DOI: 10.1080/18626033.2021.2015193
Imke van Hellemondt, J. K. Larsen, Sonia Keravel, Anaïs Leger-Smith, Usue Ruiz Arana, Ursula Wieser Benedetti
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引用次数: 0
Wind Grid 风电网
IF 0.6 4区 艺术学 0 ARCHITECTURE Pub Date : 2021-05-04 DOI: 10.1080/18626033.2021.2015205
Lisa Moffitt
Lisa Moffitt is an associate professor at Carleton University in Ottawa, Canada. Her work explores reciprocities between environmental processes, physical models that alter these processes and the models of architecture they suggest. Her research has been published in the journals Landscape Research, Technology | Architecture + Design (TAD); Architectural Research Quarterly (Arq); and Architecture and Culture. Her design work as founder of Studio Moffitt has also been published widely, including in Dwell Magazine. She is currently completing a book titled Architecture’s Model Environments (UCL Press, Design Research in Architecture series).
丽莎·莫菲特(Lisa Moffitt)是加拿大渥太华卡尔顿大学的副教授。她的作品探讨了环境过程、改变这些过程的物理模型以及它们所建议的建筑模型之间的相互关系。她的研究成果发表在景观研究,技术b|建筑与设计(TAD);《建筑研究季刊》;建筑与文化。作为Moffitt工作室的创始人,她的设计作品也被广泛发表,包括Dwell杂志。她目前正在完成一本名为《建筑模型环境》的书(伦敦大学学院出版社,建筑设计研究系列)。
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引用次数: 0
期刊
Journal of Landscape Architecture
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