Abstract:This article addresses a new stage in the transnationalism of South Indian Carnatic music, focusing on second-generation diasporic musicians in the United States. With expanded youth music scenes, an increasing number of acclaimed diasporic professional musicians who take the music back to India, and a broad network of students and teachers in the United States, Carnatic music has been firmly established in the diaspora. I argue that the decentralization of Carnatic music and persistent interactions built around its aesthetic mark the emergence of a Carnatic ecumene. I draw from interviews with musicians and personal experiences as a Carnatic musician.
{"title":"Emergence of an Ecumene: Transnational Encounters in South Indian Carnatic Music","authors":"R. Ranganathan","doi":"10.1353/amu.2021.0000","DOIUrl":"https://doi.org/10.1353/amu.2021.0000","url":null,"abstract":"Abstract:This article addresses a new stage in the transnationalism of South Indian Carnatic music, focusing on second-generation diasporic musicians in the United States. With expanded youth music scenes, an increasing number of acclaimed diasporic professional musicians who take the music back to India, and a broad network of students and teachers in the United States, Carnatic music has been firmly established in the diaspora. I argue that the decentralization of Carnatic music and persistent interactions built around its aesthetic mark the emergence of a Carnatic ecumene. I draw from interviews with musicians and personal experiences as a Carnatic musician.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"52 1","pages":"57 - 87"},"PeriodicalIF":0.3,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2021.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45277589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Hindustani khayal music is a prominent vocal classical genre in northern India. Scholarship on khayal, which focuses on its construction as national and classical, has often rendered its social experiences in ways that suggest homogeneity across regions and quasi-autonomy from popular music. Elaborating on a contemporary instance—a television show that features Marathi popular songs—this article unpacks the relationship of khayal with popular music in the state of Maharashtra. In the process, the article reflects on the meanings that khayal has accrued in a regional context as well as on the nature of music categories and genres and their calibration.
{"title":"The Classical Khayal and Marathi Popular Music: Unpacking Music Genres and Categories in Maharashtra, India","authors":"Aditi Deo","doi":"10.1353/amu.2021.0008","DOIUrl":"https://doi.org/10.1353/amu.2021.0008","url":null,"abstract":"Abstract:Hindustani khayal music is a prominent vocal classical genre in northern India. Scholarship on khayal, which focuses on its construction as national and classical, has often rendered its social experiences in ways that suggest homogeneity across regions and quasi-autonomy from popular music. Elaborating on a contemporary instance—a television show that features Marathi popular songs—this article unpacks the relationship of khayal with popular music in the state of Maharashtra. In the process, the article reflects on the meanings that khayal has accrued in a regional context as well as on the nature of music categories and genres and their calibration.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"52 1","pages":"30 - 56"},"PeriodicalIF":0.3,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2021.0008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41807456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The intonations of gamelan instruments gradually transform over time. As the instruments age and are played, the pitch of each component changes independently and the ensemble will periodically require retunings that can meaningfully affect its character. This article conducts a cultural analysis of how the tunings of two so-called American gamelan changed in response to their communities in the United States. My analysis shows that competing intonational ideologies and changing musical needs can be deciphered from the ways in which these tunings evolved, shedding new light on how twentieth-century American composers integrated Indonesian arts into their lives.Abstract:Intonasi instrumen gamelan secara bertahap berubah seiring berjalannya waktu. Seiring bertambahnya usia instrumen yang dimainkan, nada masing-masing komponen yang berubah secara independen dan ansambel secara berkala membutuhkan penyelarasan kembali dapat mempengaruhi makna karakternya. Artikel ini melakukan analisis budaya tentang bagaimana perubahan laras dua komunitas yang dise-but Gamelan Amerika sebagai tanggapan terhadap komunitas mereka di Amerika Serikat. Analisis saya menunjukkan bahwa ideologi intonasional yang bersaing dan berubahnya kebutuhan musik dapat diuraikan dari cara-cara di mana laras ini berkembang, sekaligus memberi penerangan baru tentang cara composer Amerika abad ke dua puluh mengintegrasikan seni Indonesia dalam kehidupan mereka.
{"title":"Tuning \"American Gamelan\": Transforming Javanese Gamelan Tunings in North America","authors":"Jay M. Arms","doi":"10.1353/amu.2021.0001","DOIUrl":"https://doi.org/10.1353/amu.2021.0001","url":null,"abstract":"Abstract:The intonations of gamelan instruments gradually transform over time. As the instruments age and are played, the pitch of each component changes independently and the ensemble will periodically require retunings that can meaningfully affect its character. This article conducts a cultural analysis of how the tunings of two so-called American gamelan changed in response to their communities in the United States. My analysis shows that competing intonational ideologies and changing musical needs can be deciphered from the ways in which these tunings evolved, shedding new light on how twentieth-century American composers integrated Indonesian arts into their lives.Abstract:Intonasi instrumen gamelan secara bertahap berubah seiring berjalannya waktu. Seiring bertambahnya usia instrumen yang dimainkan, nada masing-masing komponen yang berubah secara independen dan ansambel secara berkala membutuhkan penyelarasan kembali dapat mempengaruhi makna karakternya. Artikel ini melakukan analisis budaya tentang bagaimana perubahan laras dua komunitas yang dise-but Gamelan Amerika sebagai tanggapan terhadap komunitas mereka di Amerika Serikat. Analisis saya menunjukkan bahwa ideologi intonasional yang bersaing dan berubahnya kebutuhan musik dapat diuraikan dari cara-cara di mana laras ini berkembang, sekaligus memberi penerangan baru tentang cara composer Amerika abad ke dua puluh mengintegrasikan seni Indonesia dalam kehidupan mereka.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"52 1","pages":"120 - 88"},"PeriodicalIF":0.3,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2021.0001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41797611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dynamic Korea and Rhythmic Form by Katherine In-Young Lee (review)","authors":"Donna Lee Kwon","doi":"10.1353/amu.2021.0003","DOIUrl":"https://doi.org/10.1353/amu.2021.0003","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"52 1","pages":"126 - 129"},"PeriodicalIF":0.3,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2021.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49468491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Through the case of lkhaon bassac theater, this article investigates how Khmer traditional theater genres have adapted in response to new audiences and performance contexts through the use of new musical instruments and the introduction of new characters and storylines. The first part of the article provides general information on the historical and performance context of lkhaon bassac and examines the scriptwriter's creativity in combining and adapting scenes, songs, characters, and stories to the performance contexts and audiences. The second part examines how the spread of mass media and cultural tourism is fueling popularity-focused processes of transformation of the lkhaon bassac genre.
{"title":"Continuity and Changes in Cambodian Lkhaon Bassac (Lakhon Baasaq) Opera","authors":"Francesca Billeri","doi":"10.1353/amu.2020.0020","DOIUrl":"https://doi.org/10.1353/amu.2020.0020","url":null,"abstract":"Abstract:Through the case of lkhaon bassac theater, this article investigates how Khmer traditional theater genres have adapted in response to new audiences and performance contexts through the use of new musical instruments and the introduction of new characters and storylines. The first part of the article provides general information on the historical and performance context of lkhaon bassac and examines the scriptwriter's creativity in combining and adapting scenes, songs, characters, and stories to the performance contexts and audiences. The second part examines how the spread of mass media and cultural tourism is fueling popularity-focused processes of transformation of the lkhaon bassac genre.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"51 1","pages":"104 - 72"},"PeriodicalIF":0.3,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2020.0020","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44135047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musical Minorities: The Sounds of Hmong Ethnicity in Northern Vietnam by Lonán Ó Briain (review)","authors":"Marie-Pierre Lissoir","doi":"10.1353/amu.2020.0025","DOIUrl":"https://doi.org/10.1353/amu.2020.0025","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"51 1","pages":"149 - 151"},"PeriodicalIF":0.3,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2020.0025","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47956512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Singing across Divides: Music and Intimate Politics in Nepal by Anna Marie Stirr (review)","authors":"Subash Giri","doi":"10.1353/amu.2020.0028","DOIUrl":"https://doi.org/10.1353/amu.2020.0028","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"51 1","pages":"158 - 160"},"PeriodicalIF":0.3,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2020.0028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43372565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Forbidden Songs of the Pgaz K’Nyau. Suwichan Phattanaphraiwan (“Chi”). Translated by Benjamin Fairfield in consultation with Dr. Yuphaphann Hoonchamlon. Bloomington, IN: Society for Ethnomusicology, 2018. Ethnomusicology Translations, no. 8. [52 pp.], notes, bibliography. Originally published in Thai as เพลงต้องห้ามของปกาเกอะญอ. Bangkok: Santisiri Press, 2014. https:// scholarworks.iu.edu/journals/index.php/emt. Free download.
禁止唱Pgaz k ' nyau的歌。Suwichan Phattanaphraiwan(“who”)。本杰明·费尔菲尔德在咨询Yuphaphann Hoonchamlon博士时翻译。民族音乐学会，2018年。民族音乐翻译，不。8. [52页]，注释，书目。在泰国Originally published asเพลงต้องห้ามของปกาเกอะญอ。曼谷:桑蒂里出版社，2014年。https:// scholarworks。iu edu/journals/index.php/emt。免费下载。
{"title":"Forbidden Songs of the Pgaz K'Nyau by Suwichan Phattanaphraiwan (review)","authors":"G. Douglas","doi":"10.1353/amu.2020.0022","DOIUrl":"https://doi.org/10.1353/amu.2020.0022","url":null,"abstract":"Forbidden Songs of the Pgaz K’Nyau. Suwichan Phattanaphraiwan (“Chi”). Translated by Benjamin Fairfield in consultation with Dr. Yuphaphann Hoonchamlon. Bloomington, IN: Society for Ethnomusicology, 2018. Ethnomusicology Translations, no. 8. [52 pp.], notes, bibliography. Originally published in Thai as เพลงต้องห้ามของปกาเกอะญอ. Bangkok: Santisiri Press, 2014. https:// scholarworks.iu.edu/journals/index.php/emt. Free download.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"51 1","pages":"139 - 141"},"PeriodicalIF":0.3,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2020.0022","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48581090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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