This study examines how the 2008 election violence was framed in three mainstream Zimbabwean weekly newspapers – The Sunday Mail, The Independent and The Zimbabwean. It was noted that four frames – the victim, justice and human rights, trivialization and attribution of responsibility frames dominated the coverage of electoral violence in these three newspapers. The dominance of the trivializing frame in The Sunday Mail privileged the ruling party’s (Zimbabwe African National Union Patriotic Front; ZANU PF) interpretation of electoral violence as inconsequential to the electoral process. Simultaneously, the prevalence of the victim, justice and human rights frames in The Independent and The Zimbabwean newspapers signifies the private media’s obsession with ZANU PF’s alleged electoral malpractices and situates these alleged transgressions within a broad global social justice and human rights trajectory to cultivate the West’s sympathy with the ‘victimised’ opposition.
{"title":"So, who is responsible? A framing analysis of newspaper coverage of electoral violence in Zimbabwe","authors":"Allen Munoriyarwa","doi":"10.1386/jams_00011_1","DOIUrl":"https://doi.org/10.1386/jams_00011_1","url":null,"abstract":"This study examines how the 2008 election violence was framed in three mainstream Zimbabwean weekly newspapers – The Sunday Mail, The Independent and The Zimbabwean. It was noted that four frames – the victim, justice and human rights, trivialization and attribution of responsibility frames dominated the coverage of electoral violence in these three newspapers. The dominance of the trivializing frame in The Sunday Mail privileged the ruling party’s (Zimbabwe African National Union Patriotic Front; ZANU PF) interpretation of electoral violence as inconsequential to the electoral process. Simultaneously, the prevalence of the victim, justice and human rights frames in The Independent and The Zimbabwean newspapers signifies the private media’s obsession with ZANU PF’s alleged electoral malpractices and situates these alleged transgressions within a broad global social justice and human rights trajectory to cultivate the West’s sympathy with the ‘victimised’ opposition.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"23 1","pages":"61-74"},"PeriodicalIF":0.8,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81167117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The issue of ‘China colonizing Africa’ received significant attention in both traditional and social media in the periods before, during and after the Forum on China Africa Cooperation (FOCAC) 2018 meeting. This study traces these discourses on YouTube, which is one of the social media platforms widely used to raise awareness and also influence public opinion on various issues. Thematic and content analysis are used to identify the dominant themes discussed in the selected videos and also to identify the sentiments expressed by viewers in the comments posted. The issue activation and response model is used to create meaning from the data. The study finds that the themes and the sentiments reflect the dominance of pessimistic and optimistic perspectives on the Africa–China relationship. Furthermore, the study shows that the themes discussed have not offered new perspectives but instead the discussions have repackaged old narratives as part of agenda building efforts by the protagonists. The study, therefore argues that social media have become important platforms for activation of issues on the Africa–China relationship, hence the persistence of these old narratives is attributed to lack of effective responses to issues on social media by both African countries and Chinese officials.
{"title":"China colonizing Africa narrative on social media: An issue activation and response perspective","authors":"Simon Matingwina","doi":"10.1386/jams_00009_1","DOIUrl":"https://doi.org/10.1386/jams_00009_1","url":null,"abstract":"The issue of ‘China colonizing Africa’ received significant attention in both traditional and social media in the periods before, during and after the Forum on China Africa Cooperation (FOCAC) 2018 meeting. This study traces these discourses on YouTube, which is one of the social media platforms widely used to raise awareness and also influence public opinion on various issues. Thematic and content analysis are used to identify the dominant themes discussed in the selected videos and also to identify the sentiments expressed by viewers in the comments posted. The issue activation and response model is used to create meaning from the data. The study finds that the themes and the sentiments reflect the dominance of pessimistic and optimistic perspectives on the Africa–China relationship. Furthermore, the study shows that the themes discussed have not offered new perspectives but instead the discussions have repackaged old narratives as part of agenda building efforts by the protagonists. The study, therefore argues that social media have become important platforms for activation of issues on the Africa–China relationship, hence the persistence of these old narratives is attributed to lack of effective responses to issues on social media by both African countries and Chinese officials.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"33 1","pages":"23-39"},"PeriodicalIF":0.8,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84680997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: The Rhetorical Legacy of Wangari Maathai, Eddah M. Mutua, Alberto Gonzalez and Anke Wolbert (eds) (2018) Lanham: Lexington Books, 221 pp., ISBN 978-1-49857-112-8, h/bk, $83.07
{"title":"The Rhetorical Legacy of Wangari Maathai, Eddah M. Mutua, Alberto Gonzalez and Anke Wolbert (eds) (2018)","authors":"S. Ogbu","doi":"10.1386/jams_00013_5","DOIUrl":"https://doi.org/10.1386/jams_00013_5","url":null,"abstract":"Review of: The Rhetorical Legacy of Wangari Maathai, Eddah M. Mutua, Alberto Gonzalez and Anke Wolbert (eds) (2018)\u0000Lanham: Lexington Books, 221 pp.,\u0000ISBN 978-1-49857-112-8, h/bk, $83.07","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"41 1","pages":"89-91"},"PeriodicalIF":0.8,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81445041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the entanglement of nation branding and personal branding in the Kenyan music video industry. Although self-commodification and labouring on behalf of the nation are both indicative of neo-liberal governmentality, Kenyan music video directors build personal brands to wrestle creative control from their clients during the production process and they invoke their experiences representing Kenya abroad to elevate their professional status at home. Thus, branding in the Kenyan music video industry illustrates the complexities and contradictions of neo-liberal governmentality in global cultural production.
{"title":"Reppin’ the nation, reppin’ themselves: Nation branding and personal branding in Kenya’s music video industry","authors":"Brian Ekdale","doi":"10.1386/jams_00012_1","DOIUrl":"https://doi.org/10.1386/jams_00012_1","url":null,"abstract":"This article explores the entanglement of nation branding and personal branding in the Kenyan music video industry. Although self-commodification and labouring on behalf of the nation are both indicative of neo-liberal governmentality, Kenyan music video directors build personal brands to wrestle creative control from their clients during the production process and they invoke their experiences representing Kenya abroad to elevate their professional status at home. Thus, branding in the Kenyan music video industry illustrates the complexities and contradictions of neo-liberal governmentality in global cultural production.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"5 1","pages":"75-88"},"PeriodicalIF":0.8,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82141174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article reflects on the murders of Reeva Steenkamp (2013), Jayde Panayiotou (2015), Susan Rhode (2016) and Karabo Mokoena (2017) and questions how victims of intimate femicide are portrayed in the South African media. Media reporting on intimate femicide clearly illustrates how the murder of women by their intimate partners, are framed as isolated incidents rather than a systemic problem situated within a social context of male dominance. It is therefore increasingly important to understand how the media portrays victimhood and violence. This article explores how the murder of women by their partners are rarely classified as femicide, and how the media’s portrayal of these murders fails to convey the systemic nature of violence against women that also entrenches racial and class-based oppression by seemingly valuing some lives more than others. The focus is on the power of the media to obscure the nature of intimate partner violence, which entrenches a notion of ideal victimhood. In conclusion, the South African government’s response to this form of violence is explored, and the need for responsible reporting is called for in reporting on cases of intimate femicide.
{"title":"The portrayal of victims of intimate femicide in the South African media","authors":"Amanda Spies","doi":"10.1386/jams_00010_1","DOIUrl":"https://doi.org/10.1386/jams_00010_1","url":null,"abstract":"This article reflects on the murders of Reeva Steenkamp (2013), Jayde Panayiotou (2015), Susan Rhode (2016) and Karabo Mokoena (2017) and questions how victims of intimate femicide are portrayed in the South African media. Media reporting on intimate femicide clearly illustrates how the murder of women by their intimate partners, are framed as isolated incidents rather than a systemic problem situated within a social context of male dominance. It is therefore increasingly important to understand how the media portrays victimhood and violence. This article explores how the murder of women by their partners are rarely classified as femicide, and how the media’s portrayal of these murders fails to convey the systemic nature of violence against women that also entrenches racial and class-based oppression by seemingly valuing some lives more than others. The focus is on the power of the media to obscure the nature of intimate partner violence, which entrenches a notion of ideal victimhood. In conclusion, the South African government’s response to this form of violence is explored, and the need for responsible reporting is called for in reporting on cases of intimate femicide.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"37 1 1","pages":"41-59"},"PeriodicalIF":0.8,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90665208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Gadzekpo, A. A. Yeboah-Banin, S. Akrofi-Quarcoo
The proliferation of radio stations across Africa has engendered an increase in local language radio stations and fuelled culturally-rooted practices of news delivery considered by many media professionals as sub-standard. This article explores the reception practices of multi-lingual audiences in Ghana, focusing on their views on the different norms and approaches of local language and English language radio newscasts. Using data from a convenience sample of 1000 radio listeners in five Ghanaian cosmopolitan cities the study finds that audiences prefer more performative modes of news delivery on their local language stations. It was also evident that radio audiences are discerning and make distinctions between what is acceptable on local language versus English language radio. These results call for a reconsideration of western-influenced standards of news delivery and the development of professional standards more accommodating of the inflections of culture.
{"title":"A case of double standards? Audience attitudes to professional norms on local and English language radio news programmes in Ghana","authors":"A. Gadzekpo, A. A. Yeboah-Banin, S. Akrofi-Quarcoo","doi":"10.1386/jams_00008_1","DOIUrl":"https://doi.org/10.1386/jams_00008_1","url":null,"abstract":"The proliferation of radio stations across Africa has engendered an increase in local language radio stations and fuelled culturally-rooted practices of news delivery considered by many media professionals as sub-standard. This article explores the reception practices of multi-lingual audiences in Ghana, focusing on their views on the different norms and approaches of local language and English language radio newscasts. Using data from a convenience sample of 1000 radio listeners in five Ghanaian cosmopolitan cities the study finds that audiences prefer more performative modes of news delivery on their local language stations. It was also evident that radio audiences are discerning and make distinctions between what is acceptable on local language versus English language radio. These results call for a reconsideration of western-influenced standards of news delivery and the development of professional standards more accommodating of the inflections of culture.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"212 1","pages":"3-22"},"PeriodicalIF":0.8,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77435220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article, I liken information and communication technologies (ICTs) or digital technologies to what we in West and Central Africa have the habit of referring to as Juju. I invite as scholars of the digital humanities to see in the region’s belief in incompleteness and the compositeness of being human, as well as in the capacity to be present everywhere at the same time an indication that we have much to learn from the past on how best to understand and harness current purportedly innovative advances in ICTs. The idea of digital technologies making it possible for humans and things to be present even in their absence and absent even in their presence is not that dissimilar to the belief in what is often labelled and dismissed as witchcraft and magic that lends itself to a world of infinite possibilities – a world of presence in simultaneous multiplicities and eternal powers to redefine reality. The article argues in favour of incompleteness as a normal way of being. It challenges students of humanity to envisage a relationship between humans and digital technologies that is founded less on dichotomies and binary oppositions, nor on zero-sum games of conquest and superiority. If humans are present in things and things in humans, thanks to the interconnections, the flexibility and fluidity of being that come with recognition of and provision for incompleteness, it is important to see things and humans not only as intricately entangled, but also as open-ended composites.
{"title":"ICTs as Juju: African inspiration for understanding the compositeness of being human through digital technologies","authors":"F. Nyamnjoh","doi":"10.1386/jams_00001_1","DOIUrl":"https://doi.org/10.1386/jams_00001_1","url":null,"abstract":"In this article, I liken information and communication technologies (ICTs) or digital technologies to what we in West and Central Africa have the habit of referring to as Juju. I invite as scholars of the digital humanities to see in the region’s belief in incompleteness\u0000 and the compositeness of being human, as well as in the capacity to be present everywhere at the same time an indication that we have much to learn from the past on how best to understand and harness current purportedly innovative advances in ICTs. The idea of digital technologies making it\u0000 possible for humans and things to be present even in their absence and absent even in their presence is not that dissimilar to the belief in what is often labelled and dismissed as witchcraft and magic that lends itself to a world of infinite possibilities – a world of presence in simultaneous\u0000 multiplicities and eternal powers to redefine reality. The article argues in favour of incompleteness as a normal way of being. It challenges students of humanity to envisage a relationship between humans and digital technologies that is founded less on dichotomies and binary oppositions,\u0000 nor on zero-sum games of conquest and superiority. If humans are present in things and things in humans, thanks to the interconnections, the flexibility and fluidity of being that come with recognition of and provision for incompleteness, it is important to see things and humans not only as\u0000 intricately entangled, but also as open-ended composites.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76687613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Conservation biologists predict that human–wildlife conflicts will increase in the near future as climate change forces the migration of both human and animal populations in search of increasingly scarce resources. These conflicts often capture international attention pitting wildlife against human communities, which are framed as savage hunters or uncaring consumerists. This framing often presumes that wildlife killing is optional, a sport or an outdated cultural activity. And while it may at times be all three, rural and traditional communities also argue that at times it is necessary to kill wildlife to save their children, communities and wildlife. This article explores one instance of such clash between human and wildlife communities, when in 2012 Maasai herders in southern Kenya were accused of illegally hunting and killing lions. Through an examination of multiple media sources, I ask how these events were framed, in what ways were the Maasai community’s traditions and perspective reported, and how did international stakeholders construct value criteria from which they argued for the protection of wildlife and against the protection of indigenous communities. Through this study, I aim to better understand the nuances of human–wildlife conservation and the differing ways that events are understood in local and international reporting.
{"title":"Preserving lions and culture: Conflicting standards of human–wildlife conflict","authors":"Allison Hahn","doi":"10.1386/jams_00005_1","DOIUrl":"https://doi.org/10.1386/jams_00005_1","url":null,"abstract":"Conservation biologists predict that human–wildlife conflicts will increase in the near future as climate change forces the migration of both human and animal populations in search of increasingly scarce resources. These conflicts often capture international attention pitting\u0000 wildlife against human communities, which are framed as savage hunters or uncaring consumerists. This framing often presumes that wildlife killing is optional, a sport or an outdated cultural activity. And while it may at times be all three, rural and traditional communities also argue that\u0000 at times it is necessary to kill wildlife to save their children, communities and wildlife. This article explores one instance of such clash between human and wildlife communities, when in 2012 Maasai herders in southern Kenya were accused of illegally hunting and killing lions. Through an\u0000 examination of multiple media sources, I ask how these events were framed, in what ways were the Maasai community’s traditions and perspective reported, and how did international stakeholders construct value criteria from which they argued for the protection of wildlife and against the\u0000 protection of indigenous communities. Through this study, I aim to better understand the nuances of human–wildlife conservation and the differing ways that events are understood in local and international reporting.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"35 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84691565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Constructive journalism justifies its existence by an orientation towards solutions to vexing social issues. The central idea of this article is to discuss why constructive journalism could be an important approach for African journalistic practice. The research analyses African and international media reports on the China–Africa debt issue as a case study. It also discusses how the debt issue is depicted in online articles and reports from a content illustration of western, African and Chinese online media pools. Arguably so, there is a strong assumption that western and African media share more similarities than differences in representing Africa’s debt to China compared to their Chinese counterparts investigated in the study. In the framework of finding solutions and offering alternative journalistic perspectives, the study brings to light the fact that constructive journalism approaches, if applied by African media, have the potential to positively and objectively contribute to communication about the African debt with an inclination to solution-based applications. The study closes by a call to action for African media to be more responsible for their own image and to work towards a more balanced and focused coverage of not only the debt issue but other matters of international interest currently trending on the continent.
{"title":"International and African media’s representation of African Debt to China: From stereotype to solution with constructive journalism","authors":"Zhang Yanqiu, Luu Mwiinga Machila","doi":"10.1386/jams_00004_1","DOIUrl":"https://doi.org/10.1386/jams_00004_1","url":null,"abstract":"Constructive journalism justifies its existence by an orientation towards solutions to vexing social issues. The central idea of this article is to discuss why constructive journalism could be an important approach for African journalistic practice. The research analyses African and\u0000 international media reports on the China–Africa debt issue as a case study. It also discusses how the debt issue is depicted in online articles and reports from a content illustration of western, African and Chinese online media pools. Arguably so, there is a strong assumption that western\u0000 and African media share more similarities than differences in representing Africa’s debt to China compared to their Chinese counterparts investigated in the study. In the framework of finding solutions and offering alternative journalistic perspectives, the study brings to light the\u0000 fact that constructive journalism approaches, if applied by African media, have the potential to positively and objectively contribute to communication about the African debt with an inclination to solution-based applications. The study closes by a call to action for African media to be more\u0000 responsible for their own image and to work towards a more balanced and focused coverage of not only the debt issue but other matters of international interest currently trending on the continent.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"46 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82232297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article utilizes a multimodal media analysis similar to Parker that takes place on three levels: (1) it connects an interview completed by professor Habib in a 2014 issue of the South African magazine publication Destiny Man, (2) with the events captured in photography of the 2015 #FeesMustFall protest as well as (3) the events recorded an Internet documentary entitled Decolonising Wits. This critical analysis utilizes a psychosocial perspective showing strong links between these events that led to the proliferation of decolonization in South African academic institutions as a result. The #FeesMustFall protests at Wits University is seen as a response to the inegalitarian modes of discourse present in the analysed interview, and the selected scenes of real events in the documentary film. This article includes direct quotes from that written interview, photography from the #Feesmustfall events, and links to specific scenes in the documentary film in order to provide a multimodal approach to analysing psychosocial politics in the media.
{"title":"Rise and #Fall: The unsuspended revolution","authors":"B. Leopeng","doi":"10.1386/jams_00006_1","DOIUrl":"https://doi.org/10.1386/jams_00006_1","url":null,"abstract":"This article utilizes a multimodal media analysis similar to Parker that takes place on three levels: (1) it connects an interview completed by professor Habib in a 2014 issue of the South African magazine publication Destiny Man, (2) with the events captured in photography of\u0000 the 2015 #FeesMustFall protest as well as (3) the events recorded an Internet documentary entitled Decolonising Wits. This critical analysis utilizes a psychosocial perspective showing strong links between these events that led to the proliferation of decolonization in South African\u0000 academic institutions as a result. The #FeesMustFall protests at Wits University is seen as a response to the inegalitarian modes of discourse present in the analysed interview, and the selected scenes of real events in the documentary film. This article includes direct quotes from that written\u0000 interview, photography from the #Feesmustfall events, and links to specific scenes in the documentary film in order to provide a multimodal approach to analysing psychosocial politics in the media.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"18 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73700329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：