Pub Date : 2021-09-01DOI: 10.1017/s1359135522000112
{"title":"ARQ volume 25 issue 3 Cover and Back matter","authors":"","doi":"10.1017/s1359135522000112","DOIUrl":"https://doi.org/10.1017/s1359135522000112","url":null,"abstract":"","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"71 1","pages":"b1 - b2"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75384870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/s1359135522000094
{"title":"Cultures of mathematics in architecture","authors":"","doi":"10.1017/s1359135522000094","DOIUrl":"https://doi.org/10.1017/s1359135522000094","url":null,"abstract":"","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"49 1","pages":"203 - 203"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88239262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/S1359135522000045
Silvia Alonso de los Ríos
Every architectural intervention joins a constellation of pre-existing conditions, which often constitute a fragile but valuable situation: the physical support of collective memory. The objective of this article is to explore contemporary ways of intervening in architectural heritage from the perspective of collective memory, through what is imagined to be a timeless grammar, towards design innovation. Works produced according to this strategy not only try to maintain the character of an architectural legacy but also to generate new models based on received precedents. The following article explores intervention projects from the last two decades of work by Swiss architect Peter Märkli, identifying key themes and strategies employed. The synthesis of these works allows us to identify a way of approaching heritage based on the continuity of architecture as a key to innovation.
{"title":"New architecture, inherited legacy: heritage, memory, grammar, and invention in the work of Peter Märkli","authors":"Silvia Alonso de los Ríos","doi":"10.1017/S1359135522000045","DOIUrl":"https://doi.org/10.1017/S1359135522000045","url":null,"abstract":"Every architectural intervention joins a constellation of pre-existing conditions, which often constitute a fragile but valuable situation: the physical support of collective memory. The objective of this article is to explore contemporary ways of intervening in architectural heritage from the perspective of collective memory, through what is imagined to be a timeless grammar, towards design innovation. Works produced according to this strategy not only try to maintain the character of an architectural legacy but also to generate new models based on received precedents. The following article explores intervention projects from the last two decades of work by Swiss architect Peter Märkli, identifying key themes and strategies employed. The synthesis of these works allows us to identify a way of approaching heritage based on the continuity of architecture as a key to innovation.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"92 1","pages":"212 - 230"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89687207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/s135913552200001x
Fadi Shayya, Stephen Walker
Suspend your disbelief for a second, and ask yourself: what is architectural about clouds? For many researchers, practitioners and students of the field, a concern with the architectural is a concern with stable forms, organised layouts, inert materials, and recognisable cultural expressions. Yet in recent decades, relational and process-oriented approaches to analysing ‘the social’ have advanced architectural concerns with intensities of human and nonhuman flows, regulating energy exchanges and microclimatic milieux, and territorialising space through built enclosures and envelopes. The notion of flows in architecture is not only a philosophical category but a practical and programmatic one.
{"title":"On Cloud Studies","authors":"Fadi Shayya, Stephen Walker","doi":"10.1017/s135913552200001x","DOIUrl":"https://doi.org/10.1017/s135913552200001x","url":null,"abstract":"Suspend your disbelief for a second, and ask yourself: what is architectural about clouds? For many researchers, practitioners and students of the field, a concern with the architectural is a concern with stable forms, organised layouts, inert materials, and recognisable cultural expressions. Yet in recent decades, relational and process-oriented approaches to analysing ‘the social’ have advanced architectural concerns with intensities of human and nonhuman flows, regulating energy exchanges and microclimatic milieux, and territorialising space through built enclosures and envelopes. The notion of flows in architecture is not only a philosophical category but a practical and programmatic one.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"8 1","pages":"204 - 211"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76300388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1017/S1359135521000245
E. Altürk
The efficiency demanded by the modern world affects most areas of life, including the organisation of space. Industrial production is an emblematic field for this phenomenon, having deeply affected architecture and the urban environment. Before industrial production began inspiring modern architecture, the modernisation of expanding European urban fabric in the nineteenth century was mostly driven by the implementation of new transportation infrastructure ensuring the effective functioning of metropolitan areas. The reorganisation of space at all scales and according to a rationale relating to economic drive, industrial production, mass consumption, or scientific management has been the defining characteristic of the modern era, coupled with and in relation to the unprecedented concentration of population, goods, and services. This rationale has since infiltrated, arguably, all spheres of life and has been so internalised by many that it is usually hard to discern.
{"title":"Mechanistic plan and urban mass: two contexts of efficient wedding halls in Turkey","authors":"E. Altürk","doi":"10.1017/S1359135521000245","DOIUrl":"https://doi.org/10.1017/S1359135521000245","url":null,"abstract":"The efficiency demanded by the modern world affects most areas of life, including the organisation of space. Industrial production is an emblematic field for this phenomenon, having deeply affected architecture and the urban environment. Before industrial production began inspiring modern architecture, the modernisation of expanding European urban fabric in the nineteenth century was mostly driven by the implementation of new transportation infrastructure ensuring the effective functioning of metropolitan areas. The reorganisation of space at all scales and according to a rationale relating to economic drive, industrial production, mass consumption, or scientific management has been the defining characteristic of the modern era, coupled with and in relation to the unprecedented concentration of population, goods, and services. This rationale has since infiltrated, arguably, all spheres of life and has been so internalised by many that it is usually hard to discern.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"32 1","pages":"133 - 144"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72773880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1017/s1359135521000269
David Walker
The purpose of this article is to celebrate the exquisite moments when enclosed space at Hagia Sophia attains an illusory plastic state. The subject is the secularised amalgamation of the Byzantine cathedral of Hagia Sophia and the Turkish mosque of Ayasofya, prior to the restoration of the mosque in 2020. The article is intended as a visual study of intrinsic visual qualities, without the use of seductive imagery.
{"title":"The illusory plastic space of Hagia Sophia","authors":"David Walker","doi":"10.1017/s1359135521000269","DOIUrl":"https://doi.org/10.1017/s1359135521000269","url":null,"abstract":"The purpose of this article is to celebrate the exquisite moments when enclosed space at Hagia Sophia attains an illusory plastic state. The subject is the secularised amalgamation of the Byzantine cathedral of Hagia Sophia and the Turkish mosque of Ayasofya, prior to the restoration of the mosque in 2020. The article is intended as a visual study of intrinsic visual qualities, without the use of seductive imagery.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"43 1","pages":"145 - 176"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79075666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1017/s1359135521000282
{"title":"ARQ volume 25 issue 2 Cover and Front matter","authors":"","doi":"10.1017/s1359135521000282","DOIUrl":"https://doi.org/10.1017/s1359135521000282","url":null,"abstract":"","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"12 1","pages":"f1 - f4"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89064842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1017/s1359135521000294
{"title":"ARQ volume 25 issue 2 Cover and Back matter","authors":"","doi":"10.1017/s1359135521000294","DOIUrl":"https://doi.org/10.1017/s1359135521000294","url":null,"abstract":"","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"1 1","pages":"b1 - b2"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83004073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1017/S1359135521000233
Marcela Aragüez
As his friend Niall Hobhouse claimed, Cedric Price ‘wasn’t really an architect, but a social critic to the left of the Left who stumbled on the post-war ruins of modernism’.1 The role of Price’s unbuilt legacy for Western architectural culture has been praised extensively, with a special emphasis on the unorthodox nature of both his practice and academic contributions.2 Succeeding generations have found inspiration in Price’s personal view of the architectural profession, his work being positioned often within radical and utopian approaches yet involving a committed social agenda. The social role of architecture was for Price tightly linked to the capacity of the built environment to be adapted by its users. Buildings should be understood as temporary commodities, malleable objects with a short lifespan dictated by their usefulness for the community. Conceived as infrastructures, unbuilt projects such as the famous Fun Palace, Potteries Thinkbelt, or Magnet were formulated as productive objects with a profound commitment for socially regenerating the contexts into which they were to be inserted.
{"title":"Building Calculated Uncertainty: Cedric Price’s Interaction Centre","authors":"Marcela Aragüez","doi":"10.1017/S1359135521000233","DOIUrl":"https://doi.org/10.1017/S1359135521000233","url":null,"abstract":"As his friend Niall Hobhouse claimed, Cedric Price ‘wasn’t really an architect, but a social critic to the left of the Left who stumbled on the post-war ruins of modernism’.1 The role of Price’s unbuilt legacy for Western architectural culture has been praised extensively, with a special emphasis on the unorthodox nature of both his practice and academic contributions.2 Succeeding generations have found inspiration in Price’s personal view of the architectural profession, his work being positioned often within radical and utopian approaches yet involving a committed social agenda. The social role of architecture was for Price tightly linked to the capacity of the built environment to be adapted by its users. Buildings should be understood as temporary commodities, malleable objects with a short lifespan dictated by their usefulness for the community. Conceived as infrastructures, unbuilt projects such as the famous Fun Palace, Potteries Thinkbelt, or Magnet were formulated as productive objects with a profound commitment for socially regenerating the contexts into which they were to be inserted.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"23 1","pages":"108 - 124"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82170245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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