Pub Date : 2021-12-01DOI: 10.1017/s1359135522000057
Gary Huafan He
This article examines the work of Antonin Raguenet (1839–1920), who directed from his studio in Paris between 1872 and 1914 a vast project of architectural taxonomy, the Matériaux et documents d’architecture et de sculpture. Though unique in its vast geographic scope and empiricist approach, Raguenet’s project remains relatively obscure in the current scholarship of art and architectural history. Published monthly in eight-page pamphlets totaling over five hundred serialised issues, the Matériaux et documents ultimately contained over fourteen thousand illustrations of ornaments collected from buildings, plazas, monuments, and cemeteries across the European continent. Raguenet’s ornamental gaze moves seamlessly from Haussmann-era apartment buildings, to universal expositions in Paris and abroad, to the façades of Lavirotte, Schoellkopf, and Guimard, reflecting the production and reproduction of ornament literature during the period of the Belle Époque. The collecting and cataloguing of architecture elements into categories – windows, cartouche, doors, capitals, balconies, etc. – is aided by the maturation of print media, the passenger railroad industry, and the rise of photographic reproduction in the late nineteenth century. This reading of the Matériaux et documents will introduce its context, contents, and methodology, as well as the role of ornament in imagining and observing the emergence of a new ‘modern style’ at the end of the nineteenth century.
本文考察了Antonin Raguenet(1839-1920)的作品，他在1872年至1914年期间在巴黎的工作室指导了一个庞大的建筑分类项目，即mat riaux et documents d 'architecture et de sculpture。尽管拉盖内的项目在广阔的地理范围和经验主义的方法上是独一无二的，但在当前的艺术和建筑史学术中，它仍然相对模糊。《马塔姆萨里奥档案》每月以八页的小册子形式出版，共计五百多期连载，最终包含了一万四千多张从欧洲大陆的建筑物、广场、纪念碑和墓地收集的装饰品插图。拉盖内的装饰凝视无缝地从奥斯曼时代的公寓大楼，到巴黎和国外的世界性博览会，再到拉维罗特、肖尔科夫和吉玛德的住宅，反映了美女时期装饰文学的生产和复制Époque。对建筑元素的收集和分类——窗户、雕花、门、柱头、阳台等——得益于印刷媒体的成熟、客运铁路工业的发展以及19世纪后期摄影复制技术的兴起。本文将介绍《matsamriaux et》文件的背景、内容和方法，以及装饰在19世纪末想象和观察一种新的“现代风格”出现时所起的作用。
{"title":"Modern ornament in fin de siècle Paris: Antonin Raguenet’s Matériaux et documents d’architecture et de sculpture","authors":"Gary Huafan He","doi":"10.1017/s1359135522000057","DOIUrl":"https://doi.org/10.1017/s1359135522000057","url":null,"abstract":"This article examines the work of Antonin Raguenet (1839–1920), who directed from his studio in Paris between 1872 and 1914 a vast project of architectural taxonomy, the Matériaux et documents d’architecture et de sculpture. Though unique in its vast geographic scope and empiricist approach, Raguenet’s project remains relatively obscure in the current scholarship of art and architectural history. Published monthly in eight-page pamphlets totaling over five hundred serialised issues, the Matériaux et documents ultimately contained over fourteen thousand illustrations of ornaments collected from buildings, plazas, monuments, and cemeteries across the European continent. Raguenet’s ornamental gaze moves seamlessly from Haussmann-era apartment buildings, to universal expositions in Paris and abroad, to the façades of Lavirotte, Schoellkopf, and Guimard, reflecting the production and reproduction of ornament literature during the period of the Belle Époque. The collecting and cataloguing of architecture elements into categories – windows, cartouche, doors, capitals, balconies, etc. – is aided by the maturation of print media, the passenger railroad industry, and the rise of photographic reproduction in the late nineteenth century. This reading of the Matériaux et documents will introduce its context, contents, and methodology, as well as the role of ornament in imagining and observing the emergence of a new ‘modern style’ at the end of the nineteenth century.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"84 1","pages":"355 - 370"},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74556350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-01DOI: 10.1017/S1359135522000185
{"title":"ARQ volume 25 issue 4 Cover and Front matter","authors":"","doi":"10.1017/S1359135522000185","DOIUrl":"https://doi.org/10.1017/S1359135522000185","url":null,"abstract":"","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"52 1","pages":"f1 - f4"},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86163158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-01DOI: 10.1017/S1359135522000124
Xi Ye
Chinese men of letters pursued the idea of a poetic life in feudal times, and this ideal was often embodied in traditional gardening and landscape paintings. However, it has been argued that the pursuit of this traditional notion of poetic life has been lost with the arrival of modernity. In this view, Chinese cities are seen as losing their identities and becoming Westernised. Wang Shu, the Pritzker Prize-winning Chinese architect, has taken great efforts to rebuild an understanding of Chinese cultural identity: by looking back to the idea of poetic life reflected in traditional gardens and landscape paintings, and attempting to recompose a sense of poetry for contemporary architecture. This article aims to examine Wang’s approaches to this sense of poetry in one of his projects, the design of Xiangshan campus while, at the same time, seeking to offer a Chinese reflection on the architecture of poetry. However, Wang’s approach to using visual and metaphoric techniques in reviving the city’s poetic system can be questioned. His tactics, considered here in relation to the Xiangshan campus, arguably do not fully understand Chinese aesthetics, and do not pose fully a contemporary definition of the ‘sense of poetry’ in relation to the traditional Chinese mind. A holistic interpretation of architectural poetry should concern life, both as living and pleasure, material and spirit, rather than dealing primarily in visual composition. Nevertheless, his efforts in exploring Chinese-ness and his influence on Chinese architects remain highly significant.
{"title":"Reviving a sense of poetry: assessing Wang Shu’s contemporary design practice","authors":"Xi Ye","doi":"10.1017/S1359135522000124","DOIUrl":"https://doi.org/10.1017/S1359135522000124","url":null,"abstract":"Chinese men of letters pursued the idea of a poetic life in feudal times, and this ideal was often embodied in traditional gardening and landscape paintings. However, it has been argued that the pursuit of this traditional notion of poetic life has been lost with the arrival of modernity. In this view, Chinese cities are seen as losing their identities and becoming Westernised. Wang Shu, the Pritzker Prize-winning Chinese architect, has taken great efforts to rebuild an understanding of Chinese cultural identity: by looking back to the idea of poetic life reflected in traditional gardens and landscape paintings, and attempting to recompose a sense of poetry for contemporary architecture. This article aims to examine Wang’s approaches to this sense of poetry in one of his projects, the design of Xiangshan campus while, at the same time, seeking to offer a Chinese reflection on the architecture of poetry. However, Wang’s approach to using visual and metaphoric techniques in reviving the city’s poetic system can be questioned. His tactics, considered here in relation to the Xiangshan campus, arguably do not fully understand Chinese aesthetics, and do not pose fully a contemporary definition of the ‘sense of poetry’ in relation to the traditional Chinese mind. A holistic interpretation of architectural poetry should concern life, both as living and pleasure, material and spirit, rather than dealing primarily in visual composition. Nevertheless, his efforts in exploring Chinese-ness and his influence on Chinese architects remain highly significant.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"16 1","pages":"324 - 336"},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75453834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/S1359135521000336
Thomas-Bernard Kenniff
In This Is What We Do: A Muf Manual, the partners of the firm muf architecture/art wrote that ‘paradoxically, in order to make the thing the collaboration has to be about the making of the relationship rather than the object.’1 This article takes this assertion as its basis and examines the implications of treating the individual and collective relationships that structure an architectural project – which I will refer to as the project’s relational field – as a site that can be manipulated in order to affect both production and outcome. This is achieved through the transposition of concepts from Mikhail Bakhtin’s work on creative activity, art, literature, and language to design using a case study of muf’s Barking Town Square project in London (2004–10).
在《这就是我们所做的:一本Muf手册》中，Muf建筑/艺术公司的合伙人写道:“矛盾的是，为了制作东西，合作必须建立关系，而不是对象。这篇文章以这一论断为基础，并探讨了如何处理构成建筑项目的个人和集体关系的含义——我将其称为项目的关系领域——作为一个可以被操纵的场所，以影响生产和结果。这是通过米哈伊尔·巴赫金(Mikhail Bakhtin)在创造性活动、艺术、文学和语言方面的作品的概念转换来实现的，并以muf在伦敦的Barking Town Square项目为例进行了设计(2004-10)。
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Pub Date : 2021-09-01DOI: 10.1017/S1359135521000324
Daniel Norell
Architectural production relies on form that can be drawn, quantified, and analysed through geometry. The incorporation of calculus-based form in the 1990s and the more recent incorporation of physics simulation has pushed the edge of formal and mathematical analysis, as well as of architectural production. Yet, mathematics remains largely invisible in the current landscape – rarely addressed in discourse and hidden behind software interfaces in daily practice. As Antoine Picon has noted, architecture has unprecedented access to mathematical objects, while at the same time remaining indifferent to its relation to mathematics.
{"title":"Geometries with agency: mathematics of form revisited","authors":"Daniel Norell","doi":"10.1017/S1359135521000324","DOIUrl":"https://doi.org/10.1017/S1359135521000324","url":null,"abstract":"Architectural production relies on form that can be drawn, quantified, and analysed through geometry. The incorporation of calculus-based form in the 1990s and the more recent incorporation of physics simulation has pushed the edge of formal and mathematical analysis, as well as of architectural production. Yet, mathematics remains largely invisible in the current landscape – rarely addressed in discourse and hidden behind software interfaces in daily practice. As Antoine Picon has noted, architecture has unprecedented access to mathematical objects, while at the same time remaining indifferent to its relation to mathematics.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"17 1","pages":"255 - 265"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75691488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/S1359135522000070
T. Vardouli
In June 1966 Hungarian-born French architect Yona Friedman travelled to the port town of Folkestone on the English Channel to join the International Dialogue of Experimental Architecture (IDEA). The event was a large two-day symposium on radical experiments in architecture and urbanism organised by the British architectural collective Archigram. A leading figure in experimental international groups of architects and artists crafting techno-futuristic visions of three-dimensionally expanding cities, Friedman seemed to be an essential participant in an event advertised as a convocation of ‘all Europe’s creative nuts’.
{"title":"Points and lines, nodes and rods: megastructure, graph realism, and Yona Friedman’s scientific architecture","authors":"T. Vardouli","doi":"10.1017/S1359135522000070","DOIUrl":"https://doi.org/10.1017/S1359135522000070","url":null,"abstract":"In June 1966 Hungarian-born French architect Yona Friedman travelled to the port town of Folkestone on the English Channel to join the International Dialogue of Experimental Architecture (IDEA). The event was a large two-day symposium on radical experiments in architecture and urbanism organised by the British architectural collective Archigram. A leading figure in experimental international groups of architects and artists crafting techno-futuristic visions of three-dimensionally expanding cities, Friedman seemed to be an essential participant in an event advertised as a convocation of ‘all Europe’s creative nuts’.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"1 1","pages":"245 - 254"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86063007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/s1359135522000021
Anna Myjak-Pycia
{"title":"Forgoing the architect’s vision: American home economists as pioneers of participatory design, 1930–60 – ERRATUM","authors":"Anna Myjak-Pycia","doi":"10.1017/s1359135522000021","DOIUrl":"https://doi.org/10.1017/s1359135522000021","url":null,"abstract":"","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"41 1","pages":"288 - 288"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80147037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/s1359135522000100
{"title":"ARQ volume 25 issue 3 Cover and Front matter","authors":"","doi":"10.1017/s1359135522000100","DOIUrl":"https://doi.org/10.1017/s1359135522000100","url":null,"abstract":"","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"28 1","pages":"f1 - f4"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77791502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/S1359135521000348
F. Proto
The second decade of the twenty-first century has been distinguished by a renewed interest in James Stirling and his architectural heritage – a sort of ‘James Stirling Renaissance’ – with many authors characterising Stirling predominantly as a late modernist architect.
{"title":"James Stirling’s post-avant-garde collage: the flatbed picture plane & the pursuit of virtuality","authors":"F. Proto","doi":"10.1017/S1359135521000348","DOIUrl":"https://doi.org/10.1017/S1359135521000348","url":null,"abstract":"The second decade of the twenty-first century has been distinguished by a renewed interest in James Stirling and his architectural heritage – a sort of ‘James Stirling Renaissance’ – with many authors characterising Stirling predominantly as a late modernist architect.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"3 1","pages":"231 - 244"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88664313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1017/s1359135521000312
Natcha Ruamsanitwong, James W. P. Campbell
In November 2004, the University of Cambridge announced its intention to close the Architecture Department,1 following a drop from a 5 to a 4 in the 2001 Research Assessment Exercise (RAE), which aimed to measure the quality of research activity across the Higher Education sector in the UK.2 Other departments in the University of Cambridge achieved a 5 or a 5* rating in the same exercise. In 2004 the University’s General Board, which oversees academic standards within the University, came to the conclusion that the Department of Architecture was making ‘insufficient progress towards meeting Cambridge standards in terms of research quality’ and advised that it should be shut down.3 While this remained a recommendation, with no official action having yet been made, the threat of closure sparked an outrage both within and outside Cambridge. After a campaign in the national press, the architecture department was saved [1, 2].
{"title":"Architectural research in university schools of architecture: Cambridge and the Bartlett, 1960–9","authors":"Natcha Ruamsanitwong, James W. P. Campbell","doi":"10.1017/s1359135521000312","DOIUrl":"https://doi.org/10.1017/s1359135521000312","url":null,"abstract":"In November 2004, the University of Cambridge announced its intention to close the Architecture Department,1 following a drop from a 5 to a 4 in the 2001 Research Assessment Exercise (RAE), which aimed to measure the quality of research activity across the Higher Education sector in the UK.2 Other departments in the University of Cambridge achieved a 5 or a 5* rating in the same exercise. In 2004 the University’s General Board, which oversees academic standards within the University, came to the conclusion that the Department of Architecture was making ‘insufficient progress towards meeting Cambridge standards in terms of research quality’ and advised that it should be shut down.3 While this remained a recommendation, with no official action having yet been made, the threat of closure sparked an outrage both within and outside Cambridge. After a campaign in the national press, the architecture department was saved [1, 2].","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"77 1","pages":"278 - 287"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84013245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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