{"title":"Stephen E. Ambrose, Patriot and Historian","authors":"Andrew Knapp","doi":"10.3917/rfea.177.0027","DOIUrl":"https://doi.org/10.3917/rfea.177.0027","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"83 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135461271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ezra Pound’s Negative Canon: The Worst Great Poets","authors":"Emilie Georges","doi":"10.3917/rfea.176.0066","DOIUrl":"https://doi.org/10.3917/rfea.176.0066","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"187 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En 1977, deux maisons d’édition, Humanoïdes Associés et Le Sagittaire, deviennent les premiers éditeurs de Charles Bukowski en France. Cet article explore, sur la base des archives et mémoires d’éditeurs, comment la course à la publication de Bukowski et la volonté des deux maisons de se poser en « découvreurs » de l’auteur ont conduit à sa consécration. Il démontre que les intermédiaires de la littérature ont joué un rôle essentiel dans une forme de canonisation de l’auteur en France dès ses débuts.
{"title":"Humanoïdes Associés, Le Sagittaire, and the Race to Publish Charles Bukowski in France in 1977-1978","authors":"Amélie Macaud","doi":"10.3917/rfea.176.0096","DOIUrl":"https://doi.org/10.3917/rfea.176.0096","url":null,"abstract":"En 1977, deux maisons d’édition, Humanoïdes Associés et Le Sagittaire, deviennent les premiers éditeurs de Charles Bukowski en France. Cet article explore, sur la base des archives et mémoires d’éditeurs, comment la course à la publication de Bukowski et la volonté des deux maisons de se poser en « découvreurs » de l’auteur ont conduit à sa consécration. Il démontre que les intermédiaires de la littérature ont joué un rôle essentiel dans une forme de canonisation de l’auteur en France dès ses débuts.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Légitimité, autorité, canons : perspectives sur la construction d’une identité étasunienne","authors":"Sébastien Mort, Sylvie Bauer, Elizabeth Mullen","doi":"10.3917/rfea.176.0003","DOIUrl":"https://doi.org/10.3917/rfea.176.0003","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’autorité en question dans The Gold Bug Variations de Richard Powers","authors":"Jean-Yves Pellegrin","doi":"10.3917/rfea.176.0016","DOIUrl":"https://doi.org/10.3917/rfea.176.0016","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"187 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article interroge la place problématique de l’écrivain William Gilmore Simms, de son vivant l’une des figures littéraires les plus populaires du Vieux Sud, et qui fut par la suite tenu à l’écart du canon américain. Alors que les deux principales biographies s’appuient sur la monumentalité et le volume pour saisir la présence de Simms, il est possible de s’appuyer sur sa fiction courte pour repenser son rôle dans l’histoire littéraire des États-Unis, à mi-chemin entre présence et absence.
{"title":"Approaching the Contours of an American [Man] of Letters : William Gilmore Simms (1806-1870)","authors":"Gabriel Daveau","doi":"10.3917/rfea.176.0082","DOIUrl":"https://doi.org/10.3917/rfea.176.0082","url":null,"abstract":"Cet article interroge la place problématique de l’écrivain William Gilmore Simms, de son vivant l’une des figures littéraires les plus populaires du Vieux Sud, et qui fut par la suite tenu à l’écart du canon américain. Alors que les deux principales biographies s’appuient sur la monumentalité et le volume pour saisir la présence de Simms, il est possible de s’appuyer sur sa fiction courte pour repenser son rôle dans l’histoire littéraire des États-Unis, à mi-chemin entre présence et absence.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Taking into account the inclusion of a legal deposition in a fictional text—namely in the short story “Benito Cereno” by Herman Melville—this article explores the link between these two regimes of writing. Using the concepts Jacques Derrida articulates in his text “Force of Law”, the article analyzes how Melville’s poetics deconstructs legal authority and fiction itself, but also how the text deconstructs law, in the name of justice. The latter is to be found in the “à-venir” of the text, foreshadowed by the dissemination of strategies of silence. These stand out as forms of political resistance which we will attempt to delineate in relation to the philosophy of Jacques Rancière.
{"title":"Déconstruction du droit et à-venir de la justice dans « Benito Cereno » de Herman Melville : à propos de la déposition d’Amasa Delano","authors":"Caroline Hildebrandt","doi":"10.3917/rfea.176.0052","DOIUrl":"https://doi.org/10.3917/rfea.176.0052","url":null,"abstract":"Taking into account the inclusion of a legal deposition in a fictional text—namely in the short story “Benito Cereno” by Herman Melville—this article explores the link between these two regimes of writing. Using the concepts Jacques Derrida articulates in his text “Force of Law”, the article analyzes how Melville’s poetics deconstructs legal authority and fiction itself, but also how the text deconstructs law, in the name of justice. The latter is to be found in the “à-venir” of the text, foreshadowed by the dissemination of strategies of silence. These stand out as forms of political resistance which we will attempt to delineate in relation to the philosophy of Jacques Rancière.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article étudie un vaste ensemble de photographies de Chicago produites par des amateurs dans les décennies d’après-guerre et destinées à la recherche et la publication sur la ville. Il examine la façon dont des photographes de classe moyenne ont collectivement défini une forme de documentation urbaine entre des normes hétérogènes venant de la pratique historique et de la culture des camera clubs. Il contribue à une histoire étendue de la photographie documentaire telle qu’elle a été définie et pratiquée par divers acteurs individuels et institutionnels.
{"title":"Finding Photographic Recognition in the City: The Chicagoland-in-Pictures Amateur Historical Photography Project","authors":"Éliane de Larminat","doi":"10.3917/rfea.176.0028","DOIUrl":"https://doi.org/10.3917/rfea.176.0028","url":null,"abstract":"Cet article étudie un vaste ensemble de photographies de Chicago produites par des amateurs dans les décennies d’après-guerre et destinées à la recherche et la publication sur la ville. Il examine la façon dont des photographes de classe moyenne ont collectivement défini une forme de documentation urbaine entre des normes hétérogènes venant de la pratique historique et de la culture des camera clubs. Il contribue à une histoire étendue de la photographie documentaire telle qu’elle a été définie et pratiquée par divers acteurs individuels et institutionnels.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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