{"title":"La recherche du bonheur dans la Virginie coloniale","authors":"É. Marienstras","doi":"10.3917/rfea.157.0090","DOIUrl":"https://doi.org/10.3917/rfea.157.0090","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"1 1","pages":"90"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83579942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article aims to identify the contributions of Steve Reich’s music to sociology. His music reveals three main characteristics: it is made out of empirical material collected on the field; it is a theory of processes; it is a political and cultural act. Steve Reich’s music affects sociology on these three points: it reminds the sociologist of the nature of his craft and his commitment to the social world, questions his methods and practice; it even sheds light on his own concepts (in particular that of “process”). The author proposes to extract from Steve Reich’s compositional work some useful elements for the profession of sociologist.
{"title":"Débattre la mesure : l’imagination sociologique de Steve Reich","authors":"Jean-François Orianne","doi":"10.3917/RFEA.156.0105","DOIUrl":"https://doi.org/10.3917/RFEA.156.0105","url":null,"abstract":"This article aims to identify the contributions of Steve Reich’s music to sociology. His music reveals three main characteristics: it is made out of empirical material collected on the field; it is a theory of processes; it is a political and cultural act. Steve Reich’s music affects sociology on these three points: it reminds the sociologist of the nature of his craft and his commitment to the social world, questions his methods and practice; it even sheds light on his own concepts (in particular that of “process”). The author proposes to extract from Steve Reich’s compositional work some useful elements for the profession of sociologist.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"73 1","pages":"105-122"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86809772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Religion et sainteté dans Purple America de Rick Moody","authors":"B. Pire","doi":"10.3917/rfea.154.0102","DOIUrl":"https://doi.org/10.3917/rfea.154.0102","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"21 1","pages":"102-112"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82030153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the mid-19th century, recreational opium use began to spread in America. Initially seen as an innocuous remedy, it soon morphed into a hobby—and a vice—for a select few via a newly imported establishment: the “Chinese” opium den. Seen as a source of potential moral decay and physical deterioration by mainstream hygienist discourse, the opium den was also a sanctuary and a home for its disciples. Caught between evolving notions of identity, community, morality and a scientific revolution in the making, the opium den briefly embodied the defining struggles of turn-of-the-century urban America.
{"title":"Les sociétés de l’opium : regards croisés sur la fumerie new-yorkaise au xixe siècle","authors":"I. Delcourt","doi":"10.3917/RFEA.156.0056","DOIUrl":"https://doi.org/10.3917/RFEA.156.0056","url":null,"abstract":"In the mid-19th century, recreational opium use began to spread in America. Initially seen as an innocuous remedy, it soon morphed into a hobby—and a vice—for a select few via a newly imported establishment: the “Chinese” opium den. Seen as a source of potential moral decay and physical deterioration by mainstream hygienist discourse, the opium den was also a sanctuary and a home for its disciples. Caught between evolving notions of identity, community, morality and a scientific revolution in the making, the opium den briefly embodied the defining struggles of turn-of-the-century urban America.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"1 1","pages":"56-70"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82137313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le recueil The Black Automaton de Douglas Kearney illustre de facon eclatante les differentes manieres dont certaines techniques litteraires comme le montage et le collage permettent aux poetes de se positionner dans le temps et l’histoire litteraire ou culturelle. Travaillant a partir d’extraits de morceaux de musique et de poemes, Kearney s’approprie ces techniques pour offrir un commentaire poetique sur le langage et le temps historique profondement informe par l’experience des Noirs aux Etats-Unis. La figure de l’« Automate noir » relie les fragments entre eux afin d’explorer les limites de l’autodetermination dans un contexte d’alienation culturelle.
道格拉斯·科尔尼(Douglas Kearney)的作品集《黑色自动装置》(The Black Automaton)生动地展示了一些文学技巧，如蒙太奇和拼贴，使诗人能够在时间、文学或文化历史中定位自己。科尔尼从音乐和诗歌中选取片段，运用这些技巧，对黑人在美国的经历所塑造的语言和历史时代进行诗意的评论。“黑色机器人”的形象将碎片连接在一起，探索文化异化背景下自我决定的局限性。
{"title":"The inaudible man: Literary sampling and agency in Douglas Kearney’s Black Automaton","authors":"C. Vettorato","doi":"10.3917/RFEA.154.0092","DOIUrl":"https://doi.org/10.3917/RFEA.154.0092","url":null,"abstract":"Le recueil The Black Automaton de Douglas Kearney illustre de facon eclatante les differentes manieres dont certaines techniques litteraires comme le montage et le collage permettent aux poetes de se positionner dans le temps et l’histoire litteraire ou culturelle. Travaillant a partir d’extraits de morceaux de musique et de poemes, Kearney s’approprie ces techniques pour offrir un commentaire poetique sur le langage et le temps historique profondement informe par l’experience des Noirs aux Etats-Unis. La figure de l’« Automate noir » relie les fragments entre eux afin d’explorer les limites de l’autodetermination dans un contexte d’alienation culturelle.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"3 1","pages":"92-101"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83269540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this extract from her 2012 unpublished manuscript, Les Intellectuels critiques aux Etats-Unis. 1913-1933. Chronique d’une generation oubliee, Anne Ollivier-Mellios offers insight into the rich transatlantic exchanges between American and French intellectuals in the immediate aftermath of the First World War and in the continuity of peace activism. Through personal letters and published editorials, she maps the attempts to set up international organizations, and she records how French and American radical or liberal intellectuals struggled to find a common definition of the commitment, role and means of political action of the artist or writer. Ultimately she suggests that these earlier transatlantic debates informed local achievements but also the rifts and failures in New York’s intellectual circles in the 1930s.
本文节选自她2012年未发表的手稿《知性的批判》(Les Intellectuels critique aux Etats-Unis)。1913 - 1933。安妮·奥利维尔-梅利奥斯的《不可能的一代》一书深入探讨了第一次世界大战后美国和法国知识分子之间丰富的跨大西洋交流，以及和平运动的延续。通过私人信件和发表的社论，她描绘了建立国际组织的尝试，她记录了法国和美国的激进或自由知识分子如何努力寻找艺术家或作家的承诺、角色和政治行动方式的共同定义。最后，她指出，这些早期的跨大西洋辩论为当地的成就提供了信息，但也为20世纪30年代纽约知识界的分歧和失败提供了信息。
{"title":"L’après-guerre ou la tentation internationaliste des intellectuels critiques (1919-1922)","authors":"Anne Ollivier-Mellios, Laurence Cossu-Beaumont","doi":"10.3917/rfea.155.0088","DOIUrl":"https://doi.org/10.3917/rfea.155.0088","url":null,"abstract":"In this extract from her 2012 unpublished manuscript, Les Intellectuels critiques aux Etats-Unis. 1913-1933. Chronique d’une generation oubliee, Anne Ollivier-Mellios offers insight into the rich transatlantic exchanges between American and French intellectuals in the immediate aftermath of the First World War and in the continuity of peace activism. Through personal letters and published editorials, she maps the attempts to set up international organizations, and she records how French and American radical or liberal intellectuals struggled to find a common definition of the commitment, role and means of political action of the artist or writer. Ultimately she suggests that these earlier transatlantic debates informed local achievements but also the rifts and failures in New York’s intellectual circles in the 1930s.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"25 1","pages":"88-104"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87400864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Deplacant l’accent mis sur la voix et le langage vers la genese de la composition du texte et ses dissonances, cet essai explore comment Their Eyes were Watching God (1937) de Zora Neale Hurston illustre, par son utilisation du materiau du folklore, une esthetique qui ressortit au modernisme africain americain ou « modernisme vernaculaire » et fonctionne comme critique du courant moderniste dominant. La construction et la composition du texte revelent qu’il s’agit d’un collage et d’un montage aux « coutures » eminemment visibles. Une analyse du recit d’esclave de Nanny, de l’episode de la mule de Matt Bonner, ainsi que la danse du feu dans les Everglades permet de montrer comment le modernisme de Their Eyes provient d’une intertextualite interne, inherente au processus creatif de Hurston et aux differents genres qu’elle pratiquait. Il provient aussi, irrefutablement, de sa pratique du theâtre. Le roman, en prolongement du folklore noir, est comme lui « en train de se faire » ; il porte la marque de « la brusquerie des recits contes », une des « Caracteristiques de l’expression negre » (1934).
{"title":"Signifyin’ (on) Modernism: The Jagged Harmony of Their Eyes were Watching God","authors":"C. Raynaud","doi":"10.3917/RFEA.154.0033","DOIUrl":"https://doi.org/10.3917/RFEA.154.0033","url":null,"abstract":"Deplacant l’accent mis sur la voix et le langage vers la genese de la composition du texte et ses dissonances, cet essai explore comment Their Eyes were Watching God (1937) de Zora Neale Hurston illustre, par son utilisation du materiau du folklore, une esthetique qui ressortit au modernisme africain americain ou « modernisme vernaculaire » et fonctionne comme critique du courant moderniste dominant. La construction et la composition du texte revelent qu’il s’agit d’un collage et d’un montage aux « coutures » eminemment visibles. Une analyse du recit d’esclave de Nanny, de l’episode de la mule de Matt Bonner, ainsi que la danse du feu dans les Everglades permet de montrer comment le modernisme de Their Eyes provient d’une intertextualite interne, inherente au processus creatif de Hurston et aux differents genres qu’elle pratiquait. Il provient aussi, irrefutablement, de sa pratique du theâtre. Le roman, en prolongement du folklore noir, est comme lui « en train de se faire » ; il porte la marque de « la brusquerie des recits contes », une des « Caracteristiques de l’expression negre » (1934).","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"29 1","pages":"33-49"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76183008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le mariage dans les romances historiques du premier XIXe siècle: Dénouement heureux, bonheur matrimonial et harmonie nationale","authors":"Pauline Pilote","doi":"10.3917/RFEA.157.0019","DOIUrl":"https://doi.org/10.3917/RFEA.157.0019","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"1 1","pages":"19"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77394279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study focuses on the intellectual process by which historian Howard Zinn conducted research about the bombings of Royan in 1945. It looks at the historian’s published work on the topic in both English and French and considers the political motivations which prompted him to look into this particular event. The uniqueness of this investigation is due to the personal dimension of this military episode because Zinn served as a US Air Force bombardier during the war. Yet it is only in the specific context of the 1960s that he realized the historical value of his experience.
{"title":"D’Hiroshima à Hanoï : le bombardement de Royan dans l’œuvre de Howard Zinn (1970-2011)","authors":"Ambre Ivol","doi":"10.3917/rfea.155.0043","DOIUrl":"https://doi.org/10.3917/rfea.155.0043","url":null,"abstract":"This study focuses on the intellectual process by which historian Howard Zinn conducted research about the bombings of Royan in 1945. It looks at the historian’s published work on the topic in both English and French and considers the political motivations which prompted him to look into this particular event. The uniqueness of this investigation is due to the personal dimension of this military episode because Zinn served as a US Air Force bombardier during the war. Yet it is only in the specific context of the 1960s that he realized the historical value of his experience.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"5 1","pages":"43-61"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86686839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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