{"title":"Autour de Philip Roth","authors":"Paule Lévy","doi":"10.3917/RFEA.166.0003","DOIUrl":"https://doi.org/10.3917/RFEA.166.0003","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"24 1","pages":"3-7"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90897921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L’ecrivain juif americain Alan Lelchuk a joue un role important dans la carriere et la vie de Philip Roth dans les annees soixante-dix, bien que les ambiguites de leur relation litteraire et personnelle n’aient que peu attire l’attention de la critique. On s’efforcera de combler cette lacune en abordant le roman de Lelchuk Ziff: A Life? et plus brievement Exit Ghost de Roth comme des metabiographies fictionnelles qui s’inspirent de cette relation pour aborder sur un mode ironique de plus larges questions ethiques et esthetiques.
{"title":"A Bit of Jewish-American Mischief: Fictional Metabiography in Alan Lelchuk’s Ziff: A Life? and Philip Roth’s Exit Ghost","authors":"D. Brauner","doi":"10.3917/RFEA.166.0046","DOIUrl":"https://doi.org/10.3917/RFEA.166.0046","url":null,"abstract":"L’ecrivain juif americain Alan Lelchuk a joue un role important dans la carriere et la vie de Philip Roth dans les annees soixante-dix, bien que les ambiguites de leur relation litteraire et personnelle n’aient que peu attire l’attention de la critique. On s’efforcera de combler cette lacune en abordant le roman de Lelchuk Ziff: A Life? et plus brievement Exit Ghost de Roth comme des metabiographies fictionnelles qui s’inspirent de cette relation pour aborder sur un mode ironique de plus larges questions ethiques et esthetiques.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"15 1","pages":"46-61"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81786157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article porte sur les usages de la lecture et des textes litteraires dans La Lecon d’anatomie de Philip Roth (1983) : l’interpretation des echos intertextuels entend etre ici etroitement articulee a l’etude du portrait de l’artiste en lecteur dans la diegese romanesque. Ecrivain malade, souffrant d’une douleur chronique a la nuque et d’un manque tout aussi chronique d’inspiration, le Zuckerman de La Lecon d’anatomie se tourne vers la lecture de textes sur la maladie, le mal et la souffrance, qui se revelent etre des remedes inadaptes mais de bons revelateurs du rapport irreverencieux qu’entretient le texte de Roth au canon de la litterature europeenne. Cet article s’efforcera de cerner plus precisement la nature de cette irreverence litteraire, en montrant comment l’incorporation d’une influence suppose chez Roth une forme de destruction partielle a travers la transformation parodique ou burlesque. Nous tenterons neanmoins de montrer que la dynamique irreverencieuse de l’ecriture n’empeche pas une forme de sacralisation attachee a certaines zones de texte et d’experience.
本文的重点是菲利普·罗斯(Philip Roth)的《解剖学课》(the Lecon of anatomie, 1983)中阅读和文学文本的使用:在这里，互文回声的解释旨在与小说叙事中作为读者的艺术家肖像的研究密切相关。作家病人患有慢性疼痛、颈部和一位缺乏灵感,也是慢性Zuckerman Lecon转向阅读文本上解剖疾病、伤害和痛苦,出现revelent做报告的直接启示inadaptes良好但irreverencieux案文与罗斯在欧洲文学的炮灰。本文将试图更准确地界定这种文学不敬的本质，展示在罗斯的作品中，一种影响的整合是如何通过戏仿或滑稽的转变而导致部分破坏的。然而，我们将试图表明，圣经中不敬的动态并不妨碍一种附在文本和经验某些领域的神圣化形式。
{"title":"Sickbed Reading: Intertextual Echoes in The Anatomy Lesson by Philip Roth (1983)","authors":"Aurélie Guillain","doi":"10.3917/RFEA.166.0008","DOIUrl":"https://doi.org/10.3917/RFEA.166.0008","url":null,"abstract":"Cet article porte sur les usages de la lecture et des textes litteraires dans La Lecon d’anatomie de Philip Roth (1983) : l’interpretation des echos intertextuels entend etre ici etroitement articulee a l’etude du portrait de l’artiste en lecteur dans la diegese romanesque. Ecrivain malade, souffrant d’une douleur chronique a la nuque et d’un manque tout aussi chronique d’inspiration, le Zuckerman de La Lecon d’anatomie se tourne vers la lecture de textes sur la maladie, le mal et la souffrance, qui se revelent etre des remedes inadaptes mais de bons revelateurs du rapport irreverencieux qu’entretient le texte de Roth au canon de la litterature europeenne. Cet article s’efforcera de cerner plus precisement la nature de cette irreverence litteraire, en montrant comment l’incorporation d’une influence suppose chez Roth une forme de destruction partielle a travers la transformation parodique ou burlesque. Nous tenterons neanmoins de montrer que la dynamique irreverencieuse de l’ecriture n’empeche pas une forme de sacralisation attachee a certaines zones de texte et d’experience.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"101 1","pages":"8-20"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79325975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Organized as a diptych to reproduce the inner organization of the novel, the present article aims to show that Sabbath’s Theater stages a fight between Eros and Thanatos that apparently results in an unexpected tie-game of a nature to challenge many a theoretical aesthetic and psychoanalytical assumption. The energies of the Love Instinct are pit up against the forces of the Death Drive in the arena of a constant confrontation of harrowing obscenity and transgression juxtaposed with distressing representations of the haunting of death and forebodings of suicide. Highly destabilizing, the text thus locks its reader in a theater of rejection and sympathy that does not leave him/her unscathed, and ultimately produces an experiment in form that helps understand why Roth considered it his best achievement.
{"title":"“He could not fucking die”: le tie-game dans Sabbath’s Theater de Philip Roth","authors":"M. Amfreville","doi":"10.3917/RFEA.166.0021","DOIUrl":"https://doi.org/10.3917/RFEA.166.0021","url":null,"abstract":"Organized as a diptych to reproduce the inner organization of the novel, the present article aims to show that Sabbath’s Theater stages a fight between Eros and Thanatos that apparently results in an unexpected tie-game of a nature to challenge many a theoretical aesthetic and psychoanalytical assumption. The energies of the Love Instinct are pit up against the forces of the Death Drive in the arena of a constant confrontation of harrowing obscenity and transgression juxtaposed with distressing representations of the haunting of death and forebodings of suicide. Highly destabilizing, the text thus locks its reader in a theater of rejection and sympathy that does not leave him/her unscathed, and ultimately produces an experiment in form that helps understand why Roth considered it his best achievement.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"181 1","pages":"21-32"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80217778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet essai a trait a « l’heritage » rothien. Au travers, principalement, de l’etude d’une nouvelle de Sam Apple publiee en 2015 et d’un roman graphique publie par Anya Ulinich en 2014, on s’interessera a la facon dont les successeurs et disciples de l’auteur s’emploient a le mettre en scene et a le reinventer dans leur fiction, suivant un processus qui tient tout a la fois de l’hommage respectueux et de l’irreverence parodique. La demarche, par-dela toute anxiete de l’influence, procede d’une reflexion ironique sur les rapports entre fiction et metafiction ainsi que sur les ambiguites et les paradoxes inherents a toute representation de soi-meme et d’autrui.
{"title":"Reinventing Philip Roth in the Fiction of Others","authors":"Victoria Aarons","doi":"10.3917/RFEA.166.0062","DOIUrl":"https://doi.org/10.3917/RFEA.166.0062","url":null,"abstract":"Cet essai a trait a « l’heritage » rothien. Au travers, principalement, de l’etude d’une nouvelle de Sam Apple publiee en 2015 et d’un roman graphique publie par Anya Ulinich en 2014, on s’interessera a la facon dont les successeurs et disciples de l’auteur s’emploient a le mettre en scene et a le reinventer dans leur fiction, suivant un processus qui tient tout a la fois de l’hommage respectueux et de l’irreverence parodique. La demarche, par-dela toute anxiete de l’influence, procede d’une reflexion ironique sur les rapports entre fiction et metafiction ainsi que sur les ambiguites et les paradoxes inherents a toute representation de soi-meme et d’autrui.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"90 1","pages":"62-74"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79588566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Human Stain is a novel of secrets: the novel of a man’s secret—the secret of a literature professor, Coleman Silk. The secret which the narrative inquires about and discloses is not a mere, nor a unique reality, but an always already duplicated and complex one. Zuckerman’s novel, embedded in Roth’s, is the narrative of a passion that is not unrelated to what Jacques Derrida calls “the secret without secret” of literature. Nathan is a homodiegetic narrator whose witnessing and connection to the character of Coleman eventually takes on an unexpected and growing place in the narrative.
{"title":"La passion du secret dans The Human Stain de Philip Roth","authors":"I. Alfandary","doi":"10.3917/RFEA.166.0033","DOIUrl":"https://doi.org/10.3917/RFEA.166.0033","url":null,"abstract":"The Human Stain is a novel of secrets: the novel of a man’s secret—the secret of a literature professor, Coleman Silk. The secret which the narrative inquires about and discloses is not a mere, nor a unique reality, but an always already duplicated and complex one. Zuckerman’s novel, embedded in Roth’s, is the narrative of a passion that is not unrelated to what Jacques Derrida calls “the secret without secret” of literature. Nathan is a homodiegetic narrator whose witnessing and connection to the character of Coleman eventually takes on an unexpected and growing place in the narrative.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"40 1","pages":"33-45"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90491520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La bibliotheque Ella Reid, etablissement reserve aux Africain.e.s-Americain.e.s pendant la segregation, a ete ouverte au public entre les annees 1940 et 1960 dans la ville de Tyler, au Texas. Ses archives sont aujourd’hui hebergees par une bibliotheque de recherche a Philadelphie en Pennsylvanie, tandis que la bibliotheque municipale de Tyler n’a conserve qu’une copie des originaux. Les archives et leurs copies peuvent sembler identiques, mais, comme cet article l’affirme, la difference de contexte materiel et institutionnel rend possible une lecture de ces sources dans des perspectives multiples. L’auteure revient sur sa propre experience en tant que specialiste de l’histoire des bibliotheques, utilisant les archives de la bibliotheque Ella Reid a Philadelphie et a Tyler, afin d’explorer l’impact des pratiques archivistiques et des decisions institutionnelles sur l’histoire et la memoire.
{"title":"One Collection, Two Contexts: The Ella Reid Public Library Archives","authors":"C. Knott","doi":"10.3917/rfea.162.0051","DOIUrl":"https://doi.org/10.3917/rfea.162.0051","url":null,"abstract":"La bibliotheque Ella Reid, etablissement reserve aux Africain.e.s-Americain.e.s pendant la segregation, a ete ouverte au public entre les annees 1940 et 1960 dans la ville de Tyler, au Texas. Ses archives sont aujourd’hui hebergees par une bibliotheque de recherche a Philadelphie en Pennsylvanie, tandis que la bibliotheque municipale de Tyler n’a conserve qu’une copie des originaux. Les archives et leurs copies peuvent sembler identiques, mais, comme cet article l’affirme, la difference de contexte materiel et institutionnel rend possible une lecture de ces sources dans des perspectives multiples. L’auteure revient sur sa propre experience en tant que specialiste de l’histoire des bibliotheques, utilisant les archives de la bibliotheque Ella Reid a Philadelphie et a Tyler, afin d’explorer l’impact des pratiques archivistiques et des decisions institutionnelles sur l’histoire et la memoire.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"1 1","pages":"51-66"},"PeriodicalIF":0.0,"publicationDate":"2020-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89977822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Chris Kraus’ texts show a great fascination with the figure of the artist as loser, which is most famously the case with her 1997 cult novel I Love Dick. This article questions the strategies deployed by the writer to explore the paradoxical logic of the loser – starting with the idea of what, exactly, is meant by losing in a culture in which one rejects the standards that define winning. Kraus promotes the letter/diary as a deliberately minor literary mode, situating her work within an intellectual and artistic tradition that identifies itself with the margins of the literary and art worlds. Here, the artist thinks of herself in terms of rivalry: rivalry with her own ambitions as well as with the artistic institutions she tries to find a place in. By valorizing losing as a mode of authenticity, Chris Kraus brings to the fore a tradition of subversion within a world of various coded rivalries (between men and women, between overt and shameful desire, between artists in the art market, etc.) and in doing so establishes the art of losing as a radical ethical position.
克里斯·克劳斯(Chris Kraus)的文本对艺术家作为失败者的形象表现出极大的迷恋，这在她1997年的邪典小说《我爱迪克》(I Love Dick)中最为著名。本文质疑作者为探索失败者的矛盾逻辑而采用的策略——首先是在一个拒绝定义胜利的标准的文化中，失败究竟意味着什么。克劳斯有意将书信/日记作为一种次要的文学模式，将她的作品置于一种知识和艺术传统中，这种传统将自己定位于文学和艺术世界的边缘。在这里，艺术家从竞争的角度思考自己:与自己的野心以及与她试图在其中找到一席之地的艺术机构的竞争。通过将失去作为一种真实的模式进行估价，克里斯·克劳斯在一个充满各种编码竞争(男人和女人之间，公开和可耻的欲望之间，艺术市场上的艺术家之间，等等)的世界中突出了颠覆的传统，并通过这样做建立了失去的艺术作为一种激进的伦理立场。
{"title":"Chris Kraus’ Auto-Fictional Strategies of Failure","authors":"A. Rigaud","doi":"10.3917/rfea.163.0046","DOIUrl":"https://doi.org/10.3917/rfea.163.0046","url":null,"abstract":"Chris Kraus’ texts show a great fascination with the figure of the artist as loser, which is most famously the case with her 1997 cult novel I Love Dick. This article questions the strategies deployed by the writer to explore the paradoxical logic of the loser – starting with the idea of what, exactly, is meant by losing in a culture in which one rejects the standards that define winning. Kraus promotes the letter/diary as a deliberately minor literary mode, situating her work within an intellectual and artistic tradition that identifies itself with the margins of the literary and art worlds. Here, the artist thinks of herself in terms of rivalry: rivalry with her own ambitions as well as with the artistic institutions she tries to find a place in. By valorizing losing as a mode of authenticity, Chris Kraus brings to the fore a tradition of subversion within a world of various coded rivalries (between men and women, between overt and shameful desire, between artists in the art market, etc.) and in doing so establishes the art of losing as a radical ethical position.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"74 1","pages":"46-58"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88516672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Look Well Before You Leap: African Americans and the Debate over Emigration to Trinidad in the Urban North 1839-1841","authors":"Ousmane K. Power-Greene","doi":"10.3917/rfea.164.0071","DOIUrl":"https://doi.org/10.3917/rfea.164.0071","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"65 1","pages":"71"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88986365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1914-1917 : Paris et l’American Ambulance. La philanthropie américaine à l’œuvre","authors":"N. Fouché","doi":"10.3917/rfea.162.0082","DOIUrl":"https://doi.org/10.3917/rfea.162.0082","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":"478 1","pages":"82"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77767643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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