Pub Date : 2023-09-01DOI: 10.1177/00472441231193657c
Jeremy Black
American entertainment machine, set it apart from the slow trickle of studies and books coming out on Portuguese Cinema in English. The data it presents, including the two appendices, can be of much use to other scholars who can draw on it in further studies. It reads well and its argument is consistent throughout. A few minor things might have made the book even more appealing. For one, it surprises that a book devoted to cinema, especially a cinema that can freely be considered as semi-peripheral, does not include any stills from the various films discussed. Indeed, photographs of the various elements of production would have been a great asset and could have easily contributed to draw more interest to Portuguese cinema as a whole and in relation to specific films. The photo of a filming crew that adorns the book’s cover is the lone exception that proverbially proves the rule. Another, the fact that although it does not ignore the power of ideology, it attempts a form of impartiality that can never prevail. Given the book’s detailed and complex attention to material conditions of production, one could have benefitted from a brief consideration of the events from a materialist perspective. All in all, however, a most welcome contribution to Portuguese studies and to Film studies.
{"title":"Book Review: Maurizio Isabella: Southern Europe in the Age of Revolutions","authors":"Jeremy Black","doi":"10.1177/00472441231193657c","DOIUrl":"https://doi.org/10.1177/00472441231193657c","url":null,"abstract":"American entertainment machine, set it apart from the slow trickle of studies and books coming out on Portuguese Cinema in English. The data it presents, including the two appendices, can be of much use to other scholars who can draw on it in further studies. It reads well and its argument is consistent throughout. A few minor things might have made the book even more appealing. For one, it surprises that a book devoted to cinema, especially a cinema that can freely be considered as semi-peripheral, does not include any stills from the various films discussed. Indeed, photographs of the various elements of production would have been a great asset and could have easily contributed to draw more interest to Portuguese cinema as a whole and in relation to specific films. The photo of a filming crew that adorns the book’s cover is the lone exception that proverbially proves the rule. Another, the fact that although it does not ignore the power of ideology, it attempts a form of impartiality that can never prevail. Given the book’s detailed and complex attention to material conditions of production, one could have benefitted from a brief consideration of the events from a materialist perspective. All in all, however, a most welcome contribution to Portuguese studies and to Film studies.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"315 - 316"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46916632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1177/00472441231193657
Paul Bishop
{"title":"Book Review: Richard Wolin: Heidegger in Ruins: Between Philosophy and Ideology","authors":"Paul Bishop","doi":"10.1177/00472441231193657","DOIUrl":"https://doi.org/10.1177/00472441231193657","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"310 - 312"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49041427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1177/00472441231193657d
Jeremy Black
{"title":"Book Review: Christopher Clark: Revolutionary Spring: Europe Aflame and the Fight for a New World, 1848–1849","authors":"Jeremy Black","doi":"10.1177/00472441231193657d","DOIUrl":"https://doi.org/10.1177/00472441231193657d","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"316 - 317"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42771323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1177/00472441231193657b
Paulo de Medeiros
circumstances in which translation was undertaken were always complex: a woman translator was not necessarily translating as a woman. Finally, Brown opens up a new area for research by drawing attention to the amount of translation by women that remained in manuscript and may be increased by future archival research. She reconstructs the relative importance of manuscript versus print publication in early modern culture, showing that manuscripts often had high prestige: a text might be carefully copied as a valuable gift, while aristocrats often thought print publication beneath their dignity. Without underrating the potential importance of gender issues in the study of early modern translation, Brown fruitfully questions some critical orthodoxies by correcting anachronistic and over-simple interpretations. Her command of the relevant scholarship is confirmed by her bibliography, with its list of manuscripts consulted in German libraries, primary texts, and 25 pages of secondary literature. Clearly her prolonged visits to the Herzog August Bibliothek in Wolfenbüttel have reaped rewards.
进行翻译的环境总是很复杂：女性译者不一定是女性。最后，布朗通过提请人们注意手稿中女性的翻译量，开辟了一个新的研究领域，未来的档案研究可能会增加这些翻译量。她重建了现代早期文化中手稿与印刷出版物的相对重要性，表明手稿通常具有很高的声望：文本可能会被仔细复制作为一份宝贵的礼物，而贵族们通常认为印刷出版物有损于他们的尊严。在没有低估性别问题在早期现代翻译研究中的潜在重要性的情况下，布朗通过纠正不合时宜和过于简单的解释，对一些批判性正统观念提出了富有成效的质疑。她的参考书目、德国图书馆查阅的手稿清单、主要文本和25页的次要文献证实了她对相关学术的掌握。显然，她对Wolfenbüttel的Herzog August Bibliothek图书馆的长期访问获得了回报。
{"title":"Book Review: André Rui Graça: Portuguese Cinema (1960–2010): Consumption, Circulation and Commerce","authors":"Paulo de Medeiros","doi":"10.1177/00472441231193657b","DOIUrl":"https://doi.org/10.1177/00472441231193657b","url":null,"abstract":"circumstances in which translation was undertaken were always complex: a woman translator was not necessarily translating as a woman. Finally, Brown opens up a new area for research by drawing attention to the amount of translation by women that remained in manuscript and may be increased by future archival research. She reconstructs the relative importance of manuscript versus print publication in early modern culture, showing that manuscripts often had high prestige: a text might be carefully copied as a valuable gift, while aristocrats often thought print publication beneath their dignity. Without underrating the potential importance of gender issues in the study of early modern translation, Brown fruitfully questions some critical orthodoxies by correcting anachronistic and over-simple interpretations. Her command of the relevant scholarship is confirmed by her bibliography, with its list of manuscripts consulted in German libraries, primary texts, and 25 pages of secondary literature. Clearly her prolonged visits to the Herzog August Bibliothek in Wolfenbüttel have reaped rewards.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"313 - 315"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43760286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1177/00472441231193657a
Ritchie Robertson
{"title":"Book Review: Hilary Brown: Women and Early Modern Cultures of Translation: Beyond the Female Tradition","authors":"Ritchie Robertson","doi":"10.1177/00472441231193657a","DOIUrl":"https://doi.org/10.1177/00472441231193657a","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"312 - 313"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43626029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-07DOI: 10.1177/00472441231189029
N. Maksudyan
Ernest Hemingway arrived in Istanbul on 30 September 1922 to cover the end of the Greek–Turkish War for the Toronto Star. From late October to mid-November 1922, Hemingway wrote 20 articles about the last days of the war and the re-constellation of political legitimacy in the region. There are four distinguishing features of Hemingway’s reports from Constantinople. First, they provided an eloquent depiction of the city, suggesting the charm and squalor of old ‘Constan’ for the young writer. The second was a clear expectation of a ‘second disaster’, which was assumed to be a replica of Smyrna. Hemingway clearly observed the fears of non-Muslims and foreigners in the city, who were panicking over possible new massacres and pillage. Third, Hemingway quickly realized that the exodus of people – the desperate flight of Christian refugees – and Turkification of the country would be his main subject. His repeated emphasis on refugees permanent loss of a home is reminiscent of Hannah Arendt’s famous essay ‘We Refugees’, as well as a precursor to Agamben’s point that refugees are reduced to ‘bare life’. Lastly, his prose relied on irony and cynicism, as a cover for his disappointment and shame for humanity and modern civilization. Juxtaposing his writing with contemporary local accounts, I intend to situate his witnessing into the larger historiography of ‘Armistice Istanbul’ and the homogenization policies of the winning Turkish nationalist leadership. Hemingway’s critique of (homogeneous) nation-state formation after the war and the favourable involvement of the Allied countries and humanitarian agencies in the mass production of refugees was quite exceptional and ahead of his times.
{"title":"The fall of a city: Refugees, exodus and exile in Ernest Hemingway’s Istanbul, 1922","authors":"N. Maksudyan","doi":"10.1177/00472441231189029","DOIUrl":"https://doi.org/10.1177/00472441231189029","url":null,"abstract":"Ernest Hemingway arrived in Istanbul on 30 September 1922 to cover the end of the Greek–Turkish War for the Toronto Star. From late October to mid-November 1922, Hemingway wrote 20 articles about the last days of the war and the re-constellation of political legitimacy in the region. There are four distinguishing features of Hemingway’s reports from Constantinople. First, they provided an eloquent depiction of the city, suggesting the charm and squalor of old ‘Constan’ for the young writer. The second was a clear expectation of a ‘second disaster’, which was assumed to be a replica of Smyrna. Hemingway clearly observed the fears of non-Muslims and foreigners in the city, who were panicking over possible new massacres and pillage. Third, Hemingway quickly realized that the exodus of people – the desperate flight of Christian refugees – and Turkification of the country would be his main subject. His repeated emphasis on refugees permanent loss of a home is reminiscent of Hannah Arendt’s famous essay ‘We Refugees’, as well as a precursor to Agamben’s point that refugees are reduced to ‘bare life’. Lastly, his prose relied on irony and cynicism, as a cover for his disappointment and shame for humanity and modern civilization. Juxtaposing his writing with contemporary local accounts, I intend to situate his witnessing into the larger historiography of ‘Armistice Istanbul’ and the homogenization policies of the winning Turkish nationalist leadership. Hemingway’s critique of (homogeneous) nation-state formation after the war and the favourable involvement of the Allied countries and humanitarian agencies in the mass production of refugees was quite exceptional and ahead of his times.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"234 - 252"},"PeriodicalIF":0.3,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46973466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-07DOI: 10.1177/00472441231188781
Xiaohua Jiang
Blutbuch, Kim de l’Horizon’s debut and semi-autobiographical novel, portrays a homosexual protagonist resisting constraints upon their body, gender and sexuality – the normative and taken-for-granted division between the two sexes. As the protagonist adds new academic materials and sexual experiences to their Blutbuche (copper beech) and Barebacking (unprotected sexual practices) archive, they also realise how the plant’s cultural history resembles the gender history in European countries across the centuries – interference regulates both the plant’s colour and the human body and prevailing discrimination based on gender and race. The protagonist’s struggle with their mixed emotions towards their Swiss-German family background represented by their grandmother and mother changes from confusion and estrangement to affection and understanding. They undergo an anxious and tough journey while comprehending the complex interconnectedness between language and tradition, tree and body.
{"title":"Creating a Blutbuche and Barebacking archive: An analysis of Kim de l’Horizon’s Blutbuch (2022)","authors":"Xiaohua Jiang","doi":"10.1177/00472441231188781","DOIUrl":"https://doi.org/10.1177/00472441231188781","url":null,"abstract":"Blutbuch, Kim de l’Horizon’s debut and semi-autobiographical novel, portrays a homosexual protagonist resisting constraints upon their body, gender and sexuality – the normative and taken-for-granted division between the two sexes. As the protagonist adds new academic materials and sexual experiences to their Blutbuche (copper beech) and Barebacking (unprotected sexual practices) archive, they also realise how the plant’s cultural history resembles the gender history in European countries across the centuries – interference regulates both the plant’s colour and the human body and prevailing discrimination based on gender and race. The protagonist’s struggle with their mixed emotions towards their Swiss-German family background represented by their grandmother and mother changes from confusion and estrangement to affection and understanding. They undergo an anxious and tough journey while comprehending the complex interconnectedness between language and tradition, tree and body.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"297 - 309"},"PeriodicalIF":0.3,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41419885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/00472441231188780
Fergal Lenehan
This article analyses the representation of Richard Coudenhove-Kalergi in Bernhard Setzwein’s Der böhmische Samurai (2017) and Heinrich Mann in Colm Tóibín’s The Magician (2021). This discussion is situated in a number of wider contexts, including literary European Studies within German and Irish Literary Studies; existing representations of European federalists/Europeanists; the actual European thought of Richard Coudenhove-Kalergi and Heinrich Mann; and the oeuvre of the novelists Bernhard Setzwein and Colm Tóibín. It is argued that the representation of European federalists in recent novels enables us to analyse common attitudes and understandings of Europe and Europeanness in the current environment of Euroscepticism, self-questioning, and self-doubt at the institutional as well as constituent levels. It is also argued that the European federalists Richard Coudenhove-Kalergi and Heinrich Mann are represented as European cosmopolitans: Both are depicted as existing within a wide variety of transnational links, as remaining deeply sceptical of nationalism, especially in its violent form, and as arguing for the extension of the space of the political, beyond the national. Their depiction is, thus, of intellectual figures who laid some of the ideational groundwork for the creation of later European institutions, undertaking this reflective task from the perspective of an idealistic, pacifist and deeply democratic cosmopolitanism.
{"title":"Depicting European federalists in fiction: Richard Coudenhove-Kalergi in Bernhard Setzwein’s Der böhmische Samurai (2017) and Heinrich Mann in Colm Tóibín’s The Magician (2021)","authors":"Fergal Lenehan","doi":"10.1177/00472441231188780","DOIUrl":"https://doi.org/10.1177/00472441231188780","url":null,"abstract":"This article analyses the representation of Richard Coudenhove-Kalergi in Bernhard Setzwein’s Der böhmische Samurai (2017) and Heinrich Mann in Colm Tóibín’s The Magician (2021). This discussion is situated in a number of wider contexts, including literary European Studies within German and Irish Literary Studies; existing representations of European federalists/Europeanists; the actual European thought of Richard Coudenhove-Kalergi and Heinrich Mann; and the oeuvre of the novelists Bernhard Setzwein and Colm Tóibín. It is argued that the representation of European federalists in recent novels enables us to analyse common attitudes and understandings of Europe and Europeanness in the current environment of Euroscepticism, self-questioning, and self-doubt at the institutional as well as constituent levels. It is also argued that the European federalists Richard Coudenhove-Kalergi and Heinrich Mann are represented as European cosmopolitans: Both are depicted as existing within a wide variety of transnational links, as remaining deeply sceptical of nationalism, especially in its violent form, and as arguing for the extension of the space of the political, beyond the national. Their depiction is, thus, of intellectual figures who laid some of the ideational groundwork for the creation of later European institutions, undertaking this reflective task from the perspective of an idealistic, pacifist and deeply democratic cosmopolitanism.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"215 - 233"},"PeriodicalIF":0.3,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44066937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/00472441231188782
Sercan Hamza Bağlama, Bilgin Güngör
Postcolonial theory perceives the world as divided between the coloniser and the colonised, thus indirectly reproducing the centrality of the West. For this reason, in literary studies, postcolonial theory fails to cover the literatures of those nations which were not colonised in a typical sense but rather occupied by Western imperialism, as was the case with Ottoman Turkey. This necessitates a convergent theoretical framework that might help evaluate the fictionalisation of the intersecting dynamics of oppression, violence, exploitation, and resistance in relation to the hegemonic narratives of imperialism and shape a new perspective regarding the politico-cultural dimension of imperial discourse. This article, in this respect, will critically develop the theoretical foundations of imperialism-oriented literary theory and construct it as an interdisciplinary field that has a potential to contribute to contemporary postcolonial theory and to encompass the intersectional dimensions of imperialism and imperial discourse for the articulation of the fictionalisation of imperialism-related issues in the under-considered corpus of modern Turkish literature.
{"title":"Imperialism and literature: An imperialism-oriented reading of modern Turkish literature","authors":"Sercan Hamza Bağlama, Bilgin Güngör","doi":"10.1177/00472441231188782","DOIUrl":"https://doi.org/10.1177/00472441231188782","url":null,"abstract":"Postcolonial theory perceives the world as divided between the coloniser and the colonised, thus indirectly reproducing the centrality of the West. For this reason, in literary studies, postcolonial theory fails to cover the literatures of those nations which were not colonised in a typical sense but rather occupied by Western imperialism, as was the case with Ottoman Turkey. This necessitates a convergent theoretical framework that might help evaluate the fictionalisation of the intersecting dynamics of oppression, violence, exploitation, and resistance in relation to the hegemonic narratives of imperialism and shape a new perspective regarding the politico-cultural dimension of imperial discourse. This article, in this respect, will critically develop the theoretical foundations of imperialism-oriented literary theory and construct it as an interdisciplinary field that has a potential to contribute to contemporary postcolonial theory and to encompass the intersectional dimensions of imperialism and imperial discourse for the articulation of the fictionalisation of imperialism-related issues in the under-considered corpus of modern Turkish literature.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"253 - 268"},"PeriodicalIF":0.3,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43456321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/00472441231188785
Deividas Zibalas
This article focuses on Woody Allen’s cinematic representation of Rome in To Rome with Love (2012). Rome is undoubtedly one of the most intertextually ‘contaminated’ cityscapes in the world, which means that there are so many pre-existing texts about it, such as paintings, novels, travel guides and films, that our minds are filled with predetermined notions of what the city is like. There are at least two well-established traditions of representing Rome that influence the way the city has been imagined. This article explores where Allen’s film stands within the tradition by focusing on four specific semantic profiles or scripts of the city overlooked by the film’s reviewers.
{"title":"To Woody Allen’s Rome with Love: Four city profiles","authors":"Deividas Zibalas","doi":"10.1177/00472441231188785","DOIUrl":"https://doi.org/10.1177/00472441231188785","url":null,"abstract":"This article focuses on Woody Allen’s cinematic representation of Rome in To Rome with Love (2012). Rome is undoubtedly one of the most intertextually ‘contaminated’ cityscapes in the world, which means that there are so many pre-existing texts about it, such as paintings, novels, travel guides and films, that our minds are filled with predetermined notions of what the city is like. There are at least two well-established traditions of representing Rome that influence the way the city has been imagined. This article explores where Allen’s film stands within the tradition by focusing on four specific semantic profiles or scripts of the city overlooked by the film’s reviewers.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"53 1","pages":"269 - 283"},"PeriodicalIF":0.3,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43976222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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