Pub Date : 2024-08-17DOI: 10.1177/00472441241264756
Joseph Andrew Darlington
Using archive materials, this article investigates the decades-long translation process behind the year 2000 Carcanet collection ‘Cyprian Norwid: Poems, Letters, Drawings’. In doing so, it explores the role that translation played in the initial blossoming, and later collapse of, Christine Brooke-Rose and Jerzy Peterkiewicz’s romantic relationship. The translation of Christian mystic Cyprian Norwid’s poetry, from Polish to English, was undertaken for the first time by Brooke-Rose and Peterkiewicz in the 1940s. After a small batch of poems were well received, Peterkiewicz partnered with poet Burns Singer to produce another batch, included in their collection ‘Five Centuries of Polish Poetry’. As divorce proceedings began, Peterkiewicz approached Brooke-Rose with the idea of doing a full collection of Norwid translations, which she accepted. For over half a decade, this was the only communication between the two writers. The project was rejected by publishers in 1976, only to re-emerge in the 1990s, being accepted by Carcanet Press and then lost when their offices were destroyed by an IRA bomb in 1996. Pieced together for a third time, the translations by Peterkiewicz, Brooke-Rose and Burns Singer were finally published in the year 2000. By looking at the process behind these translations, this article hopes to provide insights into the personal aspect of translation work, collaborative translating methodologies and the traces such working processes leave upon the final translations.
{"title":"Enough names on the cover already: The 52-year process behind Jerzy Peterkiewicz, Burns Singer and Christine Brooke-Rose’s translations of Cyprian Norwid","authors":"Joseph Andrew Darlington","doi":"10.1177/00472441241264756","DOIUrl":"https://doi.org/10.1177/00472441241264756","url":null,"abstract":"Using archive materials, this article investigates the decades-long translation process behind the year 2000 Carcanet collection ‘Cyprian Norwid: Poems, Letters, Drawings’. In doing so, it explores the role that translation played in the initial blossoming, and later collapse of, Christine Brooke-Rose and Jerzy Peterkiewicz’s romantic relationship. The translation of Christian mystic Cyprian Norwid’s poetry, from Polish to English, was undertaken for the first time by Brooke-Rose and Peterkiewicz in the 1940s. After a small batch of poems were well received, Peterkiewicz partnered with poet Burns Singer to produce another batch, included in their collection ‘Five Centuries of Polish Poetry’. As divorce proceedings began, Peterkiewicz approached Brooke-Rose with the idea of doing a full collection of Norwid translations, which she accepted. For over half a decade, this was the only communication between the two writers. The project was rejected by publishers in 1976, only to re-emerge in the 1990s, being accepted by Carcanet Press and then lost when their offices were destroyed by an IRA bomb in 1996. Pieced together for a third time, the translations by Peterkiewicz, Brooke-Rose and Burns Singer were finally published in the year 2000. By looking at the process behind these translations, this article hopes to provide insights into the personal aspect of translation work, collaborative translating methodologies and the traces such working processes leave upon the final translations.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142222497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-14DOI: 10.1177/00472441241264782
Hasan Gürkan, Nur Tuğçe Biga, Övünç Ege
This study discusses the intricate relationship between science, technology, engineering and mathematics field representation by the media and the science, technology, engineering and mathematics field in reality, centring on two pivotal inquiries: (i) How is gender within science, technology, engineering and mathematics portrayed in visual culture? (ii) How do gendered representations in visual culture impact science, technology, engineering and mathematics professionals? By scrutinizing two Turkish TV series featuring science, technology, engineering and mathematics characters, namely, Sıcak Kafa ( Hot Skull, 2022, by Mert Baykal) and Yakamoz S-245 ( Into the Deep, 2022, by Tolga Karaçelik and Umut Aral), we assert that recent Netflix productions in Turkey showcase science, technology, engineering and mathematics characters in a less marginalized manner compared to mainstream series content. The study explores the intersection of science, technology, engineering and mathematics portrayals with actual gender experiences in the Turkish context. Findings show science, technology, engineering and mathematics professionals, particularly women, to be rendered invisible in being confined to gender-based definitions. Despite portraying male and female science, technology, engineering and mathematics professionals as equal and non-marginalized, male characters predominate in decision-making and implementation processes within many series. Furthermore, science, technology, engineering and mathematics professionals do not identify with their own character representations in media content, as they express through interviews. The study underscores there is room to challenge patriarchal norms, fostering more equitable depictions of science, technology, engineering and mathematics professionals, including women, to dismantle gender biases and foster inclusivity within science, technology, engineering and mathematics fields.
{"title":"Breaking the borders: Gender dynamics in STEM portrayals in Turkish Netflix series","authors":"Hasan Gürkan, Nur Tuğçe Biga, Övünç Ege","doi":"10.1177/00472441241264782","DOIUrl":"https://doi.org/10.1177/00472441241264782","url":null,"abstract":"This study discusses the intricate relationship between science, technology, engineering and mathematics field representation by the media and the science, technology, engineering and mathematics field in reality, centring on two pivotal inquiries: (i) How is gender within science, technology, engineering and mathematics portrayed in visual culture? (ii) How do gendered representations in visual culture impact science, technology, engineering and mathematics professionals? By scrutinizing two Turkish TV series featuring science, technology, engineering and mathematics characters, namely, Sıcak Kafa ( Hot Skull, 2022, by Mert Baykal) and Yakamoz S-245 ( Into the Deep, 2022, by Tolga Karaçelik and Umut Aral), we assert that recent Netflix productions in Turkey showcase science, technology, engineering and mathematics characters in a less marginalized manner compared to mainstream series content. The study explores the intersection of science, technology, engineering and mathematics portrayals with actual gender experiences in the Turkish context. Findings show science, technology, engineering and mathematics professionals, particularly women, to be rendered invisible in being confined to gender-based definitions. Despite portraying male and female science, technology, engineering and mathematics professionals as equal and non-marginalized, male characters predominate in decision-making and implementation processes within many series. Furthermore, science, technology, engineering and mathematics professionals do not identify with their own character representations in media content, as they express through interviews. The study underscores there is room to challenge patriarchal norms, fostering more equitable depictions of science, technology, engineering and mathematics professionals, including women, to dismantle gender biases and foster inclusivity within science, technology, engineering and mathematics fields.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142222498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-25DOI: 10.1177/00472441241264760
Stella Medvedeva
The paper critically examines Lev Vygotsky’s art-related texts from 1915 to 1924, challenging interpretations based in Psychology by asserting that his aesthetic framework transcends outdated objectivist references, offering a nuanced philosophical perspective. Situating this within post-1917 Revolutionary Russia, the study explores its alignment with the visions of a ‘Revolutionary’ theatre for the ‘new human being’ in the Russian Futurist movement. It underscores Vygotsky’s pursuit of empirical evidence for understanding theatre’s impact on individuals and society, highlighting Marxist dialectics as the backbone of his aesthetic thought. Moreover, it establishes a connection between Vygotsky’s thought and Formalism, rooted in their shared emphasis on art’s structural features and links his ideas with Futurism, exploring their shared belief in the transformative power of form as a crucial element in provoking social change. The paper defines Vygotsky’s aesthetics, focusing on integral aspects of artistic reception, particularly emotion and imagination. It traces the shifts in Vygotsky’s understanding of these terms from his early reliance on psychoanalysis to the incorporation of dialectic and, later, cultural-historical perspectives, thus integrating Vygotsky’s later theories on human psychology into his aesthetic theory. The paper concludes by exploring the resonance between Vygotsky’s redefined aesthetics and contemporary Cognitive Theatre Studies. It draws attention to methodological convergence and shared insights on the interplay between natural and cultural influences, such as image schemas and conceptual blending, emphasising the enduring relevance of Vygotsky’s perspective on artistic structure and theatre’s transformative socio-political impact.
{"title":"Redefining Vygotsky’s early works as a theory of aesthetics","authors":"Stella Medvedeva","doi":"10.1177/00472441241264760","DOIUrl":"https://doi.org/10.1177/00472441241264760","url":null,"abstract":"The paper critically examines Lev Vygotsky’s art-related texts from 1915 to 1924, challenging interpretations based in Psychology by asserting that his aesthetic framework transcends outdated objectivist references, offering a nuanced philosophical perspective. Situating this within post-1917 Revolutionary Russia, the study explores its alignment with the visions of a ‘Revolutionary’ theatre for the ‘new human being’ in the Russian Futurist movement. It underscores Vygotsky’s pursuit of empirical evidence for understanding theatre’s impact on individuals and society, highlighting Marxist dialectics as the backbone of his aesthetic thought. Moreover, it establishes a connection between Vygotsky’s thought and Formalism, rooted in their shared emphasis on art’s structural features and links his ideas with Futurism, exploring their shared belief in the transformative power of form as a crucial element in provoking social change. The paper defines Vygotsky’s aesthetics, focusing on integral aspects of artistic reception, particularly emotion and imagination. It traces the shifts in Vygotsky’s understanding of these terms from his early reliance on psychoanalysis to the incorporation of dialectic and, later, cultural-historical perspectives, thus integrating Vygotsky’s later theories on human psychology into his aesthetic theory. The paper concludes by exploring the resonance between Vygotsky’s redefined aesthetics and contemporary Cognitive Theatre Studies. It draws attention to methodological convergence and shared insights on the interplay between natural and cultural influences, such as image schemas and conceptual blending, emphasising the enduring relevance of Vygotsky’s perspective on artistic structure and theatre’s transformative socio-political impact.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141805998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-25DOI: 10.1177/00472441241264777
David Anderson
This article examines the representation of Berlin in a cluster of recent English-language novels by writers including Amit Chaudhuri, Adrian Duncan, Helon Habila, Hari Kunzru, Lauren Oyler, Chris Power, Bea Setton and Matthew Sperling. Showing how the use of English in Berlin has been at the centre of contemporary German debates about migration and cultural identity and explaining how the image of Berlin in English literature has often been balanced between pulp and literary fiction, it asks if this body of contemporary Anglophone writing amounts to something more than literary tourism. Examining its representation of Berlin as both a mnemonic and touristic space, the acuity of its depiction of the city three decades after reunification, and the ways in which it represents different forms of migration to the city, the article contends that these novels do have valuable things to say, particularly concerning the ways in which an urban literary imaginary is being reconfigured for a digital age.
{"title":"Berlin in English: The German capital in recent Anglophone fiction","authors":"David Anderson","doi":"10.1177/00472441241264777","DOIUrl":"https://doi.org/10.1177/00472441241264777","url":null,"abstract":"This article examines the representation of Berlin in a cluster of recent English-language novels by writers including Amit Chaudhuri, Adrian Duncan, Helon Habila, Hari Kunzru, Lauren Oyler, Chris Power, Bea Setton and Matthew Sperling. Showing how the use of English in Berlin has been at the centre of contemporary German debates about migration and cultural identity and explaining how the image of Berlin in English literature has often been balanced between pulp and literary fiction, it asks if this body of contemporary Anglophone writing amounts to something more than literary tourism. Examining its representation of Berlin as both a mnemonic and touristic space, the acuity of its depiction of the city three decades after reunification, and the ways in which it represents different forms of migration to the city, the article contends that these novels do have valuable things to say, particularly concerning the ways in which an urban literary imaginary is being reconfigured for a digital age.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141771814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-28DOI: 10.1177/00472441241245834b
Rhoslyn Beckwith
{"title":"Book Review: Larry Wolff: The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy","authors":"Rhoslyn Beckwith","doi":"10.1177/00472441241245834b","DOIUrl":"https://doi.org/10.1177/00472441241245834b","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141168444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-28DOI: 10.1177/00472441241245834g
William Collins Donahue
{"title":"Book Review: Helen Finch: German-Jewish Life Writing in the Aftermath of the Holocaust: Beyond Testimony","authors":"William Collins Donahue","doi":"10.1177/00472441241245834g","DOIUrl":"https://doi.org/10.1177/00472441241245834g","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141168442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-28DOI: 10.1177/00472441241245834c
Xiaohu Jiang
{"title":"Book Review: Ina Linge: Queer Livability: German Sexual Sciences and Life Writing","authors":"Xiaohu Jiang","doi":"10.1177/00472441241245834c","DOIUrl":"https://doi.org/10.1177/00472441241245834c","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141168422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-28DOI: 10.1177/00472441241245834j
Scott Bartsch
{"title":"Book Review: Uwe Schütte: W.G. Sebald in Context","authors":"Scott Bartsch","doi":"10.1177/00472441241245834j","DOIUrl":"https://doi.org/10.1177/00472441241245834j","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141168503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-28DOI: 10.1177/00472441241245834i
Jeremy Points
{"title":"Book Review: Miłosława Borzyszkowska-Szewczyk and Marta Turska: Walking with Günter Grass: A Literary Mapping of the City","authors":"Jeremy Points","doi":"10.1177/00472441241245834i","DOIUrl":"https://doi.org/10.1177/00472441241245834i","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141168425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-28DOI: 10.1177/00472441241245834f
Stuart Parkes
{"title":"Book Review: Wolfgang Martin: Schluss mit dem YEAH, YEAH, YEAH?: Die Beatles und die DDR","authors":"Stuart Parkes","doi":"10.1177/00472441241245834f","DOIUrl":"https://doi.org/10.1177/00472441241245834f","url":null,"abstract":"","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141168439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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