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Camaraderie and conflict: developing an occupational culture typology of publicly funded criminal defence lawyers in England and Wales 同志情谊和冲突:在英格兰和威尔士发展公共资助的刑事辩护律师的职业文化类型
Q2 LAW Pub Date : 2023-10-10 DOI: 10.1080/09695958.2023.2260747
Lucy Welsh, Daniel Newman
Renewed interest in the working lives of publicly funded lawyers has resulted in a growing body of research that has analysed factors which might affect how criminal defence lawyers envisage their role.1 Much of that work has adopted an ethnographic approach, producing important data that can tell us much about the occupational culture of publicly funded defence lawyers in England and Wales. This paper synthesises and integrates the findings of recent ethnographic work on publicly funded defence lawyers, adopting a broadly Bourdieusian approach to theories of occupational culture to draw out commonalities across the findings of various recent studies. We take these findings further, arguing that they can together allow us to develop a working typology or schema for the occupational culture of English and Welsh publicly funded criminal defence lawyers. We also draw on some lessons learned from key studies of “cop culture” to identify seven apparently pervasive yet fluid characteristics of the working culture of this occupational group, before suggesting areas for further development. The seven characteristics that we identify in this article are camaraderie; expertise; economisation; standardisation; conflict, social justice and adversarialism, and pessimism.
对公费律师工作生活的重新关注导致越来越多的研究机构分析了可能影响刑事辩护律师如何设想其角色的因素其中很多工作都采用了人种学的方法,产生了重要的数据,可以告诉我们很多关于英格兰和威尔士公共资助辩护律师的职业文化。本文综合并整合了最近关于公共资助辩护律师的民族志工作的发现,采用广泛的布尔迪厄主义方法来研究职业文化理论,以找出最近各种研究结果的共同点。我们进一步研究了这些发现,认为它们可以让我们为英格兰和威尔士公共资助的刑事辩护律师的职业文化发展出一种工作类型或模式。我们还从“警察文化”的关键研究中吸取了一些经验教训,以确定这一职业群体的工作文化的七个明显普遍但不稳定的特征,然后提出进一步发展的领域。我们在这篇文章中确定的七个特征是:同志情谊;专业知识;economisation;标准化;冲突,社会正义,对抗主义,悲观主义。
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引用次数: 0
Introduction to special issue: Images of female legal professionals in popular culture - a transnational comparison 特刊导论:流行文化中的女性法律专业人士形象——跨国比较
IF 0.6 Q2 LAW Pub Date : 2023-07-04 DOI: 10.1080/09695958.2023.2228694
Lena-Maria Möller, Shahd Alshammari
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引用次数: 0
“Perveen Mistry investigates”: representing the first Indian female lawyer in fiction “变态米斯特里调查”:小说中首位印度女律师的代表
IF 0.6 Q2 LAW Pub Date : 2023-07-04 DOI: 10.1080/09695958.2023.2232294
Shivangi Gangwar
ABSTRACT Sujata Massey’s lawyer-detective heroine Perveen Mistry is based on the real-life Cornelia Sorabji and Mithan Lam, the first female Indian lawyers. Over the course of three published novels, Mistry is shown as a true hero with agency over her life, one who investigates, gets into trouble, and ultimately solves cases, albeit with a little help from others. While there has been some representation of women legal professionals in Indian movies or series, the Perveen Mistry series marks the first such depiction in print. Since Mistry is based on real female lawyers, Massey has remained true to the historical realities of pre-Independence India. In this paper, I will examine how realistic is the portrayal of Perveen Mistry as India’s first female lawyer, drawing comparisons with Sorabji’s and Lam’s lives and the lived experiences of women lawyers today. I will also undertake a close textual reading of the novels to attempt a socio-political analysis of the three books’ plots and their role in making or breaking the female lead character. Emphasis will be placed on the interconnected themes of gender, religion, time, and law.
摘要苏贾塔·马西的律师侦探女主角佩尔文·米斯特里以现实生活中的第一位印度女律师科妮莉亚·索拉布吉和米丹·拉姆为原型。在出版的三部小说中,米斯特里被描绘成一个真正的英雄,在她的生活中有代理权,一个调查、陷入麻烦并最终解决案件的人,尽管需要别人的一点帮助。虽然在印度的电影或连续剧中有一些女性法律专业人士的形象,但《变态迷雾》系列标志着第一部这样的形象出现在印刷品中。由于Mistry是以真正的女律师为原型的,Massey一直忠于独立前印度的历史现实。在这篇论文中,我将考察佩尔文·米斯特里作为印度第一位女律师的形象有多现实,并将其与索拉布吉和拉姆的生活以及当今女律师的生活经历进行比较。我还将仔细阅读这三本小说,试图对这三本书的情节及其在塑造或打破女主角中的作用进行社会政治分析。重点将放在性别、宗教、时间和法律等相互关联的主题上。
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引用次数: 0
The ideal Emirati woman lawyer: femininity and professionalism in Justice: Qalb Al Adala 理想的阿联酋女律师:女性气质和司法专业:Qalb Al Adala
Q2 LAW Pub Date : 2023-06-21 DOI: 10.1080/09695958.2023.2225855
Lena-Maria Möller
This article analyzes how the 2017 Emirati legal drama Justice: Qalb Al Adala depicts its female lead character, young lawyer Farah Hassan Ahmed, as she establishes herself professionally in Abu Dhabi’s legal sector. As the first Emirati television show on Netflix, Justice: Qalb Al Adala targets a global audience that is invited to learn about Abu Dhabi’s legal and justice system. It was created by US producers Walter Parkes and William M. Finkelstein and written by US screenwriter Carol Wolper. The show was co-produced by the Abu Dhabi Judicial Department, the emirate’s highest judicial authority, and can thus be viewed as an “official” representation of the legal and justice system in the United Arab Emirates and its personnel. The present article argues that in portraying the woman lawyer Farah, Justice: Qalb Al Adala replicates several problematic themes that have been previously observed in US law-related screen productions, particularly from the 1980s and 1990s. Yet in other instances, the show advances a much more progressive and positive picture of female legal professionals. In addition, the article concludes that, as an idealized combination of “modernity” and “tradition”, Farah’s character can be understood as a visualization of a preferred contemporary Emirati national identity.
本文分析了2017年阿联酋法律剧《正义:Qalb Al Adala》如何描述其女主角年轻律师Farah Hassan Ahmed在阿布扎比法律界的职业生涯。作为Netflix上的第一部阿联酋电视节目,Justice: Qalb Al Adala面向全球观众,邀请他们了解阿布扎比的法律和司法体系。该剧由美国制片人沃尔特·帕克斯和威廉·m·芬克尔斯坦创作,美国编剧卡罗尔·沃尔珀担任编剧。该节目由阿联酋最高司法机构阿布扎比司法部门联合制作,因此可以被视为阿拉伯联合酋长国法律和司法系统及其人员的“官方”代表。本文认为,在刻画女律师Farah时,Justice: Qalb Al Adala复制了先前在美国法律相关的屏幕制作中观察到的几个有问题的主题,特别是从20世纪80年代和90年代开始。然而,在其他情况下,这部剧展现了女性法律专业人士更加进步和积极的一面。此外,文章的结论是,作为“现代性”与“传统”的理想化结合,法拉的性格可以被理解为一种优选的当代阿联酋民族身份的可视化。
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引用次数: 0
Artificial intelligence applied to lawyers’ appraisals 人工智能在律师鉴定中的应用
IF 0.6 Q2 LAW Pub Date : 2023-05-04 DOI: 10.1080/09695958.2023.2215442
Susana Almeida Lopes, Marta Aranha Conceição, João Francisco Santos, Madalena Duarte Ferreira, José Sintra, João Almeida Lopes
ABSTRACT This pilot study presents an innovative artificial intelligence (AI) model to predict lawyers’ appraisal ratings in a law firm. Methodology development was based on an 11-years database comprising multiple descriptors from 229 lawyers. The AI model builds upon law firms’ tournament, simulating lawyers’ career competition to predict performance rankings. Within a one-year lag, the accuracy of the model was approximately 88%. With two- and three-year lag times, the predictions show only a minor drop in performance. Benefits of this in-silico strategy involve decreasing the frequency of appraisals linked with considerable time and resource savings. By highlighting the most relevant performance predictors in the firm, practitioners may identify bias in appraisals and realign talent management with business strategy. This longitudinal study aims to pilot predictive research for AI models in talent management in law firms. Future research may lead to predictive models supporting talent strategies and practices.
摘要本试点研究提出了一种创新的人工智能(AI)模型来预测律师事务所的律师评估评级。方法的开发是基于一个11年的数据库,该数据库包含229名律师的多个描述符。人工智能模型建立在律师事务所锦标赛的基础上,模拟律师的职业竞争来预测绩效排名。在一年的滞后时间内,该模型的准确率约为88%。在滞后两年和三年的情况下,预测显示业绩只会略有下降。这种电子策略的好处包括减少评估频率,同时节省大量时间和资源。通过强调公司中最相关的绩效预测因素,从业者可以识别评估中的偏见,并将人才管理与商业战略重新调整。这项纵向研究旨在为律师事务所人才管理中的人工智能模型进行预测性研究。未来的研究可能会产生支持人才战略和实践的预测模型。
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引用次数: 0
Commercial awareness and the law student journey into the legal profession – definitional challenges and the lived experience of the graduate interview 商业意识和法律学生进入法律职业的旅程-定义的挑战和毕业生面试的生活经验
IF 0.6 Q2 LAW Pub Date : 2023-05-04 DOI: 10.1080/09695958.2023.2215443
Siobhan McConnell
ABSTRACT Commercial awareness is a graduate employability skill that is highly valued by law firms, particularly the larger commercial law firms that dominate recruitment into the legal profession. However, it is a skill that students may struggle to understand and to demonstrate during the graduate recruitment process. This article examines the role of commercial awareness at a crucial point in the law student journey into the legal profession – the law firm graduate interview. This article presents data collected from an innovative two year mixed-methods research study involving law students at a post-92 university who were undergoing interviews with law firms. It provides insight into the “lived experience” of the law firm interview from a student perspective by considering how and when commercial awareness is assessed and the challenges and opportunities assessment presents. This study furthers our limited understanding of how law students define commercial awareness, comparing those definitions to those employed by the legal profession and considering the disconnect between students and law firms. This article argues that, in the context of commercial awareness, there is more that law firms and law schools can do to better support law students seeking employment in the legal profession.
商业意识是一项毕业生就业技能,受到律师事务所的高度重视,尤其是在法律职业招聘中占主导地位的大型商业律师事务所。然而,在毕业生招聘过程中,学生们可能很难理解和展示这一技能。本文考察了商业意识在法学院学生进入法律行业的关键时刻——律师事务所毕业生面试中的作用。本文介绍了一项为期两年的创新型混合方法研究的数据,该研究涉及一所92后大学的法学院学生,他们正在接受律师事务所的采访。它通过考虑如何以及何时评估商业意识以及评估所带来的挑战和机遇,从学生的角度深入了解律师事务所面试的“生活体验”。本研究进一步加深了我们对法律专业学生如何定义商业意识的有限理解,将这些定义与法律专业人士所使用的定义进行了比较,并考虑了学生与律师事务所之间的脱节。本文认为,在商业意识的背景下,律师事务所和法学院可以做更多的事情来更好地支持法律专业学生在法律行业就业。
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引用次数: 0
“I didn’t have a chance”: perceptions of the attitudes and roles of legal professionals for women involved in Hague international child abduction cases “我没有机会”:法律专业人员对海牙国际儿童诱拐案件中妇女的态度和作用的看法
IF 0.6 Q2 LAW Pub Date : 2023-05-02 DOI: 10.1080/09695958.2023.2199997
Gina Masterton, J. Flood, Zoe Rathus, Kieran Tranter
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引用次数: 0
Female lawyers in Egyptian and Lebanese films over the last 75 years: caretakers and anomalies with limited back stories 在过去的75年里,埃及和黎巴嫩电影中的女律师:有着有限背景故事的看门人和异类
IF 0.6 Q2 LAW Pub Date : 2023-04-27 DOI: 10.1080/09695958.2023.2197602
Hilary Christina Bell, Aisha Al-Naama
ABSTRACT Women in the Arab world have never had better access to education and professional careers. Despite this, gender stereotypes are hampering women’s progression towards gender equality. This article considers how the representation of women in film is contributing to the issue. The representation of female lawyers in Lebanese and Egyptian cinema over the last 75 years demonstrates gender disparity. On the scarce occasions when female lawyers are represented, they are confined to a caretaker role and associated with family disputes. By associating female lawyers with the family, they are put into the traditional Arab role of a woman, reinforcing the imbedded stereotypes that hamper the career progression of Arab women. We do not see male family members contributing to family obligations, which would demonstrate a significant move towards gender parity. Female lawyers are often defined by a relationship, romantic or otherwise, with a male protagonist. This perpetuates the patriarchal norm that Arab women are subordinate to their male relatives. There has been a shift towards greater gender equality in the representation of female lawyers in contemporary portrayals in Lebanese cinema. However, female lawyers still most often appear in isolation, giving them the status of an anomaly, the “Other”.
摘要阿拉伯世界的妇女获得教育和职业发展的机会前所未有。尽管如此,性别陈规定型观念正在阻碍妇女实现性别平等。本文探讨了女性在电影中的表现是如何促成这一问题的。过去75年来,女性律师在黎巴嫩和埃及电影界的代表性表明了性别差异。在女性律师很少有代表的情况下,她们被限制在看护角色,并与家庭纠纷有关。通过将女律师与家庭联系起来,她们被赋予了传统的阿拉伯女性角色,强化了阻碍阿拉伯女性职业发展的根深蒂固的刻板印象。我们没有看到男性家庭成员为家庭义务做出贡献,这将表明朝着性别平等迈出了重大步伐。女性律师通常被定义为与男性主角的关系,无论是浪漫的还是其他的。这延续了阿拉伯妇女服从男性亲属的父权制规范。在黎巴嫩电影的当代形象中,女律师的代表性已经向更大的性别平等转变。然而,女律师仍然经常孤立地出现,这给了她们一种反常的“他者”的地位。
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引用次数: 0
The feminisation of the notary profession in France: end of a patriarchal bastion or sedimentation of a gender stratification? 法国公证员职业的女性化:父权堡垒的终结还是性别分层的沉淀?
IF 0.6 Q2 LAW Pub Date : 2023-04-19 DOI: 10.1080/09695958.2023.2190898
Corinne Delmas
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引用次数: 0
From Clair to Annalise: how to get away with being a black woman lawyer on television 从克莱尔到安娜丽丝:如何在电视上成为一名黑人女律师
IF 0.6 Q2 LAW Pub Date : 2023-03-30 DOI: 10.1080/09695958.2023.2191965
Kellyn O. McGee
ABSTRACT Clair Huxtable was the iconic mother, wife, and lawyer on The Cosby Show, an American television sitcom that premiered in September 1984. She appeared to be the perfect lawyer—partner in a law firm, prepared for every case, triumphant in every case, and never stepping over, or anywhere near, the boundary line of legal ethics—all while mothering children ranging in age from 5 to 20 years and supporting her equally successful obstetrician/gynecologist husband. In all her perfection, Clair presumably inspired young women to become lawyers during the middle 1980s through the early 1990s, and beyond. Clair Huxtable was a tough act to follow. The Black women lawyers who came after her on scripted television brought more realism to what it really means to be Black, woman, and a lawyer. These characters have helped direct the professional identities of their real counterparts in the decades since Clair entered our living rooms. This article explores the images of Black woman lawyer characters on scripted television since 1984 and how those images compare or contrast with Clair Huxtable and real-life Black women lawyers.
克莱尔·赫克斯塔布尔是1984年9月首播的美国电视情景喜剧《考斯比秀》中的标志性母亲、妻子和律师。她似乎是一位完美的律师——律师事务所的合伙人,为每一个案件做好准备,在每一个案例中都取得了胜利,从不越过或接近法律道德的边界线——同时养育5至20岁的孩子,并支持她同样成功的妇产科丈夫。克莱尔的完美可能激励了年轻女性在20世纪80年代中期到90年代初以及以后成为律师。克莱尔·赫克斯塔布尔是一个很难效仿的人。在照本宣科的电视节目中,在她之后的黑人女律师为黑人、女性和律师的真正意义带来了更多的现实主义。自从克莱尔进入我们的客厅以来的几十年里,这些角色帮助引导了他们真正同行的职业身份。本文探讨了自1984年以来,黑人女律师在剧本电视上的形象,以及这些形象如何与克莱尔·赫克斯塔布尔和现实生活中的黑人女律师进行比较或对比。
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引用次数: 0
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International Journal of the Legal Profession
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