Este trabajo atane a la experiencia teatral desde la estetica y las ciencias cognitivas. Se defiende la idea de que la actuacion estetica puede ser entendida como actuacion verosimil. Si la experiencia estetica posee tres dimensiones –sensorial, conceptual y hedonista–, la verosimilitud en la actuacion se lograria en terminos de una estrecha y apropiada relacion entre ellas. La experiencia estetica del espectador seria, pues, una consecuencia de lo que este percibe, piensa y siente. A su vez, los estudios empiricos permiten establecer criterios objetivos de evaluacion para juzgar una actuacion como verosimil, tanto por parte del actor como del espectador. In Defense of the Concept of “Aesthetic Performance” as Truthful Theatrical Performance This work concerns Aesthetics and Cognitive Science. Furthermore, deals with theatrical issues, defending the idea that an aesthetic performance can be understood as a truthful performance. If the aesthetic experience has three dimensions –sensory, conceptual and hedonistic–, the truthfulness of the performance would be achieved thanks to a close and appropriate relationship between them. The aesthetic experience of the spectator would thus be a consequence of what he/she perceives, thinks and feels. At the same time, empirical studies allow to establish objective criteria of evaluation for judging the truthfulness of a performance, by both the actor and the spectator. Recibido: 03 de agosto de 2020 Aceptado: 14 de diciembre de 2020
这部作品结合了美学和认知科学的戏剧体验。本文提出了一种美学行为可以被理解为真实行为的观点。如果审美体验有三个维度——感官的、概念的和享乐的——那么行为的合理性就会通过它们之间的密切和适当的关系来实现。因此，观众的审美体验将是他所感知、思考和感受的结果。因此，实证研究允许建立客观的评价标准，以判断一个表演是否真实，无论是演员还是观众。= =地理= =根据美国人口普查，这个县的面积为，其中土地面积为，其中土地面积为。此外,deals with theatrical问题、维护主意that an aesthetic can be不言而喻,as a truthful performance性能。如果审美体验有三个维度——感官、概念和享乐主义——那么表演的真实性就可以通过它们之间的密切和适当的关系来实现。The aesthetic experience of The spectator)会因此be what我/她perceives, thinks and feels。At the same time,经验研究allow to设立目标的标准评价judging the truthfulness of a performance, by both the and the spectator)的演员。收到日期:2020年8月3日录用日期:2020年12月14日
{"title":"En defensa del concepto de “actuación estética” como actuación teatral verosímil","authors":"Gina Cima Vallarino, Juan C. González","doi":"10.25009/IT.V12I19.2674","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2674","url":null,"abstract":"Este trabajo atane a la experiencia teatral desde la estetica y las ciencias cognitivas. Se defiende la idea de que la actuacion estetica puede ser entendida como actuacion verosimil. Si la experiencia estetica posee tres dimensiones –sensorial, conceptual y hedonista–, la verosimilitud en la actuacion se lograria en terminos de una estrecha y apropiada relacion entre ellas. La experiencia estetica del espectador seria, pues, una consecuencia de lo que este percibe, piensa y siente. A su vez, los estudios empiricos permiten establecer criterios objetivos de evaluacion para juzgar una actuacion como verosimil, tanto por parte del actor como del espectador. In Defense of the Concept of “Aesthetic Performance” as Truthful Theatrical Performance This work concerns Aesthetics and Cognitive Science. Furthermore, deals with theatrical issues, defending the idea that an aesthetic performance can be understood as a truthful performance. If the aesthetic experience has three dimensions –sensory, conceptual and hedonistic–, the truthfulness of the performance would be achieved thanks to a close and appropriate relationship between them. The aesthetic experience of the spectator would thus be a consequence of what he/she perceives, thinks and feels. At the same time, empirical studies allow to establish objective criteria of evaluation for judging the truthfulness of a performance, by both the actor and the spectator. Recibido: 03 de agosto de 2020 Aceptado: 14 de diciembre de 2020","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"585 1","pages":"79-97"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85332570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En Todos somos el rey Lear, escrita en 1979 y publicada en 1982, el dramaturgo mexicano Guillermo Schmidhuber de la Mora plantea clara intertextualidad con William Shakespeare. El presente estudio es una exploracion de como Schmidhuber teatraliza la creacion de hiperrealidad como proceso terapeutico no solo para ciertos personajes de la obra, sino tambien para el publico e, incluso, para el dramaturgo mismo. Con esta finalidad se emplean los conceptos de Jean Baudrillard sobre la hiperrealidad y el simulacro, las afirmaciones del mismo Schmidhuber sobre la dramaturgia, asi como tambien los conceptos psicologicos de Phil Jones sobre la drama-terapia y los efectos transformativos de este ejercicio teatral. Por medio de este proceso que resulta terapeutico, los personajes Millonario verdadero y Alvaro intentan enmendar los conflictos vitales que inquietan a ambos, a la par que el autor mismo negocia su identidad como dramaturgo. Theather as therapeutic exercise in We are all King Lear from Guillermo Schmidhuber Abstract In We are all King Lear, written in 1979 and published in 1982, the Mexican playwright Guillermo Schmidhuber de la Mora clearly lays out an intertextuality exercise in front of William Shakespeare’s work. This study is an exploration of how Schmidhuber dramatizes the creation of hyperreality as a therapeutic process not only for certain characters of the play, but also for the audience and even for the playwright himself. To carry out this exploration, the paper applies Baudrillard’s concepts of hyperreality and simulation, as well as some affirmations from Schmidhuber himself about dramaturgy, and some of Phil Jones’ psychological concepts regarding drama therapy and its transformative effects as a theatrical exercise. Through this therapeutic process, the characters Real Millionaire and Alvaro attempt to rectify the vital conflicts that unsettle them both, while the author himself negotiates his identity as a playwright. Recibido: 05 de octubre de 2020 Aceptado: 01 de febrero de 2021
墨西哥剧作家吉列尔莫·施米德胡伯·德拉莫拉(Guillermo Schmidhuber de la Mora)在1979年创作、1982年出版的《我们都是李尔王》(Todos somos el rey Lear)一书中，明确地提出了与威廉·莎士比亚(William Shakespeare)的互文性。施米德休伯对超现实主义的批判，以及他对超现实主义的批判，都是他对超现实主义的批判，他对超现实主义的批判，他对超现实主义的批判，他对超现实主义的批判，他对超现实主义的批判，他对超现实主义的批判，他对超现实主义的批判。在这篇文章中，我们分析了让·鲍德里亚关于超现实和拟像的概念，施米德休伯关于戏剧的陈述，以及菲尔·琼斯关于戏剧治疗和戏剧实践的转化效果的心理学概念。通过这个治疗过程，人物Millonario real和Alvaro试图纠正困扰他们的重要冲突，同时作者自己协商自己作为剧作家的身份。《我们都是李尔王》，写于1979年，1982年出版，墨西哥剧作家吉列尔莫·施米德胡伯·德拉莫拉在威廉·莎士比亚的作品前明确地提出了一种相互文本的实践。This study is an勘探of how Schmidhuber dramatizes the creation of hyperreality as a / process not only for a characters of the play, for the audience and even for the playwright himself。To carry out this勘探,the paper Baudrillard适用的概念of hyperreality和模拟,as well as some affirmations from Schmidhuber himself about dramaturgy, and some of Phil Jones”心理学概念对戏剧类阿片and its transformative effects as a theatrical行使。实际Through this / process, the characters富翁》和Alvaro both这些重要纠正the that unsettle刺激,而提交人himself negotiates其identity as a playwright。收到日期:2020年10月5日接受日期:2021年2月1日
{"title":"El teatro como ejercicio terapéutico en Todos somos el rey Lear, de Guillermo Schmidhuber","authors":"Lourdes Betanzos","doi":"10.25009/IT.V12I19.2669","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2669","url":null,"abstract":"En Todos somos el rey Lear, escrita en 1979 y publicada en 1982, el dramaturgo mexicano Guillermo Schmidhuber de la Mora plantea clara intertextualidad con William Shakespeare. El presente estudio es una exploracion de como Schmidhuber teatraliza la creacion de hiperrealidad como proceso terapeutico no solo para ciertos personajes de la obra, sino tambien para el publico e, incluso, para el dramaturgo mismo. Con esta finalidad se emplean los conceptos de Jean Baudrillard sobre la hiperrealidad y el simulacro, las afirmaciones del mismo Schmidhuber sobre la dramaturgia, asi como tambien los conceptos psicologicos de Phil Jones sobre la drama-terapia y los efectos transformativos de este ejercicio teatral. Por medio de este proceso que resulta terapeutico, los personajes Millonario verdadero y Alvaro intentan enmendar los conflictos vitales que inquietan a ambos, a la par que el autor mismo negocia su identidad como dramaturgo. Theather as therapeutic exercise in We are all King Lear from Guillermo Schmidhuber Abstract In We are all King Lear, written in 1979 and published in 1982, the Mexican playwright Guillermo Schmidhuber de la Mora clearly lays out an intertextuality exercise in front of William Shakespeare’s work. This study is an exploration of how Schmidhuber dramatizes the creation of hyperreality as a therapeutic process not only for certain characters of the play, but also for the audience and even for the playwright himself. To carry out this exploration, the paper applies Baudrillard’s concepts of hyperreality and simulation, as well as some affirmations from Schmidhuber himself about dramaturgy, and some of Phil Jones’ psychological concepts regarding drama therapy and its transformative effects as a theatrical exercise. Through this therapeutic process, the characters Real Millionaire and Alvaro attempt to rectify the vital conflicts that unsettle them both, while the author himself negotiates his identity as a playwright. Recibido: 05 de octubre de 2020 Aceptado: 01 de febrero de 2021","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"567 1","pages":"44-61"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80563688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Construir un personaje en la danza escenica, en particular en la danza clasica, no es solo interpretar tecnicamente con el movimiento un personaje como Julieta, Odile, Giselle, Romeo, Oneguin o Albrecht. Para interpretar hay que ir mas alla. Profundizar en las emociones, expresar, comunicar, construir un aura especial de fluencia escenica. Por eso, el bailarin ha de aprender a fluir en el escenario junto con aquello que le toca personificar. Para lograr esa fluencia escenica, este trabajo propone el desarrollo y formacion de cuatro cuerpos que han de entrenarse para vivir plenamente la danza. Estos son: cuerpo fisico (mente-cuerpo), cuerpo emocional, cuerpo escenico y cuerpo escindido o “magico”. Four Bodies for Creating Characters in Dance Performing a characters in dance, specifically in classical dance, is not just setting a characters such as Juliet, Giselle, or Romeo in motion. To create a character in dance is an entirely different matter. Technical perfection is not enough, the dancer has to go further: become a channel of communication, go deeper into her emotions, to create an auric channel to stage-flow. This way, the person who dances can give shape to what she is personifying through her multicorporality. To accomplish such a process, this work proposes the development and training of four bodies: the physical body (mind-body), the emotional body, the stage body and the split or “magical” body. Recibido: 17 de abril de 2020 Aceptado: 23 de noviembre de 2020
在舞台舞蹈中塑造一个角色，特别是在古典舞蹈中，不仅仅是用动作来诠释像朱丽叶、奥迪尔、吉赛尔、罗密欧、奥涅金或阿尔布雷希特这样的角色。要解释它，你必须走得更远。加深情感，表达，沟通，建立一种特殊的场景流畅的氛围。因此，舞者必须学会在舞台上流动，以及它所代表的东西。为了达到这种戏剧性的流畅性，这项工作提出了四个身体的发展和训练，他们必须训练自己充分地生活在舞蹈中。这些是:身体(心灵-身体)，情感身体，风景身体和分裂或“魔法”身体。四机关for Creating Characters in跳舞Performing a Characters in跳舞,特别是in classical跳舞,is not just setting a朱丽叶Characters,如吉塞尔,or罗密欧in motion。To create a查阅in跳舞is an完全不同。技术上的完美是不够的，舞者必须更进一步:成为一个沟通的渠道，深入她的情感，创造一个舞台流动的黄金渠道。This way,人谁舞蹈可以给shape to what她是personifying through multicorporality 1年。为了实现这一过程，本文提出了四种身体的发展和训练:身体、情感身体、舞台身体和分裂或“神奇”身体。收到日期:2020年4月17日接受日期:2020年11月23日
{"title":"Cuatro cuerpos para la construcción de personajes en la danza escénica","authors":"Sarahí Lay Trigo","doi":"10.25009/IT.V12I19.2675","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2675","url":null,"abstract":"Construir un personaje en la danza escenica, en particular en la danza clasica, no es solo interpretar tecnicamente con el movimiento un personaje como Julieta, Odile, Giselle, Romeo, Oneguin o Albrecht. Para interpretar hay que ir mas alla. Profundizar en las emociones, expresar, comunicar, construir un aura especial de fluencia escenica. Por eso, el bailarin ha de aprender a fluir en el escenario junto con aquello que le toca personificar. Para lograr esa fluencia escenica, este trabajo propone el desarrollo y formacion de cuatro cuerpos que han de entrenarse para vivir plenamente la danza. Estos son: cuerpo fisico (mente-cuerpo), cuerpo emocional, cuerpo escenico y cuerpo escindido o “magico”. Four Bodies for Creating Characters in Dance Performing a characters in dance, specifically in classical dance, is not just setting a characters such as Juliet, Giselle, or Romeo in motion. To create a character in dance is an entirely different matter. Technical perfection is not enough, the dancer has to go further: become a channel of communication, go deeper into her emotions, to create an auric channel to stage-flow. This way, the person who dances can give shape to what she is personifying through her multicorporality. To accomplish such a process, this work proposes the development and training of four bodies: the physical body (mind-body), the emotional body, the stage body and the split or “magical” body. Recibido: 17 de abril de 2020 Aceptado: 23 de noviembre de 2020","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"23 1","pages":"98-118"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84530229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Este articulo aborda el libro Trilogia del infinito, de la creadora espanola Angelica Liddell, para indagar de que forma sus textos poeticos ejercen una escritura performativa que entreteje temas filosoficos y esteticos como son la verdad, la belleza, el horror y lo tragico. Se analiza de que forma la propuesta escritural de Liddell se aparta de los canones dramaticos y se presenta como texto autonomo de la puesta en escena. Angelica Liddell: The Written Word’s Autonomyand Contemporary Tragic Thought Abstract Spanish author and theatre director, Angelica Liddell’s latest publication is Trilogia del infinito (Trilogy of the Infinite, 2016), a performative text in which she addresses philosophical and aesthetic issues such as truth, beauty, horror and tragic thought. This article discusses how Liddell’s book breaks with dramatic canons and exists as an autonomous text which may be later staged in a performative mode. Recibido: 05 de agosto de 2020 Aceptado: 26 de enero de 2021
本文探讨了西班牙作家安吉莉卡·里德尔(Angelica Liddell)的《无限三部曲》(Trilogia del infinito)一书，探讨了她的诗歌文本如何运用一种将真理、美、恐怖和悲剧等哲学和美学主题交织在一起的表演性写作。本文分析了里德尔的写作建议是如何脱离戏剧规范的，并作为一个独立的文本呈现在舞台上。Angelica Liddell: The Written Word’s Autonomyand Contemporary Tragic Thought Abstract西班牙作家和戏剧导演，Angelica Liddell的最新出版物是Trilogia del Infinite (Trilogy of The Infinite, 2016)，她在其中解决了真理、美、恐怖和悲剧思想等哲学和美学问题。这条discusses how Liddell ' s book breaks with护canons and对于as an成行text which may be后面staged in a performative mode。收到日期:2020年8月5日接受日期:2021年1月26日
{"title":"Angélica Liddell: autonomía de la palabra y pensamiento trágico contemporáneo","authors":"Fernanda del Monte Martínez","doi":"10.25009/IT.V12I19.2662","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2662","url":null,"abstract":"Este articulo aborda el libro Trilogia del infinito, de la creadora espanola Angelica Liddell, para indagar de que forma sus textos poeticos ejercen una escritura performativa que entreteje temas filosoficos y esteticos como son la verdad, la belleza, el horror y lo tragico. Se analiza de que forma la propuesta escritural de Liddell se aparta de los canones dramaticos y se presenta como texto autonomo de la puesta en escena. Angelica Liddell: The Written Word’s Autonomyand Contemporary Tragic Thought Abstract Spanish author and theatre director, Angelica Liddell’s latest publication is Trilogia del infinito (Trilogy of the Infinite, 2016), a performative text in which she addresses philosophical and aesthetic issues such as truth, beauty, horror and tragic thought. This article discusses how Liddell’s book breaks with dramatic canons and exists as an autonomous text which may be later staged in a performative mode. Recibido: 05 de agosto de 2020 Aceptado: 26 de enero de 2021","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"26 1","pages":"26-43"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82788204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En este texto, Gabriela Ynclan comparte el proceso de investigacion y edicion de Rituales de tinta. Antologia de dramaturgas mexicanas, una antologia que reune obras de teatro escritas por dramaturgas mexicanas del siglo XXI, y la gestacion de una nueva publicacion dedicada a la dramaturgia femenina del siglo XX en Mexico. Ritualizing ink. Anthology of Mexican playwrights Abstract In this article, author Gabriela Ynclan reflects on the process of searching and editing the anthology Rituales de Tinta. Antologia de Dramaturgas Mexicanas (Ink Rituals. An Anthology of Mexican Women Playwrights). The book gathers together plays written by 11 Mexican women playwrights of 21st century. The author prepares a new publication about women playwrights of 20th century Mexico. Recibido: 09 de septiembre de 2020 Aceptado: 09 de diciembre de 2020
在这篇文章中，Gabriela Ynclan分享了墨水仪式的研究和编辑过程。《墨西哥剧作家选集》(Antologia de dramaturgas mexicanas)汇集了21世纪墨西哥剧作家的戏剧作品，并为墨西哥20世纪女性戏剧创作了一份新出版物。Ritualizing街!在这篇文章中，作者Gabriela Ynclan对研究和编辑《墨西哥剧作家选集》的过程进行了思考。墨西哥剧作家选集(墨水仪式)。= =地理= =根据美国人口普查，该县的土地面积为，其中土地面积为。《加瑟斯在一起》是21世纪墨西哥11位女剧作家的作品。作者正在编写一本关于20世纪墨西哥女剧作家的新出版物。收到日期:2020年9月9日录用日期:2020年12月9日
{"title":"Rituales de tinta. Antología de dramaturgas mexicanas","authors":"Gabriela Ynclán","doi":"10.25009/IT.V12I19.2670","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2670","url":null,"abstract":"En este texto, Gabriela Ynclan comparte el proceso de investigacion y edicion de Rituales de tinta. Antologia de dramaturgas mexicanas, una antologia que reune obras de teatro escritas por dramaturgas mexicanas del siglo XXI, y la gestacion de una nueva publicacion dedicada a la dramaturgia femenina del siglo XX en Mexico. Ritualizing ink. Anthology of Mexican playwrights Abstract In this article, author Gabriela Ynclan reflects on the process of searching and editing the anthology Rituales de Tinta. Antologia de Dramaturgas Mexicanas (Ink Rituals. An Anthology of Mexican Women Playwrights). The book gathers together plays written by 11 Mexican women playwrights of 21st century. The author prepares a new publication about women playwrights of 20th century Mexico. Recibido: 09 de septiembre de 2020 Aceptado: 09 de diciembre de 2020","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"504 1","pages":"149-157"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77006615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Faltaous, Aya Abdulmaksoud, Markus Kempe, Florian Alt, Stefan Schneegass
Abstract Motor skills are omnipresent in our daily lives. Humans seek to learn new skills or improve existing ones. In this work, we explore how the actuation of the human body can be used to augment motor skills. We present GeniePutt, which augments the human performance via electrical muscle stimulation (EMS). We conducted a user study in which we controlled the turning angle of the wrist through GeniePutt to increase participants’ accuracy in a mini-golf scenario. Our results indicate that the best accuracy can be achieved when human capabilities are combined with augmentation performed through EMS.
{"title":"GeniePutt: Augmenting human motor skills through electrical muscle stimulation","authors":"S. Faltaous, Aya Abdulmaksoud, Markus Kempe, Florian Alt, Stefan Schneegass","doi":"10.1515/itit-2020-0035","DOIUrl":"https://doi.org/10.1515/itit-2020-0035","url":null,"abstract":"Abstract Motor skills are omnipresent in our daily lives. Humans seek to learn new skills or improve existing ones. In this work, we explore how the actuation of the human body can be used to augment motor skills. We present GeniePutt, which augments the human performance via electrical muscle stimulation (EMS). We conducted a user study in which we controlled the turning angle of the wrist through GeniePutt to increase participants’ accuracy in a mini-golf scenario. Our results indicate that the best accuracy can be achieved when human capabilities are combined with augmentation performed through EMS.","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"63 1","pages":"157 - 166"},"PeriodicalIF":0.9,"publicationDate":"2021-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43446552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article considers the application of the dissection-placing method for secure storage of information in external, primarily cloud-based data warehouses. Various approaches to the implementation of the method, including patent material, are analyzed. It is shown that the method is most effective for bitwise dissection of files and random placement of bits in data streams sent to separate warehouses.
{"title":"Features Application of the Dissection-Placing Method for Secure Data Storage in External Data Warehouses","authors":"L. Arshinskiy, G. Shurkhovetsky","doi":"10.17587/IT.27.259-266","DOIUrl":"https://doi.org/10.17587/IT.27.259-266","url":null,"abstract":"The article considers the application of the dissection-placing method for secure storage of information in external, primarily cloud-based data warehouses. Various approaches to the implementation of the method, including patent material, are analyzed. It is shown that the method is most effective for bitwise dissection of files and random placement of bits in data streams sent to separate warehouses.","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"28 1","pages":"259-266"},"PeriodicalIF":0.9,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73545166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The statements and mathematical models of the open — shop-problem are considered: performing N tasks on K machines with an arbitrary order of processing each task on all machines. Unlike most publications on solving this problem, the task posed is solved in a multi-stage formulation under the conditions of a sequential chain of sections and workshops of the enterprise, as well as in the presence of restrictions on the start and end times of tasks and the permissible operating times of machines. In addition, for scheduling systems of enterprises, it is extremely important to consider this task in a multi-stage setting, i.e. in a sequential chain of plots and workshops. The properties of admissible and optimal schedules, as well as algorithms of exact and approximate methods for solving these problems by successive optimization algorithms are investigated. At the early stages of solving the problem, the fact of incompatibility of the system of constraints of the task and the definition of a subset of tasks or resources, the time range of which should be expanded, is established. The described algorithms for solving the problem are illustrated by numerical examples.
{"title":"Multistage Open-Shop-Problem: Schedules for N Tasks on K Machines with Different Technical Characteristics for an Arbitrary order of Tasks","authors":"Yu. A. Zack","doi":"10.17587/IT.27.249-258","DOIUrl":"https://doi.org/10.17587/IT.27.249-258","url":null,"abstract":"The statements and mathematical models of the open — shop-problem are considered: performing N tasks on K machines with an arbitrary order of processing each task on all machines. Unlike most publications on solving this problem, the task posed is solved in a multi-stage formulation under the conditions of a sequential chain of sections and workshops of the enterprise, as well as in the presence of restrictions on the start and end times of tasks and the permissible operating times of machines. In addition, for scheduling systems of enterprises, it is extremely important to consider this task in a multi-stage setting, i.e. in a sequential chain of plots and workshops. The properties of admissible and optimal schedules, as well as algorithms of exact and approximate methods for solving these problems by successive optimization algorithms are investigated. At the early stages of solving the problem, the fact of incompatibility of the system of constraints of the task and the definition of a subset of tasks or resources, the time range of which should be expanded, is established. The described algorithms for solving the problem are illustrated by numerical examples.","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"57 1","pages":"249-258"},"PeriodicalIF":0.9,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85240153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
he article describes the methodology of semantic analysis of natural language (NL) and semantic search in it, which includes: the general stages of analysis of NL, the format of the semantic network for presenting the meaning of the text, words polysemy analysis, semantic and syntactic agreement of words, etc. The method is based on the object-attribute principle of organization of calculations and data structures, belonging to the dataflow class.
{"title":"Object-Attribute Approach for Semantic Analysis of Natural Language","authors":"S. Salibekyan","doi":"10.17587/IT.27.267-274","DOIUrl":"https://doi.org/10.17587/IT.27.267-274","url":null,"abstract":"he article describes the methodology of semantic analysis of natural language (NL) and semantic search in it, which includes: the general stages of analysis of NL, the format of the semantic network for presenting the meaning of the text, words polysemy analysis, semantic and syntactic agreement of words, etc. The method is based on the object-attribute principle of organization of calculations and data structures, belonging to the dataflow class.","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"3 1","pages":"267-274"},"PeriodicalIF":0.9,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85984076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
We consider the problem of the correct ranking of a dynamically replenished large set of alternatives in multicriteria choice problems that use in the solution the previously obtained modified method for analyzing hierarchies, based on the operation of additive convolution of local priorities not on the obtained set of characteristics of paired comparison matrices (as in the classical method), but on a set of pairs the relative weights of the coordinates of the eigenvectors being compared with each other for each criterion and the subsequent operation of additive convolution according to the criteria and alternatives in each pair. In this version, the algorithm ensures that previously achieved preferences are preserved when adding new alternatives and, thereby, makes it possible to optimize when processing large volumes of dynamically changing data, which significantly expands the applicability of the popular algorithm.
{"title":"Optimization of Multi-Criterial Selection Algorithm with a Dynamically Filled Large Set of Alternatives","authors":"S. Kolesnikova, S. A. Karavanova","doi":"10.17587/IT.27.235-241","DOIUrl":"https://doi.org/10.17587/IT.27.235-241","url":null,"abstract":"We consider the problem of the correct ranking of a dynamically replenished large set of alternatives in multicriteria choice problems that use in the solution the previously obtained modified method for analyzing hierarchies, based on the operation of additive convolution of local priorities not on the obtained set of characteristics of paired comparison matrices (as in the classical method), but on a set of pairs the relative weights of the coordinates of the eigenvectors being compared with each other for each criterion and the subsequent operation of additive convolution according to the criteria and alternatives in each pair. In this version, the algorithm ensures that previously achieved preferences are preserved when adding new alternatives and, thereby, makes it possible to optimize when processing large volumes of dynamically changing data, which significantly expands the applicability of the popular algorithm.","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"98 1","pages":"235-241"},"PeriodicalIF":0.9,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81162049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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