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The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries by Anna Maria Busse Berger (review) 《在非洲和德国寻找中世纪音乐,1891-1961:学者、歌手、传教士》,Anna Maria Busse Berger著(综述)
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0020
S. Waltz
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引用次数: 0
Hermann Broch und die Menschenrechte. Anti-Versklavung als Ethos der Welt by Paul Michael Lützeler (review) 赫尔曼·布洛赫和人权我觉得two pub
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0021
Graham Bartram
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引用次数: 0
Film und Kino als Spiegel. Siegfried Kracauers Filmschriften aus Deutschland und Frankreich by Viola Rühse (review) 电影…Siegfried kra订
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0024
Frederic Ponten
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引用次数: 0
Götterdämmerung im Ruhrgebiet: Christoph Schlingensiefs Wagner-Rallye 鲁尔区的Götterdämmerung:Christoph Schlingesief的瓦格纳拉力赛
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0004
T. Kovacs
abstract:This article focuses on Christoph Schlingensief's Wagner-Rallye (2004), a work described as a counterpart to his staging of Wagner's Parsifal in Bayreuth. Inspired by Kluge's short story "Götterdämmerung in Wien," the Rallye radically reworks Wagner's Gesamtkunstwerk concept by dispersing the sound of his operas in the public space. With Rancière, I describe the becoming-material of Wagner as "aesthetics of the torso" and discuss its emancipatory potential while simultaneously examining it withing the specific context of the Ruhrfestspiele; a festival founded as counterpart to established cultural institutions in an attempt to bring culture to the working class.
摘要:本文主要介绍克里斯托夫·施林格西夫的《瓦格纳集会》(2004),这部作品被描述为他在拜罗伊特上演瓦格纳的《帕西法尔》的对应作品。受克鲁格短篇小说《维也纳的Götterdämmerung》的启发,Rallye通过在公共空间中分散瓦格纳歌剧的声音,彻底改写了瓦格纳的Gesamtkunstwerk概念。在《兰契》一书中,我将瓦格纳的创作素材描述为“躯干美学”,并讨论了其解放潜力,同时在鲁尔音乐节的特定背景下对其进行了审视;一个与已建立的文化机构相对应的节日,试图将文化带给工人阶级。
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引用次数: 0
Writing Chinese Nationals into the History of Nazi Germany 将中国国民写入纳粹德国历史
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0010
K. Cheng
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引用次数: 0
Elfriede Jelinek. Provokationen der Kunst ed. by Uta Degner and Christa Gürtler (review) Elfriede Jelinek .(评论)
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0026
Margarete Lamb-Faffelberger
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引用次数: 0
The Limits of Multiculturalism: Representations of German Identity in Feridun Zaimoglu's and Günter Senkel's Schwarze Jungfrauen 多元文化主义的极限:Feridun Zaimoglu和gengter Senkel的《少女》中德国身份的表现
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0003
D. Pan
abstract:As a form of documentary literature, Feridun Zaimoglu's and Günter Senkel's Schwarze Jungfrauen introduces perspectives from Muslim German women who do not otherwise appear in the public sphere. In doing so, the text affects the public representation of German identity and challenges readers to evaluate the differences in ideology and perspective that are represented. Rather than simply acknowledging the diversity and agency of these women, the preservation of liberal values requires a differentiation between the forms of conservatism that are compatible with such values and the extremist positions that threaten them.
作为记录文学的一种形式,Feridun Zaimoglu和gnter Senkel的《少女少女》(Schwarze Jungfrauen)介绍了德国穆斯林女性的视角,这些女性通常不会出现在公共领域。在这样做的过程中,文本影响了德国身份的公共代表,并挑战读者评估所代表的意识形态和观点的差异。维护自由主义价值观不仅仅是承认这些妇女的多样性和能动性,还需要区分与这些价值观相容的保守主义形式和威胁这些价值观的极端主义立场。
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引用次数: 0
In the Shadow of Auschwitz: German Massacres against Polish Civilians, 1939–1945 by Daniel Brewing (review) 在奥斯威辛的阴影下:德国对波兰平民的大屠杀,1939–1945,Daniel Brewing(评论)
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0023
J. Biskupska
to their combative tone and censorious style, many of the texts are closer to historical journalism than to academic debate—but this feature makes them also more interesting to read. Only rarely does Winkler correct himself, such as by admitting his reluctance to distance himself from post-nationalism so as to embrace national unification during the peaceful revolution of 1989/1990 (232). The overall impression of these polemical interventions is therefore somewhat mixed. The volume recalls many of the key controversies during the last decades, which transformed German historiography into a progressive direction by what Georg Iggers called “the social history of politics.” But several of the texts have a somewhat nostalgic feel because the issues they address—such as the Historikerstreit—have been resolved and seem no longer as pressing as they once did. Moreover, the presentation of the essays struggles with a double chronology which is sometimes confusing: On which historical epoch do they comment and in what context were they written? Younger scholars might also wonder why there is not more engagement with gender questions, transnational approaches, or global issues that fascinate the current generation. But perhaps recalling once again that it took sharp disputes to overcome a poisonous nationalist tradition is enough of an achievement of which to be proud. Konrad H. Jarausch, University of North Carolina at Chapel Hill
由于其好斗的语气和挑剔的风格,许多文本更接近历史新闻,而不是学术辩论——但这一特点也使它们读起来更有趣。温克勒很少纠正自己的错误,比如承认他不愿意在1989/1990年的和平革命中与后民族主义保持距离,从而接受国家统一(232)。因此,这些充满争议的干预措施给人的总体印象有些好坏参半。这本书回顾了过去几十年中的许多关键争议,这些争议通过格奥尔格·伊格尔斯所说的“政治社会史”将德国史学转变为一个进步的方向。但其中一些文本有点怀旧的感觉,因为它们所涉及的问题——比如《历史》——已经得到解决,似乎不再像以前那样紧迫。此外,这些文章的呈现与双重年表作斗争,这种年表有时令人困惑:它们评论的是哪个历史时代,它们是在什么背景下写的?年轻的学者可能也会想,为什么没有更多地参与吸引当代人的性别问题、跨国方法或全球问题。但也许再次回忆起,克服一种有毒的民族主义传统需要激烈的争论,这足以成为一项值得骄傲的成就。Konrad H.Jarausch,北卡罗来纳大学教堂山分校
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引用次数: 0
Grenzen der Sicherheit. Unfälle, Medien und Politik im deutschen Kaiserreich ed. by Amerigo Caruso and Birgit Metzger (review) 安全限制。《Unvelle,Medien and Politik im deutschen Kaiserreich》,Amerigo Caruso和Birgit Metzger编辑(评论)
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0019
Jens-Uwe Guettel
bution perspicaciously argues for the importance of thinking through philosophical and literary developments from the standpoint of machines and technology, which he argues determine both diegetic and extra-diegetic elements of works of literature. In doing so he sheds an illuminating media theoretical light on the philosophical stakes of Wilhelm Meister. Overall, the volume is accessible despite what may be treated as dense subject matter, and it executes very well what the editors promise in the introduction. Each contribution reflects in different ways, implicitly or explicitly, on the tension between the particularity of Wilhelm himself and the universal lessons, concepts, and practices this particularity offers. The volume makes for an excellent contribution to the disciplines of philosophy and literary studies, with Müller-Sievers’ contribution expanding its reach to media studies, and would also be a very useful accompaniment to courses on Goethe and German literature. Tanvi Solanki, Yonsei University
布蒂翁从机器和技术的角度,敏锐地论证了通过哲学和文学发展进行思考的重要性,他认为机器和技术决定了文学作品的diegetic和extra diegetic元素。在这样做的过程中,他为威廉·梅斯特的哲学利害关系提供了一个启发性的媒体理论之光。总的来说,这本书是可以访问的,尽管它可能被视为密集的主题,而且它很好地执行了编辑在引言中承诺的内容。每一项贡献都以不同的方式,含蓄或明确地反映了威廉本人的特殊性与这种特殊性所提供的普遍课程、概念和实践之间的紧张关系。该卷对哲学和文学研究学科做出了卓越的贡献,穆勒·西弗斯的贡献扩大了其对媒体研究的影响,也将是歌德和德国文学课程的一个非常有用的伴奏。延世大学Tanvi Solaki
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引用次数: 0
Why Are We Having Different Experiences? Reflections of the GSA Committee on Institutional Transformation and Social Justice 为什么我们有不同的经历?GSA委员会对制度转型与社会公正的思考
IF 0.2 4区 社会学 Q3 Social Sciences Pub Date : 2023-02-01 DOI: 10.1353/gsr.2023.0006
T. Florvil, A. Ellis, Damani Partridge, E. Rubin, Chunjie Zhang
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引用次数: 0
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German Studies Review
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