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Must Labour Lose? 劳工一定会损失吗?
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3167/HRRH.2021.470206
C. Riley
This article explores Mark Abrams, Richard Rose, and Rita Hinden’s 1960 publication Must Labour Lose? in order to demonstrate that contemporary debates around British identity and political culture are nothing new. The concerns about political, party, and national identity in this book clearly prefigure 2016 debates about Britain, not least because a specific question—how to vote—became a conversation about a broader set of ideals. This article explores how Must Labour Lose? constructed an image of British politics in 1959. It interrogates its silences around racial identity and argues that we must read race into this book and others like it. And it concludes that research like this enables a much wider understanding of the British electorate than simply how they voted.
本文探讨了马克·艾布拉姆斯、理查德·罗斯和丽塔·欣登在1960年出版的《劳动必须失败吗?》以证明围绕英国身份和政治文化的当代辩论并不是什么新鲜事。这本书中对政治、政党和国家认同的担忧显然预示着2016年关于英国的辩论,尤其是因为一个具体的问题——如何投票——变成了一场关于更广泛的理想的对话。这篇文章探讨了劳动力如何流失?塑造了1959年英国政治的形象它质疑了关于种族身份的沉默,并认为我们必须在这本书和其他类似的书中读到种族。它的结论是,像这样的研究可以更广泛地了解英国选民,而不仅仅是他们如何投票。
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引用次数: 0
The Dream of Greater Britain 大不列颠之梦
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3167/HRRH.2021.470209
D. Kennedy
This article examines the enduring influence of Charles Dilke’s Greater Britain (1868), which persists today in the ambitions of Brexit’s proponents. Dilke characterized Britain as the center of a world system bound together by a common identity. Yet his explanation of that identity was riddled with inconsistencies. While he cast it mainly in racial terms, he also proposed cultural and linguistic criteria. These inconsistencies would complicate the efforts to define and delineate the reach of Greater Britain by those who followed in Dilke’s footsteps. This includes the leading Brexiteers who have advanced Greater Britain’s modern iteration, the Anglosphere, as an alternative to EU membership.
本文考察了查尔斯·迪尔克(Charles Dilke)的《大不列颠》(1868)的持久影响,这种影响至今仍存在于脱欧支持者的野心中。迪尔克把英国描述为一个由共同身份联系在一起的世界体系的中心。然而,他对这种身份的解释却自相矛盾。虽然他主要从种族角度出发,但他也提出了文化和语言标准。这些不一致将使那些追随迪尔克脚步的人界定和描绘大不列颠范围的努力复杂化。这其中包括主要的脱欧派,他们提出了大不列颠的现代版本——盎格鲁文化圈(Anglosphere),作为欧盟成员国之外的另一种选择。
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引用次数: 1
Quartet in Autumn and the Meaning of Barbara Pym 《秋天的四重奏》与Barbara Pym的意义
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3167/HRRH.2020.470204
A. Burton
Barbara Pym’s fiction has been viewed as an anthropological approach to the social mores of postwar Britain. In this article, I use one of her last novels, Quartet in Autumn, to sharpen that reading to think through how Pym articulated an aesthetics of decline by trumpeting the dying world of the White English spinster. Quartet fictionalizes the agony of what Ramon Soto-Crespo calls “decapitalized Whiteness,” that is, where economic loss and a sense of racial disenfranchisement go hand in hand. The transatlantic desire it satisfied for a world that was lost yet redeemable through good old-fashioned English “women’s” literature prefigures the nostalgia for a preglobal Britain that has underwritten much of Brexit’s affective appeal.
Barbara Pym的小说被视为对战后英国社会习俗的人类学研究。在这篇文章中,我用她的最后一部小说《秋天的四重奏》来强化阅读,思考皮姆是如何通过宣扬英国白人老处女的垂死世界来表达衰落美学的。四重奏虚构了拉蒙·索托·克雷斯波所说的“去资本主义白人”的痛苦,也就是说,经济损失和种族被剥夺选举权的感觉是相辅相成的。它满足了跨大西洋的愿望,希望通过优秀的老式英语“女性”文学来拯救一个失落但又可以救赎的世界,这预示着人们对全球化前英国的怀念,而英国脱欧在很大程度上具有情感吸引力。
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引用次数: 0
Postimperial Melancholia and Brexit 后时代忧郁症与英国脱欧
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3167/HRRH.2021.470202
M. Matera
The lead-up to and the aftermath of the 2016 referendum on the United Kingdom’s membership in the European Union have been characterized by particular psychic reactions and affective states: shock, perplexity, anxiety, guilt, paranoia, anger, depression, delusion, and manic elation. The debate over Brexit has played out largely in an affective register. Scholars and journalists in search of explanations have reached for psychological concepts such as amnesia and have cited feelings, specifically nostalgia and anger, as major factors. Paul Gilroy’s Postcolonial Melancholia provides a more useful analytical framework for constructing histories of Brexit beyond the usual narratives of reversal, unexpected rupture, or liberation, and for unearthing the psychic attachments and affective dynamics underlying such narratives. Gilroy’s conception of postimperial melancholia allows us to see the links between Brexit, anti-immigrant racism, and the obsession with national identity, and the unacknowledged and ongoing legacies of empire and decolonization in contemporary Britain.
2016年英国脱欧公投前后,人们的心理反应和情感状态都很特殊:震惊、困惑、焦虑、内疚、偏执、愤怒、抑郁、妄想和狂躁。关于英国退欧的辩论在很大程度上是在情感层面展开的。寻求解释的学者和记者们求助于失忆症等心理学概念,并将情感(尤其是怀旧和愤怒)作为主要因素。保罗·吉尔罗伊(Paul Gilroy)的《后殖民忧郁症》(Postcolonial Melancholia)为构建脱欧历史提供了一个更有用的分析框架,超越了通常的逆转、意外破裂或解放叙事,并揭示了这些叙事背后的精神依恋和情感动态。吉尔罗伊关于后帝国忧郁症的概念让我们看到了英国脱欧、反移民种族主义、对国家身份的痴迷,以及当代英国未被承认的帝国和非殖民化遗产之间的联系。
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引用次数: 0
Politics, Patronage, and Diplomacy 政治、赞助和外交
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.3167/HRRH.2021.470104
Lorraine Macknight
When a hymnbook is placed outside its more expected hymnological environment and put in a wider contextual framework, particularly a political one with significant diplomatic aspects, a better appreciation is gained of the hymnbook and the circumstances of its compilation. Critically, the complexity and progressive transparency of hymn transmission from one country to another is also revealed. This article focuses on Prussian diplomat Christian Karl Josias von Bunsen and his Gesang-und Gebetbuchs (1833). A primary source for several translators, notably Catherine Winkworth (1827–1878), the hymnbook directly affected the movement of many hymns from Germany to England, Scotland, and Australia.
当一本赞美诗被置于其更预期的赞美诗环境之外,并置于更广泛的语境框架中,特别是具有重要外交方面的政治框架中,人们就能更好地欣赏赞美诗及其编辑环境。重要的是,它还揭示了赞美诗从一个国家传播到另一个国家的复杂性和渐进的透明性。本文的重点是普鲁士外交家克里斯蒂安·卡尔·约西亚·冯·本生和他的《Gesang-und Gebetbuchs》(1833)。许多翻译家,尤其是凯瑟琳·温克沃斯(Catherine Winkworth, 1827-1878),都把这本赞美诗作为主要的翻译素材,它直接影响了许多赞美诗从德国传播到英格兰、苏格兰和澳大利亚的过程。
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引用次数: 0
The First Italo-Ethiopian Clash over the Control of Eritrea and the Origins of Rome’s Imperialism 第一次意大利-埃塞俄比亚对厄立特里亚控制权的冲突和罗马帝国主义的起源
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.3167/HRRH.2021.470105
Nikolaos Mavropoulos
In the wake of Italy’s unification, the country’s expansionist designs were aimed, as expected, toward the opposite shore of the Mediterranean. The barrage of developments that took place in this strategic area would shape the country’s future alliances and colonial policies. The fear of French aggression on the coast of North Africa drove officials in Rome to the camp of the Central Powers, a diplomatic move of great importance for Europe’s evolution prior to World War I. The disturbance of the Mediterranean balance of power, when France occupied Tunisia and Britain held Cyprus and Egypt, the inability to find a colony in proximity to Italy, and a series of diplomatic defeats led Roman officials to look to the Red Sea and to provoke war with the Ethiopian Empire.
在意大利统一之后,正如预期的那样,这个国家的扩张计划瞄准了地中海的对岸。在这一战略地区发生的一连串事态发展将塑造该国未来的联盟和殖民政策。法国侵略的恐惧在北非海岸开车官员在罗马的营地中央权力,重视对欧洲的外交行动进化第一次世界大战之前,地中海地区的权力平衡的干扰,当法国占领突尼斯和英国举行塞浦路斯和埃及,无法找到一个接近意大利殖民地,和一系列的外交失败导致罗马官员看起来红海与埃塞俄比亚帝国挑起战争。
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引用次数: 1
Natural Children, Country Wives, and Country Girls in Nineteenth-Century India and Northeast Scotland 十九世纪印度和苏格兰东北部的自然子女、乡村妻子和乡村女孩
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.3167/HRRH.2021.470103
Eloise Grey
This article takes a history of emotions approach to Scottish illegitimacy in the context of imperial sojourning in the early nineteenth century. Using the archives of a lower-gentry family from Northeast Scotland, it examines the ways in which emotional regimes of the East India Company and Aberdeenshire gentry intersected with the sexual and domestic lives of native Indian women, Scottish farm servant women, and young Scottish bachelors in India. Children of these relationships, White and mixed-race, were the focus of these emotional regimes. The article shows that emotional regimes connected to illegitimacy are a way of looking at the Scottish history of empire.
本文从情感史的角度探讨了十九世纪早期帝国殖民背景下苏格兰人的私生子身份。利用苏格兰东北部一个下层贵族家庭的档案,它研究了东印度公司和阿伯丁郡贵族的情感制度与印度本土印度妇女、苏格兰农场女仆和年轻苏格兰单身汉的性和家庭生活的交叉方式。这些家庭的孩子,无论是白人还是混血儿,都是这些情感机制的焦点。这篇文章表明,与私生子相关的情感政权是看待苏格兰帝国历史的一种方式。
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引用次数: 0
Manufacturing Labor Discipline 制造业劳动纪律
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.3167/HRRH.2021.470102
Leonard N. Rosenband
Josiah Wedgwood, the Montgolfier family, and Samuel Bentham were leading producers during the early industrial era. A pottery manufacturer, a family of papermakers, and the Inspector-General of Britain’s Naval Works, they all occupied the highest perch in their fields. This article considers the efforts by these eminent figures to control the exercise and reproduction of skill in their shops. It examines their attempts to build internal labor markets and blend carefully trained, home-grown hands with novel systems of work discipline and fresh technologies. In doing so, this article assesses the success and limits of the entrepreneurial trio’s designs in the coming of mechanized production.
乔赛亚·韦奇伍德,孟戈尔菲家族和塞缪尔·边沁是早期工业时代的主要生产者。一个陶器制造商,一个造纸家族,还有英国海军工厂的监察长,他们都在各自的领域占据着最高的地位。本文考虑了这些杰出人物在他们的商店中控制技能的运用和复制所做的努力。它考察了他们建立内部劳动力市场的努力,以及将经过精心训练的本土劳动力与新颖的工作纪律体系和新技术相结合的努力。在此过程中,本文评估了企业家三人组的设计在机械化生产到来时的成功和局限性。
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引用次数: 0
Voices that Matter? 重要的声音?
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.3167/HRRH.2021.470106
J. Hoegaerts
How do we thoroughly historicize the voice, or integrate it into our historical research, and how do we account for the mundane daily practices of voice . . . the constant talking, humming, murmuring, whispering, and mumbling that went on off stage, in living rooms, debating clubs, business meetings, and on the streets? Work across the humanities has provided us with approaches to deal with aspects of voices, vocality, and their sounds. This article considers how we can mobilize and adapt such interdisciplinary methods for the study of history. It charts out a practical approach to attend to the history of voices—including unmusical ones—before recording, drawing on insights from the fields of sound studies, musicology, and performativity. It suggests ways to “listen anew” to familiar sources as well as less conventional source material. And it insists on a combination of analytical approaches focusing on vocabulary, bodily practice, and the questionable particularity of sound.
我们如何彻底地将声音历史化,或将其整合到我们的历史研究中,以及我们如何解释声音的日常实践……台下、客厅里、辩论俱乐部里、商务会议上、大街上不断出现的谈话、嗡嗡声、喃喃声、窃窃私语和喃喃自语?跨人文学科的工作为我们提供了处理声音、声乐及其声音方面的方法。本文将探讨我们如何动员和适应这种跨学科的历史研究方法。它描绘了一种实用的方法来关注声音的历史——包括非音乐的声音——在录音之前,借鉴了声音研究、音乐学和表演领域的见解。它建议人们“重新聆听”熟悉的材料以及不那么传统的材料。它坚持将分析方法结合起来,重点放在词汇、身体练习和声音的可疑特殊性上。
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引用次数: 2
Apprenticeship and Learning by Doing 学徒制和边做边学
IF 0.2 3区 历史学 Q3 Arts and Humanities Pub Date : 2021-02-01 DOI: 10.3167/HRRH.2021.012001
J. Horn
In France, formal guild training was not as ubiquitous a means of socializing young people into a trade as it has been portrayed by scholars. Guilds were limited geographically, and in many French cities privileged enclaves controlled by clerical or noble seigneurs curbed the sway of corporate structures, or even created their own. Eighteenth-century Bordeaux provides an extreme example of how limited guild training was in France’s fastest-growing city. The clerical reserves of Saint-Seurin and Saint-André that housed much of the region’s industrial production had quasi-corporate structures with far more open access and fewer training requirements. In Bordeaux, journeymen contested masters’ control over labor and masters trained almost no apprentices themselves. Formal apprenticeship mattered exceptionally little when it came to training people to perform a trade in Bordeaux.
在法国,正式的行会培训并不像学者们描述的那样,是一种无处不在的将年轻人融入行业的手段。行会在地理上受到限制,在许多法国城市,由神职人员或贵族领主控制的特权飞地限制了公司结构的影响力,甚至建立了自己的公司结构。18世纪的波尔多提供了一个极端的例子,说明在法国发展最快的城市,公会培训是多么有限。Saint-Seurin和saint - andr的神职人员保留区容纳了该地区的大部分工业生产,其准公司结构更加开放,培训要求也更少。在波尔多,熟练工与主人争夺劳动力的控制权,而主人自己几乎不训练学徒。在波尔多,正式的学徒制对于培训人们从事一项贸易几乎没有什么作用。
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引用次数: 0
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HISTORICAL REFLECTIONS-REFLEXIONS HISTORIQUES
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