SCOTTISH JOURNAL OF THEOLOGY最新文献

The connection between ecological responsibility and differing conceptions of Christian eschatology is widely observed. It is often assumed that the necessary response to Christian environmental inaction is affirmation of a strongly this-worldly vision of new creation (so, influentially, N. T. Wright). However, recent systematic theology has seen retrieval of elements of eschatology that foreground discontinuity and transcendence (e.g. Hans Boersma). Moreover, there are exegetical challenges to continuationist claims (e.g. Markus Bockmuehl and Edward Adams) and doctrinal reactions to ‘eschatological naturalism’ (Katherine Sonderegger and Michael Allen). Where does this leave the connection between ecological witness and the content of Christian hope? Doubtless, continuationist accounts have some salutary emphases, but on exegetical, doctrinal and moral grounds I seek to disentangle the assumed compact of particular construals of this-worldly continuity and ethical commitment. Finally, drawing on James Cone's meditations upon black spiritual traditions, I explore how discontinuous interpretations of the life to come themselves need not undermine responsible action.

The Christian mystical tradition approaches the apocalyptic as praxis – a way of living that renounces the world as it is, lives proleptically into a counter-world of God's reign and practices indifferent freedom in the meantime to love God and neighbour. Although concerns about the ethical viability of such a disposition have merit, this essay demonstrates its constructive possibility through recourse to two archives: the writings of Evagrius of Pontus and the witness of Francis of Assisi. By recovering a scriptural distinction between world and creation, and by emphasising the posture of holy indifference, apocalyptic praxis offers a resource and guide.

In 1257, the election of Bonaventure of Bagnoregio (c. 1217–1274) as leader of the Franciscan Order thrust him from the regulated world of academia into the polarised world of the Order. In his Breviloquium, completed just after his transition from a scholastic to an administrative and pastoral role, exegesis was mainly a form of intellectual contemplation mediated by Scripture. In his Itinerarium mentis in Deum, completed in 1259, exegesis became a form of contemplative encounter with the textual origin, Christ. This transformation of exegetical method in response to changing contexts and audiences manifests a different way of relating to Scripture.

Karl Barth's Theology of the Reformed Confessions characterised those catechetical texts as more ethical in orientation and more horizontal in focus than the corresponding Lutheran symbols. By examining both primary and secondary sources, this paper shows that while Barth legitimately illumines a key element of the Reformed witness regarding a connection between faith and life, his polemical eye may also distort his perspective on its distinctiveness, likely owing to contextual factors related to his self-fashioning a Reformed identity in his early academic service at the predominantly Lutheran University of Göttingen and alongside his colleague, Emanuel Hirsch.

In the last century, beauty has not often found itself enlisted in struggles for justice. As Alexander Nehemas recounts, beauty's severance from goodness and truth in the modern period renders beauty dangerous, its charm easily wielded as an instrument of oppression in the hands of the powerful. While some scholars have argued for a return to the pre-modern metaphysics that binds beauty to truth and goodness, the abuse of beauty is not simply a modern phenomenon, and its resistance requires more than a pre-modern solution. Beauty is eschatological; thus its abuse points to a failure to order it properly to its eschatological end. This article will argue that the abuse of beauty can be resisted not by spiritualising beauty, but by ordering physical beauty to its eschatological end. This end is most clearly seen in the ascended Christ, with his beautiful body that is human, wounded and hidden.

This study of Paradise Lost, interpreted through the lens of John Milton's treatise De doctrina Christiana, argues that the poet seeks to breathe new life into the tropes of orthodox Christian theodicy by radicalising concepts chosen eclectically from both Reformed and Arminian schools of thought, integrating them within the patchwork of his own idiosyncratic heterodoxies and thus catalysing a fundamentally new theology propelled by his narrative priorities. This approach makes the drama that Milton intuits itself the driver of dogma, which drama allows him to bring God and reader into the same story, under the spell of his own theodical narration.

Hans Urs von Balthasar's kenotic trinitarianism and theodramatic Christology is designed to dramatise the triune God's kenotic engagement with the world without introducing a change in God. It continues to be disputed whether Balthasar ends up divinising suffering and making God into a tragic deity or succeeds in redefining and complexifying divine immutability. To engage with this question, this article critically examines Balthasar's theological use of the image of ‘the Lamb slain before the foundation of the world’, which plays a pivotal role in his kenotic and theodramatic soteriology. I will argue that his kenosis-driven understanding of John's Gospel is untenable, and his rich theological use of Revelation's image of the Lamb slain, intensified by his questionable exegesis of the Fourth Gospel, renders super-temporal suffering and death real in the life of God.

Bruce L. McCormack's recent christological proposal intends to move beyond the apparent impasse in theological discourse between God's aseity and God's world relation. In describing the second mode of divine being as personally constituted by receptivity to the human Jesus of Nazareth without losing the logos asarkos, McCormack's proposed christological innovation offers a way to consider relation to the world as proper to God through the Son, without absolute pronobeity coming to dominate in the doctrine of God. This being said, his christological proposal, as it stands, implies both that election is antecedent to triunity and that the person of Jesus of Nazareth is antecedent to the act of the incarnation. With the former comes the problem of sequence in the priority of divine act over divine being. With the latter comes the problem of offering a unified account of two agencies. As such, while ontological receptivity continues to hold significant possibilities for the doctrine of God, it requires more careful coordination to the relation of passive generation as such.

Markus Barth (1915–1994) is best-known for his pioneering work in Jewish-Christian dialogue, and his Anchor Bible commentaries. Convinced that Ephesians 2:14–16 is the core of Paul's gospel, Barth concluded that the ‘one new man’ in Christ not only necessitates an indissoluble solidarity between Christians and Jews, but entails that all enmities have been negated by Christ's reconciliatory work. Ironically, this conviction provoked in him an antagonism towards many of his Jewish interlocutors. Their refusal to ‘forget Auschwitz’ caused Barth to accuse them of not being sufficiently conciliatory, and in turn led him, with sadly supersessionistic logic, to eschew reconciliation with them, because he did not think they took reconciliation seriously enough.

Cyril of Alexandria's Festal Letters are an underutilised source of his theology. Through them one can trace the development of his thought throughout the tumultuous years of his episcopacy. In this article, I draw attention to Cyril's ‘unitive’ Christology and the way he explains the incarnation to those under his pastoral care. Cyril employs key strategies informed by strong theological convictions to describe Christ as one subject who is fully divine and human.