Pub Date : 2024-02-01DOI: 10.1080/08949468.2023.2280429
Arnd Schneider
This article offers a detailed discussion of the film The Noise of Time by Rubén Guzmán (Argentina, 2021). The essay film is a poetic reflection on the morally questionable excavations and anthropo...
{"title":"A Future Horizon for Restitution in a Film on the Argentinian Puna: Rubén Guzmán’s The Noise of Time","authors":"Arnd Schneider","doi":"10.1080/08949468.2023.2280429","DOIUrl":"https://doi.org/10.1080/08949468.2023.2280429","url":null,"abstract":"This article offers a detailed discussion of the film The Noise of Time by Rubén Guzmán (Argentina, 2021). The essay film is a poetic reflection on the morally questionable excavations and anthropo...","PeriodicalId":44055,"journal":{"name":"Visual Anthropology","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139904051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.1080/08949468.2023.2280427
Mathodi Motsamayi, Phindile Dlamini
In 1988, the art collector Mark Bernstein donated to the University of KwaZulu–Natal a collection of seven vessels, produced by potters at the Evangelical Lutheran Church Art and Craft Center at Ro...
{"title":"Probing Issues of Indigeneity and Contemporaneity in a Collection of Rorke’s Drift Ceramics","authors":"Mathodi Motsamayi, Phindile Dlamini","doi":"10.1080/08949468.2023.2280427","DOIUrl":"https://doi.org/10.1080/08949468.2023.2280427","url":null,"abstract":"In 1988, the art collector Mark Bernstein donated to the University of KwaZulu–Natal a collection of seven vessels, produced by potters at the Evangelical Lutheran Church Art and Craft Center at Ro...","PeriodicalId":44055,"journal":{"name":"Visual Anthropology","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139904005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.1080/08949468.2023.2280426
Petra Tjitske Kalshoven
Drawing on 5 years of ethnographic fieldwork at and around the nuclear facilities at Sellafield in Northwest England, I engage with a ubiquitous turn of phrase that describes the material, visually...
{"title":"The Skyline is Changing: Editing Space and Discourse in Nuclear Decommissioning","authors":"Petra Tjitske Kalshoven","doi":"10.1080/08949468.2023.2280426","DOIUrl":"https://doi.org/10.1080/08949468.2023.2280426","url":null,"abstract":"Drawing on 5 years of ethnographic fieldwork at and around the nuclear facilities at Sellafield in Northwest England, I engage with a ubiquitous turn of phrase that describes the material, visually...","PeriodicalId":44055,"journal":{"name":"Visual Anthropology","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139903940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.1080/08949468.2023.2280428
Addamms Songe Mututa
This article is an interdisciplinary critique of Hermine Huntgeburth’s Die weiße Massai (The White Masai; 2005)—a transnational film—as a text that enables a reflection on the peculiarity of North-...
{"title":"Cultural Globalization and Transnational Cinema: On Intersectionality and Ethnoscapes in Hermine Huntgeburth’s Die weiße Massai","authors":"Addamms Songe Mututa","doi":"10.1080/08949468.2023.2280428","DOIUrl":"https://doi.org/10.1080/08949468.2023.2280428","url":null,"abstract":"This article is an interdisciplinary critique of Hermine Huntgeburth’s Die weiße Massai (The White Masai; 2005)—a transnational film—as a text that enables a reflection on the peculiarity of North-...","PeriodicalId":44055,"journal":{"name":"Visual Anthropology","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139904010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1080/08949468.2023.2210031
Tatiana Romashko
This article explores the political impact of street art and symbolic creativity in challenging official hegemony. It focuses on the Russian case of social conflict around the 2022 war, specificall...
{"title":"Peace and War in Our Bodies and Minds: Public Subversion vs. Mass Totalization","authors":"Tatiana Romashko","doi":"10.1080/08949468.2023.2210031","DOIUrl":"https://doi.org/10.1080/08949468.2023.2210031","url":null,"abstract":"This article explores the political impact of street art and symbolic creativity in challenging official hegemony. It focuses on the Russian case of social conflict around the 2022 war, specificall...","PeriodicalId":44055,"journal":{"name":"Visual Anthropology","volume":"75 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138540484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1080/08949468.2023.2207451
Andrey Makarychev, Sami Siva
This article is written on the basis of the visual material collected during field trips to Ukraine in 2014, 2016, 2017 and in February–March 2022. The analysis is built on three concepts that have...
{"title":"Photography as Testimony: Insecurities, “Bareness” of Life, and Resilience during the War in Ukraine","authors":"Andrey Makarychev, Sami Siva","doi":"10.1080/08949468.2023.2207451","DOIUrl":"https://doi.org/10.1080/08949468.2023.2207451","url":null,"abstract":"This article is written on the basis of the visual material collected during field trips to Ukraine in 2014, 2016, 2017 and in February–March 2022. The analysis is built on three concepts that have...","PeriodicalId":44055,"journal":{"name":"Visual Anthropology","volume":"61 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138540445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}