Olga Mesropova, Priscilla Meyer, Aleksandra Sviridova
{"title":"Iuz!: Chteniia po sluchaiu 75-letiia Iuza Aleshkovskogo","authors":"Olga Mesropova, Priscilla Meyer, Aleksandra Sviridova","doi":"10.2307/20459538","DOIUrl":"https://doi.org/10.2307/20459538","url":null,"abstract":"","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459538","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69229257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Puti kul'turnogo importa: Trudy po russkoi literature XVIII veka","authors":"Amanda Ewington, J. Klein","doi":"10.2307/20459530","DOIUrl":"https://doi.org/10.2307/20459530","url":null,"abstract":"","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459530","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69229202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This beautiful book celebrates the remarkable flowering of art in Prague during the reigns of Holy Roman Emperor Charles IV and his two sons, Wenceslas IV and Sigismund. When crowned king of Bohemia in 1347, Charles vowed to make Prague the cultural rival of Paris and Rome. He rebuilt its castle and began a massive building campaign to glorify Saint Vitus's Cathedral. In the ensuing century, Prague became not only an imperial but also an intellectual and artistic capital. In essays and detailed entries on some 240 artworks drawn from American and European collections, an esteemed group of scholars traces the birth of a distinctly Bohemian art in Prague in the mid-fourteenth century and its diffusion throughout Europe over the next hundred years. Panel paintings, goldsmiths' work, sculpture, stained glass, and illuminated manuscripts bear witness to the wide-ranging achievements of the hundreds of artists who were active in Bohemian lands during this spectacular century. Not since they were created have these magnificent objects been accorded the attention that they deserve on an international stage.
{"title":"Prague: The Crown of Bohemia, 1347-1437","authors":"Barbara Drake Boehm, Jiří Fajt, Pražský hrad","doi":"10.2307/20459548","DOIUrl":"https://doi.org/10.2307/20459548","url":null,"abstract":"This beautiful book celebrates the remarkable flowering of art in Prague during the reigns of Holy Roman Emperor Charles IV and his two sons, Wenceslas IV and Sigismund. When crowned king of Bohemia in 1347, Charles vowed to make Prague the cultural rival of Paris and Rome. He rebuilt its castle and began a massive building campaign to glorify Saint Vitus's Cathedral. In the ensuing century, Prague became not only an imperial but also an intellectual and artistic capital. In essays and detailed entries on some 240 artworks drawn from American and European collections, an esteemed group of scholars traces the birth of a distinctly Bohemian art in Prague in the mid-fourteenth century and its diffusion throughout Europe over the next hundred years. Panel paintings, goldsmiths' work, sculpture, stained glass, and illuminated manuscripts bear witness to the wide-ranging achievements of the hundreds of artists who were active in Bohemian lands during this spectacular century. Not since they were created have these magnificent objects been accorded the attention that they deserve on an international stage.","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459548","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69229704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE HUNTER IN TERROR OF HUNTERS : A CYNEGETIC READING OF TURGENEV'S FATHERS AND CHILDREN","authors":"Thomas P. Hodge","doi":"10.2307/20459522","DOIUrl":"https://doi.org/10.2307/20459522","url":null,"abstract":"","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459522","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69228772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Representations of the Second World War The Soviet canon of representing the Second World War as a heroic exploit of a people that had liberated Europe from fascism and defended the ideals of humanism began to crumble during the glasnost period. In post-Soviet Rus sia, the memory of the war has become inseparable from the memory of the crimes of Stalinism. A number of films that came out in 2004-2005 as part of the celebration of the sixtieth anniversary of the Soviet victory in the Great Patriotic War, showed the war as a tragedy for those who had fought in penal battalions, had been taken away by the NKVD, or had been prisoners of war and were then convicted as traitors and sent to Soviet labor camps.1 These in terpretations of the war in terms of psychic trauma are forcing a rethinking of the ways in which the human psyche has been depicted in Soviet narratives about the war. Indeed, as Dominick LaCapra reminds us, critique of a repre sentation canon includes the noncanonical reading of canonized texts, on the one hand, and new interpretations of texts that have been marginalized or al together excluded (21). It is a startling fact that, despite the horrendous losses of the Soviet Union in the war, suffering as such was not the focus in Soviet depictions of the war, unlike, for instance, in literature and films about the Holocaust produced in the West. Indeed, the image of the people as a victim of Nazism never became canonical in Russia.
{"title":"THE FATE OF A MAN BY SERGEI BONDARCHUK AND THE SOVIET CINEMA OF TRAUMA","authors":"Elena V. Baraban","doi":"10.2307/20459525","DOIUrl":"https://doi.org/10.2307/20459525","url":null,"abstract":"Representations of the Second World War The Soviet canon of representing the Second World War as a heroic exploit of a people that had liberated Europe from fascism and defended the ideals of humanism began to crumble during the glasnost period. In post-Soviet Rus sia, the memory of the war has become inseparable from the memory of the crimes of Stalinism. A number of films that came out in 2004-2005 as part of the celebration of the sixtieth anniversary of the Soviet victory in the Great Patriotic War, showed the war as a tragedy for those who had fought in penal battalions, had been taken away by the NKVD, or had been prisoners of war and were then convicted as traitors and sent to Soviet labor camps.1 These in terpretations of the war in terms of psychic trauma are forcing a rethinking of the ways in which the human psyche has been depicted in Soviet narratives about the war. Indeed, as Dominick LaCapra reminds us, critique of a repre sentation canon includes the noncanonical reading of canonized texts, on the one hand, and new interpretations of texts that have been marginalized or al together excluded (21). It is a startling fact that, despite the horrendous losses of the Soviet Union in the war, suffering as such was not the focus in Soviet depictions of the war, unlike, for instance, in literature and films about the Holocaust produced in the West. Indeed, the image of the people as a victim of Nazism never became canonical in Russia.","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459525","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69228902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"POLEMICAL ALLUSIONS IN RUSSIAN GULAG PROSE","authors":"D. Galloway","doi":"10.2307/20459526","DOIUrl":"https://doi.org/10.2307/20459526","url":null,"abstract":"","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459526","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69228918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Contents List of Figures and Map Preface and Acknowledgments Gabriella Safran and Steven J. Zipperstein Timeline: Semyon Akimovich An-sky/Shloyme-Zanvl Rappoport Gabriella Safran Key Archival Sources Key Printed Sources Introduction: An-sky and the Guises of Modern Jewish Culture Steven J. Zipperstein 1. An-sky, Sholem Aleichem, and the Master Narrative of Russian Jewry David Roskies 2. Paradigmatic Times: An-sky's Two Worlds Sylvie Anne Goldberg 3. An-sky in 1892: The Jew and the Petersburg Myth Gabriella Safran 4. "We Are Too Late": An-sky and the Paradigm of No Return Yohanan Petrovsky-Shtern 5. Spiritual and Physical Strength in An-sky's Literary Imagination Brian Horowitz 6. The Russian Jew as a Modern Hero: Identity Construction in An-sky's Writings Mikhail Krutikov 7. "Youth in Revolt": An-sky's In Shtrom and the Instant Fictionalization of 1905 Jonathan Frankel 8. Inscribing An-sky's Dybbuk in Russian and Jewish Letters Seth L. Wolitz 9. The Musical Strands of An-sky's Texts and Contexts Izaly Zemtsovsky 10. "Fardibekt!": An-sky's Polish Legacy Michael C. Steinlauf 11. An-sky, Evgeny Vakhtangov, and The Dybbuk Vladislav Ivanov 12. An-sky and the Ethnography of Jewish Women Nathaniel Deutsch 13. "An Academy Where Folklore Will be Studied": An-sky and the Jewish Museum Benjamin Lukin 14. Ethnic Loyalty and International Modernism: The An-sky Expeditions and the Russian Avant-Garde John E. Bowlt 15. An-sky, the Vilna Jewish Historic-Ethnographic Society, and the Shaping of Modern Jewish Culture Cecile E. Kuznitz 16. The Father of Jewish Ethnography? Jack Kugelmass Appendix: The Dybbuk S. An-sky, Between Two Worlds (The Dybbuk): Censored Variant Introduction by Vladislav Ivanov Translators' Note Craig Cravens and Gabriella Safran Between Two Worlds (The Dybbuk): A Jewish Dramatic Legend in Four Acts with Prologue and Epilogue, by S. An-sky Edited by Vladislav Ivanov translated by Craig Cravens Glossary Vladislav Ivanov Notes Index
{"title":"The worlds of S. An-sky : a Russian Jewish intellectual at the turn of the century","authors":"Gabriella Safran, Steven J. Zipperstein","doi":"10.2307/20459532","DOIUrl":"https://doi.org/10.2307/20459532","url":null,"abstract":"Contents List of Figures and Map Preface and Acknowledgments Gabriella Safran and Steven J. Zipperstein Timeline: Semyon Akimovich An-sky/Shloyme-Zanvl Rappoport Gabriella Safran Key Archival Sources Key Printed Sources Introduction: An-sky and the Guises of Modern Jewish Culture Steven J. Zipperstein 1. An-sky, Sholem Aleichem, and the Master Narrative of Russian Jewry David Roskies 2. Paradigmatic Times: An-sky's Two Worlds Sylvie Anne Goldberg 3. An-sky in 1892: The Jew and the Petersburg Myth Gabriella Safran 4. \"We Are Too Late\": An-sky and the Paradigm of No Return Yohanan Petrovsky-Shtern 5. Spiritual and Physical Strength in An-sky's Literary Imagination Brian Horowitz 6. The Russian Jew as a Modern Hero: Identity Construction in An-sky's Writings Mikhail Krutikov 7. \"Youth in Revolt\": An-sky's In Shtrom and the Instant Fictionalization of 1905 Jonathan Frankel 8. Inscribing An-sky's Dybbuk in Russian and Jewish Letters Seth L. Wolitz 9. The Musical Strands of An-sky's Texts and Contexts Izaly Zemtsovsky 10. \"Fardibekt!\": An-sky's Polish Legacy Michael C. Steinlauf 11. An-sky, Evgeny Vakhtangov, and The Dybbuk Vladislav Ivanov 12. An-sky and the Ethnography of Jewish Women Nathaniel Deutsch 13. \"An Academy Where Folklore Will be Studied\": An-sky and the Jewish Museum Benjamin Lukin 14. Ethnic Loyalty and International Modernism: The An-sky Expeditions and the Russian Avant-Garde John E. Bowlt 15. An-sky, the Vilna Jewish Historic-Ethnographic Society, and the Shaping of Modern Jewish Culture Cecile E. Kuznitz 16. The Father of Jewish Ethnography? Jack Kugelmass Appendix: The Dybbuk S. An-sky, Between Two Worlds (The Dybbuk): Censored Variant Introduction by Vladislav Ivanov Translators' Note Craig Cravens and Gabriella Safran Between Two Worlds (The Dybbuk): A Jewish Dramatic Legend in Four Acts with Prologue and Epilogue, by S. An-sky Edited by Vladislav Ivanov translated by Craig Cravens Glossary Vladislav Ivanov Notes Index","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459532","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69229270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Kobets, D. Rancour-Laferriere, Даниэл Ранкур-Лаферьер, Атанасов Георги Георгиев
{"title":"The Joy of All Who Sorrow: Icons of the Mother of God in Russia / ТРАДЦЦЦЯ НОЧЦМАНЦЯ ЦКОН БОЗОМАМЕРЦ б ПОССЦЦ ЗЛАЗАМЦ АМЕРЦКАНСКОСО НСЦХОАНАЛЦМЦКА","authors":"S. Kobets, D. Rancour-Laferriere, Даниэл Ранкур-Лаферьер, Атанасов Георги Георгиев","doi":"10.2307/20459553","DOIUrl":"https://doi.org/10.2307/20459553","url":null,"abstract":"","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459553","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69230200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Gary H. Toops, Jiřina van Leeuwen-Turnovcová, Nico Richter
{"title":"Entwicklung slawischer Literatursprachen, Diglossie, Gender: Literalität von Frauen und Standardisierungsprozesse im slawischen Areal","authors":"Gary H. Toops, Jiřina van Leeuwen-Turnovcová, Nico Richter","doi":"10.2307/20459559","DOIUrl":"https://doi.org/10.2307/20459559","url":null,"abstract":"","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20459559","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69230340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Introduction: Models and metaphors Possible worlds and modeling systems Time, space, and point of view as constitutive elements of the textual world Nabokov as a writer and a scientist: "natural" and "artificial" patterns Part I. The Models of Time The specious present: time as a "hollow" The spiral or the circle: Mary 1. Involution and metamorphosis 2. The triple dream 3. Nietzsche's circle of the eternal return 4. Time and double vision in Proust and Nabokov 5. Bergson's spiral of memory Tempus reversus Time and eternity: aevum Part II. The Model of the Observer The observer and the point of view Vision and word: the seat of a semiotic conflict 1. H. James: The Turn of the Screw 2. V. Nabokov: The Eye 3. A. Hitchcock: Rear Window Frame, motion and the observer Part III. The Models of Vision Automatism and disturbed vision Inhibition and artistic failure Camera obscura Nabokov's visual devices Part IV. The Doubles and Mirrors PartV. Multidimensional Worlds The outside and the inside Bend Sinister as a multilayer dream The worlds of seduction: Lolita Conclusion Bibliography Index
{"title":"The models of space, time and vision in V. Nabokov's fiction : narrative strategies and cultural frames","authors":"M. Grishakova","doi":"10.26530/OAPEN_421498","DOIUrl":"https://doi.org/10.26530/OAPEN_421498","url":null,"abstract":"Introduction: Models and metaphors Possible worlds and modeling systems Time, space, and point of view as constitutive elements of the textual world Nabokov as a writer and a scientist: \"natural\" and \"artificial\" patterns Part I. The Models of Time The specious present: time as a \"hollow\" The spiral or the circle: Mary 1. Involution and metamorphosis 2. The triple dream 3. Nietzsche's circle of the eternal return 4. Time and double vision in Proust and Nabokov 5. Bergson's spiral of memory Tempus reversus Time and eternity: aevum Part II. The Model of the Observer The observer and the point of view Vision and word: the seat of a semiotic conflict 1. H. James: The Turn of the Screw 2. V. Nabokov: The Eye 3. A. Hitchcock: Rear Window Frame, motion and the observer Part III. The Models of Vision Automatism and disturbed vision Inhibition and artistic failure Camera obscura Nabokov's visual devices Part IV. The Doubles and Mirrors PartV. Multidimensional Worlds The outside and the inside Bend Sinister as a multilayer dream The worlds of seduction: Lolita Conclusion Bibliography Index","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2007-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.26530/OAPEN_421498","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69454035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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