Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018389
Stefano U. Baldassarri
{"title":"Giannozzo Manetti: the life of a Florentine humanist","authors":"Stefano U. Baldassarri","doi":"10.1080/00182370.2021.2018389","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018389","url":null,"abstract":"","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46153754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018283
Ross Phillips
{"title":"How the few became the proud: crafting the Marine Corps mystique, 1874-1918","authors":"Ross Phillips","doi":"10.1080/00182370.2021.2018283","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018283","url":null,"abstract":"","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47899967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018284
Ralph B. Levering
{"title":"The idealist: Wendell Willkie’s wartime quest to build one world","authors":"Ralph B. Levering","doi":"10.1080/00182370.2021.2018284","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018284","url":null,"abstract":"","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44461030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018388
Susanna Kokkonen
behavior, and political organization have persisted beyond the dictator’s death and the democratic transition. If “the uncertainty about the dictatorship’s ending was a feature of the Francoist era,” she writes, uncertainty “persists today, albeit in an inverted form: . . . as a critique of the regime’s continued presence within Spanish democracy”: “While the regime was haunted by the prospect of its ending, the postFranco era is haunted by the dictatorship’s non-ending” (5, 7). It is best to read this book less as a standard scholarly monograph – for which the bibliography is too eclectic and the dialogue with existing specialized scholarship too spotty – than as an essayistic, nuanced, theoretically informed reflection that, in turn, invites its readers to question their assumptions about the last 90 years of Spanish history.
{"title":"Hitler’s Jewish refugees: hope and anxiety in Portugal","authors":"Susanna Kokkonen","doi":"10.1080/00182370.2021.2018388","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018388","url":null,"abstract":"behavior, and political organization have persisted beyond the dictator’s death and the democratic transition. If “the uncertainty about the dictatorship’s ending was a feature of the Francoist era,” she writes, uncertainty “persists today, albeit in an inverted form: . . . as a critique of the regime’s continued presence within Spanish democracy”: “While the regime was haunted by the prospect of its ending, the postFranco era is haunted by the dictatorship’s non-ending” (5, 7). It is best to read this book less as a standard scholarly monograph – for which the bibliography is too eclectic and the dialogue with existing specialized scholarship too spotty – than as an essayistic, nuanced, theoretically informed reflection that, in turn, invites its readers to question their assumptions about the last 90 years of Spanish history.","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47345782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.1999049
C. McDaniel
ABSTRACT Since the late nineteenth century, the landscapist Isaak Levitan (1860–1900) has been praised for his ability to convey the Russian countryside’s beauty and mood. Throughout the czarist and Soviet eras, Levitan remained respected and often admired, and in post-Soviet Russia, Levitan is considered one of Russia’s foremost landscapists. Although Levitan has remained an important figure in Russian cultural history, he is somewhat understudied in the English-speaking world. Moreover, scholars who have discussed Levitan in English- and Russian-language publications have situated him within the context of a specific timeframe, such as late-Imperial Russia or the Soviet era. In order to gain insight into the reasons for the continuous respect and appreciation for Levitan amid Russia’s changing political dynamics, my examination focuses upon the writings of art critics and historians in late-czarist/imperial Russia (1890–1917), communist Russia/Soviet Union (1917–1991), and post-Soviet Russia (1991-Present). Specifically, my inquiry expands upon existing research 1) through an analysis of scholars’ perceptions of the Russian Realists’ (the Itinerants) and Western European artists’ influence upon Levitan, and 2) through an exploration of the varying interpretations of two of his most famous paintings, Tikhaia obitel (Quiet Monastery) (1890) and Nad vechnym pokoem (Above Eternal Peace) (1894). Through a study of these two topics, my article demonstrates that writings from scholars in the late-czarist, Soviet and post-Soviet eras reflect prominent political ideas and ideological beliefs within these three eras, and that these scholars’ interpretations emphasize aspects that have defined and that currently accent Russia’s distinct character.
{"title":"Isaak Levitan’s enduring appeal and Russian national identity, 1891-present","authors":"C. McDaniel","doi":"10.1080/00182370.2021.1999049","DOIUrl":"https://doi.org/10.1080/00182370.2021.1999049","url":null,"abstract":"ABSTRACT Since the late nineteenth century, the landscapist Isaak Levitan (1860–1900) has been praised for his ability to convey the Russian countryside’s beauty and mood. Throughout the czarist and Soviet eras, Levitan remained respected and often admired, and in post-Soviet Russia, Levitan is considered one of Russia’s foremost landscapists. Although Levitan has remained an important figure in Russian cultural history, he is somewhat understudied in the English-speaking world. Moreover, scholars who have discussed Levitan in English- and Russian-language publications have situated him within the context of a specific timeframe, such as late-Imperial Russia or the Soviet era. In order to gain insight into the reasons for the continuous respect and appreciation for Levitan amid Russia’s changing political dynamics, my examination focuses upon the writings of art critics and historians in late-czarist/imperial Russia (1890–1917), communist Russia/Soviet Union (1917–1991), and post-Soviet Russia (1991-Present). Specifically, my inquiry expands upon existing research 1) through an analysis of scholars’ perceptions of the Russian Realists’ (the Itinerants) and Western European artists’ influence upon Levitan, and 2) through an exploration of the varying interpretations of two of his most famous paintings, Tikhaia obitel (Quiet Monastery) (1890) and Nad vechnym pokoem (Above Eternal Peace) (1894). Through a study of these two topics, my article demonstrates that writings from scholars in the late-czarist, Soviet and post-Soviet eras reflect prominent political ideas and ideological beliefs within these three eras, and that these scholars’ interpretations emphasize aspects that have defined and that currently accent Russia’s distinct character.","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45962158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018282
Jeffrey P. Beck
{"title":"Native hoops: the rise of American Indian basketball, 1895-1970","authors":"Jeffrey P. Beck","doi":"10.1080/00182370.2021.2018282","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018282","url":null,"abstract":"","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45174983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018371
S. Faber
{"title":"Paradoxes of stasis: literature, politics, and thought in Francoist Spain","authors":"S. Faber","doi":"10.1080/00182370.2021.2018371","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018371","url":null,"abstract":"","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49447527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018331
N. Steinhardt
{"title":"Diversity in the great unity: regional Yuan architecture","authors":"N. Steinhardt","doi":"10.1080/00182370.2021.2018331","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018331","url":null,"abstract":"","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46446674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2014224
Barry C. Binder
ABSTRACT While inarguably linked to the larger body of Scots who emigrated from their homeland at the long turn of the twentieth century, the migrant experiences of Thomas MacLaren, Walter Farquhar Douglas, and Thompson Duncan Hetherington stand in contrast to those commonly attributed to Scottish immigrants. As young, skilled immigrants in a newly settled land, the three Scottish-trained architects brought with them an adherence to the design principles and philosophies they had embraced in Britain, the cradle of the Arts and Crafts Movement. What resulted were the design and construction of commercial, residential, and ecclesiastic structures in Colorado Springs, CO that were as authentic and unique as any designed at the turn of the twentieth century. Indeed, MacLaren, Douglas, and Hetherington were able to influence both the built and social environments, using their professional prestige to philanthropic ends in both their former and new homelands. Based on research conducted in archives throughout Scotland and in Colorado Springs, as well as previously unexamined primary source material, this manuscript contributes an original narrative to the collective body of regional, transnational, and cultural history. Examined from both a macrocosmic and microcosmic perspective, this manuscript examines the lives of MacLaren, Douglas, and Hetherington – including the factors leading to their emigration and the unique and significant transnational consequences of their migration.
{"title":"In My Ain Countrie: Thomas MacLaren, Walter Farquhar Douglas, and Thompson Duncan Hetherington; a transnational case study of Scottish migration","authors":"Barry C. Binder","doi":"10.1080/00182370.2021.2014224","DOIUrl":"https://doi.org/10.1080/00182370.2021.2014224","url":null,"abstract":"ABSTRACT While inarguably linked to the larger body of Scots who emigrated from their homeland at the long turn of the twentieth century, the migrant experiences of Thomas MacLaren, Walter Farquhar Douglas, and Thompson Duncan Hetherington stand in contrast to those commonly attributed to Scottish immigrants. As young, skilled immigrants in a newly settled land, the three Scottish-trained architects brought with them an adherence to the design principles and philosophies they had embraced in Britain, the cradle of the Arts and Crafts Movement. What resulted were the design and construction of commercial, residential, and ecclesiastic structures in Colorado Springs, CO that were as authentic and unique as any designed at the turn of the twentieth century. Indeed, MacLaren, Douglas, and Hetherington were able to influence both the built and social environments, using their professional prestige to philanthropic ends in both their former and new homelands. Based on research conducted in archives throughout Scotland and in Colorado Springs, as well as previously unexamined primary source material, this manuscript contributes an original narrative to the collective body of regional, transnational, and cultural history. Examined from both a macrocosmic and microcosmic perspective, this manuscript examines the lives of MacLaren, Douglas, and Hetherington – including the factors leading to their emigration and the unique and significant transnational consequences of their migration.","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42178022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/00182370.2021.2018330
Marina Bettaglio
social and political history of social and political history of a social and political history of latin america mafalda. a social and political history of latin america s global ic. a concise history of the by and
社会政治史是拉丁美洲社会政治史的一部马法尔达。拉丁美洲的社会史和政治史
{"title":"Mafalda: a social and political history of Latin America’s global comic","authors":"Marina Bettaglio","doi":"10.1080/00182370.2021.2018330","DOIUrl":"https://doi.org/10.1080/00182370.2021.2018330","url":null,"abstract":"social and political history of social and political history of a social and political history of latin america mafalda. a social and political history of latin america s global ic. a concise history of the by and","PeriodicalId":44078,"journal":{"name":"HISTORIAN","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45638828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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