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Shifting the dynamics in popular culture on Islamophobic media narratives 改变大众文化对伊斯兰恐惧症媒体叙事的动态
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1271
Khairiah A Rahman
Prior to the Christchurch mosque massacres on 15 March 2019, studies on New Zealand media showed that representations of Islam and Muslims were largely negative. Muslims were depicted as terror-prone and a threat to democracy and free speech. This popular media culture of negative framing is not unique to New Zealand as global media studies show a consistent and disproportionately high negative labelling of Islam and Muslims compared with adherents of other faiths. This article focuses on the role of the government and media to shift the dynamics in popular culture in Islamophobic media narratives. A critical analysis of the actions of these powerful sectors at the Conference on Countering Terrorism and Violent Extremism (CTVE) in 2021 showed an opportunity to address issues management and culture competence that could change the way Muslims and Islam perceived and represented the media.
在2019年3月15日克赖斯特彻奇清真寺大屠杀之前,对新西兰媒体的研究表明,对伊斯兰教和穆斯林的描述基本上是负面的。穆斯林被描述为恐怖分子,是民主和言论自由的威胁。这种负面框架的流行媒体文化并不是新西兰独有的,因为全球媒体研究表明,与其他信仰的信徒相比,伊斯兰教和穆斯林的负面标签一贯且不成比例地高。本文关注的是政府和媒体在伊斯兰恐惧症媒体叙事中改变流行文化动态的作用。在2021年举行的打击恐怖主义和暴力极端主义会议(CTVE)上,对这些强大部门的行动进行了批判性分析,表明有机会解决可能改变穆斯林和伊斯兰教对媒体的看法和代表方式的问题、管理和文化能力。
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引用次数: 2
FRONTLINE 2: The NZ Parliament protest: What the cameras in the crowd witnessed 前线2:新西兰议会抗议:人群中的摄像机见证了什么
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1247
Rituraj Sapkota
Commentary: Aotearoa New Zealand’s Parliament grounds have been reclaimed. All the streets around the buildings are again open to the public. Te Āti Awa have held a karakia to reinstall the mauri of the land. There is currently a rāhui over the Parliament grounds. It is time for healing. And moving on, writes a Māori Television videographer on reflection about the unprecedented hate directed at news media during the three-week occupation by anti-public health measures protesters. But after the unprecedented chaos that ended in a riot on Day 23—2 March 2022—he quotes a journalist who said, ‘I was feeling sad ... And then I look at Ukraine and realise there are bombs going off next to all these journalists and camera operators. I got hit with a camping chair and am I going to sit around and complain about it?
评论:新西兰国会大厦已被重新开垦。建筑物周围的所有街道都再次向公众开放。Āti阿瓦人举行了一次卡拉基亚,重新安置了这片土地上的毛里。目前,议会大厦上空有一个rāhui。是时候疗伤了。接着,一位Māori电视摄像师写道,在反公共卫生措施抗议者占领的三周时间里,他们对新闻媒体的仇恨前所未有。但在2022年3月23日至2日以骚乱结束的前所未有的混乱之后,他引用了一位记者的话说,“我感到很难过……然后我看着乌克兰,意识到炸弹就在这些记者和摄像师旁边爆炸。我被露营椅砸了,难道我要坐着抱怨吗?
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引用次数: 1
Holding the line: Rappler, Facebook, Duterte and the battle for truth and public trust 守住底线:拉普勒、脸书、杜特尔特以及为真相和公众信任而战
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1245
Glenda M. Gloria
Commentary: Rappler is the only journalist-owned and journalist-led media company in the Philippines. In the aftermath of chief executive Maria Ressa’s 2021 Nobel Peace Prize, this keynote address at the Asian Congress for Media and Communication (ACMC) outlines how the independent media group has harnessed social media and pressured Facebook and the tech giants that control the global information highway to do better and to give facts premium over profits. The address argues that the only way media can regain public trust in journalism is to regain their rightful space in the public sphere. This will not be able to be achieved in an environment where algorithms make value judgments for the public and where readers are served only information that they want or enjoy. Without journalists who will tell it like it is no matter the consequences, the future will continue to be one of alternate facts and manipulated opinions. 
评论:Rappler是菲律宾唯一一家由记者拥有和领导的媒体公司。在首席执行官玛丽亚·雷萨(Maria Ressa)获得2021年诺贝尔和平奖之后,在亚洲媒体与传播大会(ACMC)上的主题演讲概述了这家独立媒体集团如何利用社交媒体,向Facebook和控制全球信息高速公路的科技巨头施压,要求他们做得更好,把事实看得比利润更重要。他认为,媒体要想重新获得公众对新闻业的信任,唯一的办法就是在公共领域重新获得应有的空间。在一个算法为公众做出价值判断、只向读者提供他们想要或喜欢的信息的环境中,这是不可能实现的。如果没有不计后果地如实报道的记者,未来将继续是交替的事实和被操纵的观点。
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引用次数: 2
FRONTLINE 1: New Zealand’s 23-day Parliament siege: QAnon and how social media disinformation manufactured an ‘alternate reality’ 前线1:新西兰23天的议会围困:QAnon和社交媒体虚假信息如何制造“替代现实”
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1265
D. Robie
Fires burned across Aotearoa New Zealand’s Parliament grounds, and violent clashes broke out between protesters and police on the day the law enforcement officers moved to quell a 23-day anti-vaccination mandate siege of the House in February-March 2022 in scenes rarely witnessed in this country.  The riot climaxed a mounting campaign  of disinformation and hate speech on social media fuelled by conspiracy theorist New Zealand activist media such as Counterspin, which emulated their counterparts in the United States. Vitriolic death threats against political leaders and attacks on journalists and the media on an unprecedented scale were a feature of the protests. Anti-government messages were imported alongside white supremacist ideologies. Researchers have described the events as a ‘tectonic shift’ that will have a significant and lasting impact on Aotearoa New Zealand’s democratic institutions This article introduces three perspectives about the protests and disinformation ecology framed in the journal’s reflexive series Frontline.
2022年2月至3月,执法人员采取行动,平息对新西兰议会长达23天的反疫苗禁令围攻,当天,抗议者和警察之间爆发了暴力冲突,这种场面在新西兰很少见。这场骚乱将社交媒体上越来越多的虚假信息和仇恨言论推向了高潮,这些虚假信息和仇恨言论是由阴谋理论家、新西兰激进主义媒体Counterspin等效仿美国同行的媒体推动的。对政治领导人的尖刻死亡威胁以及对记者和媒体空前规模的攻击是抗议活动的一个特点。反政府信息与白人至上主义意识形态一起被引入。研究人员将这些事件描述为“构造转变”,将对新西兰的民主制度产生重大而持久的影响。本文介绍了该杂志反思性系列《前线》中关于抗议和虚假信息生态的三种观点。
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引用次数: 1
REVIEW: Noted: ‘All we want is a fairer share’ 评论:注:“我们想要的只是更公平的份额”
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1258
P. Cass
Our Ocean’s Promise: From aspiration to inspiration: The Marshall Islands Fishing story, by Giff Johnson. Majuro: Marshall Islands Marine Resources Authority, 2021, 200 pages. THIS lavishly illustrated history of the development of commercial fishing in the Marshall Islands will be of interest to anybody concerned with economic development and sensible management of fishing stocks in the Pacific. For many islands their offshore economic zones and fishing fields have been a source, even potentially, of wealth. However, overfishing and the loss of fishing stock through legal agreements, leasing arrangements and outright piracy have been a problem for many island states in recent years.
我们的海洋的承诺:从渴望到灵感:马绍尔群岛渔业的故事,作者:吉夫·约翰逊。马绍尔群岛海洋资源管理局,2021,200页。任何关心太平洋经济发展和渔业资源合理管理的人都会对马绍尔群岛商业捕鱼发展的历史感兴趣。对许多岛屿来说,它们的近海经济区和渔场一直是财富的来源,甚至是潜在的财富来源。然而,近年来,过度捕捞和通过法律协议、租赁安排和直接的海盗行为造成的渔业资源损失一直是许多岛屿国家面临的问题。
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引用次数: 0
Chinese New Zealanders in Aotearoa: Media consumption and political engagement 新西兰华人:媒体消费与政治参与
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1220
Jiancheng Zheng
This article outlines work in progress on project concerning interactions between the Chinese community in New Zealand, ethnic Chinese media, mainstream English language media, particularly around the New Zealand 2020 general election. A wealth of past research has discussed ethnic Chinese language media in New Zealand, the Chinese diaspora, and general elections. This study will go beyond previous research to include mainstream English language media as part of the media resources available to Chinese New Zealanders considering participating as voters in general elections. For Chinese New Zealanders, understanding the diversity of media in New Zealand is likely to have a positive effect on their voting decisions, and encourage more thinking about government policies.  
本文概述了有关新西兰华人社区,华人媒体,主流英语媒体之间互动的项目进展情况,特别是在新西兰2020年大选期间。过去的大量研究讨论了新西兰的华文媒体、华人侨民和大选。这项研究将超越以往的研究,将主流英语媒体作为考虑参加大选选民的新西兰华人可用的媒体资源的一部分。对于华裔新西兰人来说,了解新西兰媒体的多样性可能会对他们的投票决定产生积极影响,并鼓励他们更多地思考政府的政策。
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引用次数: 0
REVIEW: Bookshelf: Account of 1953 royal tour has much to teach about how we saw the world 书评:《书架》:1953年的王室之旅让我们了解了很多我们是如何看待世界的
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1262
P. Cass
Royal Tour Picture Album, by Elizabeth Morton. London, UK: Sunday Graphic/Pitkin Pictorials Ltd, 1953. 104 pages. ONE of the joys of travelling the world and collecting books is the historical oddities that turn up in the most unexpected places. I have a splendid copy of the complete works of Shakespeare dating to the Second World War, completely re-set, so the frontispiece notes, due to the original plates having been ‘destroyed by enemy action’. One wonders at the perfidy of the Luftwaffe in trying to blow up the Bard.
伊丽莎白·莫顿的《皇家旅游画册》。伦敦,英国:星期日图形/皮特金画报有限公司,1953。104页。环游世界和收集书籍的乐趣之一就是在最意想不到的地方发现历史上的奇闻异事。我有一本二战时期莎士比亚全集的精美副本,完全重新排版,所以扉页的注释,因为原来的版面已经“被敌人破坏了”。人们对德国空军企图炸毁巴德宫的背信弃义感到奇怪。
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引用次数: 0
REVIEW: Noted: Faux footnotes and a false frontispiece 评论:注意:假脚注和假封面
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1255
P. Cass
Dakawaku, by Anurag Subramanai. Honolulu: Lo’ihi Press, 2021. 327 pages. THIS book tries very hard to be very clever, with a thousand literary, Pacific and other allusions dripping from every page and a writing style that is (I think) intended (perhaps) to mirror the comic prose of Swift and Boswell. There are copious faux footnotes, a false frontispiece, addenda, exhortations to the reader and other literary devices that have not been seen since the steam press was invented. It is, in short (possibly) an attempt at what we used to call a picaresque novel in first year lit.
《Dakawaku》,作者Anurag Subramanai。檀香山:Lo 'ihi Press, 2021。327页。这本书非常努力地做到非常聪明,每一页都有一千个文学、太平洋和其他方面的典故,一种(我认为)有意(也许)模仿斯威夫特和博斯韦尔的喜剧散文的写作风格。书中有大量的假脚注、假扉页、附录、对读者的劝诫以及其他自蒸汽印刷机发明以来从未出现过的文学手法。简而言之,它(可能)是我们过去在第一年文学中所说的流浪汉小说的一种尝试。
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引用次数: 0
Afghanistan, the Taliban and the liberation narrative: Why it is so vital to be telling our own stories 阿富汗、塔利班和解放叙事:为什么讲述我们自己的故事如此重要
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1238
Muzhgan Samarqandi
Commentary: In the context of a liberation narrative, an Afghanistani broadcaster and cultural affairs adviser now living in Aotearoa New Zealand, examines the problems with this narrative when applied to the recent controversy of a pregnant New Zealand journalist in Afghanistan and her conflict with the government and the MIQ system. Firstly, this narrative relies on the assumption that ‘there isn’t anyone in Afghanistan who can write in English and tell the stories of Afghanistan to the world’. It also relies on the assumption that a foreigner, with no lived experience of our reality, can tell Afghanistan’s story. Secondly, to the extent that it creates an expectation of unconditional gratitude on the part of its ‘beneficiaries’, this narrative denies the value of immigrants in society. The author argues she personally contributes to building social cohesion in New Zealand’s multicultural environment. More generally, New Zealand’s economy and workforce rely on immigrants, as has become increasingly apparent in the face of COVID-19 restrictions. The media’s liberation narrative fails to do justice to the value and importance of this contribution. The author argues the antidote is a narrative characterised by diversity and solidarity, that builds up and builds on the voices, experiences and wisdom of Māori and Indigenous, minorities and immigrants.  
评论:现居纽西兰的一名阿富汗广播员及文化事务顾问,在解放叙事的背景下,检视这种叙事的问题,并将其应用于最近一名怀孕的纽西兰记者在阿富汗的争议,以及她与政府及军情局系统的冲突。首先,这种叙述依赖于这样一个假设:“阿富汗没有人能用英语写作,向世界讲述阿富汗的故事”。它还依赖于这样一种假设:一个没有生活经验的外国人可以讲述阿富汗的故事。其次,在某种程度上,它创造了对其“受益者”无条件感激的期望,这种叙述否认了移民在社会中的价值。作者认为,她个人为在新西兰多元文化环境中建立社会凝聚力做出了贡献。更普遍地说,新西兰的经济和劳动力依赖移民,这在面对COVID-19限制时变得越来越明显。媒体的解放叙事未能公正地评价这一贡献的价值和重要性。作者认为,解药是一种以多样性和团结为特征的叙事,这种叙事建立在Māori和土著、少数民族和移民的声音、经验和智慧之上。
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引用次数: 0
FRONTLINE 4: The murmuration of information disorders: Aotearoa New Zealand‚ mis- and disinformation ecologies and the Parliament Protest 前线4:信息混乱的杂音:新西兰,错误和虚假的信息生态和议会抗议
IF 0.5 Q3 Social Sciences Pub Date : 2022-07-31 DOI: 10.24135/pjr.v28i1and2.1266
K. Hannah, Sanjana Hattotuwa, Kayli Taylor
The Parliament Protest from February 2022 to March 2022 was a significant online and offline event in Aotearoa New Zealand. Offline, its physical presence captured the attention of the nation and fuelled debates about ideas of legitimate protest in Aotearoa New Zealand. Online, its data signatures showed never-seen-before popularity with misinformation, disinformation, and extremist thought. In this article The Disinformation Project (https://thedisinfoproject.org/) incorporates quantitative and qualitative data analysis to explore the role misinformation and disinformation played in the nurture and nature of the protest on Parliament grounds. The article also explores how the protest was projected on social media, disinformation and misinformation ecologies associated with it, and lasting impacts on social cohesion, identity, news media and democracy in Aotearoa New Zealand. This article has been published with permission from The Disinformation Project (https://thedisinfoproject.org/), Te Pūnaha Matatini, and Centre for Science in Society, Te Herenga Waka, Victoria University of Wellington as a collaboration with Pacific Journalism Review: Te Koakoa under the umbrella of PJR’s Frontline critical reflexive journalism programme.
2022年2月至2022年3月的议会抗议活动是新西兰奥特罗阿的一场重要的线上和线下活动。在线下,它的实体存在吸引了全国的注意,并引发了关于新西兰奥特罗亚合法抗议想法的辩论。在网上,它的数据签名显示出前所未有的错误信息、虚假信息和极端主义思想的流行。在这篇文章中,The Disinformation Project (https://thedisinfoproject.org/)结合了定量和定性的数据分析,探讨了错误信息和虚假信息在国会抗议活动的孕育和性质中所扮演的角色。文章还探讨了抗议活动如何在社交媒体上传播,与之相关的虚假信息和错误信息生态,以及对新西兰奥特罗阿的社会凝聚力、身份认同、新闻媒体和民主的持久影响。本文已获得虚假信息项目(https://thedisinfoproject.org/), Pūnaha Matatini和惠灵顿维多利亚大学社会科学中心的许可,并与太平洋新闻评论:Koakoa合作,在PJR的前线批判性反思新闻计划的保护下发表。
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引用次数: 6
期刊
Pacific Journalism Review
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