Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1271
Khairiah A Rahman
Prior to the Christchurch mosque massacres on 15 March 2019, studies on New Zealand media showed that representations of Islam and Muslims were largely negative. Muslims were depicted as terror-prone and a threat to democracy and free speech. This popular media culture of negative framing is not unique to New Zealand as global media studies show a consistent and disproportionately high negative labelling of Islam and Muslims compared with adherents of other faiths. This article focuses on the role of the government and media to shift the dynamics in popular culture in Islamophobic media narratives. A critical analysis of the actions of these powerful sectors at the Conference on Countering Terrorism and Violent Extremism (CTVE) in 2021 showed an opportunity to address issues management and culture competence that could change the way Muslims and Islam perceived and represented the media.
{"title":"Shifting the dynamics in popular culture on Islamophobic media narratives","authors":"Khairiah A Rahman","doi":"10.24135/pjr.v28i1and2.1271","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1271","url":null,"abstract":"Prior to the Christchurch mosque massacres on 15 March 2019, studies on New Zealand media showed that representations of Islam and Muslims were largely negative. Muslims were depicted as terror-prone and a threat to democracy and free speech. This popular media culture of negative framing is not unique to New Zealand as global media studies show a consistent and disproportionately high negative labelling of Islam and Muslims compared with adherents of other faiths. This article focuses on the role of the government and media to shift the dynamics in popular culture in Islamophobic media narratives. A critical analysis of the actions of these powerful sectors at the Conference on Countering Terrorism and Violent Extremism (CTVE) in 2021 showed an opportunity to address issues management and culture competence that could change the way Muslims and Islam perceived and represented the media.","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"63 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82327441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1265
D. Robie
Fires burned across Aotearoa New Zealand’s Parliament grounds, and violent clashes broke out between protesters and police on the day the law enforcement officers moved to quell a 23-day anti-vaccination mandate siege of the House in February-March 2022 in scenes rarely witnessed in this country. The riot climaxed a mounting campaign of disinformation and hate speech on social media fuelled by conspiracy theorist New Zealand activist media such as Counterspin, which emulated their counterparts in the United States. Vitriolic death threats against political leaders and attacks on journalists and the media on an unprecedented scale were a feature of the protests. Anti-government messages were imported alongside white supremacist ideologies. Researchers have described the events as a ‘tectonic shift’ that will have a significant and lasting impact on Aotearoa New Zealand’s democratic institutions This article introduces three perspectives about the protests and disinformation ecology framed in the journal’s reflexive series Frontline.
{"title":"FRONTLINE 1: New Zealand’s 23-day Parliament siege: QAnon and how social media disinformation manufactured an ‘alternate reality’","authors":"D. Robie","doi":"10.24135/pjr.v28i1and2.1265","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1265","url":null,"abstract":"Fires burned across Aotearoa New Zealand’s Parliament grounds, and violent clashes broke out between protesters and police on the day the law enforcement officers moved to quell a 23-day anti-vaccination mandate siege of the House in February-March 2022 in scenes rarely witnessed in this country. The riot climaxed a mounting campaign of disinformation and hate speech on social media fuelled by conspiracy theorist New Zealand activist media such as Counterspin, which emulated their counterparts in the United States. Vitriolic death threats against political leaders and attacks on journalists and the media on an unprecedented scale were a feature of the protests. Anti-government messages were imported alongside white supremacist ideologies. Researchers have described the events as a ‘tectonic shift’ that will have a significant and lasting impact on Aotearoa New Zealand’s democratic institutions This article introduces three perspectives about the protests and disinformation ecology framed in the journal’s reflexive series Frontline.","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"16 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82229493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1247
Rituraj Sapkota
Commentary: Aotearoa New Zealand’s Parliament grounds have been reclaimed. All the streets around the buildings are again open to the public. Te Āti Awa have held a karakia to reinstall the mauri of the land. There is currently a rāhui over the Parliament grounds. It is time for healing. And moving on, writes a Māori Television videographer on reflection about the unprecedented hate directed at news media during the three-week occupation by anti-public health measures protesters. But after the unprecedented chaos that ended in a riot on Day 23—2 March 2022—he quotes a journalist who said, ‘I was feeling sad ... And then I look at Ukraine and realise there are bombs going off next to all these journalists and camera operators. I got hit with a camping chair and am I going to sit around and complain about it?
{"title":"FRONTLINE 2: The NZ Parliament protest: What the cameras in the crowd witnessed","authors":"Rituraj Sapkota","doi":"10.24135/pjr.v28i1and2.1247","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1247","url":null,"abstract":"Commentary: Aotearoa New Zealand’s Parliament grounds have been reclaimed. All the streets around the buildings are again open to the public. Te Āti Awa have held a karakia to reinstall the mauri of the land. There is currently a rāhui over the Parliament grounds. It is time for healing. And moving on, writes a Māori Television videographer on reflection about the unprecedented hate directed at news media during the three-week occupation by anti-public health measures protesters. But after the unprecedented chaos that ended in a riot on Day 23—2 March 2022—he quotes a journalist who said, ‘I was feeling sad ... And then I look at Ukraine and realise there are bombs going off next to all these journalists and camera operators. I got hit with a camping chair and am I going to sit around and complain about it?","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"43 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88918031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1258
P. Cass
Our Ocean’s Promise: From aspiration to inspiration: The Marshall Islands Fishing story, by Giff Johnson. Majuro: Marshall Islands Marine Resources Authority, 2021, 200 pages. THIS lavishly illustrated history of the development of commercial fishing in the Marshall Islands will be of interest to anybody concerned with economic development and sensible management of fishing stocks in the Pacific. For many islands their offshore economic zones and fishing fields have been a source, even potentially, of wealth. However, overfishing and the loss of fishing stock through legal agreements, leasing arrangements and outright piracy have been a problem for many island states in recent years.
{"title":"REVIEW: Noted: ‘All we want is a fairer share’","authors":"P. Cass","doi":"10.24135/pjr.v28i1and2.1258","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1258","url":null,"abstract":"Our Ocean’s Promise: From aspiration to inspiration: The Marshall Islands Fishing story, by Giff Johnson. Majuro: Marshall Islands Marine Resources Authority, 2021, 200 pages. \u0000THIS lavishly illustrated history of the development of commercial fishing in the Marshall Islands will be of interest to anybody concerned with economic development and sensible management of fishing stocks in the Pacific. For many islands their offshore economic zones and fishing fields have been a source, even potentially, of wealth. However, overfishing and the loss of fishing stock through legal agreements, leasing arrangements and outright piracy have been a problem for many island states in recent years.","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"23 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75375069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1245
Glenda M. Gloria
Commentary: Rappler is the only journalist-owned and journalist-led media company in the Philippines. In the aftermath of chief executive Maria Ressa’s 2021 Nobel Peace Prize, this keynote address at the Asian Congress for Media and Communication (ACMC) outlines how the independent media group has harnessed social media and pressured Facebook and the tech giants that control the global information highway to do better and to give facts premium over profits. The address argues that the only way media can regain public trust in journalism is to regain their rightful space in the public sphere. This will not be able to be achieved in an environment where algorithms make value judgments for the public and where readers are served only information that they want or enjoy. Without journalists who will tell it like it is no matter the consequences, the future will continue to be one of alternate facts and manipulated opinions.
{"title":"Holding the line: Rappler, Facebook, Duterte and the battle for truth and public trust","authors":"Glenda M. Gloria","doi":"10.24135/pjr.v28i1and2.1245","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1245","url":null,"abstract":"Commentary: Rappler is the only journalist-owned and journalist-led media company in the Philippines. In the aftermath of chief executive Maria Ressa’s 2021 Nobel Peace Prize, this keynote address at the Asian Congress for Media and Communication (ACMC) outlines how the independent media group has harnessed social media and pressured Facebook and the tech giants that control the global information highway to do better and to give facts premium over profits. The address argues that the only way media can regain public trust in journalism is to regain their rightful space in the public sphere. This will not be able to be achieved in an environment where algorithms make value judgments for the public and where readers are served only information that they want or enjoy. Without journalists who will tell it like it is no matter the consequences, the future will continue to be one of alternate facts and manipulated opinions. ","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"53 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86767709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1220
Jiancheng Zheng
This article outlines work in progress on project concerning interactions between the Chinese community in New Zealand, ethnic Chinese media, mainstream English language media, particularly around the New Zealand 2020 general election. A wealth of past research has discussed ethnic Chinese language media in New Zealand, the Chinese diaspora, and general elections. This study will go beyond previous research to include mainstream English language media as part of the media resources available to Chinese New Zealanders considering participating as voters in general elections. For Chinese New Zealanders, understanding the diversity of media in New Zealand is likely to have a positive effect on their voting decisions, and encourage more thinking about government policies.
{"title":"Chinese New Zealanders in Aotearoa: Media consumption and political engagement","authors":"Jiancheng Zheng","doi":"10.24135/pjr.v28i1and2.1220","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1220","url":null,"abstract":"This article outlines work in progress on project concerning interactions between the Chinese community in New Zealand, ethnic Chinese media, mainstream English language media, particularly around the New Zealand 2020 general election. A wealth of past research has discussed ethnic Chinese language media in New Zealand, the Chinese diaspora, and general elections. This study will go beyond previous research to include mainstream English language media as part of the media resources available to Chinese New Zealanders considering participating as voters in general elections. For Chinese New Zealanders, understanding the diversity of media in New Zealand is likely to have a positive effect on their voting decisions, and encourage more thinking about government policies. \u0000 ","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"2012 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86359881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1262
P. Cass
Royal Tour Picture Album, by Elizabeth Morton. London, UK: Sunday Graphic/Pitkin Pictorials Ltd, 1953. 104 pages. ONE of the joys of travelling the world and collecting books is the historical oddities that turn up in the most unexpected places. I have a splendid copy of the complete works of Shakespeare dating to the Second World War, completely re-set, so the frontispiece notes, due to the original plates having been ‘destroyed by enemy action’. One wonders at the perfidy of the Luftwaffe in trying to blow up the Bard.
{"title":"REVIEW: Bookshelf: Account of 1953 royal tour has much to teach about how we saw the world","authors":"P. Cass","doi":"10.24135/pjr.v28i1and2.1262","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1262","url":null,"abstract":"Royal Tour Picture Album, by Elizabeth Morton. London, UK: Sunday Graphic/Pitkin Pictorials Ltd, 1953. 104 pages. \u0000ONE of the joys of travelling the world and collecting books is the historical oddities that turn up in the most unexpected places. I have a splendid copy of the complete works of Shakespeare dating to the Second World War, completely re-set, so the frontispiece notes, due to the original plates having been ‘destroyed by enemy action’. One wonders at the perfidy of the Luftwaffe in trying to blow up the Bard.","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"37 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78681156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1238
Muzhgan Samarqandi
Commentary: In the context of a liberation narrative, an Afghanistani broadcaster and cultural affairs adviser now living in Aotearoa New Zealand, examines the problems with this narrative when applied to the recent controversy of a pregnant New Zealand journalist in Afghanistan and her conflict with the government and the MIQ system. Firstly, this narrative relies on the assumption that ‘there isn’t anyone in Afghanistan who can write in English and tell the stories of Afghanistan to the world’. It also relies on the assumption that a foreigner, with no lived experience of our reality, can tell Afghanistan’s story. Secondly, to the extent that it creates an expectation of unconditional gratitude on the part of its ‘beneficiaries’, this narrative denies the value of immigrants in society. The author argues she personally contributes to building social cohesion in New Zealand’s multicultural environment. More generally, New Zealand’s economy and workforce rely on immigrants, as has become increasingly apparent in the face of COVID-19 restrictions. The media’s liberation narrative fails to do justice to the value and importance of this contribution. The author argues the antidote is a narrative characterised by diversity and solidarity, that builds up and builds on the voices, experiences and wisdom of Māori and Indigenous, minorities and immigrants.
{"title":"Afghanistan, the Taliban and the liberation narrative: Why it is so vital to be telling our own stories","authors":"Muzhgan Samarqandi","doi":"10.24135/pjr.v28i1and2.1238","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1238","url":null,"abstract":"Commentary: In the context of a liberation narrative, an Afghanistani broadcaster and cultural affairs adviser now living in Aotearoa New Zealand, examines the problems with this narrative when applied to the recent controversy of a pregnant New Zealand journalist in Afghanistan and her conflict with the government and the MIQ system. Firstly, this narrative relies on the assumption that ‘there isn’t anyone in Afghanistan who can write in English and tell the stories of Afghanistan to the world’. It also relies on the assumption that a foreigner, with no lived experience of our reality, can tell Afghanistan’s story. Secondly, to the extent that it creates an expectation of unconditional gratitude on the part of its ‘beneficiaries’, this narrative denies the value of immigrants in society. The author argues she personally contributes to building social cohesion in New Zealand’s multicultural environment. More generally, New Zealand’s economy and workforce rely on immigrants, as has become increasingly apparent in the face of COVID-19 restrictions. The media’s liberation narrative fails to do justice to the value and importance of this contribution. The author argues the antidote is a narrative characterised by diversity and solidarity, that builds up and builds on the voices, experiences and wisdom of Māori and Indigenous, minorities and immigrants. \u0000 ","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"97 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90781030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1255
P. Cass
Dakawaku, by Anurag Subramanai. Honolulu: Lo’ihi Press, 2021. 327 pages. THIS book tries very hard to be very clever, with a thousand literary, Pacific and other allusions dripping from every page and a writing style that is (I think) intended (perhaps) to mirror the comic prose of Swift and Boswell. There are copious faux footnotes, a false frontispiece, addenda, exhortations to the reader and other literary devices that have not been seen since the steam press was invented. It is, in short (possibly) an attempt at what we used to call a picaresque novel in first year lit.
{"title":"REVIEW: Noted: Faux footnotes and a false frontispiece","authors":"P. Cass","doi":"10.24135/pjr.v28i1and2.1255","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1255","url":null,"abstract":"Dakawaku, by Anurag Subramanai. Honolulu: Lo’ihi Press, 2021. 327 pages. \u0000THIS book tries very hard to be very clever, with a thousand literary, Pacific and other allusions dripping from every page and a writing style that is (I think) intended (perhaps) to mirror the comic prose of Swift and Boswell. There are copious faux footnotes, a false frontispiece, addenda, exhortations to the reader and other literary devices that have not been seen since the steam press was invented. It is, in short (possibly) an attempt at what we used to call a picaresque novel in first year lit.","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"6 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76068435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24135/pjr.v28i1and2.1261
Anaïs Duong-Pedica
Sweat and Salt Water: Selected Works: Teresia Kieuea Teaiwa, compiled and edited by Katerina Teaiwa, April K. Henderson and Terence Wesley-Smith. Pacific Islands Monograph Series. Honolulu: University of Hawai'i Press. 2021, 286 words. ISBN 9780824890285. Sweat and Salt Water: Selected Works is a collection of texts written by Banaban, I-Kiribati, and African-American Pacific studies scholar and educator Teresia Kieuea Teaiwa, which were put together by her sister Katerina Teaiwa and friends and colleagues April K. Henderson and Terence Wesley-Smith. Described by Katerina as '[a] true labour of love and occasional, intense grief', the book was published posthumously. While, as the editors note, ‘it is impossible to contain or present the dazzling spectrum of Teresia’s published work in just one volume’ (p. xvii), the selected texts were originally published between 1992 and 2017 and as such provide an idea of the variety of Teaiwa’s intellectual and creative writing across her career.
汗水和盐水:选集:特蕾西亚·kieeea Teaiwa，由Katerina Teaiwa, April K. Henderson和Terence Wesley-Smith编译和编辑。太平洋岛屿专题丛书。檀香山:夏威夷大学出版社，2021,286字。ISBN 9780824890285。《汗水与盐水:作品集》是一本由巴纳班、基里巴斯和非裔美国太平洋研究学者和教育家特雷西娅·kieea Teaiwa撰写的文本合集，由她的妹妹卡特琳娜·Teaiwa和朋友及同事艾普莉·k·亨德森和特伦斯·韦斯利-史密斯共同完成。被卡特琳娜描述为“真正的爱和偶尔的强烈悲伤的劳动”，这本书是在她死后出版的。虽然，正如编辑们所指出的，“在一卷书中不可能包含或呈现特蕾西娅发表的令人眼花缭乱的作品”(第xvii页)，但所选文本最初出版于1992年至2017年之间，因此提供了Teaiwa在她的职业生涯中各种知识和创造性写作的想法。
{"title":"REVIEW: A skilful weaving of Teaiwa’s creative legacy","authors":"Anaïs Duong-Pedica","doi":"10.24135/pjr.v28i1and2.1261","DOIUrl":"https://doi.org/10.24135/pjr.v28i1and2.1261","url":null,"abstract":"Sweat and Salt Water: Selected Works: Teresia Kieuea Teaiwa, compiled and edited by Katerina Teaiwa, April K. Henderson and Terence Wesley-Smith. Pacific Islands Monograph Series. Honolulu: University of Hawai'i Press. 2021, 286 words. ISBN 9780824890285. \u0000Sweat and Salt Water: Selected Works is a collection of texts written by Banaban, I-Kiribati, and African-American Pacific studies scholar and educator Teresia Kieuea Teaiwa, which were put together by her sister Katerina Teaiwa and friends and colleagues April K. Henderson and Terence Wesley-Smith. Described by Katerina as '[a] true labour of love and occasional, intense grief', the book was published posthumously. While, as the editors note, ‘it is impossible to contain or present the dazzling spectrum of Teresia’s published work in just one volume’ (p. xvii), the selected texts were originally published between 1992 and 2017 and as such provide an idea of the variety of Teaiwa’s intellectual and creative writing across her career.","PeriodicalId":44137,"journal":{"name":"Pacific Journalism Review","volume":"16 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91195075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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