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Nachrufe. Athanasios Kambylis (9. 1. 1928 – 20. 9. 2021), von Ioannis Vassis — 391 Benjamin Hendrickx (24 July 1939 – 8 July 2021)
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0016
A. Savvides
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引用次数: 0
Pauline Allen / Bronwen Neil. Greek and Latin letters in Late Antiquity. The Christianisation of a literary form 鲍琳·艾伦/布朗文·尼尔。古代晚期的希腊字母和拉丁字母。一种文学形式的基督教化
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0014
M. Grünbart
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引用次数: 0
Late Byzantine sigillographic evidence from Cappadocia: lead seals from Kırşehir with a unique overstruck example 来自卡帕多西亚的拜占庭晚期象形文字证据:Kırşehir的铅封,带有一个独特的过度褶皱例子
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0008
E. Laflı, Jean-Claude Cheynet
Abstract This short essay presents four 11th century A.D. Byzantine lead seals, all of which are stored in the local museum of Kırşehir, in ancient Cappadocia, which is located today in southeastern part of central Turkey. The Museum of Kırşehir owns a minor collection of at least 13 Byzantine lead seals and a selection of four unpublished seals is being presented, which were sold to the museum by local antique dealers from the Turkish provinces of Kırşehir and Aksaray. All of the seals are dated to the late 10th and early or mid-11th centuries A.D. No. 1 is an overstruck seal with a parallel piece which is a very unique specimen and raises some sigillographic and prosopographic questions. The three other seals are discussed with a focus to Byzantine dignitaries and their offices during the 11th century A.D. The descriptive discussion at the beginning briefly touches upon a some geographical and historical issues related to Kırşehir and its museum. This small collection of seals provides important evidence regarding the seal owners and the administration of the themes of Cappadocia and Charsianon on the eastern border of the Byzantine Empire. The paper offers a substantive analysis of the material, with a discussion and resolution of the sigillographic inscriptions and imagery.
摘要这篇短文介绍了四枚公元11世纪拜占庭铅印,它们都保存在古卡帕多西亚的Kırşehir当地博物馆中,该博物馆位于今天土耳其中部东南部。Kırşehir博物馆收藏了至少13枚拜占庭铅制印章,目前正在展出四枚未出版的印章,这些印章是由土耳其Kırşehil省和阿克萨雷省的当地古董商卖给博物馆的。所有的印章都可以追溯到公元10世纪末、11世纪初或中期。1号是一枚带有平行件的厚纹印章,这是一个非常独特的标本,并提出了一些符号学和韵律学问题。另外三枚印章的讨论重点是公元11世纪拜占庭政要及其办公室。开头的描述性讨论简要涉及了与Kırşehir及其博物馆有关的一些地理和历史问题。这一小部分印章收藏为拜占庭帝国东部边境的卡帕多西亚和查西亚农主题的印章所有者和管理提供了重要证据。本文对材料进行了实质性的分析,并对铭文和图像进行了讨论和解决。
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引用次数: 0
Islamicate alchemy in Greek letters on the first page of Marcianus graecus 299 Marcianus graecus 299第一页希腊字母中的伊斯兰炼金术
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0012
A. Roberts
Abstract The famous middle Byzantine alchemical manuscript Marcianus graecus 299 contains annotations from the late Byzantine period, most prominently in its opening quire. This article examines a text on the very first page of the manuscript, a text written in a late Byzantine Greek script, but in a language other than Greek. A number of words in this undeciphered text can be correlated with Arabic technical vocabulary that would also have been used in other Islamicate languages such as Persian and Ottoman Turkish. Certain features such as accentuation on the final syllables of words make Turkish or Persian the most likely candidates.
著名的中拜占庭炼金术手稿Marcianus graecus 299包含来自拜占庭晚期的注释,最突出的是其开头的注释。本文考察了手稿第一页上的一段文字,这段文字是用晚期拜占庭希腊文字写成的,但使用的语言不是希腊语。这份未解密文本中的许多单词可以与阿拉伯技术词汇相关联,这些词汇也会在其他伊斯兰语言(如波斯语和奥斯曼土耳其语)中使用。某些特征,如单词最后音节的重音,使土耳其语或波斯语成为最有可能的候选人。
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引用次数: 1
Titelei 标题
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-frontmatter11501
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引用次数: 0
Alex Metcalfe / Hervin Fernandez-Acevez / Marco Muresu (eds.). The making of medieval Sardinia Alex Metcalfe/Hervin Fernandez Acevez/Marco Muresu(编辑)。中世纪撒丁岛的形成
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0019
Salvatore Cosentino
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引用次数: 0
Late Roman emperorship in Constantinople: embodiment and ‘unbodiment’ of Christian virtues 君士坦丁堡的罗马帝国晚期:基督教美德的化身与“非化身”
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0003
Sylvain Destephen
Abstract The question of the documentary value of the last statues of Late Antiquity has been much debated in many recent publications. This article contributes to this debate and addresses emperors’ statuary and its relation to the development of a Christian theology of the Late Roman emperorship. Traditionally, statues demonstrated the military, legal and economic power of Roman emperors, who were depicted as generals, judges or benefactors. Surprisingly, the Christianisation of imperial power seems to have had a limited influence upon the official iconography of emperors. The religious dimension rarely appeared on statues even though they became rarer in Late Antiquity. Whilst literary sources, especially Christian sources, increasingly mentioned emperors’ personal piety and demonstrative humility, particularly in the monumental context of Constantinople, imperial statues remained faithful to the traditional iconography of power that obliterated physical weakness and embodied autocratic power.
在最近的许多出版物中,关于晚期古代最后雕像的文献价值问题一直有很多争论。这篇文章有助于这一辩论和地址皇帝的雕像及其关系的发展基督教神学的罗马帝国晚期。传统上,雕像展示了罗马皇帝的军事、法律和经济权力,他们被描绘成将军、法官或恩人。令人惊讶的是,皇权的基督教化似乎对皇帝的官方肖像影响有限。宗教层面很少出现在雕像上,尽管它们在古代晚期变得越来越罕见。虽然文学资料,尤其是基督教资料,越来越多地提到皇帝的个人虔诚和谦逊,特别是在君士坦丁堡的纪念背景下,皇帝的雕像仍然忠于传统的权力形象,消除了身体上的弱点,体现了专制权力。
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引用次数: 0
Heraclius Constantine III – Emperor of Byzantium (613–641) 希拉克略·君士坦丁三世——拜占庭皇帝(613-641)
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0004
Nikolas Hächler
Abstract This paper evaluates the significance of emperor Heraclius Constantine III, the eldest son of Heraclius (610 -641), for Byzantium in times of political and military crisis. The first part examines how Heraclius established his family as an imperial dynasty of Byzantium between 613 and 622. The second section analyzes how the young emperor represented his father in Constantinople, while Heraclius waged war against the Persian Sasanids during the 620s. The final segment deals on the one hand with the joint rule of Heraclius and his eldest son after Byzantine victories against the Persians and, on the other hand, with the growing influence of Heraclonas. Finally, the contribution explores Heraclius Constantine’s III role as Augustus senior after his father’s death in 641. The until now often understudied emperor was thereby of essential importance for Byzantium’s stability in the first half of the 7th century.
摘要本文评价了赫拉克利乌斯(610-641)的长子赫拉克利乌斯·康斯坦丁三世在政治和军事危机时期对拜占庭的意义。第一部分考察了赫拉克利乌斯是如何在613年至622年间建立拜占庭帝国王朝的。第二节分析了这位年轻的皇帝如何在君士坦丁堡代表他的父亲,而赫拉克利乌斯在620年代对波斯萨珊王朝发动了战争。最后一节一方面讲述了拜占庭战胜波斯人后赫拉克利乌斯和他的长子的共同统治,另一方面也讲述了赫拉克勒纳斯日益增长的影响力。最后,这篇文章探讨了赫拉克利乌斯·康斯坦丁在641年父亲去世后作为老奥古斯都的第三个角色。到目前为止,这位经常被忽视的皇帝对拜占庭在7世纪上半叶的稳定至关重要。
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引用次数: 1
David K. Pettegrew / William R. Karaher / Thomas W. Davis (eds.). The Oxford Handbook of early Christian archaeology David K.Petdegraw/William R.Karaher/Thomas W.Davis(编辑)。牛津早期基督教考古手册
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0020
J. Spieser
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引用次数: 2
The Arab conquest in Byzantine historical memory: the long view 拜占庭历史记忆中的阿拉伯征服:长远观点
IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-03-01 DOI: 10.1515/bz-2022-0005
Scott Kennedy
Abstract In recent decades, historians of the Arab conquest have increasingly turned away from positivist reconstructions of the events of the Arab conquest. Through thematic analysis of conquest narratives, scholars have illustrated how the early Islamic community articulated its identity. Byzantine narratives of the Arab conquest have generally not been considered from this perspective. This paper takes the long view of the Arab conquest illustrating how centuries of Byzantine writers and chroniclers articulated and rearticulated this memory, as their identity shifted along with their political and diplomatic relationships.
摘要近几十年来,阿拉伯征服的历史学家越来越远离对阿拉伯征服事件的实证重建。通过对征服叙事的主题分析,学者们展示了早期伊斯兰社区是如何表达其身份的。拜占庭对阿拉伯征服的叙述通常没有从这个角度来考虑。本文从阿拉伯征服的长远来看,阐述了几个世纪以来拜占庭作家和编年史家如何表达和重新表达这一记忆,因为他们的身份随着政治和外交关系的变化而变化。
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引用次数: 0
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