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Experimental Design Atmospheres 实验设计氛围
IF 0.7 3区 艺术学 0 ART Pub Date : 2023-12-11 DOI: 10.1080/17547075.2023.2279826
Guilherme Englert Corrêa Meyer, Cesar Navarro Rache
Despite experiment being quite a frequent term in design literature, there is a lack of comprehension about what the term experimental involves. Experimental design entails an openness that require...
尽管实验在设计文献中是一个很常见的术语,但人们对实验一词的含义却缺乏理解。实验设计需要一种开放性,这就要求...
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引用次数: 0
The Typographic Medium The Typographic Medium , by Kate BrideauCambridge, MA: The MIT Press, 2021, 304 pp. HB ISBN 9780262045858. US$45. 《排版媒介》,凯特·布里多著,剑桥,马萨诸塞州:麻省理工学院出版社,2021年,304页。HB ISBN 9780262045858。45美元。
3区 艺术学 0 ART Pub Date : 2023-11-08 DOI: 10.1080/17547075.2023.2271288
Setareh Ghoreishi
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsSetareh GhoreishiSetareh Ghoreishi is an Assistant Professor in the Department of Art and Art History, Oakland University. sghoreishi@oakland.edu
点击增大图片尺寸点击减小图片尺寸附加信息作者简介:作者是奥克兰大学艺术与艺术史系的助理教授。sghoreishi@oakland.edu
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引用次数: 0
Vital Media: Making, Design, and Expression for Human and Other MaterialsVital Media: Making, Design, and Expression for Human and Other Materials, by Michael NitscheCambridge, MA: The MIT Press, 2022, 222 pp. PB 9780262544580. US$35.00. 至关重要的媒体:制作,设计和表达为人类和其他材料至关重要的媒体:制作,设计,表达为人类和其他材料,由迈克尔·尼舍剑桥,马萨诸塞州:麻省理工学院出版社,2022年,222页。PB 9780262544580。35.00美元。
3区 艺术学 0 ART Pub Date : 2023-11-03 DOI: 10.1080/17547075.2023.2271289
Maria Smith Bohannon
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsMaria Smith BohannonMaria Smith Bohannon is an Assistant Professor of Graphic Design at Oakland University. smithboh@oakland.edu
点击增加图片大小点击减少图片大小附加信息关于贡献者的说明maria Smith Bohannon maria Smith Bohannon是奥克兰大学平面设计的助理教授。smithboh@oakland.edu
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引用次数: 0
(a)way station (a)way station , by Paul Kariouk and Mabel O. Wilson, San Francisco Museum of Modern Art, July 16, 2022–June 11, 2023. Curated by Daryl McCurdy, Curatorial Associate of Architecture and Design. (a)驿站(a)驿站,保罗·卡里乌克和梅布尔·o·威尔逊,旧金山现代艺术博物馆,2022年7月16日- 2023年6月11日。由Daryl McCurdy策划,建筑与设计策展助理。
3区 艺术学 0 ART Pub Date : 2023-10-27 DOI: 10.1080/17547075.2023.2268434
Saraleah Fordyce
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引用次数: 0
A Lived-in Shape Grammar: Parsing the Dwelling Activities in a Modernist Residential Building in Algiers 居住形态语法:阿尔及尔现代主义住宅楼居住活动解析
3区 艺术学 0 ART Pub Date : 2023-10-09 DOI: 10.1080/17547075.2023.2259672
Amina Rezoug, Mine Özkar
ABSTRACT:Residents of a building transform it over time and play crucial roles in making its life cycles sustainable. Introducing formal methods to study the impact of residents’ modifications in existing structures, we analyze Climat de France, a modern housing project in Algeria. Observing the distinction of designed and in-use contexts, we consider the building as it was once intended and as it is now lived in. We parse the south-west facade and define a shape grammar that consists of rules that represent and categorize the changes dwellers made on the original facade over time. We discuss residents’ modifications as tools of autonomy and outcomes of territorial struggles. Findings are both expected and unexpected, such as the issues of climate control and the patterns of knowledge exchange, respectively. The study interweaves some of the social and physical dynamics that trigger and shape the residents’ modifications, pointing out that shape grammars may be utilized to analyze the informal adaptations of a space by its users.Keywords: architecturedwellinghousingmodern heritageshape grammarsuser contextimplicit knowledgeother modernism Disclosure StatementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsAmina RezougAmina Rezoug is a Faculty Member of Istanbul Bilgi University. Her research focuses on formal and computational methods on one hand and social concerns in architecture on the other.amina.rezoug@gmail.com, amina.rezoug@bilgi.edu.trMine ÖzkarMine Özkar is a Professor of Architecture at Istanbul Technical University. Her research focuses on visual, spatial, and material aspects of design computation, and more recently on their integration to heritage studies.ozkar@itu.edu.tr
摘要:随着时间的推移,居住在建筑中的居民将对建筑进行改造,并在建筑生命周期的可持续发展中发挥着至关重要的作用。引入正式的方法来研究居民对现有结构修改的影响,我们分析了阿尔及利亚的一个现代住宅项目——法国气候。观察到设计和使用环境的区别,我们考虑了建筑曾经的意图和现在的居住环境。我们解析了西南立面,并定义了一种形状语法,该语法由代表和分类居住者在原始立面上随时间变化的规则组成。我们讨论了居民的修改作为自治的工具和领土斗争的结果。研究结果既有预期的,也有意外的,例如气候控制问题和知识交流模式。该研究交织了一些触发和塑造居民修改的社会和物理动态,指出形状语法可以用来分析用户对空间的非正式适应。关键词:建筑住宅现代遗产形状语法使用者语境隐含知识其他现代主义披露声明作者未报告潜在的利益冲突。samina Rezoug是伊斯坦布尔比尔吉大学的一名教员。她的研究一方面关注形式和计算方法,另一方面关注建筑中的社会问题other.amina.rezoug@gmail.com, amina.rezoug@bilgi.edu.trMine ÖzkarMine Özkar是伊斯坦布尔技术大学的建筑学教授。她的研究主要集中在视觉、空间和材料方面的设计计算,以及最近的遗产整合studies.ozkar@itu.edu.tr
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引用次数: 0
Exploring Autonomy as a Design Principle: Theoretical Review of Autonomy and Case Studies of Service Design for Seniors 自主性作为设计原则的探索:老年人服务设计自主性的理论回顾与案例研究
3区 艺术学 0 ART Pub Date : 2023-10-09 DOI: 10.1080/17547075.2023.2259658
Miso Kim
AbstractThe number of senior citizens has increased rapidly over the last decade. However, cultural preconceptions that create social barriers preventing seniors from being adequately supported still prevail. This work argues that understanding and nurturing the principle of autonomy is essential in designing services for senior population. A theoretical review reveals that autonomy is essential for well-being, but this concept has not been sufficiently explored in the context of service design. This article examines autonomy from philosophical, psychological, bioethical, and feminist perspectives and presents a framework that highlights four dimensions of autonomy: power to make decisions, capacity for action, sense of control, and self- governance. To illustrate these dimensions of autonomy, four service design projects conducted in partnership with local senior organizations are presented. Design insights based on the theoretical framework and learnings from the projects are shared to enhance autonomy in service design.Keywords: design for autonomyservice designdesign for older adultsdesign principledesign meta study Disclosure StatementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsMiso KimDr. Miso Kim is an associate professor in the Department of Arts + Design at Northeastern University. She is also the design director of the NuLawLab and the co-director of the Health and Wellness Design Lab. She studies dignity, autonomy, and participation in service design. m.kim@northeastern.edu
在过去的十年里,老年人的数量迅速增加。然而,造成老年人得不到充分支持的社会障碍的文化偏见仍然普遍存在。这项工作认为,理解和培养自主原则是设计老年人服务必不可少的。一项理论综述表明,自主性对幸福感至关重要,但这一概念在服务设计的背景下尚未得到充分的探讨。本文从哲学、心理学、生物伦理学和女权主义的角度考察了自主性,并提出了一个框架,突出了自主性的四个维度:决策能力、行动能力、控制感和自我治理。为了说明自治的这些维度,本文介绍了与当地高级组织合作开展的四个服务设计项目。基于理论框架的设计见解和从项目中学到的知识被共享,以增强服务设计的自主性。关键词:自主设计服务设计老年人设计设计原则设计meta研究披露声明作者未报告潜在利益冲突。关于贡献者的说明miso KimDr。Miso Kim是美国东北大学艺术与设计系副教授。她也是NuLawLab的设计总监和健康与健康设计实验室的联合主任。她研究服务设计中的尊严、自主和参与。m.kim@northeastern.edu
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引用次数: 0
Harmonizing Bilingual Layouts: A Proposal of Latin–Arabic Typographic Classifications 协调双语布局:拉丁-阿拉伯版式分类的建议
3区 艺术学 0 ART Pub Date : 2023-09-18 DOI: 10.1080/17547075.2023.2232603
Randa Abdel Baki
AbstractUnder the influence of globalization and multinational communication, the English language has become the steering script utilized in visual design. It has displaced other local languages and scripts and imposed a monolingual design outcome. This affected the design process and the end-product both globally and locally, fueling the loss of local design culture and dismissing the local script in countries where English is not the primary language of communication. This paper highlights the importance of bilingual Latin-Arabic typographic layouts, in order to preserve the Arabic script, the local language and culture alongside the mainstream. It aims to serve as an initial model for other multi scripts approaches. It stages the process and the challenges of designing bilingual systems. The focus is on applying suitable and harmonious bilingual Latin-Arabic typographic schemes to maintain the local script while equally and harmoniously coexisting with the multinational English counterpart. This proposal presents multiple bilingual layout classifications to equip designers in better understanding duality and creating harmonious bilingual compositions while preserving the local script.Keywords: bilingual Latin-Arabic typographic layoutscultural homogenizationlocal scriptbilingual layout classificationtypography Disclosure StatementNo potential conflict of interest was reported by the authors.Additional informationNotes on contributorsRanda Abdel BakiRanda Abdel Baki is a scholar, design educator, and designer residing in Beirut, Lebanon. In 2009, she served for five consecutive years as the Chairperson of the Graphic Design Department at the Lebanese American University (LAU) and, in 2018–2020, assumed the position of Chair of the Department of Art & Design at LAU. Baki’s designs and work have been exhibited and published internationally. She completed her graduate studies at Pratt Institute in NYC, where she also worked extensively as a consultant and art director for clients such as Proctor & Gamble, GM, Citibank, Sotheby’s, Estée Lauder, and the United Nations. Her scholarly studies in design and bilingual typography made her a reference on the subject matter. Randa.abdelbaki@lau.edu.lb
摘要在全球化和跨国交流的影响下,英语已经成为视觉设计中使用的指导文字。它取代了其他当地语言和文字,并强加了一种单语言的设计结果。这影响了全球和当地的设计过程和最终产品,加剧了当地设计文化的丧失,并在英语不是主要交流语言的国家中忽视了当地的文字。本文强调了拉丁-阿拉伯双语排版布局的重要性,以保护阿拉伯文字,当地语言和文化与主流。它旨在作为其他多脚本方法的初始模型。它分阶段介绍了设计双语系统的过程和挑战。重点是采用合适和和谐的拉丁-阿拉伯双语排版方案,以保持当地文字,同时与多国英文对等体平等和谐地共存。本文提出了多种双语布局分类,以帮助设计师更好地理解二元性,在保留当地文字的同时创造和谐的双语构图。关键词:双语拉丁-阿拉伯语排版排版文化同质化本地文字双语排版分类排版披露声明作者未报告潜在的利益冲突。作者简介:anda Abdel Baki是一位居住在黎巴嫩贝鲁特的学者、设计教育家和设计师。2009年,她连续五年担任黎巴嫩美国大学平面设计系主任,并于2018-2020年担任黎巴嫩美国大学艺术与设计系主任。Baki的设计和作品已经在国际上展出和出版。她在纽约的普拉特学院完成了她的研究生学业,在那里她还广泛地为宝洁、通用汽车、花旗银行、苏富比、雅诗兰黛和联合国等客户担任顾问和艺术总监。她在设计和双语排版方面的学术研究使她成为该主题的参考。Randa.abdelbaki@lau.edu.lb
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引用次数: 0
The Infrastructure of a Local Weaving Practice: Community Relationships for a Participatory Capacity 当地编织实践的基础设施:参与能力的社区关系
IF 0.7 3区 艺术学 0 ART Pub Date : 2023-07-12 DOI: 10.1080/17547075.2023.2227460
Gizem Öz, Şebnem Timur
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引用次数: 0
“It’s like the Wild West”: User Experience (UX) Designers on Ethics and Privacy in Aotearoa New Zealand “这就像狂野的西部”:新西兰奥特亚的用户体验(UX)设计师关于道德和隐私
IF 0.7 3区 艺术学 0 ART Pub Date : 2023-06-01 DOI: 10.1080/17547075.2023.2211391
Alex Beattie, Cherie Lacey, C. Caudwell
The degree to which User Experience (UX) designers unfairly steer users’ behavior through the use of ‘dark patterns’ is a topical and contentious issue. Scholarship has largely assumed that designers are complicit in manipulating the user and undermining their privacy. In this paper, we investigate privacy dark patterns and report on interviews conducted with UX practitioners, describing three findings: (1) designers feel motivated to act ethically due to their ‘moral compasses’; (2) designers are restricted in their ability to act ethically due to commercial pressures and a limited purview of the project; (3) designers’ understanding of the ethics of their practice do not currently match determinations made by international privacy and design scholars and demonstrate a limited understanding of how user behavior can be shaped that, in turn, obfuscates beneficial privacy outcomes for users. We conclude by outlining the benefits of independent regulation and progressive ethics education in UX.
用户体验(UX)设计师通过使用“暗模式”不公平地引导用户行为的程度是一个热门且有争议的问题。Scholarship在很大程度上认为设计师是操纵用户和破坏用户隐私的同谋。在本文中,我们调查了隐私黑暗模式,并报道了对用户体验从业者的采访,描述了三个发现:(1)设计师因其“道德指南针”而感到有动机采取合乎道德的行为;(2) 由于商业压力和项目范围有限,设计师的道德行为能力受到限制;(3) 设计师对其实践道德的理解目前与国际隐私和设计学者的决定不符,并且表明他们对如何塑造用户行为的理解有限,这反过来又混淆了对用户有益的隐私结果。最后,我们概述了用户体验中独立监管和渐进道德教育的好处。
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引用次数: 3
Crafting History: Archiving and the Quest for Architectural Legacy 创造历史:归档和对建筑遗产的探索
IF 0.7 3区 艺术学 0 ART Pub Date : 2023-06-01 DOI: 10.1080/17547075.2023.2213520
Mari Lending
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引用次数: 0
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Design and Culture
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