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Zayani, Mohamed. Editor. A Fledgling Democracy: Tunisia in the Aftermath of the Arab Uprisings Zayani,默罕默德。编辑器。初出茅庐的民主:阿拉伯起义后的突尼斯
Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.4.0306
Rikke Hostrup Haugbølle
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引用次数: 0
Books in Brief 书籍简览
Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.4.0308
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引用次数: 0
Black Day – Palestine 黑色日-巴勒斯坦
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.1.0005
Sher Chandley
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引用次数: 0
Decolonizing imperialist discourse in Jane Austen’s Persuasion 简·奥斯汀《劝导》中的非殖民化帝国主义话语
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.3.0229
M. Abd-Rabbo, Ghadir Zalloum, Ziad Nemrawi
In his highly influential work Culture and Imperialism, Edward Said unravels the imperialist undertones in Jane Austen’s Mansfield Park. Throughout the chapter entitled “Jane Austen and the Empire,” Said demonstrates how this seemingly domestic novel of manners, not normally associated with imperialism, is actually densely saturated with colonialist discourse. For Said, the marginalized representation of the colonized territory of Antigua as simply a “colonial garden” for the British imperial patriarch further accentuates the superior sense of colonialist entitlement. Thus, Said’s approach in decolonizing the imperialist discourse in Mansfield Park may be extended to other canonical works not generally considered imperialist in nature. In this article, the researchers utilize Said’s strategies involved in his reading of Mansfield Park to probe the imperialist nuances in Austen’s Persuasion, a novel usually categorized as a romance/novel of manners which depicts two lovers’ second chance at happiness despite all the social obstacles in their way. The researchers attempt to foreground the imperialist rhetoric in this novel, specifically Austen’s tendency to romanticize and glorify the rising British naval society as the champions of the Empire. Furthermore, this article investigates the absent, peripheral representation of colonial terrains as opposed to the privileged, central position of the British Empire in the narrative.
在他极具影响力的著作《文化与帝国主义》中,爱德华·赛义德揭示了简·奥斯汀的《曼斯菲尔德庄园》中隐含的帝国主义色彩。在《简·奥斯丁与帝国》这一章中,赛义德展示了这本看似家庭小说的礼仪,通常与帝国主义无关,实际上却充斥着殖民主义的话语。对赛义德来说,安提瓜被殖民领土被边缘化,仅仅是英国帝国族长的“殖民花园”,这进一步凸显了殖民主义者的优越感。因此,赛义德在《曼斯菲尔德庄园》中去殖民化帝国主义话语的方法可以扩展到其他通常不被认为是帝国主义性质的经典作品中。在这篇文章中,研究人员利用赛义德在阅读《曼斯菲尔德庄园》时所采用的策略来探究奥斯丁的《劝导》中帝国主义的细微差别。这部小说通常被归类为浪漫小说/礼貌小说,描述了两个恋人在遇到所有社会障碍的情况下获得幸福的第二次机会。研究人员试图在这部小说中突出帝国主义的修辞,特别是奥斯汀将崛起的英国海军社会浪漫化和美化为帝国的捍卫者的倾向。此外,本文还探讨了与大英帝国在叙事中享有特权的中心地位相反,殖民地地形的缺席和外围表现。
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引用次数: 0
Editor’s Note Editor’s音符
Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.4.0263
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引用次数: 0
Makdisi, Saree. Tolerance Is a Wasteland: Palestine and the Culture of Denial Makdisi,纱丽服。宽容是荒地:巴勒斯坦与否认文化
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.3.0244
E. Gottreich
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引用次数: 0
Exile Songwriters of the Palestinian Revolution (and the Problem with Sugar Man) 巴勒斯坦革命的流亡词曲作者(和“糖人”的问题)
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.1.0034
Louis Brehony
Bringing together musical research on three distinct locations of Palestinian displacement, this article explores the contributions of resistance songwriters Zeinab Shaath, George Totari, and George Kirmiz. Drawing on ethnographic fieldwork, including film-making, the works of the artists are explored through presentations of their lives in music, their social relationships, and journeys traversed by themselves and their music. Their approaches to songwriting and presentations of Palestinian narratives of resistance are discussed in relation to their stated political and social goals, which developed in parallel to an ongoing Palestinian Revolution in the region. The article proceeds from problems associated with the Sugar Man film phenomenon, in “lost” and “discovered” cultures, arguing that the singing and activism of the musicians finds greater relevance in the pursuit of ahdaf (“targets”) by Palestinian revolutionaries. Concepts such as musical genre and social organization are explored through their ability to present arguments on the way forward for exiles and those standing in solidarity with their cause.
将巴勒斯坦流离失所的三个不同地点的音乐研究结合在一起,本文探讨了抵抗歌曲作者Zeinab Shaath, George Totari和George Kirmiz的贡献。通过人种学田野调查,包括电影制作,艺术家的作品通过他们在音乐中的生活,他们的社会关系以及他们自己和他们的音乐所经历的旅程来探索。他们的歌曲创作方法和巴勒斯坦抵抗叙事的呈现与他们所陈述的政治和社会目标有关,这些目标与该地区正在进行的巴勒斯坦革命同时发展。文章从“失落”与“发现”文化中与“糖人”电影现象相关的问题出发,认为音乐家的歌唱与行动主义与巴勒斯坦革命者对ahdaf(“目标”)的追求有更大的关联。音乐流派和社会组织等概念通过他们的能力来探索,为流亡者和那些与他们的事业团结一致的人提出前进的道路。
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引用次数: 0
Amr Goes to Hollywood 阿姆去了好莱坞
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.1.0075
Amr El-Bayoumi
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引用次数: 0
Al-Muhanna, Ibrahim. Oil Leaders: An Insider’s Account of Four Decades of Saudi Arabia and OPEC’s Global Energy Policy Al-Muhanna,易卜拉欣。《石油领袖:沙特阿拉伯四十年和欧佩克全球能源政策的内幕》
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.1.0096
Hamdullah Baycar
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引用次数: 0
Faught, C. Brad. Cairo 1921: Ten Days that Made the Middle East C.布拉德。1921年开罗:缔造中东的十天
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.2.0176
Omar Darwazah
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引用次数: 0
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Arab Studies Quarterly
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