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A Postcolonial Ecocritical Reading of Mahmoud Darwish’s “The Red Indian’s Penultimate Speech to the White Man” 马哈茂德·达尔维什《红印第安人对白人的倒数第二篇演讲》的后殖民生态批评解读
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.2.0111
Ahmad Qabaha, Abdel Karim Daraghmeh
Inspired by the tenets of postcolonial ecocriticism, theories of settler colonialism, and indigenous ecologies, this study examines the connection Mahmoud Darwish establishes between the colonized people and natural elements in his poem “The Red Indian’s Penultimate Speech to the White Man” while making reference to Native American oral traditions and Chief Seattle’s speech. This article argues that Darwish’s poem expresses an inclusive perspective that requires appreciation of the interconnection between the national and ecological struggle of the colonized. The analysis in this article is premised on Darwish’s dictum in this poem that the resistance of the colonized against loss of homeland is also a resistance against loss of nature; that is, Darwish seems to argue that the ecological ethos is inherent in the resistance of colonized people against settler colonialism. In “The Red Indian’s Penultimate Speech to the White Man,” Darwish expresses consciousness of a history of colonial domination that aggressively exploitated natural resources and destroyed natural habitations that natives had nurtured and depended on for their subsistence over the years. In other words, the poet represents the central ecocritical argument that environmental issues are integral to the existence of colonized peoples.
受后殖民生态批评的原则、定居者殖民主义理论和土著生态学的启发,本研究考察了马哈茂德·达尔维什在他的诗歌《红印第安人对白人的第二次演讲》中建立的殖民地人民与自然元素之间的联系,同时参考了美洲原住民的口头传统和西雅图酋长的演讲。本文认为,达尔维什的诗歌表达了一种包容的视角,需要对被殖民者的民族斗争和生态斗争之间的相互联系进行欣赏。本文的分析以达尔维什在这首诗中的格言为前提,即被殖民者对失去家园的抵抗也是对失去自然的抵抗;也就是说,达尔维什似乎认为,生态精神是被殖民人民对移民殖民主义的抵抗所固有的。在《红印第安人对白人的倒数第二篇演讲》中,达尔维什表达了对殖民统治历史的意识,殖民统治积极地开发自然资源,破坏了当地人多年来赖以生存的自然栖息地。换句话说,诗人代表了生态批评的核心论点,即环境问题是殖民地人民生存的组成部分。
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引用次数: 0
OCCUPATION VS. RESISTANCE 占领vs.抵抗
Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.4.0264
Bansidhar Pradhan
The indiscriminate killing of Palestinians in the occupied Gaza Strip by the Israeli war machine, during July–August 2014, marked yet another phase in the long-drawn-out Palestinian resistance against Israeli occupation. The large-scale death, destruction, and displacement on the Palestinian side underlined a particular pattern of Israeli State behavior vis-à-vis the Palestinians in Gaza. This article argues that the 2014 operation, code named “Operation Protective Edge,” was but a part of Israel’s long-term, well-thought-out, and consistently pursued policy of crushing Palestinian resistance and eliminating Palestinian identity and nationalism.
2014年7月至8月期间,以色列战争机器在被占领的加沙地带不分青红皂白地杀害巴勒斯坦人,标志着巴勒斯坦人对以色列占领的长期抵抗进入了另一个阶段。巴勒斯坦方面的大规模死亡、破坏和流离失所突出了以色列国家对-à-vis加沙巴勒斯坦人的一种特殊行为模式。本文认为,2014年代号为“护刃行动”(operation Protective Edge)的行动,只是以色列长期、深思熟虑、一贯奉行的政策的一部分,目的是粉碎巴勒斯坦人的抵抗,消除巴勒斯坦人的身份认同和民族主义。
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引用次数: 0
The Cutting Edge between Nationalistic Commitment (Iltizam) and Literary Compulsion (Ilzam) in Palestinian Literature 巴勒斯坦文学中的民族主义承诺(Iltizam)与文学强迫(Ilzam)之间的前沿
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.17265/1539-8080/2014.03.008
Dima, Tahboub
This paper presents war literature as a distinctive genre intertwined with various schools of social thought and literary criticism including nationalism, social realism, and commitment. It puts forward a definition of war literature and the history of its emergence. It also attempts to explore some gray areas in war literature, relating to its artistic and creative modes of writing, its biases and prejudices. It questions the principles of authenticity and representation in this literary genre, addressing the contestation between reality and fiction, aesthetics and ideology, which dominate the discourse of postcolonial studies. The paper chooses Palestinian literature as a model case study, discussing the effects of the Sartrean school of commitment, Arabized in the concept of Adab al-Iltizam, on the creativity and individuality of writers. It discusses some of the general characteristics and themes of Palestinian literature, moving from early war literature (1948) to more contemporary works (1990s-), and presents how some writers manage to walk the thin line between literary representation and national commitment and succeed, without falling into the quagmire of propaganda or mundanity, to depict a national cause still subjected to colonialism in a postcolonial era.
本文将战争文学作为一种独特的体裁,与各种社会思想流派和文学批评交织在一起,包括民族主义、社会现实主义和承诺。提出了战争文学的定义及其产生的历史。它还试图探索战争文学中的一些灰色地带,涉及其艺术和创作模式,其偏见和偏见。它质疑了这种文学类型的真实性和代表性原则,解决了现实与虚构、美学与意识形态之间的争论,这些争论主导了后殖民研究的话语。本文以巴勒斯坦文学为研究对象,探讨萨特承诺学派对作家创造力和个性的影响。萨特承诺学派在阿达布·伊尔蒂扎姆的概念中被阿拉伯化。它讨论了巴勒斯坦文学的一些一般特征和主题,从早期的战争文学(1948年)到更当代的作品(1990年代-),并展示了一些作家如何设法在文学表现和国家承诺之间走一条细线,并成功地描绘了在后殖民时代仍然受到殖民主义影响的民族事业,而没有陷入宣传或世俗的泥潭。
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引用次数: 0
The Rise and Fall of Postcolonial Charisma 后殖民魅力的兴衰
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.1.0061
Mohammed A. Bamyeh
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引用次数: 0
Amphibious storytellers in Leo Africanus and The Moor’s Account 《利奥·非洲》和《摩尔人的故事》中的两栖说书人
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.3.0212
M. Khalifa
This article discusses the traces of two Early Modern Arab figures dramatized in The Moor’s Account (2014) by Laila Lalami and Leo Africanus (1992) by Amin Maalouf. Marginality, nomadism, and humanism are dramatized in the lives of Mustafa Al-Zammouri/Estebanico a black Arab from Zammour taken as a slave and sold to a Spanish conquistador who joined the Narváez Expedition and Leo Africanus/Alhassan Alwazzan who was captured by Spanish pirates and sent as a gift to Pope Leo X (1475–1521) around the same time. The lives of those two Early Modern Arab travelers provide the flesh for a bicultural humanism that avoids jingoistic nationalism that is centered around ideas of the canon that excludes narratives and texts from “the other world.” Bicultural humanism, I argue, is a unique space where both Maalouf and Lalami exercise their talent of recovering the lives of the silenced other and in doing so, challenge Orientalist stereotypes by creating dynamic narratives of Arabs and Muslims as complex nomad characters not essentialized violent multitudes enraged at Western modernity.
本文讨论了莱拉·拉拉米的《摩尔人的故事》(2014)和阿明·马卢夫的《利奥·阿非利加努斯》(1992)中两位早期现代阿拉伯人物的踪迹。穆斯塔法·扎穆里(Mustafa Al-Zammouri/Estebanico)是来自扎穆尔的黑人阿拉伯人,他被当作奴隶卖给了参加Narváez远征的西班牙征服者;同时,被西班牙海盗俘虏并作为礼物送给教皇利奥十世(1475-1521)的利奥·阿瓦赞(Alhassan Alwazzan)的生活也表现出了边缘化、游牧主义和人文主义。这两位早期现代阿拉伯旅行者的生活为一种双文化人文主义提供了肉体,这种人文主义避免了以排除“另一个世界”的叙述和文本的经典思想为中心的沙文主义民族主义。我认为,双文化人文主义是一个独特的空间,在这里,Maalouf和Lalami都发挥了他们的才能,恢复了被沉默的他人的生活,并在此过程中,通过创造阿拉伯人和穆斯林作为复杂的游牧人物的动态叙事,挑战了东方主义的刻板印象,而不是将对西方现代性感到愤怒的暴力群体本质化。
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引用次数: 0
Hamdi, Tahrir. Imagining Palestine: Cultures of Exile and National Identity 哈姆迪,解放。想象中的巴勒斯坦:流亡文化与民族认同
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.3.0249
Haneen Al-Zboon
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引用次数: 0
Old Conflicts, New Paradigm 旧冲突,新范式
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.2.0171
Salam Mir
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引用次数: 0
A Derridean approach to Qatar’s paradox of hospitality 对卡塔尔热情好客悖论的一种荒诞的解读
IF 0.3 Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.3.0191
Wisam Kh. Abdul-Jabbar, Wadha R. Alathba
Qatar has been heavily critiqued for its alleged inability to be hospitable to fans and tourists from different cultural, gender, and religious backgrounds (Todman, 2022). It has been damagingly portrayed as an “unwelcoming and closed conservative country” (Al-Ansari & Zahirovic, 2021: 203). This article examines Qatar’s paradoxical positioning of hospitality. It draws on the Derridean notion of hospitality to conceptualize the Qatari cultural and sociopolitical context as being conditioned by “hostipitality,” a term that Derrida coined to explain the contradictory nature of hospitality, “a word which carries its own contradiction incorporated into it, a Latin word which allows itself to be parasitized by its opposite, ‘hostility’” (2000b: 3). This article, therefore, utilizes Derrida’s theory of “hostipitality” to deconstruct the Western mindset of liberalism and the alleged unconditional respect for all. Two examples are used, the Qatari World Cup and Souq Waqif, to further contextualize and problematize the paradoxical positionality of Qatari hospitality. How can applying the Derridean hostipitality help negotiate Qatar’s controversial hospitality positioning? How do the cases of the World Cup and Souq Waqif exemplify the paradoxical aspect of conditioned hospitality? Additionally, the “Ship of Theseus” thought experiment is used to situate the paradox and help reconcile hospitality with hostility to form an emerging conception of negotiated conditioned hospitality. This study invokes the paradox of the “Ship of Theseus” to respond to the Derridean contradictory notion of hostipitality and further problematize Qatar’s positionality of hospitality.
卡塔尔因被指无法对来自不同文化、性别和宗教背景的球迷和游客友好而受到严厉批评(Todman, 2022)。它被描绘成一个“不受欢迎和封闭的保守国家”(Al-Ansari & Zahirovic, 2021: 203)。本文考察了卡塔尔在待客之道上自相矛盾的定位。它借鉴了德里德里的待客观念,将卡塔尔的文化和社会政治背景概念化为“待客”,德里达创造了一个术语来解释待客的矛盾本质,“一个带有自身矛盾的词,一个拉丁词,它允许自己被对立面“敌意”寄生”(2000b):3)因此,本文利用德里达的“敌意”理论来解构西方的自由主义思维和所谓的无条件尊重所有人。本文使用了卡塔尔世界杯和Souq Waqif这两个例子,进一步将卡塔尔热情好客的矛盾地位置于背景和问题之中。如何运用德里迪恩式的待客之道来帮助卡塔尔协商其备受争议的待客之道定位?世界杯和Souq Waqif的案例如何说明有条件的款待的矛盾方面?此外,“忒修斯之船”思想实验被用来定位悖论,并帮助调和好客与敌意,形成一个新兴的协商条件好客的概念。本研究引用了“忒修斯之船”的悖论来回应德里安式的矛盾的待客观念,并进一步提出卡塔尔待客的定位问题。
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引用次数: 0
Imagining Palestine: From The Margin to the Center 想象中的巴勒斯坦:从边缘到中心
Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.4.0302
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引用次数: 0
Arab Studies Quarterly 阿拉伯研究季刊
Q2 Social Sciences Pub Date : 2023-01-01 DOI: 10.13169/arabstudquar.45.4.0000
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引用次数: 0
期刊
Arab Studies Quarterly
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