Pub Date : 2022-09-05DOI: 10.1163/26659077-25010012
Pasakara Chueasuai
Lexical metaphors colourise literary as well as non-literary texts. In the case of a website, it can make the text more appealing and consequently improve the sales of a company. In the highly competitive airline industry, an impressive webpage plays a significant role, especially in online reservation and purchase. This article examines the lexical metaphors used in the English and Thai websites of the Emirates Airline, adopting Transitivity of the Systemic Functional Linguistics by Eggins (2004) as the analytical framework. It also explores how the translated lexical metaphors are similar to and/or different from the original version. The study finds the lexical metaphors are realised in the transitivity systems of process, participant and circumstance. The translation is found to retain mostly the original transitivity systems. The study further finds both literal translation and adaption play parts in preserving and removing the original metaphorical form.
{"title":"Transitivity System and a Translation of Lexical Metaphors: The Case of the Emirates Airline Website","authors":"Pasakara Chueasuai","doi":"10.1163/26659077-25010012","DOIUrl":"https://doi.org/10.1163/26659077-25010012","url":null,"abstract":"\u0000Lexical metaphors colourise literary as well as non-literary texts. In the case of a website, it can make the text more appealing and consequently improve the sales of a company. In the highly competitive airline industry, an impressive webpage plays a significant role, especially in online reservation and purchase. This article examines the lexical metaphors used in the English and Thai websites of the Emirates Airline, adopting Transitivity of the Systemic Functional Linguistics by Eggins (2004) as the analytical framework. It also explores how the translated lexical metaphors are similar to and/or different from the original version. The study finds the lexical metaphors are realised in the transitivity systems of process, participant and circumstance. The translation is found to retain mostly the original transitivity systems. The study further finds both literal translation and adaption play parts in preserving and removing the original metaphorical form.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115495521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-25010002
Alexandre Barthel
The attitude of France towards the Sino-Japanese War that started in 1937 has given rise to various judgments. Officially neutral, France is often presented as having taken, at least morally, a favorable attitude toward China. Yet the French government had officially prohibited the transit of war materiel en route to China across the Indochinese border. This issue became increasingly important as the Japanese blockade of China progressed and conditioned the capacity of Chiang Kai-shek’s government to continue the fight. The diplomatic archives of the United States, greatly concerned by the situation in China, shed more light on France’s policy in East Asia. By comparing historical accounts produced by contemporaries and historians with the diplomatic archives of the United States, this article intends to bring more evidence relating to the issue of French “neutrality” during the Sino-Japanese War.
{"title":"“Bad Luck for the Chinese”: France and the Transit of War Materiel to China During the Sino-Japanese War (1937–1939)","authors":"Alexandre Barthel","doi":"10.1163/26659077-25010002","DOIUrl":"https://doi.org/10.1163/26659077-25010002","url":null,"abstract":"\u0000The attitude of France towards the Sino-Japanese War that started in 1937 has given rise to various judgments. Officially neutral, France is often presented as having taken, at least morally, a favorable attitude toward China. Yet the French government had officially prohibited the transit of war materiel en route to China across the Indochinese border. This issue became increasingly important as the Japanese blockade of China progressed and conditioned the capacity of Chiang Kai-shek’s government to continue the fight. The diplomatic archives of the United States, greatly concerned by the situation in China, shed more light on France’s policy in East Asia. By comparing historical accounts produced by contemporaries and historians with the diplomatic archives of the United States, this article intends to bring more evidence relating to the issue of French “neutrality” during the Sino-Japanese War.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125606199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-25010001
Darin Pradittatsanee
This paper examines the human-nature relationship in the art of Japanese gardening in Tan Twan Eng’s The Garden of Evening Mists (2012). Drawing upon the aesthetics of Japanese gardening and theories of garden art, it argues that the novel advocates the complementarity of nature and human artifice in gardening. Japanese gardening which is related to the Taoist concept of yinyang and the Buddhist notion of impermanence, together with its principle of shakkei (borrowed landscape), suggests a combination of anthropocentric and ecocentric relationships with nature. Moreover, since Japanese aesthetics is interwoven with ways of living, the paper examines how the female protagonist’s apprenticeship to a Japanese gardener in the Cameron Highlands of Malaya gradually alters her mind and opens up ways of coping with her traumatic experience, during the Occupation, in a Japanese internment camp. It argues that gardening art, what art philosopher Arnold Berleant calls the “aesthetics of engagement,” and changing gardenscape induce the protagonist to comprehend impermanence, moral ambiguity and the complementary co-existence of memory and forgetting, all of which enable her to forgive the Japanese transgressors and to make peace with the past.
{"title":"On a Path towards Forgiveness: Garden-Practices and Aesthetics of Engagement in Tan Twan Eng’s","authors":"Darin Pradittatsanee","doi":"10.1163/26659077-25010001","DOIUrl":"https://doi.org/10.1163/26659077-25010001","url":null,"abstract":"\u0000This paper examines the human-nature relationship in the art of Japanese gardening in Tan Twan Eng’s The Garden of Evening Mists (2012). Drawing upon the aesthetics of Japanese gardening and theories of garden art, it argues that the novel advocates the complementarity of nature and human artifice in gardening. Japanese gardening which is related to the Taoist concept of yinyang and the Buddhist notion of impermanence, together with its principle of shakkei (borrowed landscape), suggests a combination of anthropocentric and ecocentric relationships with nature. Moreover, since Japanese aesthetics is interwoven with ways of living, the paper examines how the female protagonist’s apprenticeship to a Japanese gardener in the Cameron Highlands of Malaya gradually alters her mind and opens up ways of coping with her traumatic experience, during the Occupation, in a Japanese internment camp. It argues that gardening art, what art philosopher Arnold Berleant calls the “aesthetics of engagement,” and changing gardenscape induce the protagonist to comprehend impermanence, moral ambiguity and the complementary co-existence of memory and forgetting, all of which enable her to forgive the Japanese transgressors and to make peace with the past.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"39 7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125119874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-25010004
Saowalux Poshyanandana
The removal of “Phimai, its Cultural Route and the Associated Temples of Phanomroong and Muangtam” from the the World Heritage Tentative List in 2019 indicates the change of focus of the Thailand State Party away from this emsemble originally included as components of the Phimai cultural route. This paper discusses the reasons behind this change, the values and ouv as well as advantages and disadvantages of these two proposals in the context of World Heritage nomination. It concludes that the proposal of the Ensemble of Phanom Rung was made after work on nominating the Phimai cultural route faced management obstacles and disputes between the responsible organization and local people, rather than on the values of the cultural route itself. As for the ensemble, the main concern is that this serial cultural heritage site still requires extensive study to justify the proposed criteria. Therefore, the Phimai cultural route, with its advantages in strong and verifiable values, may be reconsidered for World Heritage nomination when management issues are resolved.
{"title":"Ensemble of Phanom Rung, Muang Tam and Plai Bat Sanctuaries and the Phimai Cultural Route: Comparative Study and Future Expectation in World Heritage Context","authors":"Saowalux Poshyanandana","doi":"10.1163/26659077-25010004","DOIUrl":"https://doi.org/10.1163/26659077-25010004","url":null,"abstract":"\u0000The removal of “Phimai, its Cultural Route and the Associated Temples of Phanomroong and Muangtam” from the the World Heritage Tentative List in 2019 indicates the change of focus of the Thailand State Party away from this emsemble originally included as components of the Phimai cultural route. This paper discusses the reasons behind this change, the values and ouv as well as advantages and disadvantages of these two proposals in the context of World Heritage nomination. It concludes that the proposal of the Ensemble of Phanom Rung was made after work on nominating the Phimai cultural route faced management obstacles and disputes between the responsible organization and local people, rather than on the values of the cultural route itself. As for the ensemble, the main concern is that this serial cultural heritage site still requires extensive study to justify the proposed criteria. Therefore, the Phimai cultural route, with its advantages in strong and verifiable values, may be reconsidered for World Heritage nomination when management issues are resolved.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131809910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-25010003
Karn Gularnupong, Ampai Buranaprapuk
This study seeks to reveal the musical relationship between Bartók’s and Ginastera’s piano compositions, showing stylistic conceptualizations of twentieth-century Western art music which held many interesting musical aspects, specifically in the classical piano repertoire. This musicological research employs stylistic analysis and theoretical analysis to shed some light on Bartók’s and Ginastera’s piano music vocabulary. Following this methodology, it is revealed that Ginastera’s compositional language was very much influenced by the highly unique characteristics of Bartók’s. Such characteristics include the axial system, Bulgarian peasant rhythmic dance, bi-modality, intervallic cell (Z-cell, 0167), hexachordal sets of octatonic collections, the symmetrical old Hungarian pentatonic scale, polychord, quartal chords, hammering-percussive piano style, secundal chords based on ostinato, and many others. In light of this, one may propose that Ginastera’s compositional strategies in piano music were heavily influenced by Bartók’s rhythmic and harmonic idioms, which contributed to the creation of an innovative musical craft.
{"title":"Influences of Béla Bartók’s Piano Compositions on Alberto Ginastera’s Piano Music","authors":"Karn Gularnupong, Ampai Buranaprapuk","doi":"10.1163/26659077-25010003","DOIUrl":"https://doi.org/10.1163/26659077-25010003","url":null,"abstract":"\u0000This study seeks to reveal the musical relationship between Bartók’s and Ginastera’s piano compositions, showing stylistic conceptualizations of twentieth-century Western art music which held many interesting musical aspects, specifically in the classical piano repertoire. This musicological research employs stylistic analysis and theoretical analysis to shed some light on Bartók’s and Ginastera’s piano music vocabulary. Following this methodology, it is revealed that Ginastera’s compositional language was very much influenced by the highly unique characteristics of Bartók’s. Such characteristics include the axial system, Bulgarian peasant rhythmic dance, bi-modality, intervallic cell (Z-cell, 0167), hexachordal sets of octatonic collections, the symmetrical old Hungarian pentatonic scale, polychord, quartal chords, hammering-percussive piano style, secundal chords based on ostinato, and many others. In light of this, one may propose that Ginastera’s compositional strategies in piano music were heavily influenced by Bartók’s rhythmic and harmonic idioms, which contributed to the creation of an innovative musical craft.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123084756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-24020008
U. Wongwattana
This article presents an investigation of Thai auto-part terms in Cognitive Semantics. With at least 1,000 auto-part terms in our data analysis, we argue that the conceptual naming strategy is linguistically effective in understanding auto parts in the Thai culture. Metaphorically, the resemblance operation enhances the degree of lexical richness by enabling the auto-part conceptualization with four source domains: surrounding object, animal, human, and plant. Metonymically, source domains such as shape, function, part, material, position, involved organ, motion, sound and space function in the source-in-target operation, and the category machine/ device appears as a source domain in the target-in-source operation. The article not only verifies and supports the cognitive theory that holds that language is part of the cognitive abilities of humans in general, and thus describes the world as people understand it, but also sheds light on the association to a further pragmatic analysis of implicature.
{"title":"Auto-Part Terms in Thai: a Cognitive Semantic Analysis","authors":"U. Wongwattana","doi":"10.1163/26659077-24020008","DOIUrl":"https://doi.org/10.1163/26659077-24020008","url":null,"abstract":"\u0000This article presents an investigation of Thai auto-part terms in Cognitive Semantics. With at least 1,000 auto-part terms in our data analysis, we argue that the conceptual naming strategy is linguistically effective in understanding auto parts in the Thai culture. Metaphorically, the resemblance operation enhances the degree of lexical richness by enabling the auto-part conceptualization with four source domains: surrounding object, animal, human, and plant. Metonymically, source domains such as shape, function, part, material, position, involved organ, motion, sound and space function in the source-in-target operation, and the category machine/ device appears as a source domain in the target-in-source operation. The article not only verifies and supports the cognitive theory that holds that language is part of the cognitive abilities of humans in general, and thus describes the world as people understand it, but also sheds light on the association to a further pragmatic analysis of implicature.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129617203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-24030009
Ying-kit Chan
Although Singapore no longer governs Christmas Island, either on behalf of its British colonial administrators or for itself, some Singaporeans continue to regard it as a lost territory and have false impressions that it once belonged and should again belong to Singapore. By examining this complexity related to Christmas Island and its possible implications for Singapore’s national psyche, this paper surveys the newspapers of Singapore and oral history records of Singaporean ministers and officials for accounts of Christmas Island. It suggests that Singaporean newspapers’ portrayal of Christmas Island as a neglected Australian overseas territory contributed to some Singaporeans’ perception that Christmas Island might actually be better off with Singapore; others even had a misconception of Christmas Island as a lost territory. Such opinions have never really dissipated because the government has never publicly clarified the transfer of Christmas Island and rejected claims about its “sale” to Australia.
{"title":"Who, or What, is Lost: Singapore’s Impressions of Christmas Island, c. 1960–1990","authors":"Ying-kit Chan","doi":"10.1163/26659077-24030009","DOIUrl":"https://doi.org/10.1163/26659077-24030009","url":null,"abstract":"\u0000Although Singapore no longer governs Christmas Island, either on behalf of its British colonial administrators or for itself, some Singaporeans continue to regard it as a lost territory and have false impressions that it once belonged and should again belong to Singapore. By examining this complexity related to Christmas Island and its possible implications for Singapore’s national psyche, this paper surveys the newspapers of Singapore and oral history records of Singaporean ministers and officials for accounts of Christmas Island. It suggests that Singaporean newspapers’ portrayal of Christmas Island as a neglected Australian overseas territory contributed to some Singaporeans’ perception that Christmas Island might actually be better off with Singapore; others even had a misconception of Christmas Island as a lost territory. Such opinions have never really dissipated because the government has never publicly clarified the transfer of Christmas Island and rejected claims about its “sale” to Australia.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116053665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-25010005
T. Ong, Robert A. Troyer
Previous research has demonstrated that the increasing importance of Mandarin in education and public life has led many younger Chinese-Malaysians to regard Mandarin as their mother tongue and part of their cultural identity rather than a heritage language. Fewer studies have documented the language repertoires of middle-aged and older Chinese-Malaysians. This paper presents a qualitative study of Mandarin use conducted with six Chinese-Malaysians aged 40 and older. The participants reported extensive use of Mandarin in the domains of home, work, religion and cultural maintenance, which were served by a heritage language in the past. This indicates that the use of Mandarin by the older generation Chinese-Malaysians to engage with the contemporary linguistic world is influenced by hegemonic local and global factors. This study therefore highlights the significance of Mandarin as both an element of cultural identity and an instrument of heritage language loss.
{"title":"The Double-Edged Sword of Mandarin: Language Shift and Cultural Maintenance among Middle-Aged Chinese-Malaysians","authors":"T. Ong, Robert A. Troyer","doi":"10.1163/26659077-25010005","DOIUrl":"https://doi.org/10.1163/26659077-25010005","url":null,"abstract":"\u0000Previous research has demonstrated that the increasing importance of Mandarin in education and public life has led many younger Chinese-Malaysians to regard Mandarin as their mother tongue and part of their cultural identity rather than a heritage language. Fewer studies have documented the language repertoires of middle-aged and older Chinese-Malaysians. This paper presents a qualitative study of Mandarin use conducted with six Chinese-Malaysians aged 40 and older. The participants reported extensive use of Mandarin in the domains of home, work, religion and cultural maintenance, which were served by a heritage language in the past. This indicates that the use of Mandarin by the older generation Chinese-Malaysians to engage with the contemporary linguistic world is influenced by hegemonic local and global factors. This study therefore highlights the significance of Mandarin as both an element of cultural identity and an instrument of heritage language loss.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126257212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-24030002
Intira Charuchinda
Alienation is a universal theme in literature. The game of chance or gambling under capitalism can produce a hostile social setting for those who are unaware of its negative impacts. In such a social milieu, people can experience feelings of alienation, failing to make their lives their own. This paper analyzes the theme of alienation in the game of chance under capitalism in two stories written by s.e.a. Write Awardees, The Lottery of Karma by Chanthi Deuanesavanh and Lottery by Catherine Lim, through the lens of literary devices. The social settings of these stories are two countries in Southeast Asia, and these two writers set their stories in their own respective countries, Lao pdr and the Republic of Singapore. It finds that, in their exposure to such social settings, the protagonists are beset by a sense of alienation regardless of whether they perform their roles as laborers, capitalists, or consumers.
{"title":"Alienation in the Game of Chance Under Capitalism","authors":"Intira Charuchinda","doi":"10.1163/26659077-24030002","DOIUrl":"https://doi.org/10.1163/26659077-24030002","url":null,"abstract":"\u0000Alienation is a universal theme in literature. The game of chance or gambling under capitalism can produce a hostile social setting for those who are unaware of its negative impacts. In such a social milieu, people can experience feelings of alienation, failing to make their lives their own. This paper analyzes the theme of alienation in the game of chance under capitalism in two stories written by s.e.a. Write Awardees, The Lottery of Karma by Chanthi Deuanesavanh and Lottery by Catherine Lim, through the lens of literary devices. The social settings of these stories are two countries in Southeast Asia, and these two writers set their stories in their own respective countries, Lao pdr and the Republic of Singapore. It finds that, in their exposure to such social settings, the protagonists are beset by a sense of alienation regardless of whether they perform their roles as laborers, capitalists, or consumers.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116915387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.1163/26659077-24020006
Saharul Hariyono, Nurhadi Bewe
Writer Faisal Oddang narrated the existence of the bissu community seemingly reconstructed from an understanding of the historical text to become more colorful. This article questions how the transformation model of bissu community figures is revealed in Oddang’s fictional work. This study utilizes Julia Kristeva’s intertext abstracted through ideologeme as a text arrangement that refers to the space of exterior texts (semiotic practice). The results of the study show: first, how the transformation model of the bissu community character appears in the work of fiction; second, the libido of bissu community in their sacred place; third, the bissu community character from marginalized positions fighting injustice against Darul Islam/Indonesia Islamic Army rebels both physically and verbally; fourth, the negotiation of bissu community leaders saving the faith by syncretism with Islam over the religious purification incident. Therefore, in fiction, the character of the bissu community shows both opposition and resistance.
{"title":"Bissu’s Transvestites in the Buginese-Makassar Tradition through the Transformation of Faisal Oddang’s Literary Works: An Intertextuality Study","authors":"Saharul Hariyono, Nurhadi Bewe","doi":"10.1163/26659077-24020006","DOIUrl":"https://doi.org/10.1163/26659077-24020006","url":null,"abstract":"\u0000Writer Faisal Oddang narrated the existence of the bissu community seemingly reconstructed from an understanding of the historical text to become more colorful. This article questions how the transformation model of bissu community figures is revealed in Oddang’s fictional work. This study utilizes Julia Kristeva’s intertext abstracted through ideologeme as a text arrangement that refers to the space of exterior texts (semiotic practice). The results of the study show: first, how the transformation model of the bissu community character appears in the work of fiction; second, the libido of bissu community in their sacred place; third, the bissu community character from marginalized positions fighting injustice against Darul Islam/Indonesia Islamic Army rebels both physically and verbally; fourth, the negotiation of bissu community leaders saving the faith by syncretism with Islam over the religious purification incident. Therefore, in fiction, the character of the bissu community shows both opposition and resistance.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129080815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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