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D.W. Winnicott’s Debt to and Divergence from Melanie Klein: A Psychoanalytic Genealogy D.W.温尼科特对梅兰妮·克莱因的亏欠与分歧:一个精神分析谱系
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-01 DOI: 10.1353/aim.2023.a901544
Peter Lawner
Abstract:This is a two-part paper. Its first part examines Winnicott’s early phase work vis-à-vis that of his mentor, Melanie Klein, by whom he was significantly influenced. It focuses on two of his pivotal papers, one from 1941, when he was at the end of a period of intensive tutelage with her, the other in 1945, when he announced new conceptions that constituted decisive breaks from several of her core understandings and inaugurated his mature theory development. His 1945 contribution nevertheless implied continued endorsement of her important concept of the depressive position, which he continued to affirm throughout his career.Its second part assays the development of his conceptions relative to hers, particularly after 1945, regarding areas such as infantile development, pathogenesis, diagnosis, and therapeutics. It then explores his alignments with and departures from her depressive position views. Finally, it examines his revision of her depressive position formulations. It does this particularly in relation to his proposition that infants dissociate from one another their experience of themselves and of their mother conditioned either by having interacted with her in ruthlessly intense states directed to her or when having been tenderly nurtured by her.
摘要:这是一篇由两部分组成的论文。第一部分考察了温尼科特早期的作品与他的导师梅兰妮·克莱因的作品,后者对温尼科特产生了重大影响。它聚焦于他的两篇关键论文,一篇是1941年的论文,当时他正处于与她的强化监护期结束时,另一篇是1945年的论文。当时他宣布了新的概念,这些概念与她的几个核心理解形成了决定性的突破,并开启了他成熟的理论发展。然而,他1945年的贡献意味着继续支持她关于抑郁地位的重要概念,他在整个职业生涯中一直在肯定这一点。第二部分分析了他的概念相对于她的发展,特别是在1945年之后,在婴儿发育、发病机制、诊断和治疗等领域。然后探讨了他与她的抑郁立场观点的一致性和背离性。最后,它考察了他对她的抑郁立场公式的修正。这一点尤其与他的主张有关,即婴儿将他们对自己和母亲的体验彼此分离,这种体验要么是在对母亲无情而激烈的状态下与母亲互动,要么是在母亲温柔地养育下。
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引用次数: 0
Contributors 贡献者
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-01 DOI: 10.1353/aim.2023.a901553
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引用次数: 0
The Social Voices of Psychoanalysis: A Participant Observer’s Commentary 心理分析的社会声音:参与者观察者的评论
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-01 DOI: 10.1353/aim.2023.a901552
N. Chodorow
Abstract:The papers collected in this series were originally presented at the 83rd Oral History Workshop during the American Psychoanalytic Association’s meetings in February of 2021. The topic of the workshop, “The Social Voices of Psychoanalysts: The 1960s and 1970s”, was chosen because over the last several years, members of the psychoanalytic community had been debating the question of the role of psychoanalysts in a deeply divided political, social and cultural environment governed by an individual that many, both analysts and non-analysts, viewed as a dangerous and unstable leader. John Martin-Joy presented Erik Erikson’s “Reflections on the Dissent of Contemporary Youth” (1970), and Daniel H. Jacobs reviewed Andrew Peto’s “On Crowd Violence: The Role of Archaic Superego and Body Image” (1975). Their papers were discussed by Nancy Chodorow drawing on her experiences as member of this generation as well as her training in both sociology and psychoanalysis.
摘要:本系列收集的论文最初是在2021年2月美国精神分析协会会议期间的第83届口述历史研讨会上发表的。研讨会的主题是“精神分析家的社会声音:20世纪60年代和70年代”,之所以选择这个主题,是因为在过去几年里,精神分析界的成员一直在辩论精神分析学家在一个由许多分析家和非分析家所统治的严重分裂的政治、社会和文化环境中的作用问题,被视为危险和不稳定的领导人。约翰·马丁·乔伊(John Martin Joy)介绍了埃里克·埃里克森(Erik Erikson)的《当代青年异议的反思》(Reflections on the Dissent of Contemporary Youth)(1970年),丹尼尔·H·雅各布斯(Daniel H.Jacobs)评论了安德鲁·佩托(Andrew Peto。Nancy Chodorow根据她作为这一代人的经历以及她在社会学和精神分析方面的训练,讨论了他们的论文。
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引用次数: 0
Andrew Peto on Crowd Violence Andrew Peto谈群体暴力
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-01 DOI: 10.1353/aim.2023.a901551
Daniel Jacobs
Abstract:The papers collected in this series were originally presented at the 83rd Oral History Workshop during the American Psychoanalytic Association’s meetings in February of 2021. The topic of the workshop, “The Social Voices of Psychoanalysts: The 1960s and 1970s”, was chosen because over the last several years, members of the psychoanalytic community had been debating the question of the role of psychoanalysts in a deeply divided political, social and cultural environment governed by an individual that many, both analysts and non-analysts, viewed as a dangerous and unstable leader. John Martin-Joy presented Erik Erikson’s “Reflections on the Dissent of Contemporary Youth” (1970), and Daniel H. Jacobs reviewed Andrew Peto’s “On Crowd Violence: The Role of Archaic Superego and Body Image” (1975). Their papers were discussed by Nancy Chodorow drawing on her experiences as member of this generation as well as her training in both sociology and psychoanalysis.
摘要:本系列收集的论文最初是在2021年2月美国精神分析协会会议期间的第83届口述历史研讨会上发表的。研讨会的主题是“精神分析家的社会声音:20世纪60年代和70年代”,之所以选择这个主题,是因为在过去几年里,精神分析界的成员一直在辩论精神分析学家在一个由许多分析家和非分析家所统治的严重分裂的政治、社会和文化环境中的作用问题,被视为危险和不稳定的领导人。约翰·马丁·乔伊(John Martin Joy)介绍了埃里克·埃里克森(Erik Erikson)的《当代青年异议的反思》(Reflections on the Dissent of Contemporary Youth)(1970年),丹尼尔·H·雅各布斯(Daniel H.Jacobs)评论了安德鲁·佩托(Andrew Peto。Nancy Chodorow根据她作为这一代人的经历以及她在社会学和精神分析方面的训练,讨论了他们的论文。
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引用次数: 0
Mystical Gnosis and Esoteric Technē in the Writings of W.R. Bion W.R.Bion著作中的神秘Gnosis与秘密技术
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-01 DOI: 10.1353/aim.2023.a901547
John Boyle
Abstract:This paper proposes the existence of a series of developments in Bion’s later writings that were obliquely indebted to his utilization of mystical texts and esoteric techniques, which it is proposed he deployed as resources for revitalizing traditional psychoanalytic theory and practice. To support this hypothesis, evidence is adduced to support the contention that Bion was covertly inspired by Jungian ideas, which he utilized as a catalyst for developing his own theoretical and clinical innovations. In this context Jung is identified as a contemporary avatar of esoteric ideas and practices transposed into a psychoanalytic register. It is further proposed that certain elements in Bion’s later writings effectively constitute a defacto ‘esoteric matrix’ developed out of a bricolage of mystical and esoteric texts, which he utilized as tools to augment and enhance his own lines of thinking. By way of conclusion, some tentative comparisons are made between elements of Late Antique theurgy and their corresponding analogues encountered within late Bionian psychoanalysis.
摘要:本文认为比昂后期作品中存在着一系列的发展,这些发展间接地归功于他对神秘文本和神秘技术的运用,并将其作为振兴传统精神分析理论和实践的资源。为了支持这一假设,有证据支持这样一种论点,即比恩是受到荣格思想的秘密启发,他利用荣格思想作为催化剂来发展自己的理论和临床创新。在这种背景下,荣格被认为是一个当代化身,将深奥的思想和实践转化为精神分析。有人进一步提出,比昂后来著作中的某些元素实际上构成了一个由神秘和深奥文本拼凑而成的事实上的“深奥矩阵”,他将其用作增强和增强自己思维的工具。作为结论,我们对晚期古灵能的元素及其在晚期比奥精神分析中遇到的相应类似物进行了一些初步的比较。
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引用次数: 0
Erik Erikson and the 1960s: “Reflections on the Dissent of Contemporary Youth” 埃里克·埃里克森与20世纪60年代:对当代青年异议的反思
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-01 DOI: 10.1353/aim.2023.a901550
John S. Martin-Joy
Abstract:The papers collected in this series were originally presented at the 83rd Oral History Workshop during the American Psychoanalytic Association’s meetings in February of 2021. The topic of the workshop, “The Social Voices of Psychoanalysts: The 1960s and 1970s”, was chosen because over the last several years, members of the psychoanalytic community had been debating the question of the role of psychoanalysts in a deeply divided political, social and cultural environment governed by an individual that many, both analysts and non-analysts, viewed as a dangerous and unstable leader. John Martin-Joy presented Erik Erikson’s “Reflections on the Dissent of Contemporary Youth” (1970), and Daniel H. Jacobs reviewed Andrew Peto’s “On Crowd Violence: The Role of Archaic Superego and Body Image” (1975). Their papers were discussed by Nancy Chodorow drawing on her experiences as member of this generation as well as her training in both sociology and psychoanalysis.
摘要:本系列收集的论文最初是在2021年2月美国精神分析协会会议期间的第83届口述历史研讨会上发表的。研讨会的主题是“精神分析家的社会声音:20世纪60年代和70年代”,之所以选择这个主题,是因为在过去几年里,精神分析界的成员一直在辩论精神分析学家在一个由许多分析家和非分析家所统治的严重分裂的政治、社会和文化环境中的作用问题,被视为危险和不稳定的领导人。约翰·马丁·乔伊(John Martin Joy)介绍了埃里克·埃里克森(Erik Erikson)的《当代青年异议的反思》(Reflections on the Dissent of Contemporary Youth)(1970年),丹尼尔·H·雅各布斯(Daniel H.Jacobs)评论了安德鲁·佩托(Andrew Peto。Nancy Chodorow根据她作为这一代人的经历以及她在社会学和精神分析方面的训练,讨论了他们的论文。
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引用次数: 1
Sieg Maandag: Life and Art in the Aftermath of Bergen-Belsen Sieg Maandag:卑尔根-贝尔森后期的生活与艺术
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.1353/aim.2023.0000
Dawn Skorczewski, Karen Maandag, Daniel P. Stone, R. Ost, Laura S. Levitt, B. Siertsema, Christine Schmidt, A. Tutter, J. Rosegrant, Sagit Blumrosen-Sela, J. Hecht, Deborah Shilkoff
Abstract:This paper introduces Sieg Mandaag's life and work, including his boyhood before, within and after the camp, as well as his adult life as a husband, world traveler and artist.
摘要:本文介绍了西格·曼达格的生活和工作,包括他在营地前、营地内和营地后的童年,以及他作为丈夫、世界旅行者和艺术家的成年生活。
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引用次数: 3
Olga Tokarczuk's Protagonist in Drive Your Plow Over the Bones of the Dead as a High-Functioning Autistic Woman 奥尔加·托卡丘克在《开犁碾过尸骨》中的主角是一个高功能自闭症女性
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.1353/aim.2023.0007
Sagit Blumrosen-Sela
Abstract:The paper sheds light on the psychology of the protagonist of the novel Drive Your Plow Over the Bones of the Dead by the Polish author Olga Tokarczuk, winner of the 2018 Nobel Prize in Literature, as a high-functioning autistic. The prism of autism explains the intricacies of this extraordinary character, providing a coherent framework for understanding her and the characteristics of the narrative itself, as it is narrated by the protagonist. At the same time, the novel provides us with an extraordinary inner portrait of an autistic psyche that may enrich our understanding of the autistic consciousness.
摘要:本文揭示了2018年诺贝尔文学奖得主、波兰作家奥尔加·托卡丘克的小说《尸骨上犁地》中主人公高功能自闭症患者的心理特征。自闭症的棱镜解释了这个非凡人物的错综复杂,为理解她和故事本身的特点提供了一个连贯的框架,因为它是由主人公讲述的。与此同时,小说为我们提供了一幅非凡的自闭症心理的内心肖像,这可能会丰富我们对自闭症意识的理解。
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引用次数: 0
The Story of the Jewish Dutch Diamond Workers during WWII 二战期间犹太荷兰钻石工人的故事
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.1353/aim.2023.0003
B. Siertsema
Abstract:This article sketches the historical background of Sieg Maandag's story. His father was a Jewish diamond worker who, when the Netherlands were occupied by the Germans, was exempted from deportation. The Germans wanted to set up a diamond industry of their own and the diamond workers managed to negotiate their exemption to include their direct families as well. However, in the course of 1943 the exemption turned out to be temporary. The diamond workers and their wives and children were deported first to the Dutch transit camp Westerbork, then on to Bergen-Belsen. In her 1995 video testimony Lize Elion relates the effect of the exemption on the diamond people, e.g. their decision not to go into hiding because the exemption seemed to offer better chances of survival. From the perspective of a child from a manual worker's family Gerrit Cohensius gives an account of what happened in Westerbork and Bergen-Belsen. Personal interviews with Robby Engelander and personal documents from his family give detailed insight into the fate of the men, the women and the children of the diamond transport, of which Sieg Maandag and his family were part too.
摘要:本文简述了齐格·马安达格故事的历史背景。他的父亲是一名犹太钻石工人,当荷兰被德国人占领时,他免于被驱逐出境。德国人希望建立自己的钻石行业,钻石工人设法通过谈判获得豁免,包括他们的直系亲属。然而,在1943年的过程中,豁免被证明是暂时的。钻石工人及其妻子和孩子首先被驱逐到荷兰的Westerbork中转营,然后被驱逐到卑尔根-贝尔森。Lize Elion在1995年的视频证词中谈到了豁免对钻石人的影响,例如,他们决定不躲藏起来,因为豁免似乎提供了更好的生存机会。Gerrit Cohensius从一个体力劳动者家庭的孩子的角度讲述了在Westerbork和Bergen Belsen发生的事情。Robby Engelander的个人采访和他的家人的个人文件详细了解了钻石运输公司的男、女和孩子的命运,Sieg Maandag和他的家人也是其中的一员。
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引用次数: 0
"Privilege" and Trauma: Sieg Maandag's Climb Upwards “特权”与创伤:Sieg Maandag的向上攀登
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.1353/aim.2023.0004
Christine Schmidt
Abstract:How has "privilege" been represented and incorporated in the study and understanding of the Holocaust, especially through accounts of those who survived? The prolific Dutch Jewish painter and ceramicist, Sieg Maandag, was among the few surviving orphaned children of Amsterdam's so-called Diamond group of prisoners. For a time, they and their families formed part of a "privileged" group of prisoners held in Bergen-Belsen. This essay will consider Maandag's oeuvre as a vehicle for the development of a language of self-expression related to his own trauma and sense of his "privilege", demonstrating how former "privileged" persecutees endured periods of alternating or simultaneous expectation, uncertainty, waiting, hope, and fear connected specifically to the capricious status of exemption that they shared, and how knowledge of their "privileged" status was later assimilated into narratives of survival. Maandag's allusive work demonstrates recurring expressions of the psychological terrain of "privilege" and trauma, which are inextricably bound together due to the trajectory and fate of his family during the Holocaust.
摘要:在对大屠杀的研究和理解中,特别是通过对幸存者的描述,“特权”是如何表现和融入的?多产的荷兰犹太画家和陶艺家Sieg Maandag是阿姆斯特丹所谓的钻石囚犯群体中为数不多的幸存孤儿之一。有一段时间,他们和家人组成了被关押在卑尔根-贝尔森的“特权”囚犯群体。本文将把马恩达格的作品视为一种发展自我表达语言的工具,这种语言与他自己的创伤和“特权”感有关,展示了前“特权”迫害者是如何忍受交替或同时的期望、不确定性、等待、希望和恐惧的,这与他们共同享有的反复无常的豁免状态有关,以及对他们“特权”地位的了解后来是如何被同化为生存叙事的。马恩达格的影射作品展示了“特权”和创伤的心理地形的反复表达,由于他的家人在大屠杀期间的轨迹和命运,这两者密不可分。
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引用次数: 0
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AMERICAN IMAGO
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