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Refinding the Object in Modern Fiction Studies 在现代小说研究中重新寻找客体
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.1353/aim.2022.0008
Walter B. Kalaidjian
Abstract:Object relations theory reaches back to Sigmund Freud's 1905 essay "The Finding of an Object" and fully exfoliates in the groundbreaking child analysis of Melanie Klein, the developmental psychology of D. W. Winnicott, Hanna Segal's psychoanalytic aesthetics, and recent advances in queer theory, postcolonial studies, and Lacanian psychoanalysis. Increasingly, theorists and clinicians have brought the differing and, at times, contentious methodologies of Klein, Winnicott, and Jacques Lacan into productive psychoanalytic dialogue. "Refinding the Object in Modern Fiction Studies" advances this emerging critical conversation by providing fresh avenues for discerning the object's mediation of desire at the intersection of race, gender, and sexuality in the creative fiction of such canonical modernists as Nella Larsen, Ernest Hemingway, Toni Morrison, and Patrick McGrath.
摘要:客体关系理论可以追溯到西格蒙德·弗洛伊德1905年的论文《客体的发现》,并在梅兰妮·克莱因开创性的儿童分析、温尼科特的发展心理学、汉娜·西格尔的精神分析美学以及酷儿理论、后殖民研究和拉康精神分析的最新进展中得到充分阐发。越来越多的理论家和临床医生将克莱因、温尼科特和雅克·拉康的不同的,有时是有争议的方法引入到富有成效的精神分析对话中。《在现代小说研究中重新寻找客体》通过提供新的途径来辨别客体在种族、性别和性的交叉点上对欲望的调解,从而推进了这一新兴的批判性对话,这些交叉点是典型的现代主义者如内拉·拉森、欧内斯特·海明威、托妮·莫里森和帕特里克·麦格拉思的创造性小说中。
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引用次数: 1
Trouser Parts 裤子的部分
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.1353/aim.2022.0000
Alan Williamson
Abstract:"Trouser Parts," in opera, refer to ostensibly male characters sung by a female singer. Often such choices are more than a mere convention: they cast light on difficulties of gender identification in adolescence. Drawing on Jessica Benjamin's theoretical work, the essay examines operas by Mozart, Strauss, and Offenbach.
摘要:歌剧中的“裤部”是指由女歌手演唱的表面上的男性角色。通常,这样的选择不仅仅是一种惯例:它们揭示了青少年性别认同的困难。根据杰西卡·本杰明的理论工作,本文考察了莫扎特、施特劳斯和奥芬巴赫的歌剧。
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引用次数: 0
Discussion of Louise Gluck's, "The Wild Iris" 路易丝·格鲁克的《野鸢尾》讨论
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.1353/aim.2022.0002
Dawn Skorczewski, J. Skoyles
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引用次数: 0
I See What You Mean: Reflections on Meaning and Interpretation in Psychoanalytic Work in the Academy and in the Consulting Room 我明白你的意思:在学院和咨询室对精神分析工作的意义和解释的反思
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.1353/aim.2022.0006
R. Paul
Abstract:I am interested in meaning and how to determine and interpret it in both cultural anthropology and clinical psychoanalysis. In this essay I explore differences and similarities between the project of ascertaining meaning in the two different practices, using the semiotic scheme provided by Charles Morris.
摘要:我对意义以及如何在文化人类学和临床精神分析中确定和解释它感兴趣。在本文中,我运用查尔斯·莫里斯提供的符号学方案,探讨了在两种不同实践中确定意义的项目之间的异同。
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引用次数: 0
Bernard J. Paris: Third Force Psychoanalysis and the Study of Literature 伯纳德·j·帕里斯:《第三股力量精神分析与文学研究》
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.1353/aim.2022.0007
P. Rudnytsky
Abstract:The life and career of Bernard Paris, the foremost scholar of Third Force Psychology and its applications to literary study, are reviewed. Paris is praised for the openness with which he writes about his personal struggles and for the depth of his insights into literature. In his autobiographical writings, Paris shows how his reading of Karen Horney, in conjunction with his experience of psychotherapy, allowed him to replace his allegiance to George Eliot's self-effacing Religion of Humanity with a sounder value system. The utility of Paris's focus on the tension between rhetoric and mimesis in literary works, as well as his use of the concepts of the implied author and the authorial personality, is underscored. The legitimacy of analyzing the childhoods of literary characters and of considering the author as a historical person is defended as an enhancement of Paris's synchronic approach.
文摘:评述了第三力量心理学的重要学者贝尔纳德·帕里斯的生平和职业生涯及其在文学研究中的应用。帕里斯因其对个人斗争的坦率写作以及对文学的深刻见解而受到赞誉。在他的自传体作品中,Paris展示了他对Karen Horney的阅读,以及他的心理治疗经历,使他能够用一个更健全的价值体系来取代对乔治·艾略特谦逊的人类宗教的忠诚。强调了Paris对文学作品中修辞和模仿之间张力的关注,以及他对隐含作者和作者个性概念的使用。分析文学人物的童年和将作者视为历史人物的合法性被认为是巴黎共时方法的增强。
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引用次数: 0
Creativity and the Frame 创造力和框架
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-14 DOI: 10.1353/aim.2021.0031
L. Lafarge
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引用次数: 0
The Contributions of Tony Kris 托尼·克里斯的贡献
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-14 DOI: 10.1353/aim.2021.0039
Steven M. Cooper
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引用次数: 0
A Return to Freud's "Complete Oedipus Complex": Reclaiming the Negative 回归弗洛伊德的“完全俄狄浦斯情结”:收回否定
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-14 DOI: 10.1353/aim.2021.0029
D. Luepnitz
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引用次数: 0
Tribute to Tony Kris 向托尼·克里斯致敬
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-14 DOI: 10.1353/aim.2021.0036
J. Kantrowitz
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引用次数: 0
Tribute to Tony Kris 向Tony Kris致敬
IF 0.8 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-14 DOI: 10.1353/aim.2021.0038
R. Paulsen
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引用次数: 0
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