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LEAD FIGURINES FROM THE SANCTUARY OF ARTEMIS ORTHIA AT SPARTA IN THE ART GALLERY OF GREATER VICTORIA (CANADA): PROBLEMS OF TYPOLOGY AND COLLECTIONS HISTORY 大维多利亚(加拿大)艺术画廊斯巴达阿尔忒弥斯神庙的铅雕像:类型学问题和收藏历史
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-04-18 DOI: 10.1017/S0068245421000150
Graham C. Braun, Jacob M. Engstrom
This paper presents the collections history and typological characteristics of a small collection of Laconian lead figurines from the sanctuary of Artemis Orthia currently held in the Art Gallery of Greater Victoria, British Columbia, Canada. The collection, which first belonged to Ramsay Traquair, serves as a case study for the applicability of the traditional lead figurine typology to decontextualised artefacts, demonstrating its limitations for assigning precise and accurate dates based on style without the benefit of stratigraphic and contextual evidence. The paper further attests to the value of comprehensively analysing small museum and gallery collections in order to gain more individualised understandings of the figurines within the large Laconian corpus than could be afforded upon excavation. Thus, this study helps to elucidate some of the limitations to the means by which we interpret Laconian material culture as well as to nuance our understanding of Laconian lead figurines by demonstrating the varied capability of the typology and published comparanda in dating and stylistic description.
本文介绍了目前在加拿大不列颠哥伦比亚省大维多利亚美术馆收藏的阿尔忒弥斯·奥提亚神庙的一小部分拉科尼亚铅雕像的收藏历史和类型学特征。该系列最初属于Ramsay Traquair,作为传统铅雕像类型学在非语境化人工制品中的适用性的案例研究,展示了其在没有地层和语境证据的情况下根据风格分配精确和准确日期的局限性。本文进一步证明了全面分析小型博物馆和画廊藏品的价值,以便在大型拉科尼亚语料库中获得比挖掘时更个性化的雕像理解。因此,本研究有助于阐明我们解释拉科尼亚物质文化的一些局限性,并通过展示类型学和出版的比较资料在年代和风格描述方面的不同能力来细微差别我们对拉科尼亚铅俑的理解。
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引用次数: 2
THE SO-CALLED VILLA DIONYSOS AT KNOSSOS 克诺索斯的酒神别墅
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-04-11 DOI: 10.1017/S0068245421000137
S. Paton
The excavated part of the building known as the Villa Dionysos consists of a peristyle court with rooms on three sides. The rooms have fine mosaic floors, found in a remarkable state of preservation. The excavator, Michael Gough, believed that the building was an isolated structure intended for the practice of Dionysiac cult, and he interpreted his finds in the light of this conviction. After his last season of work in 1971, his views were expressed in a short report (Catling 1972, 21–2). Gough died in 1973 having published no further details of his four seasons of work on the site and, except for some diaries and photographs, many of the records are lost. The pottery from his excavations was, however, fully published in 1983 by John Hayes, and the mosaics were published by Rebecca Sweetman in 2013. Further study of the site, together with the pottery evidence, indicates that the peristyle and its associated rooms were the public reception area of an elaborately decorated Roman domus of the second century AD, and that adjacent buildings to the south may have been the private quarters of this house. A large cistern, connected to the aqueduct, provided a copious water supply. The Dionysiac imagery of the mosaics, together with the extraordinary range of imported wine amphorae found on the premises, suggest that the owner may have prospered through the wine trade.
这座建筑的挖掘部分被称为狄奥尼索斯别墅,由一个三面有房间的围护式庭院组成。房间里有精美的马赛克地板,保存得非常完好。挖掘者迈克尔·高夫(Michael Gough)认为,这座建筑是一座孤立的建筑,是用来进行酒神崇拜的,他根据这种信念来解释他的发现。在他1971年工作的最后一季之后,他的观点在一份简短的报告中表达出来(Catling 1972, 21-2)。高夫于1973年去世,他没有发表关于他在该地点的四季工作的进一步细节,除了一些日记和照片外,许多记录都丢失了。然而,他挖掘的陶器在1983年由约翰·海斯(John Hayes)完整出版,而马赛克在2013年由丽贝卡·斯威特曼(Rebecca Sweetman)出版。对该遗址的进一步研究,连同陶器证据,表明围柱廊及其相关的房间是公元二世纪装饰精美的罗马圆顶的公共接待区,而南面邻近的建筑可能是这座房子的私人区域。一个与渡槽相连的大蓄水池提供了丰富的水源。马赛克的酒神形象,以及在房屋中发现的进口葡萄酒双耳罐,表明主人可能通过葡萄酒贸易获得了繁荣。
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引用次数: 1
Ceramic Cooking Dishes in the Prehistoric Aegean: Variability and Uses 史前爱琴海的陶瓷烹饪盘:变异性和用途
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-03-31 DOI: 10.2972/hesperia.91.1.0001
A. Dimoula, Z. Tsirtsoni, S. Valamoti
ABSTRACT:This article discusses the history of cooking dishes—namely, large, open and shallow, undecorated ceramic vessels—following their diachronic development from the Neolithic to the Iron Age (6th millennium to 8th century b.c.), and their synchronic distribution across the Aegean and the Balkans. The methodological approach involves a synthesis of the information available in the archaeological literature, including experimental and ethnographic material. The morphological, technological, and functional attributes of cooking dishes are reviewed, and their contexts of use are reconstructed. The ultimate aim is to deduce the role of these vessels in past culinary activities, to contribute to discussions on their function(s), and to aid ceramicists in further developing protocols for future analyses and experimentation.
摘要:本文讨论了从新石器时代到铁器时代(公元前6世纪至公元前8世纪)的烹饪餐具的历史,以及它们在爱琴海和巴尔干地区的共时分布。方法方法包括综合考古文献中现有的信息,包括实验和民族志材料。对烹饪菜肴的形态、技术和功能属性进行了回顾,并对其使用背景进行了重建。最终目的是推断这些容器在过去烹饪活动中的作用,促进对其功能的讨论,并帮助陶艺家进一步制定未来分析和实验的协议。
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引用次数: 1
Curse Tablets of the Roman Period from the Athenian Agora 雅典集市上罗马时期的诅咒碑
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-03-31 DOI: 10.2972/hesperia.91.1.00133
D. R. Jordan
ABSTRACT:This article presents 30 curse tablets from underground bodies of water in the Athenian Agora. These include 22 tablets from a well by the Civic Offices concerning slaves (a manumission, the prosecution of runaways), unpaid loans, and foreigners. Tablets from other wells include curses against athletes and thieves, a "ritual diabolê" to bring harm to an enemy, and the first known curse tablet in Athens addressed to the Nymphs. Three previously published texts (reread with a stereoscopic microscope) are presented again; the majority are published here for the first time.
摘要:本文介绍了雅典集市地下水体中的30块诅咒片。其中包括由市政办公室从一口井里挖出的22块石板,内容涉及奴隶(一次释放,对逃跑者的起诉)、未付贷款和外国人。其他井里的石碑上写着对运动员和小偷的诅咒,一种伤害敌人的“仪式diabolê”,以及雅典已知的第一块针对仙女的诅咒石碑。三个以前发表的文本(重读与立体显微镜)再次呈现;大多数是第一次在这里发表。
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引用次数: 1
Classical Sculpture from the Athenian Agora, Part 4: Concluding Remarks on the Sculptures of the Temple of Ares (Athena Pallenis) 雅典集市上的古典雕塑——第四部分:阿瑞斯神庙雕塑总论(雅典娜·帕列尼斯)
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-03-31 DOI: 10.2972/hesperia.91.1.0089
Andrew M. Stewart, Erin Lawrence, Rebecca Levitan, Kelsey Turbeville
ABSTRACT:This article, the last of four, summarizes the results of a decade of work on the sculptures of the Temple of Ares, and supersedes some of the tentative conclusions advanced earlier in the series. It assesses the original Periklean project (especially its possible genesis as a response to the plague of 430–426 b.c.) and the Augustan modifications to it after the temple's transfer from Pallene to the Agora ca. 15 b.c. A chronological appendix charts the temple's prehistory from the 8th century b.c. through the Persian sack of 480; its history from ca. 430 through its destruction in late antiquity; and finally its recovery from the Greek excavations of 1891 to the present.
摘要:本文是四篇文章中的最后一篇,总结了十年来对阿瑞斯神庙雕塑的研究成果,并取代了本系列文章早期提出的一些初步结论。它评估了最初的佩里克里安工程(特别是它可能是为了应对公元前430-426年的瘟疫而建造的),以及奥古斯都在神庙从帕伦转移到公元前15年的阿格拉之后对它进行的修改。一个按时间顺序排列的附录列出了神庙从公元前8世纪到公元前480年的波斯麻袋时期的史前史;它的历史从大约430年到它在古代晚期的毁灭;最后,从1891年的希腊发掘到现在,它的恢复。
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引用次数: 0
TRADITION AND INNOVATION IN AEGEAN IRON TECHNOLOGIES: A VIEW FROM EARLY IRON AGE IONIA 爱琴海铁器技术的传统与创新:从早期铁器时代的爱奥尼亚看
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-03-30 DOI: 10.1017/S0068245421000162
J. Mokrišová, M. Verčík
This article argues that Ionia, located in the central part of western Anatolia, was one of key areas of metallurgical innovation in the Aegean during the transitional period from the Late Bronze to the Early Iron Age. Recent evidence from this region challenges the established narrative that envisions a rather consistent diffusion of iron technologies from Cyprus arriving predominantly via the western part of the Aegean region. This contribution provides a new understanding of the spread of iron technologies in the Aegean by paying particular attention to the social context of technological change and by stressing the need for regional approaches within the Aegean. Crucially, it reassesses the latest evidence from central western Anatolia, and contextualises it within the key cultural, social and technological axes of continuity and change between the Late Bronze and Early Iron Age. This study complements the recent methodological discussions related to the integration of bronze and iron technologies that foreground regional perspectives and pay attention to local knowledge-scapes.
本文认为,在青铜时代晚期到铁器时代早期的过渡时期,位于安纳托利亚西部中部的爱奥尼亚是爱琴海冶金创新的关键地区之一。来自该地区的最新证据挑战了既定的叙述,即塞浦路斯的铁技术主要通过爱琴海地区西部传入,传播相当一致。这一贡献通过特别关注技术变革的社会背景和强调爱琴海区域方法的必要性,提供了对爱琴海铁技术传播的新理解。至关重要的是,它重新评估了来自安纳托利亚中西部的最新证据,并将其置于青铜时代晚期和铁器时代早期之间的连续性和变化的关键文化、社会和技术轴的背景中。这项研究补充了最近与青铜和铁技术整合相关的方法论讨论,该讨论突出了区域视角并关注当地知识景观。
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引用次数: 0
THE IMPACT OF ARCHAEOLOGICAL RECORDING ON THE STUDY OF METAL ARTEFACTS. MYCENAE 1939: A CASE STUDY 考古记录对金属制品研究的影响。迈锡尼1939:一个案例研究
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-03-11 DOI: 10.1017/S0068245422000016
S. Aulsebrook
Aegean Archaeology is one of the oldest branches of prehistoric archaeological scholarship, and many important settlements and cemeteries, such as those at Mycenae, were excavated before the development of more advanced recording techniques that we take for granted today. Nevertheless, the significance of these legacy data as a source of knowledge means we must still find ways to integrate them into our interpretations, despite their limitations. To derive the most robust results possible, it is important to understand exactly what types of impact these earlier recording strategies may have had on our perception of their findings. Yet this type of investigation is rare, meaning that in many cases we know more about the repercussions of taphonomy and the social practices of past societies on the archaeological record than those caused by the actions of our own predecessors. In preparation for a holistic study of all aspects of the use of metals at the Late Bronze Age site of Mycenae, this paper details the exploration of the recording processes in place during the 1939 excavation season. This has been identified as an ideal case study for examining recording strategies because its organisational structure gave each trench supervisor a great deal of individual freedom. Concentrating on their consequences for metal artefacts in particular, each stage of the recording process, in the field, in the museum and in publications, is discussed, as is the aftermath of the Second World War.
爱琴海考古学是史前考古研究中最古老的分支之一,许多重要的定居点和墓地,比如迈锡尼的那些,在我们今天认为理所当然的更先进的记录技术发展之前就被挖掘出来了。然而,这些遗留数据作为知识来源的重要性意味着我们仍然必须找到方法将它们整合到我们的解释中,尽管它们有局限性。为了得到最可靠的结果,重要的是要确切地了解这些早期的记录策略可能对我们对他们的发现的看法产生了什么样的影响。然而,这种类型的调查是罕见的,这意味着在许多情况下,我们对埋藏学和过去社会的社会实践对考古记录的影响比对我们自己的前辈的行为所造成的影响了解得更多。为了准备对青铜时代晚期迈锡尼遗址金属使用的各个方面进行全面研究,本文详细介绍了1939年挖掘季节对记录过程的探索。这被认为是研究记录策略的理想案例,因为它的组织结构给了每个战壕主管很大的个人自由。讨论了记录过程的每个阶段,特别是在实地、在博物馆和在出版物中对金属制品的影响,以及第二次世界大战的后果。
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引用次数: 1
MOBILITY AND METALS: INSIGHTS ON MANUFACTURING, CONSUMPTION, KNOWLEDGE AND PROCUREMENT NETWORKS AT THE BRONZE–IRON TRANSITION FROM THE KARPHI ASSEMBLAGE 流动性和金属:从karphi组合向青铜-铁过渡的制造、消费、知识和采购网络的见解
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-03-10 DOI: 10.1017/S0068245421000149
S. Wallace
This paper investigates the transformative effects on technology of state collapse and related major cultural transitions in the period 1200–1000 BC (Late Bronze to Iron Age). It documents and assesses a notably large, preserved metal artefact assemblage (mainly bronze) from one of the best-known Mediterranean sites of the period. This is the large mountaintop town of Karphi, recently confirmed through excavation as occupied solely at the Bronze–Iron transition. Few other contemporary Aegean settlements sharing these characteristics of size, complexity and single-period occupation have been excavated, producing a lack of comparably informative metals assemblages. This contextual interpretative study considers in-depth knowledge of the archaeology of the site and its landscape alongside the results (published and discussed in Archaeometry in 2021) of surface HH-XRF testing on the whole assemblage. The latter is preserved in similar condition throughout, offering opportunities for broad internal alloy composition profiling by the latter method, as well as limited general compositional comparison with other assemblages from the contemporary Mediterranean. Comparisons of an interregional nature are attempted through typological, technological and contextual study of the Karphi material. In considering using this range of evidence, and considering how procurement, manufacturing technology and consumption processes around bulk metals and metal artefacts changed following state collapse, the analysis dwells on and highlights signs of locally centred, agent-driven shifts in contact, cultural and economic networks. On the basis of the full range of evidence addressed, it argues that Lasithian groups made specific, informed choices about manufacture and consumption without relying on specialised manufacture and supply from other points within Crete.
本文研究了公元前1200-1000年(青铜时代晚期到铁器时代)国家崩溃和相关主要文化转型对技术的变革性影响。它记录和评估了一个非常大的,保存完好的金属人工制品组合(主要是青铜),来自那个时期最著名的地中海遗址之一。这是山顶上的大城镇卡尔菲,最近通过挖掘证实,它仅在青铜-铁过渡时期被占领。很少有其他当代爱琴海定居点具有这些规模、复杂性和单一时期占领的特征,因此缺乏类似的信息丰富的金属组合。这项背景解释性研究考虑了对该遗址及其景观的深入考古知识,以及对整个组合进行表面HH-XRF测试的结果(发表于2021年的《考古学》杂志上并进行了讨论)。后者一直保存在类似的条件下,通过后一种方法提供了广泛的内部合金成分分析的机会,以及与当代地中海其他组合的有限的一般成分比较。通过对卡尔菲材料的类型学、技术和背景研究,试图比较区域间的性质。在考虑使用这一系列证据,并考虑在国家崩溃后,围绕散装金属和金属制品的采购、制造技术和消费过程是如何变化的过程中,分析着重于并强调了以地方为中心、代理人驱动的联系、文化和经济网络转变的迹象。根据所讨论的所有证据,它认为拉西西亚人在制造和消费方面做出了具体的、知情的选择,而不依赖于克里特岛其他地方的专门制造和供应。
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引用次数: 0
A Foreign Potter in the Pylian Kingdom? A Reanalysis of the Ceramic Assemblage of Room 60 in the Palace of Nestor at Pylos 皮利亚王国的外国波特?派洛斯内斯特宫60号房间陶瓷组合的再分析
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-01-04 DOI: 10.2972/HESPERIA.85.3.0491
B. Lis
Abstract:This article offers a reanalysis of the ceramic assemblage from room 60, one of the pantries of the Palace of Nestor at Pylos. The study is based on the original 1966 publication by Blegen and Rawson, excavation notebooks, archive photographs, and personal investigation of the pottery recovered from that room. It is argued that a particular manufacturing technique, characteristic of a group of shapes from room 60 but distinct from the standard Mycenaean potting tradition, betrays the activity of a foreign potter. This study also demonstrates that pottery from room 60 served at least two different functions—as paraphernalia used during funerary feasts and as utensils for manufacturing perfumed oil, a crucial commodity for the Pylian economy.
摘要:本文对皮洛斯内斯特宫(Palace of Nestor at Pylos) 60号储藏室的陶瓷组合进行了重新分析。这项研究是基于1966年布莱根和罗森的原始出版物,挖掘笔记,档案照片,以及对从那个房间找到的陶器的个人调查。有人认为,一种特殊的制造技术,具有60号房间的一组形状的特征,但与标准的迈锡尼制罐传统不同,暴露了外国陶工的活动。这项研究还表明,60号房间的陶器至少有两种不同的功能——作为葬礼宴会上使用的用具,以及作为制造香油的器皿,香油是Pylian经济的重要商品。
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引用次数: 8
Off-Site Scatters and the Manuring Hypothesis in Greek Survey Archaeology: An Ethnographic Approach 希腊考古调查中的非遗址分散与耕作假说:一种民族志方法
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-01-04 DOI: 10.2972/HESPERIA.82.4.0551
H. Forbes
Abstract:This article addresses the debate over the origin(s) of “background” artifacts found between archaeological sites in Greek survey projects, within the general context of refuse disposal practices. Ethnographic and practical data on manure formation and deposition, combined with archaeological and ethnoarchaeological studies, indicate that both the definition of refuse and its disposal are governed by complex, culturally determined rules. In antiquity these rules meant that the wholesale disposal of artifact trash into organic waste used as fertilizer was not the norm. Quantified models demonstrate that despite this fact, the high levels of “background” found in some survey projects are best interpreted as resulting from low levels of artifacts inadvertently incorporated in manure.
摘要:本文讨论了在希腊调查项目中考古遗址之间发现的“背景”文物的起源,在垃圾处理实践的一般背景下。关于粪便形成和沉积的民族志和实际数据,结合考古和民族考古研究,表明垃圾的定义及其处理都受到复杂的文化决定规则的支配。在古代,这些规则意味着将人工制品垃圾批量处理成有机废物用作肥料并不是常态。量化模型表明,尽管存在这一事实,在一些调查项目中发现的高水平的“背景”最好被解释为不经意地与粪便结合在一起的低水平的人工制品。
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引用次数: 23
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Annual of the British School at Athens
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