Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2261920
Helen M. Burrows
BBC Radio’s The Archers original remit was to educate British farmers following WWII but gained a wider audience as popular entertainment. Now less formally about information and education, it stil...
BBC 电台的《弓箭手》最初的宗旨是教育二战后的英国农民,但作为大众娱乐节目,它赢得了更广泛的听众。现在,它不再正式以信息和教育为主题,但仍...
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Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2244473
Tim Wall
This research demonstrates that jazz programming on the BBC was a major form of output in its first decade, and a vehicle to achieve important institutional objectives. It pushes us to rethink the ...
{"title":"Retelling the story of the early BBC through jazz broadcasting 1922 - 1932","authors":"Tim Wall","doi":"10.1080/19376529.2023.2244473","DOIUrl":"https://doi.org/10.1080/19376529.2023.2244473","url":null,"abstract":"This research demonstrates that jazz programming on the BBC was a major form of output in its first decade, and a vehicle to achieve important institutional objectives. It pushes us to rethink the ...","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"42 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139408088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2244470
Leslie Grace McMurtry
While much scholarship has focused on BBC radio drama of the first half of the 20th century, very little to date has dealt seriously with the first decades of the 21st century. Sebastian Baczkiewic...
尽管许多学术研究都侧重于 20 世纪上半叶的 BBC 广播剧,但迄今为止,很少有人认真研究 21 世纪头几十年的广播剧。Sebastian Baczkiewic...
{"title":"Pilgrim on BBC Radio 4: Dark Fantasy, Public Service Broadcasting, and Transmedia Possibilities","authors":"Leslie Grace McMurtry","doi":"10.1080/19376529.2023.2244470","DOIUrl":"https://doi.org/10.1080/19376529.2023.2244470","url":null,"abstract":"While much scholarship has focused on BBC radio drama of the first half of the 20th century, very little to date has dealt seriously with the first decades of the 21st century. Sebastian Baczkiewic...","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"47 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139469485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2244476
Zara Healy
The first BBC radio programme for children in Britain was broadcast on November 15, 1922, by 2ZY in Manchester, on the second day of the BBC’s operation. 2ZY was run by wireless manufacturer, Metro...
{"title":"The Birth of Children’s Radio at the BBC in 1922: How 2ZY in Manchester Launched the First Kiddies Corner, Influenced by American Radio","authors":"Zara Healy","doi":"10.1080/19376529.2023.2244476","DOIUrl":"https://doi.org/10.1080/19376529.2023.2244476","url":null,"abstract":"The first BBC radio programme for children in Britain was broadcast on November 15, 1922, by 2ZY in Manchester, on the second day of the BBC’s operation. 2ZY was run by wireless manufacturer, Metro...","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"9 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139407970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2267356
Tony R. DeMars
Published in Journal of Radio & Audio Media (Vol. 30, No. 2, 2023)
发表于《广播与音频媒体杂志》(第 30 卷第 2 期,2023 年)
{"title":"Editor’s Remarks: Historical and Modern Impact of Radio and Podcasting","authors":"Tony R. DeMars","doi":"10.1080/19376529.2023.2267356","DOIUrl":"https://doi.org/10.1080/19376529.2023.2267356","url":null,"abstract":"Published in Journal of Radio & Audio Media (Vol. 30, No. 2, 2023)","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"65 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139408114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2257184
Tim Crook
For most of the first hundred years of the history of the BBC Richard Hughes (1924 & 1928) has been celebrated as the first author of an original radio play and other male dramatists or directors s...
在 BBC 百年历史的大部分时间里,理查德-休斯(Richard Hughes,1924 年和 1928 年)一直被誉为第一位原创广播剧的作者,而其他男性剧作家或导演则被誉为第一位原创广播剧的导演。
{"title":"Rewriting the Beginning of BBC Audio Drama History- Three Women Playwrights and Their Contribution to British Radio Drama Culture","authors":"Tim Crook","doi":"10.1080/19376529.2023.2257184","DOIUrl":"https://doi.org/10.1080/19376529.2023.2257184","url":null,"abstract":"For most of the first hundred years of the history of the BBC Richard Hughes (1924 & 1928) has been celebrated as the first author of an original radio play and other male dramatists or directors s...","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"24 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139469176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2267955
Josephine Coleman, Janey Gordon
Published in Journal of Radio & Audio Media (Vol. 30, No. 2, 2023)
发表于《广播与音频媒体杂志》(第 30 卷第 2 期,2023 年)
{"title":"BBC Radio 1922-2022: Navigating the Waves of Change","authors":"Josephine Coleman, Janey Gordon","doi":"10.1080/19376529.2023.2267955","DOIUrl":"https://doi.org/10.1080/19376529.2023.2267955","url":null,"abstract":"Published in Journal of Radio & Audio Media (Vol. 30, No. 2, 2023)","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"2 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139415457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-09DOI: 10.1080/19376529.2023.2261924
David Dunkley Gyimah
Published in Journal of Radio & Audio Media (Vol. 30, No. 2, 2023)
发表于《广播与音频媒体杂志》(第 30 卷第 2 期,2023 年)
{"title":"Black London (BBC GLR 1991-1993) the Importance of a BBC Radio Archive for Black British People and Scholars","authors":"David Dunkley Gyimah","doi":"10.1080/19376529.2023.2261924","DOIUrl":"https://doi.org/10.1080/19376529.2023.2261924","url":null,"abstract":"Published in Journal of Radio & Audio Media (Vol. 30, No. 2, 2023)","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"50 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139415493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-20DOI: 10.1080/19376529.2023.2266484
Jr. Peter P. Nieckarz, Anthony Andrew Hickey
This paper is an examination of the vitality of U.S. public radio stations in rural areas. Previous empirical research suggests that the increased presence of commercial underwriting and listener d...
本文是对美国农村地区公共广播电台活力的考察。先前的实证研究表明,商业承销和听众的增加……
{"title":"Live from Here: Comparing the Programming of Rural and Urban Public Radio Stations","authors":"Jr. Peter P. Nieckarz, Anthony Andrew Hickey","doi":"10.1080/19376529.2023.2266484","DOIUrl":"https://doi.org/10.1080/19376529.2023.2266484","url":null,"abstract":"This paper is an examination of the vitality of U.S. public radio stations in rural areas. Previous empirical research suggests that the increased presence of commercial underwriting and listener d...","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":"92 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138519979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-10DOI: 10.1080/19376529.2023.2246132
Eliza Matusiak
Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author.Notes1. “Binaural recordings are made using an ‘artificial head’ – microphones of very small size are placed in the auricles of a mock-up human head. Such recording allows the reproduction of human hearing with all its due spatial orientations. This offers precise localization of sound sources (front, back, top, bottom, right, left). Footsteps on an asphalt surface, a muddy yard or a snowy road sound different. The nuanced nature of the registration in this system makes it possible to specify a host of information that, for a sophisticated listener, can become crucial when analyzing a piece” (Łastowiecki, Citation2014, p. 71). On binaural technology see also: Kostek and Hoppe (Citation2017), pp. 103–113.2. It is worth mentioning the publication of Raymond Murray Schafer in this context, “The Soundscape: Our Sonic Environment and the Tuning of the World” (1977), in which the author extensively describes the audio environment of humans and the role of audio in comparison to visual spaces in human life.3. Why are Podcasts so Popular in 2021? (2021). https://brandastic.com/blog/why-are-podcasts-so-popular/4. Żydek-Bednarczuk (Citation2012, pp. 167–177) writes about hypertext research in the following way: “Hypertext opens up a new perspective on discussions of the theoretical foundations of the study of this phenomenon. Obviously, new media do not allow for analysis in terms of the autonomy of a discipline. Interdisciplinary research is also insufficient. Today, research requires a transdisciplinary approach, which implies syncretism.”5. The choice of the indicated audio plays in two languages was motivated by three main factors: first, the number of Polish-language interactive radio dramas is significantly limited, since interactive speakers such as Google Home and Amazon’s Alexa “do not speak” Polish, and an analysis of only Polish-language productions would be too limiting to conduct research and draw diligent conclusions; second, by compiling audio plays available for smart speakers, apps and web browsers, a broader and comparative spectrum of analysis is possible; and third, including both languages in the study provides an opportunity to reach a wider audience – those who speak only Polish, English or both.6. On Mr. Robot. Daily Five/Nine and Westworld: The Maze, see. Matusiak (Citation2019), pp. 9–22.7. The radio play Alicja 0700 is available at http://www.alicja.sos.pl/, [22.06.22].8. It is also worth referring to the theory of convergence culture, as discussed by Henry Jenkins. For more information, see Jenkins, H. (Citation2006). Convergence Culture: Where Old and New Media Collide. NYU Press.9. The question comes from the radio play The Inspection Chamber.10. Ibidem.11. The question comes from the radio play Westworld: The Maze.12. The question comes from the radio play Alicja 0700.13. The question comes
点击增大图片尺寸点击减小图片尺寸披露声明作者未发现潜在的利益冲突。“双耳录音是用一个‘人造头’来完成的——一个非常小的麦克风被放在一个模拟人头的耳廓里。这样的录音可以再现人类的听力,并具有所有应有的空间方向。这提供了精确定位声源(前,后,上,下,右,左)。在沥青路面上、泥泞的院子里或雪地上的脚步声听起来是不同的。在这个系统中,注册的细微之处使得可以指定大量的信息,对于一个老练的听众来说,在分析一个片段时,这些信息可能变得至关重要”(Łastowiecki, Citation2014, p. 71)。关于双耳技术参见:Kostek and Hoppe (Citation2017), pp. 103-113.2。值得一提的是Raymond Murray Schafer在此背景下出版的《the Soundscape: Our Sonic Environment and the Tuning of the World》(1977)一书,作者在书中广泛地描述了人类的音频环境以及音频在人类生活中相对于视觉空间的作用。为什么播客在2021年如此受欢迎?(2021)。https://brandastic.com/blog/why-are-podcasts-so-popular/4。Żydek-Bednarczuk (Citation2012, pp. 167-177)以以下方式描述超文本研究:“超文本为研究这一现象的理论基础的讨论开辟了一个新的视角。显然,新媒体不允许从学科自主性的角度进行分析。跨学科研究也不足。今天,研究需要跨学科的方法,这意味着融合。”选择两种语言的音频播放有三个主要因素:首先,波兰语互动广播剧的数量非常有限,因为像Google Home和亚马逊的Alexa这样的互动扬声器“不会说”波兰语,而且只分析波兰语的产品将过于局限,无法进行研究并得出认真的结论;其次,通过编译智能音箱、应用程序和网络浏览器可用的音频播放,可以进行更广泛的比较分析;第三,包括两种语言的研究提供了一个接触更广泛的受众的机会——那些只会说波兰语、英语或两种语言的人。《机器人先生》《每日五/九》和《西部世界:迷宫》。Matusiak (Citation2019),第9-22.7页。广播剧Alicja 0700可在http://www.alicja.sos.pl/,[22.06.22]。同样值得参考的还有亨利·詹金斯(Henry Jenkins)所讨论的趋同文化理论。要了解更多信息,请参见Jenkins, H. (Citation2006)。融合文化:新旧媒体碰撞的地方。纽约大学Press.9。这个问题出自广播剧《监察室》。Ibidem.11。这个问题来自广播剧《西部世界:迷宫》。这个问题来自广播剧Alicja 0700.13。这个问题出自广播剧《机器人先生》。每日五/ Nine.14。我知道参与这项研究的受访者人数并不多。然而,这是由于所研究材料的特殊性和进行研究所需的工具。听每一个交互式音频播放,取决于听者的选择,可以持续十几分钟甚至几十分钟。此外,为了接收为互动演讲者制作的互动故事,有必要为学生提供演讲者,并允许每个受访者有机会使用该工具。这反过来又延长了研究的持续时间(每次需要三到四个小时)。然而,花更长的时间来听被分析的互动广播剧,可以让听众集中注意力,探索和沉浸在故事中,这使他们有机会认真认真地回答问卷。因此,研究的结论应该是权威和可靠的。听众在专门为研究广播类型而设计的房间——广播演播室和教室里听选定的音频故事。他们是下列专业的学生:新闻与社会传播、媒体制作、文化研究和摄影,分别来自:卢布林玛丽亚Curie-Skłodowska大学、卢布林天主教大学、Gdańsk大学、瓦米亚和马祖里大学、Łódź大学和Łódź电影学院。这些学生来自第一阶段的学习——本科学习的第三年,来自第二阶段的学习——硕士学习。这些大学是根据与新闻和社会传播相关的无线电研究的发展水平选择的。
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