Pub Date : 2023-09-30DOI: 10.1080/19376529.2023.2261919
Patricia A. Williamson, Heather E. Polinsky
ABSTRACTThis study employs system justification theory to investigate how current and former radio broadcasting professionals perceive the equity and fairness of the industry’s homophilous hiring and employment practices. Results of a survey (N = 143) of radio professionals found men view current employment patterns within the radio industry to be equitable, while women found radio hiring practices to be discriminatory. White men were more likely than other groups to blame women for their own lack of representation, but perceived the underrepresentation of people of color as a systemic problem. Higher levels of system justification were positively related to higher levels of stereotyping. Disclosure StatementNo potential conflict of interest was reported by the authors.Additional informationNotes on contributorsPatricia A. WilliamsonPatricia Williamson serves as the Honors Director at Central Michigan University and is a Professor in the School of Communication, Journalism, & Media. Her research interests and creative work focus on representations of gender, race, and sexuality in media with a particular focus on the radio industry. She also teaches courses on film theory, genre, and criticism.Heather E. PolinskyHeather Polinsky is a Professor in and Director of the School of Communication, Journalism, & Media at Central Michigan University. Her research interests are focused on radio and audio media, media economics, and telecommunications policy. She also produces podcasts and radio segments for public radio.
{"title":"Defending the Status Quo: Prevalence of System Justification Attitudes in the Radio Industry","authors":"Patricia A. Williamson, Heather E. Polinsky","doi":"10.1080/19376529.2023.2261919","DOIUrl":"https://doi.org/10.1080/19376529.2023.2261919","url":null,"abstract":"ABSTRACTThis study employs system justification theory to investigate how current and former radio broadcasting professionals perceive the equity and fairness of the industry’s homophilous hiring and employment practices. Results of a survey (N = 143) of radio professionals found men view current employment patterns within the radio industry to be equitable, while women found radio hiring practices to be discriminatory. White men were more likely than other groups to blame women for their own lack of representation, but perceived the underrepresentation of people of color as a systemic problem. Higher levels of system justification were positively related to higher levels of stereotyping. Disclosure StatementNo potential conflict of interest was reported by the authors.Additional informationNotes on contributorsPatricia A. WilliamsonPatricia Williamson serves as the Honors Director at Central Michigan University and is a Professor in the School of Communication, Journalism, & Media. Her research interests and creative work focus on representations of gender, race, and sexuality in media with a particular focus on the radio industry. She also teaches courses on film theory, genre, and criticism.Heather E. PolinskyHeather Polinsky is a Professor in and Director of the School of Communication, Journalism, & Media at Central Michigan University. Her research interests are focused on radio and audio media, media economics, and telecommunications policy. She also produces podcasts and radio segments for public radio.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136337227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-29DOI: 10.1080/19376529.2023.2261906
Chimwemwe Richard Chavinda
ABSTRACTThis study examines the role of community radio in increasing climate change awareness in Malawi. The article broadly reaffirms the importance of community radio in Africa in democratizing media access, more interestingly by using radio listening clubs in the production process and participation. The study used focus group discussions, participant observation and analysis of radio programs produced by members of Chanco Community Radio listening clubs. The study found that although spaces in which communities participate are controlled by experts, community radio and radio listening clubs have emerged as spaces for marginalized voices to share knowledge, and experiences about climate change and influence change. Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsChimwemwe Richard ChavindaChimwemwe Richard Chavinda is PhD graduate of University of Leicester, United Kingdom, in the School of Media, Communication and Sociology. He holds a Master of Arts Degree in English Language Teaching and Applied Language Studies from London Metropolitan University, United Kingdom. He is a Lecturer in the Department of Media and Communication Studies at the University of Malawi. His research interests are in the areas of Environmental communication and climate change, communication for development and social change, and public communication. He can be contacted at chimrichie@yahoo.co.uk
{"title":"Community Voice and Participation in Climate Change Communication Through Community Radio in Malawi","authors":"Chimwemwe Richard Chavinda","doi":"10.1080/19376529.2023.2261906","DOIUrl":"https://doi.org/10.1080/19376529.2023.2261906","url":null,"abstract":"ABSTRACTThis study examines the role of community radio in increasing climate change awareness in Malawi. The article broadly reaffirms the importance of community radio in Africa in democratizing media access, more interestingly by using radio listening clubs in the production process and participation. The study used focus group discussions, participant observation and analysis of radio programs produced by members of Chanco Community Radio listening clubs. The study found that although spaces in which communities participate are controlled by experts, community radio and radio listening clubs have emerged as spaces for marginalized voices to share knowledge, and experiences about climate change and influence change. Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsChimwemwe Richard ChavindaChimwemwe Richard Chavinda is PhD graduate of University of Leicester, United Kingdom, in the School of Media, Communication and Sociology. He holds a Master of Arts Degree in English Language Teaching and Applied Language Studies from London Metropolitan University, United Kingdom. He is a Lecturer in the Department of Media and Communication Studies at the University of Malawi. His research interests are in the areas of Environmental communication and climate change, communication for development and social change, and public communication. He can be contacted at chimrichie@yahoo.co.uk","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135248045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.1080/19376529.2023.2253221
Anne F. MacLennan, Christine Rose Cooling
ABSTRACTThe British Broadcasting Corporation’s impact on the Canadian Broadcasting Corporation coincides with the arrival of Major Gladstone Murray to take on the position of General Manager, lobbyists for a system like the BBC, and the series of Special Committees on Canadian Radio Broadcasting Commissions in the 1930s. Gladstone Murray, a Canadian, who worked for the BBC as its Director of Publicity from 1924 to 1935, was instrumental in integrating BBC’s public service model in the CBC. This connection to the BBC cemented its impact on the CBC. Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsAnne F. MacLennanAnne F. MacLennan (Ph.D., Concordia University, Montréal, 2001) is an associate professor of Communication Studies at York University, and the Joint Graduate Program in Communication and Culture, York University and Toronto Metropolitan University, Toronto, Ontario. Her research interests Page 5 of 6 are radio, media history, identities, communities, social welfare, women, and popular culture.Christine Rose CoolingChristine Rose Cooling (BA York University, 2023) is an MA student in the Joint Graduate Program in Communication and Culture, York University and Toronto Metropolitan University, Toronto, Ontario. Her research interests are Canadian broadcasting history and contemporary Canadian broadcasting policy.
摘要英国广播公司对加拿大广播公司的影响与20世纪30年代格莱斯顿·默里少校担任总经理、为英国广播公司这样的系统游说以及加拿大广播委员会的一系列特别委员会的到来同时发生。加拿大人格莱斯顿·默里(Gladstone Murray)于1924年至1935年在英国广播公司(BBC)担任宣传总监，他在将BBC的公共服务模式融入CBC方面发挥了重要作用。这种与BBC的联系巩固了它对CBC的影响。披露声明作者未报告潜在的利益冲突。作者简介:anne F. MacLennan(博士，Concordia大学，montracyal, 2001)是约克大学传播研究的副教授，同时也是约克大学和多伦多城市大学传播与文化联合研究生项目的教授。她的研究兴趣是广播，媒体历史，身份，社区，社会福利，妇女和流行文化。Christine Rose Cooling(约克大学文学学士，2023年毕业)是安大略省多伦多市约克大学和多伦多城市大学传播与文化联合研究生项目的硕士生。主要研究方向为加拿大广播史和当代加拿大广播政策。
{"title":"The Impact of the British Broadcasting Corporation on the Canadian Broadcasting Corporation: Gladstone Murray, Special Committees on Radio Broadcasting, and the Canadian Radio League","authors":"Anne F. MacLennan, Christine Rose Cooling","doi":"10.1080/19376529.2023.2253221","DOIUrl":"https://doi.org/10.1080/19376529.2023.2253221","url":null,"abstract":"ABSTRACTThe British Broadcasting Corporation’s impact on the Canadian Broadcasting Corporation coincides with the arrival of Major Gladstone Murray to take on the position of General Manager, lobbyists for a system like the BBC, and the series of Special Committees on Canadian Radio Broadcasting Commissions in the 1930s. Gladstone Murray, a Canadian, who worked for the BBC as its Director of Publicity from 1924 to 1935, was instrumental in integrating BBC’s public service model in the CBC. This connection to the BBC cemented its impact on the CBC. Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsAnne F. MacLennanAnne F. MacLennan (Ph.D., Concordia University, Montréal, 2001) is an associate professor of Communication Studies at York University, and the Joint Graduate Program in Communication and Culture, York University and Toronto Metropolitan University, Toronto, Ontario. Her research interests Page 5 of 6 are radio, media history, identities, communities, social welfare, women, and popular culture.Christine Rose CoolingChristine Rose Cooling (BA York University, 2023) is an MA student in the Joint Graduate Program in Communication and Culture, York University and Toronto Metropolitan University, Toronto, Ontario. Her research interests are Canadian broadcasting history and contemporary Canadian broadcasting policy.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135535330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/19376529.2023.2206260
Tony R. DeMars
To start, special thanks to our guest editors Anne MacLennan and Masadul Biswas for bringing us several great research reports for the symposium part of this edition. The Journal of Radio and Audio Media has had quite a few great symposia in recent years, and we look forward to more in the future. We’re currently reviewing articles for our fall 2023 issue about the 100th Anniversary of the BBC, and please check the BEA Web site for our current symposium call, “Exploring the History and Contemporary Trends in Black Radio,’ with guest editors Tia C.M. Tyree and Melvin L. Williams. Having worked in commercial radio and in university environments advising student radio, there’s a special personal appreciation as editor of the journal for the kind of research JRAM publishes. I hope you will likewise enjoy the variety of research we have included in this issue, within the symposium articles as well as in a variety of other recently accepted studies. A reminder also that we have a backlog of research that was accepted and published online first, and with this and future print editions, we’re working to catch up and not have articles have to wait so long before being added to a printed version of the journal. With so much good research to read, we work within this introduction to help you navigate the journal by highlighting much of the work that follows. We start the non-symposium section of this issue with the work of Teresa Piñeiro-Otero and Daniel Martín-Pena. Their study says that today, in its new digital essence, the medium of radio has acquired materiality and multimedia capabilities through the incorporation of texts, images, videos, and more. Its adaptation to social networks and haptic devices has contributed interactivity and tactility to the listening experience. In this context, what is the essence of the medium? Piñeiro-Otero and Martín-Pena (2023) analyze the presence and use that European mainstream radios give to Instagram, asking, on the quintessential visual platform, European stations become visible, but are they still auditory? Next, Andrea Hanáčková brings a disturbing report from Central Europe, from the background of postsocialist public service media (Hanáčková, 2023). Reports from the European Federation of Journalists and the European Center for Press and JOURNAL OF RADIO & AUDIO MEDIA 2023, VOL. 30, NO. 1, 1–5 https://doi.org/10.1080/19376529.2023.2206260
{"title":"Editor’s Remarks: History, Impact and Entertainment: Radio and Audio Continue to Engage","authors":"Tony R. DeMars","doi":"10.1080/19376529.2023.2206260","DOIUrl":"https://doi.org/10.1080/19376529.2023.2206260","url":null,"abstract":"To start, special thanks to our guest editors Anne MacLennan and Masadul Biswas for bringing us several great research reports for the symposium part of this edition. The Journal of Radio and Audio Media has had quite a few great symposia in recent years, and we look forward to more in the future. We’re currently reviewing articles for our fall 2023 issue about the 100th Anniversary of the BBC, and please check the BEA Web site for our current symposium call, “Exploring the History and Contemporary Trends in Black Radio,’ with guest editors Tia C.M. Tyree and Melvin L. Williams. Having worked in commercial radio and in university environments advising student radio, there’s a special personal appreciation as editor of the journal for the kind of research JRAM publishes. I hope you will likewise enjoy the variety of research we have included in this issue, within the symposium articles as well as in a variety of other recently accepted studies. A reminder also that we have a backlog of research that was accepted and published online first, and with this and future print editions, we’re working to catch up and not have articles have to wait so long before being added to a printed version of the journal. With so much good research to read, we work within this introduction to help you navigate the journal by highlighting much of the work that follows. We start the non-symposium section of this issue with the work of Teresa Piñeiro-Otero and Daniel Martín-Pena. Their study says that today, in its new digital essence, the medium of radio has acquired materiality and multimedia capabilities through the incorporation of texts, images, videos, and more. Its adaptation to social networks and haptic devices has contributed interactivity and tactility to the listening experience. In this context, what is the essence of the medium? Piñeiro-Otero and Martín-Pena (2023) analyze the presence and use that European mainstream radios give to Instagram, asking, on the quintessential visual platform, European stations become visible, but are they still auditory? Next, Andrea Hanáčková brings a disturbing report from Central Europe, from the background of postsocialist public service media (Hanáčková, 2023). Reports from the European Federation of Journalists and the European Center for Press and JOURNAL OF RADIO & AUDIO MEDIA 2023, VOL. 30, NO. 1, 1–5 https://doi.org/10.1080/19376529.2023.2206260","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44017158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/19376529.2022.2142230
E. Essel, Professor Eliza Govender
ABSTRACT This article explores how local values and social identities can be integrated into Ghana’s formal COVID-19 public health communication interventions using community radio. The study adopted a qualitative approach using focus group discussions, in-depth interviews, and reflexive thematic analysis. The ten-step participatory planning and action model to involve the community in the social change process is employed as the theoretical framework for this article. The study found that Radio Peace’s COVID-19 communication intervention is participatory due to the involvement of listeners in its programming. Also, local narratives and values were considered in designing locally relevant COVID-19 interventions through the audience’s access to the station’s activities. We suggest that dominant narratives about the COVID-19 pandemic be adapted to local realities by recognizing marginalized voices through listener involvement and access to local community radio stations.
{"title":"Vernacular Radio and the Practice of Resistance: Community Radio as a Cultural Tool to Engage on Health and Social Identities among Marginalized Communities in Ghana","authors":"E. Essel, Professor Eliza Govender","doi":"10.1080/19376529.2022.2142230","DOIUrl":"https://doi.org/10.1080/19376529.2022.2142230","url":null,"abstract":"ABSTRACT This article explores how local values and social identities can be integrated into Ghana’s formal COVID-19 public health communication interventions using community radio. The study adopted a qualitative approach using focus group discussions, in-depth interviews, and reflexive thematic analysis. The ten-step participatory planning and action model to involve the community in the social change process is employed as the theoretical framework for this article. The study found that Radio Peace’s COVID-19 communication intervention is participatory due to the involvement of listeners in its programming. Also, local narratives and values were considered in designing locally relevant COVID-19 interventions through the audience’s access to the station’s activities. We suggest that dominant narratives about the COVID-19 pandemic be adapted to local realities by recognizing marginalized voices through listener involvement and access to local community radio stations.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47575172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/19376529.2023.2206259
Anne F. MacLennan, Masudul Biswas
Multilingual and multicultural broadcasting and podcasting have expanded with the expansion of diverse populations and diasporas globally. Limited access to many representations of newer and older non-hegemonic communities in mainstream media often means that the access to programming in other languages is produced by Historically Black Colleges and Universities (HBCUs), community radio stations, podcasts, and smaller outlets such as online radio. Occasionally, there are specific designations for alternative sources that are recognized and regulated such as Canadian ethic radio stations (Canadian Radio-television and Telecommunications Commission [CRTC], 1999). Increasingly, the internet provides new sources of nonregulated alternatives to broadcasting, such as internet broadcasting and podcasts. Karim H. Karim explains that “The decentralized nature of online networks stands in contrast to the highly regulated and controlled model of broadcasting. . .. [are]relatively inexpensive, and easy to operate. They facilitate nonhierarchical organization as well as one-person operations, and later communication as opposed to the generally rigid top-down structures of the mass media” (Karim, 2012, p. 167). Sherry Yu goes further to argue to “For a functioning democracy in an increasingly multicultural, multi-ethnic, and multilingual society, the public sphere and the discourse produced and disseminated within that sphere is expected to be multicultural and multi-ethnic, if not multilingual” (Yu, 2016, p. 349). Concerns about communities, cultural representations, and information frequently provide the impetus for the creation of alternatives as argued by Tokunbo Ojo to combat “misrepresentation, under-representation and invisibility of [racialized]. . . minorities in the mainstream media. They are meant to reflect the racial and cultural diversity of Canada through the reportage of their own issues. They provide room for cultural expressions in the sense that cultural folklore and languages are regularly used in reporting and programming” (Ojo, 2006, p. 351). The need to find places in the media for non-hegemonic representation surfaces in different ways depending on the needs and regulations that expand or restrict broadcasting and other media globally. JOURNAL OF RADIO & AUDIO MEDIA 2023, VOL. 30, NO. 1, 6–11 https://doi.org/10.1080/19376529.2023.2206259
{"title":"Symposium Introduction: Multilingual, Multicultural, Migrant, and Diasporic Radio, Audio, and Podcasting","authors":"Anne F. MacLennan, Masudul Biswas","doi":"10.1080/19376529.2023.2206259","DOIUrl":"https://doi.org/10.1080/19376529.2023.2206259","url":null,"abstract":"Multilingual and multicultural broadcasting and podcasting have expanded with the expansion of diverse populations and diasporas globally. Limited access to many representations of newer and older non-hegemonic communities in mainstream media often means that the access to programming in other languages is produced by Historically Black Colleges and Universities (HBCUs), community radio stations, podcasts, and smaller outlets such as online radio. Occasionally, there are specific designations for alternative sources that are recognized and regulated such as Canadian ethic radio stations (Canadian Radio-television and Telecommunications Commission [CRTC], 1999). Increasingly, the internet provides new sources of nonregulated alternatives to broadcasting, such as internet broadcasting and podcasts. Karim H. Karim explains that “The decentralized nature of online networks stands in contrast to the highly regulated and controlled model of broadcasting. . .. [are]relatively inexpensive, and easy to operate. They facilitate nonhierarchical organization as well as one-person operations, and later communication as opposed to the generally rigid top-down structures of the mass media” (Karim, 2012, p. 167). Sherry Yu goes further to argue to “For a functioning democracy in an increasingly multicultural, multi-ethnic, and multilingual society, the public sphere and the discourse produced and disseminated within that sphere is expected to be multicultural and multi-ethnic, if not multilingual” (Yu, 2016, p. 349). Concerns about communities, cultural representations, and information frequently provide the impetus for the creation of alternatives as argued by Tokunbo Ojo to combat “misrepresentation, under-representation and invisibility of [racialized]. . . minorities in the mainstream media. They are meant to reflect the racial and cultural diversity of Canada through the reportage of their own issues. They provide room for cultural expressions in the sense that cultural folklore and languages are regularly used in reporting and programming” (Ojo, 2006, p. 351). The need to find places in the media for non-hegemonic representation surfaces in different ways depending on the needs and regulations that expand or restrict broadcasting and other media globally. JOURNAL OF RADIO & AUDIO MEDIA 2023, VOL. 30, NO. 1, 6–11 https://doi.org/10.1080/19376529.2023.2206259","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43253964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/19376529.2022.2133124
J. Ayala
ABSTRACT Over one-million immigrants of Mayan descent live in the United States, but unlike other ethnic groups, Mayan diasporas struggle to create visibility, political and social capital, and acceptance through media. This case study used a qualitative methodology to analyze how Radio B’alam, the first Mam-language radio program in the U.S., emerged during a global pandemic to fill a community’s need for critical information. The study is grounded in the theoretical framework of geo-ethnic media and explores the roles of citizen journalists in decreasing information gaps and overcoming language barriers, while reaffirming the importance of radio in times of crisis.
{"title":"Oakland’s Mayan Diaspora Overcomes Language Barriers and Finds Refuge in Radio B’alam","authors":"J. Ayala","doi":"10.1080/19376529.2022.2133124","DOIUrl":"https://doi.org/10.1080/19376529.2022.2133124","url":null,"abstract":"ABSTRACT Over one-million immigrants of Mayan descent live in the United States, but unlike other ethnic groups, Mayan diasporas struggle to create visibility, political and social capital, and acceptance through media. This case study used a qualitative methodology to analyze how Radio B’alam, the first Mam-language radio program in the U.S., emerged during a global pandemic to fill a community’s need for critical information. The study is grounded in the theoretical framework of geo-ethnic media and explores the roles of citizen journalists in decreasing information gaps and overcoming language barriers, while reaffirming the importance of radio in times of crisis.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42857060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/19376529.2022.2104016
Claudia Bernadette Bawole
{"title":"BBC Asian Network: The Cultural Production of Diversity","authors":"Claudia Bernadette Bawole","doi":"10.1080/19376529.2022.2104016","DOIUrl":"https://doi.org/10.1080/19376529.2022.2104016","url":null,"abstract":"","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48496636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.1080/19376529.2022.2152455
Ruchi Ravi Shewade
ABSTRACT Crimes against women are common in India due to oppressive cultural norms. Bollywood offers an opportunity to investigate gender role representations. This research examines 20 Bollywood item songs through an intersectional lens. The study is concerned with how aural affordances in item songs delineate oppressive gender roles and violence against women. The study discovered four major themes: increased substance use and gang culture depiction, lower-middle-class women’s hypersexualization, the problematic item girl persona, and female sexual liberation. The study explains how item songs can positively influence public opinion about gender roles and violence against women.
{"title":"Assessing the Role of Items Songs from Bollywood Movies in Delineating Gender Roles in India","authors":"Ruchi Ravi Shewade","doi":"10.1080/19376529.2022.2152455","DOIUrl":"https://doi.org/10.1080/19376529.2022.2152455","url":null,"abstract":"ABSTRACT Crimes against women are common in India due to oppressive cultural norms. Bollywood offers an opportunity to investigate gender role representations. This research examines 20 Bollywood item songs through an intersectional lens. The study is concerned with how aural affordances in item songs delineate oppressive gender roles and violence against women. The study discovered four major themes: increased substance use and gang culture depiction, lower-middle-class women’s hypersexualization, the problematic item girl persona, and female sexual liberation. The study explains how item songs can positively influence public opinion about gender roles and violence against women.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48409397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-16DOI: 10.1080/19376529.2022.2137167
Marquita S. Smith, Dorothy M. Bland
ABSTRACT The United States boasts more than 100 historically black colleges and universities, and 29 of those institutions own and operate radio stations targeted for the HBCU Radio Preservation Project. The lack of minority ownership in broadcasting has been a long-standing issue facing the industry. This study focuses on the radio stations targeted for the HBCU Radio Preservation Project, their web presence as well as how the journalism and mass communication programs integrate the stations in the curriculum. Findings suggest that most of the stations are operated as noncommercial, and provide community programming and outreach beyond the campus. All of the stations in the sample have a web presence and more than half have some affiliation with National Public Radio.
{"title":"Preserving and Tuning into Radio Stations at Historically Black Colleges and Universities","authors":"Marquita S. Smith, Dorothy M. Bland","doi":"10.1080/19376529.2022.2137167","DOIUrl":"https://doi.org/10.1080/19376529.2022.2137167","url":null,"abstract":"ABSTRACT The United States boasts more than 100 historically black colleges and universities, and 29 of those institutions own and operate radio stations targeted for the HBCU Radio Preservation Project. The lack of minority ownership in broadcasting has been a long-standing issue facing the industry. This study focuses on the radio stations targeted for the HBCU Radio Preservation Project, their web presence as well as how the journalism and mass communication programs integrate the stations in the curriculum. Findings suggest that most of the stations are operated as noncommercial, and provide community programming and outreach beyond the campus. All of the stations in the sample have a web presence and more than half have some affiliation with National Public Radio.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46274427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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