Pub Date : 2023-07-27DOI: 10.59056/kbzf.2009.3.p180-183
Ingo Lehmann
Gemessen an der Tatsache, dass die Soundtrack_Cologne 2008 erst ihr fünfjähriges Jubiläum feierte, muss das Kölner Festival/ Symposium zu „Musik und Ton in Film und Medien“ als voller Erfolg gewertet werden. Das Filmmusik-Event in der Rheinmetropole konnte trotz mancher improvisatorischer Einlage und budgetbedingter Einschränkungen bezüglich Inhalt, Vielfalt und Organisation wohl selbst die meisten anspruchsvollen „Fach-Gemüter“ überzeugen und zufrieden stellen. So wundert es – gerade in Hinblick auf die Fülle des Programms sowie die illustre Gästeliste – auch nicht, dass sich die Soundtrack Cologne inzwischen national und international, über brancheninterne Kreise hinaus, zu einer festen kulturellen Institution entwickelt hat.
{"title":"Synergieeffekte in Sachen Bild und Ton – Soundtrack_Cologne 5.0","authors":"Ingo Lehmann","doi":"10.59056/kbzf.2009.3.p180-183","DOIUrl":"https://doi.org/10.59056/kbzf.2009.3.p180-183","url":null,"abstract":"Gemessen an der Tatsache, dass die Soundtrack_Cologne 2008 erst ihr fünfjähriges Jubiläum feierte, muss das Kölner Festival/ Symposium zu „Musik und Ton in Film und Medien“ als voller Erfolg gewertet werden. Das Filmmusik-Event in der Rheinmetropole konnte trotz mancher improvisatorischer Einlage und budgetbedingter Einschränkungen bezüglich Inhalt, Vielfalt und Organisation wohl selbst die meisten anspruchsvollen „Fach-Gemüter“ überzeugen und zufrieden stellen. So wundert es – gerade in Hinblick auf die Fülle des Programms sowie die illustre Gästeliste – auch nicht, dass sich die Soundtrack Cologne inzwischen national und international, über brancheninterne Kreise hinaus, zu einer festen kulturellen Institution entwickelt hat.","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"334 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124700861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2010.4.p8-20
Ornella Calvano
{"title":"Zum Einsatz von Musik, Klängen, Tönen und Geräuschen in DIE EHE DER MARIA BRAUN von Rainer Werner Fassbinder und Peer Raben","authors":"Ornella Calvano","doi":"10.59056/kbzf.2010.4.p8-20","DOIUrl":"https://doi.org/10.59056/kbzf.2010.4.p8-20","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126155886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2010.5.p105-109
Daniela Gorniak, Susan Levermann, Patrick Niemeier
{"title":"ZOO TV: LIVE FROM SYDNEY","authors":"Daniela Gorniak, Susan Levermann, Patrick Niemeier","doi":"10.59056/kbzf.2010.5.p105-109","DOIUrl":"https://doi.org/10.59056/kbzf.2010.5.p105-109","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123750138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2008.1.p178-182
H. J. Wulff
{"title":"Giuseppe Becce","authors":"H. J. Wulff","doi":"10.59056/kbzf.2008.1.p178-182","DOIUrl":"https://doi.org/10.59056/kbzf.2008.1.p178-182","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125365823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2009.3.p11-21
Claus Tieber
In musikalischen Biopics findet sich eine so genannte obligatorische Szene. Darin wird die Neuartigkeit und das Besondere des dargestellten Musikers verdeutlicht. In diesen Szenen steht die Musik im Mittelpunkt und erfüllt zentrale dramaturgische Aufgaben. A so called obligatory scene can be found in most musical biopics. In such a scene the novelty and specialty of the represented musician is emphasized. These scenes are built around music and it is the music that plays a central dramaturgical role in it.
{"title":"Zur filmischen Inszenierung musikalischer Innovation","authors":"Claus Tieber","doi":"10.59056/kbzf.2009.3.p11-21","DOIUrl":"https://doi.org/10.59056/kbzf.2009.3.p11-21","url":null,"abstract":"In musikalischen Biopics findet sich eine so genannte obligatorische Szene. Darin wird die Neuartigkeit und das Besondere des dargestellten Musikers verdeutlicht. In diesen Szenen steht die Musik im Mittelpunkt und erfüllt zentrale dramaturgische Aufgaben.\u0000A so called obligatory scene can be found in most musical biopics. In such a scene the novelty and specialty of the represented musician is emphasized. These scenes are built around music and it is the music that plays a central dramaturgical role in it.","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122407013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2009.3.p96-109
Katrin Eggers
{"title":"„Je näher man ein Wort ansieht, desto ferner sieht es zurück.“","authors":"Katrin Eggers","doi":"10.59056/kbzf.2009.3.p96-109","DOIUrl":"https://doi.org/10.59056/kbzf.2009.3.p96-109","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122809142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2008.2.p113-115
Oleg Pronitschew
{"title":"STANDING IN THE SHADOWS OF MOTOWN","authors":"Oleg Pronitschew","doi":"10.59056/kbzf.2008.2.p113-115","DOIUrl":"https://doi.org/10.59056/kbzf.2008.2.p113-115","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122992767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2010.5.p281-284
Johannes Tomczak, Kerstin Bittner, Caroline Amann, Patrick Niemeier
{"title":"1991 – THE YEAR PUNK BROKE","authors":"Johannes Tomczak, Kerstin Bittner, Caroline Amann, Patrick Niemeier","doi":"10.59056/kbzf.2010.5.p281-284","DOIUrl":"https://doi.org/10.59056/kbzf.2010.5.p281-284","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129579173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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