Pub Date : 2023-07-27DOI: 10.59056/kbzf.2011.5.p519-526
Kevin Finner, L. Grabbe, Julia Fendler, Patrick Niemeier
{"title":"LED ZEPPELIN – THE SONG REMAINS THE SAME","authors":"Kevin Finner, L. Grabbe, Julia Fendler, Patrick Niemeier","doi":"10.59056/kbzf.2011.5.p519-526","DOIUrl":"https://doi.org/10.59056/kbzf.2011.5.p519-526","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114777215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2011.5.p553-559
Annika Krüger, I. Lehmann
{"title":"FESTIVAL EXPRESS","authors":"Annika Krüger, I. Lehmann","doi":"10.59056/kbzf.2011.5.p553-559","DOIUrl":"https://doi.org/10.59056/kbzf.2011.5.p553-559","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117087351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2009.3.p110-122
Kathrin Lämmle, Andreas Wagenknecht
Fernsehmagazine stehen in einem Konkurrenzkampf um die Gunst der Zuschauer und müssen sich neben anderen Sendungen im Programmfluss behaupten. Neben der Profilbildung und Zuschauerbindung der jeweiligen Magazine über die Form und den Inhalt der einzelnen Beiträge, den thematischen Grundtenor sowie die spezifische Moderation spielen auch das Corporate Design und die Corporate Identity eine wesentliche Rolle bei der Etablierung des einzelnen Magazins als eine wieder erkennbare Marke.
{"title":"Die Melodien der Kultur und die Geräusche der Politik","authors":"Kathrin Lämmle, Andreas Wagenknecht","doi":"10.59056/kbzf.2009.3.p110-122","DOIUrl":"https://doi.org/10.59056/kbzf.2009.3.p110-122","url":null,"abstract":"Fernsehmagazine stehen in einem Konkurrenzkampf um die Gunst der Zuschauer und müssen sich neben anderen Sendungen im Programmfluss behaupten. Neben der Profilbildung und Zuschauerbindung der jeweiligen Magazine über die Form und den Inhalt der einzelnen Beiträge, den thematischen Grundtenor sowie die spezifische Moderation spielen auch das Corporate Design und die Corporate Identity eine wesentliche Rolle bei der Etablierung des einzelnen Magazins als eine wieder erkennbare Marke.","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116146966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2008.2.p120-124
Jens J. Reinke
DIE GLENN MILLER STORY USA 1953 R: Anthony Mann B: Valentine Davies, Oscar Brodney K: William H. Daniels S: Russell F. Schoengarth M: Joseph Gershenson (Music Director), Henry Mancini (Adaptation) P: Aaron Rosenberg, für: Universal Pictures Company UA: 10.12.1953; BRD: 3.9.1954 D: James Stewart (Glenn Miller), June Allyson (June Berger Miller), Harry Morgan (Chummy MacGregor), Charles Gregor (Don Haynes), George Tobias (Si Schribman), Barton MacLane (Hap Arnold). Auszeichnungen: American Academy Awards (Oscars) 1954: Best Sound (Leslie I. Carey) 115min, Farbe (Technicolor).
死亡格伦·米勒故事美国1953 R:安东尼·曼B:瓦伦丁·戴维斯，奥斯卡·布罗德尼K:威廉·h·丹尼尔斯S:拉塞尔·f·舍恩加斯M:约瑟夫·格森森(音乐总监)，亨利·曼奇尼(改编)P:亚伦·罗森伯格， R:环球影业公司UA: 10.12.1953;D: James Stewart (Glenn Miller)， June Allyson (June Berger Miller)， Harry Morgan (Chummy MacGregor)， Charles Gregor (Don Haynes)， George Tobias (Si Schribman)， Barton MacLane (Hap Arnold)。1954年:最佳音效(莱斯利·i·凯里)115分钟，《法比》(彩色)。
{"title":"THE GLENN MILLER STORY","authors":"Jens J. Reinke","doi":"10.59056/kbzf.2008.2.p120-124","DOIUrl":"https://doi.org/10.59056/kbzf.2008.2.p120-124","url":null,"abstract":"DIE GLENN MILLER STORY USA 1953 R: Anthony Mann B: Valentine Davies, Oscar Brodney K: William H. Daniels S: Russell F. Schoengarth M: Joseph Gershenson (Music Director), Henry Mancini (Adaptation) P: Aaron Rosenberg, für: Universal Pictures Company UA: 10.12.1953; BRD: 3.9.1954 D: James Stewart (Glenn Miller), June Allyson (June Berger Miller), Harry Morgan (Chummy MacGregor), Charles Gregor (Don Haynes), George Tobias (Si Schribman), Barton MacLane (Hap Arnold). Auszeichnungen: American Academy Awards (Oscars) 1954: Best Sound (Leslie I. Carey) 115min, Farbe (Technicolor).","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122056227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2011.5.p541-544
Johannes Tomczak
{"title":"WESTWAY TO THE WORLD","authors":"Johannes Tomczak","doi":"10.59056/kbzf.2011.5.p541-544","DOIUrl":"https://doi.org/10.59056/kbzf.2011.5.p541-544","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124017622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2010.5.p198-202
C. Brinckmann
{"title":"Programmatik und Verfahren des Direct Cinema (mit besonderem Augenmerk auf Don Alan Pennebaker)","authors":"C. Brinckmann","doi":"10.59056/kbzf.2010.5.p198-202","DOIUrl":"https://doi.org/10.59056/kbzf.2010.5.p198-202","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125836823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2011.5.p623-651
Katja Bruns, James Zu Hüningen
Als Beach Party Movies bezeichnet man ein kleines Genre von Filmen, das sich um die Produktionen der American International Pictures (AIP) versammelt. Zwar gab es eine Reihe von Vorläufern – zuallererst ist die Columbia-Produktion GIDGET aus dem Jahre 1959 zu nennen (nach einem Erfolgsroman von Frederick Kohner), in dem Sandra Dee als Surferin aufgetreten war –, doch beginnt die kurze Erfolgsgeschichte des Genres erst mit BEACH PARTY (1963), einer AIP-Produktion, die einen ebenso unerwarteten wie großen Kassenerfolg hatte.
{"title":"Die Beach-Party-Filme (1963-1968)","authors":"Katja Bruns, James Zu Hüningen","doi":"10.59056/kbzf.2011.5.p623-651","DOIUrl":"https://doi.org/10.59056/kbzf.2011.5.p623-651","url":null,"abstract":"Als Beach Party Movies bezeichnet man ein kleines Genre von Filmen, das sich um die Produktionen der American International Pictures (AIP) versammelt. Zwar gab es eine Reihe von Vorläufern – zuallererst ist die Columbia-Produktion GIDGET aus dem Jahre 1959 zu nennen (nach einem Erfolgsroman von Frederick Kohner), in dem Sandra Dee als Surferin aufgetreten war –, doch beginnt die kurze Erfolgsgeschichte des Genres erst mit BEACH PARTY (1963), einer AIP-Produktion, die einen ebenso unerwarteten wie großen Kassenerfolg hatte.","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129635298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2008.2.p7-26
Claudia Bullerjahn
{"title":"Gender-Konstruktion durch Filmmusik","authors":"Claudia Bullerjahn","doi":"10.59056/kbzf.2008.2.p7-26","DOIUrl":"https://doi.org/10.59056/kbzf.2008.2.p7-26","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123703472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.59056/kbzf.2010.5.p285-288
Andreas Rauscher
{"title":"THE FILTH AND THE FURY – THE SEX PISTOLS","authors":"Andreas Rauscher","doi":"10.59056/kbzf.2010.5.p285-288","DOIUrl":"https://doi.org/10.59056/kbzf.2010.5.p285-288","url":null,"abstract":"","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130892458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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